John Creasey - Kill The Toff

“Double. The trap-door’s fixed.”

“Good. Any police about?”

“Well, there is and there ain’t,” said Charlie. “They don’t know where it’s comin’ off, so they’ve split up. “Arf-a-dozen ‘ere, ‘arf-a-dozen there. You know ‘ow it is.” He lowered his voice. “You ain’t takin’ ‘er, are you?”

“We’re sight-seeing, Charlie.”

Charlie gulped. A low murmur of conversation buzzed, eyes turned from Rollison and Clarissa towards the clock which was five minutes fast. Clarissa seemed fascinated by the company, looked about her and said little to Rollison. She stood out among the cheaply-dressed women like a lily in a pond full of weeds. Her cheeks were slightly flushed and her eyes bright with excitement as much as nervousness.

The click ticked loudly.

Rollison finished his drink.

“I think we’ll take a walk,” he said. “Good night, all!” He took Clarissa’s arm as the hands of the clock pointed to ten and Charlie slipped ahead and opened the door. He didn’t speak again. They stepped out into the darkness of the street and the door closed behind them. At intervals gas-lamps broke the gloom; there was hardly a sound.

They turned right.

“If we have to run for it, we shan’t have time to start the car. They’ll probably slash the tyres to ribbons if we take it too near Old Nob’s, anyhow.”

“You ought to know.”

“I’ve a feeling that Mellor will be there,” Rollison said. But he said it largely to reassure her and with his free hand gripped the sword-stick lightly. The hand on Clarissa’s arm was ready to move away in a flash at the first sign of trouble. The quietness of the night was sinister, secretive. Here and there were lighted windows and at most of the windows shadows of men and women. Sometimes they saw a couple standing against a door— watching. Everyone watched; no one spoke. Clarissa’s footsteps rang out clearly as she kept pace with Rollison. A car passed the end of the road, headlights making a brilliant blaze.

“We turn left here,” said Rollison. “Now listen carefully. When I shout “now!” scramble up on to the stage near the piano. Is that clear?”

“Yes.”

“Your life may depend on it.”

“And my reputation, Roily, so that I can be trusted. Please believe in me.”

“You’re here to prove I can,” Rollison said.

They turned the corner. Lights shone over the facade of a building which showed clearly against the stars. That was Old Nob’s and it was less than a hundred yards away. The sound of music came floating gaily through the air and Rollison felt Clarissa’s arm go tense; but she didn’t slacken her pace. Three cars stood outside the dance-hall with sidelights on. Half a dozen men stood about the entrance. As Rollison drew nearer, one of them slipped inside with the tidings. The lobby was poorly lit. Photographs of the band and the cabaret “stars” who appeared nightly were stuck behind the glass fronts of small show-cases.

A strip of threadbare carpet led from the entrance to the pay-box and along a wide passage to the hall itself. A man with a broad, ugly face and oily dark hair, not unlike Waleski, sat in the pay-box, glowering as Rollison approached.

Rollison placed two half-crowns on the pay desk.

“You don’t have to go in,” the man said.

“I do, Tick.”

“You’re crazy.”

“Is Mellor here yet?”

The man named Tick did not answer but thrust two small pink tickets through the hatch. Rollison took them and gave them to Clarissa. She still wore the black-and-white check two-piece; her face was flushed and her eyes were even brighter than at the Lion. Music welled up—a rumba. The sliding noise of many feet on the polished floor came through the partly open door. A little man in a soiled, soup-spotted dinner-jacket stood by the door. He gulped as he took the tickets and opened the door for them to go through.

At the far end, on a low stage, a five-man band played frenziedly in the spotlight. On the floor, which was not overcrowded, a hundred couples danced with wild rhythmic abandon, laughing, grinning—or deadly earnest. A crowd gathered round the bar, in a corner near the door.

As if by clockwork, every head turned towards the door; even the band checked its swing and dancers missed their step. That was only for a second; they went on again swiftly; but there was less laughter, fewer people grinned or smiled and everyone watched Rollison and his partner, furtively or openly.

“Shall we dance?” asked Rollison.

Clarissa nodded.

Rollison hooked the sword-stick over his arm, led her to the floor and immediately whirled her into the thick of the dance. He knew in those few seconds that she was good; in spite of her tension, in spite of the watching eyes and the impending crisis, she danced easily and well; and gradually she began to warm up. They reached the stage and Rollison waved to the band-leader.

“Keep this one up, will you?”

The man didn’t answer but the music went on. Couples dropped out, too tired to go on, others came on the floor. Rollison seemed to give all his attention to the dancing, not to Clarissa; but he was watching as well as being watched. Not a face escaped his notice, hardly a movement. And Clarissa watched, too— looking for the sharp features and the beard of the man she knew as Mellor.

On and on; on and on—

Then a door by the side of the stage opened and Mellor came in with three men, one on either side and one behind him. He stood for a moment on the fringe of the dancefloor, then stepped on to it, towards Rollison and Clarissa.

CHAPTER TWENTY-TWO

The Big Boss

Tension sprang in the room—something which could be felt, which affected everyone from the band to the barkeeper, from the giddiest girl to the oldest man. More people left the floor, cautiously, anxious not to be noticed by Mellor. None came on; no more than fifty couples danced now. The band played with a new frenzy, in keeping with the moment of crisis.

