Juliet Marillier - Wildwood Dancing

Paula put up a hand to dash tears from her cheeks. I started to shiver again and found I couldn’t stop. Costi put one arm around me and the other around my sister. He said, “Shall we go home now?”

That was not quite the end of our story. We put it about that Tati had gone on an extended trip to see distant relatives in the east. Later she would conveniently marry in those parts, too far away for easy visits. We told Aunt Bogdana the truth, and she accepted it with lifted brows and little comment. After all that had happened, she was, perhaps, beyond being shocked.

A few weeks after that eventful night, we had the most welcome of surprises. Father rode into the courtyard, much thinner but undoubtedly in good health. Gabriel was by his side, with two baggage ponies bringing up the rear. The letter brought to them by a certain preternaturally tall messenger had been the only one of mine to reach them. Father had received several from Cezar during the winter, assuring him that all was well with us. He was much relieved to find that this was 398

indeed so, and that everything was as it should be at Piscul Dracului. Almost everything.

Father went very quiet when we told him about Tati, and for a little I feared a relapse. But the fact that Costi was alive, and that he and I wished to marry, was a powerful force for healing. We reassured him that Tati would be well and happy, and that she was among good friends.

As for Costi and me, Father’s return home gave us a little longer to enjoy getting to know each other as girl and boy, rather than girl and frog, before we needed to organize a wedding and start work on producing the male heir required for Piscul Dracului. More time: more walks in the forest as spring slowly crept back to our valley, more campfires, more adventures. More kisses. We were getting better at those all the time. We talked a lot about the future, a future in which we would work together in the business and travel together to those exotic places I had dreamed of.

Aunt Bogdana invited Iulia up to Vârful cu Negur˘a to help with planning a betrothal party. R˘azvan and his sister would be invited. Paula and Stela worked on the papers Paula had brought home from the Other Kingdom. I had told them about the King of the Lake game, and how my taking back my little crown meant our portal would be closed to us from now on.

They were trying to find another crossing human folk could use. Paula was sure the secret was hidden somewhere in those documents.

I wished them luck. In my heart I knew that for me and for Costi, the visits to Dancing Glade were over. We had moved 399

on to a new adventure, one that belonged wholly in our own world, and the prospect of it was so joyful and so exciting that I had few regrets. Only Tati: my lovely sister, destined to fade from human memory and become a princess in a fairy tale, captured by a dark suitor from the realm beyond, sacrificing all for love. I hoped they were truly happy, she and Sorrow.

I did not think I would ever see my elder sister again. But Piscul Dracului was a place of unexpected corners, of eccentric ways and sudden surprises. In time, a new generation would play here, would climb the crooked stairways and run along the galleries and make daring forays out into the great mystery that was the wildwood. Perhaps a pair of children would one day stumble upon a secret portal, and open it by accident to find a wondrous world of magic beyond. They might see the glowing lights and hear the beguiling music of Ileana’s glade. And if they dared to cross over, perhaps they would dance with Tati’s children.

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Author’s Note

Transylvania is a region rich in mythology and folklore, with a long and tumultuous history. Traveling there, I found that it lived up entirely to its reputation, with visible links to an ancient past as well as uglier remnants of more recent times. Villagers scythe hay in the shadow of crumbling Communist-era factories; horse-drawn carts traverse roads leading to clusters of concrete apartment buildings.

During my time there, I visited such well-known attrac-tions as the walled medieval city of Sighi¸soara, but also strayed off the beaten track to meet some of the extraordinary people of the Transylvanian villages. From the protective red tassels on the harness of draft horses to the many crucifixes by the way-

˘

side, from the delights of mamalig

˘ ˘a served with cream and fer-

mented cheese to the first toe-curling mouthful of home-brewed plum brandy, I had a rich and unforgettable taste of life on the Transylvanian plateau, surrounded by some of the grandest mountains and wildest forest in the world.

On hearing the name Transylvania, many people think of vampires and werewolves. Bram Stoker has a lot to answer for!

His novel Dracula, published in 1897, sparked readers’ imagina-tions. It gave rise to an elaborate vampire mythology, which became so popular over the years that many people came to believe it represented the authentic folklore of the region.

There is a whole “vampire tourism” industry in Romania, which encourages the (incorrect) belief that the fifteenth-century 401

prince Vlad ¸Tepe¸s was the original Count Dracula. Vlad inherited the right to use the name Dr˘aculea (son of Dracul) from his father, Vlad III, who was a member of the chivalric Order of the Dragon.

In Romanian, the word drac means both dragon and devil, and it is not difficult to see how this led to a devilish reputation for Vlad the son. He did carry out some cruel and barbaric acts during his time as prince of Wallachia, but he also led his people in a strong defense against the Turkish invaders. There is, however, no evidence at all that he was a vampire.

Stoker’s novel is a work of imaginative fiction. But his story does owe something to the original myths, legends, and beliefs of Transylvania. In Wildwood Dancing , I have tried to go back to earlier sources for my inspiration, and it is for this reason that Tadeusz and his followers are not referred to in the book as vampires, but by the more general name of Night People. I have deliberately made their portrayal ambivalent—are they all bad or partly good?—in order to avoid the Dracula stereotype.