Mellor reached Rollison and tapped his shoulder.

Rollison said: “Hallo,” and smiled and went on dancing; but Clarissa moved stiffly now and kept missing her step.

“My partner,” Mellor said.

“Oh—yes, of course. It must be an “excuse me”, Clarissa.” Rollison surrendered her and Mellor took Clarissa in his arms. A sigh went up round the walls. Rollison glanced swiftly round, saw one of Ebbutt’s men dancing with a blonde who had known younger days, went up to them. “My dance?”

Ebbutt’s man made a queer noise in his throat.

The blonde said: “You’ve arst for it; you’ll get it.”

“Scared?”

“You bet I’m scared!”

“Prefer not to dance with me?”

“I’ll chance it,” she said. “You can dance.”

She smiled tautly and swung her body to the rhythm. Rollison whisked her across the floor, slipped in between Mellor and Clarissa and the couple next to him. Clarissa was like a wooden block. Mellor held her tightly to him. More couples dropped out: the floor seemed empty now. Rollison scanned the doors and saw two men at each, powerful men, most of them obviously on guard. They were Mellor’s men. So he had taken over Old Nob’s. If the police came, if Ebbutt’s men tried a raid, they would be unable to take anyone by surprise.

Outside there were runners, ready to rush in with the news of police approach. Mellor would not have taken the slightest chance tonight.

Mellor was grinning.

His dark, pointed beard made his face seem pale. His eyes glittered and he looked as if he had been drinking heavily. He was well-dressed—better than any man here, after Rollison. Except for the beard, there was nothing unusual about him.

He said clearly:

“You’ll see who’s the boss around here, sweetie.”

Clarissa didn’t answer.

“Rollison thinks he’s clever but he’s going to find out his mistake.”

Rollison grinned across. “That’s what Waleski said.”

The smile faded. “You don’t have to remind me about Waleski. I was talking to Clarissa,” Mellor went on. “Keep your mouth shut or I’ll shut it for you.”

They danced on. The blonde brushed her hair back from her forehead; she was sweating.

“I can’t stand this much longer,” she said. “You were crazy to come here.”

“You won’t have to stand it much longer.” They were near the band again and he winked at the band-leader and then stretched out his hand and touched Clarissa’s arm.

“Enjoying yourself?”

She didn’t answer.

“I told you—” began Mellor.

“Now, young Geoffrey, don’t get cross,” said Rollison. He released the blonde, whispered: “Go to the side,” and at the same moment Mellor dropped his arms from Clarissa. But he didn’t take up a fighting attitude: he just stood there, dumbstruck, as if the “Geoffrey” had drained away all his strength, as it had Clarissa’s.

* * *

Geoffrey Arden.

* * *

Rollison shouted: “Now!”

He grabbed Mellor round the waist and lifted him above his head as he snapped at Clarissa: “On the stage—now!”

He reached the stage a yard behind her and stepped over the low front as the bandsmen stopped playing and scrambled away. Men came rushing towards them, knives flashed, women screamed, the lights went out.

Rollison yelled at Clarissa: “The piano— hurry!”

She stumbled over a chair as torches shot out their bright beams. Mellor was kicking and struggling but still held above Rollison’s head. A glow of light came from the front of the piano, from the ground. Clarissa was outlined against it.

A knife flashed across the room, struck the front of the piano and set the wires tinkling and trembling.

Ebbutt stood at the bottom of a flight of wooden steps leading from the stage trapdoor to the cellar below. Rollison lowered Mellor and pitched him down.

A knife touched his shoulder, another the back of his hand.

Clarissa jumped down into the dimly lighted space below.

In the hall there was wild confusion, shouting, screaming, thudding footsteps. Men sprang on to the stage, cursing and roaring as Rollison jumped down. Ebbutt pulled the trap-door shut and rammed home the bolt. Feet and fists thudded on the door, the floor above their heads shook. A muffled roar rang out and a bullet smashed through the boards and sent a shower of cement chippings over Mellor, who lay helpless with Ebbutt’s knee on his chest.

All right, Bill—the passage,” Rollison said.

Rollison bent down and struck Mellor on the chin—a single blow enough to daze him. Ebbutt sprang towards a passage, where they were safe from shooting, pushing Clarissa in front of him. Rollison dragged Mellor. Several shots came, followed by more thumping.

Rollison brushed his hair back from his forehead.

“How long will it take the police to get here, Bill?”

“They won’t be long,” said Ebbutt, and added fervently “For once I’ll be glad to see the baskets. I— Listen! ”

High above the din came the shrill blast of a police whistle.

* * *

Ebbutt lifted Mellor up and policemen took him from the stage door while he was still dazed. Near the cellar passage, actually leading to a small props room but not to the street, Clarissa stood leaning against the wall. Rollison took her hands and said gently:

“It’s all over, Clarissa.”

“I—I’m all right. So you knew—about Geoffrey?”

“Yes, I knew or guessed. Full story later; but there are things I must know now. Were those blackmailing letters from Geoffrey?”

“Yes.”