Crucifixes stand all over the rural landscape of Transylvania. They are erected to deflect not only the powers of the devil in this mostly Romanian Orthodox region, but also other entities that may live in the forest—ancient forces that may threaten those who do not respect them.

This is a land where bears and wolves come close to human settlements, a place where snow can lie heavily for up to six months of the year. To survive in such a harsh environment requires a particular understanding of the balance between humankind and wild nature. Certain rituals in which animal masks 402

are worn take place in the more isolated villages at appropriate times of year. These may go back to the practices of the Transylvanians’ ancient ancestors, the tribe of the Dacians, among whom there were both shaman-healers and a warrior caste dedicated to the wolf.

As Paula explains in Wildwood Dancing , the forest provided a refuge for the people of the plateau through hundreds of years of unrest. This enabled Transylvania to retain some autonomy, and a strong sense of identity, despite the presence of such invaders as the Tartars, the Magyars, and the Turks.

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Glossary

Bra¸sov

A merchant town in central

Transylvania. Pronounced Brah- shove

ciorb˘a

Traditional Romanian broth.

Pronounced chor -buh

Constan¸ta

A trading port on the Black Sea coast.

Pronounced Kahn- stahn -tsah

m˘am˘alig˘a

A porridge or cake made with cornmeal

(polenta), and often cooked with sheep

cheese. A staple of the Romanian diet.

Pronounced muh-muh- lee -guh

Piscul Dracului

Devil’s Peak. Pronounced Pis -kul

Drah -koo-looy

poman˘a

A feast for the dead, at which their

worldly goods are given away.

Attended by friends; relatives;

important folk from the village, such as

the judge, priest, and teacher; and poor

people. A spiritual value is attached to

the distribution of the departed one’s

possessions. Can be held at several

significant times after the death: e.g.,

seven days, seven months, one year, or

405

seven years afterward. Pronounced

poh- mah -nuh

Sibiu

A merchant town in central

Transylvania. Pronounced See- bee yoo

¸Tara Româneasc˘a

A region south of Transylvania, also

known as Wallachia. Pronounced Tsah -

rah Roh-muh- neeyes -kuh

T˘aul Ielelor

Lake of the Iele. Iele are female spirits who lure folk to their doom.

Pronounced Tah- ool Yeh -leh-lor

¸tuic˘a

Plum brandy. Pronounced tswee -kuh

Vârful cu Negur˘a

Storm Heights. Pronounced Vur -fool

koo Neh -goo-ruh

voivode

The head of a Transylvanian territory;

princeling. Pronounced voh-yeah- vode

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Pronunciation Guide

to Character Names

Anastasia

Ah-nah- stah -see-yah

Anatolie

Ah-nah- toh -lyeeah

Bogdana

Bohg- dah -nah

Cezar

Cheh -zahr

Costi, Costin

Kohs -tee, Kohs- teen

Dr˘agu¸ta

Druh- goo -tsah

Florica

Flo- ree -kah

Gogu

Goh -goo

Grigori

Gree- goh -ree

Ileana

Eel-leh- ah -nah

Iulia

Yoo -lee-ah

Jena, Jenica

Jeh -nah, Jeh- nee- kah (J pronounced like g in mirage )

Marin

Mah- reen

Nicolae

Nee-koh- lie -eh ( lie rhymes with sky )

Paula

Pow -lah

Petru

Peh -troo

R˘azvan

Rahz- vahn

Salem bin Afazi

Sah -lem bin Ah- fah -zee

Sandu

Sahn -doo

Stela

Stel -ah

Tadeusz

Tah- deh -oosh (deh-oosh almost

one syllable)

Tati, Tatiana

Tah -tee, Tah-tee- ah -nah

Teodor

Teh-oh- dor

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Turn the page for a special preview of the

upcoming companion novel to Wildwood Dancing : CYBELE’S

SECRET

Excerpt copyright © 2008 by Juliet Marillier.

Published by Alfred A. Knopf.

Chapter One

The deck tilted to port, and I tilted with it, grabbing at a rope to keep my balance. One day out from Constanţa, the wind had turned contrary and the waters of the Black Sea rose and fell under the Stea de Mare ’s belly like a testy horse trying to unseat its rider.

“You have excellent sea legs, Paula,” my father commented. He stood perfectly balanced, a veteran of more merchant voyages than he could count. This was my first.

The sail crackled in the wind. The crewmen, grim-jawed and narrow-eyed, were struggling to keep the one-master under control. When they glanced my way, their expressions were hostile.

“It unsettles them to have a woman on board,” my father said. “Ignore it. It’s superstitious nonsense. They know me, and you’re my daughter. If the captain doesn’t like it, he shouldn’t have accepted my silver.”

“It doesn’t bother me, Father,” I said through gritted teeth. Having good sea legs didn’t mean I relished the bobbing motion of the boat or the constant drenching in salt spray. Nor did I much care for the sense that if the Stea de Mare sank, these sailors would put the blame on me. “Is this going to delay us, Father?”