John Creasey - The Toff and the Fallen Angels

“Do you know,” said Rollison. “You’ve actually got one thing right. Don’t forget to include that in your column, will you?”

“You no doubt think that’s funny,” said Gwendoline, in an acid voice. “I don’t. Any man who seizes upon the murder of a friend to help him win more cheap popularity with people whom he has fooled for years is incapable of amusing me. I—what are you doing?”

“Proving how funny I can be,” said Rollison, con-trolling his sudden anger. He slid one arm at the back of Gwendoline’s waist, and bent her double over his knee: and then six times in slow, deliberate succession, he spanked her with the flat of his hand—hard enough, he knew, to sting but not hard enough to hurt. She was taken so much by surprise that not until the fifth spank did she begin to wriggle, and at the sixth he picked her up and placed her on her feet again.

“But that in your column, Gwendoline,” he said. “And if you ever sneak up on me again, I’ll repeat the dose!

“My God!” she breathed in a voice choked with rage, “I’ll make you pay for this. I’ll make you pay!”

She spun round and almost ran out of the foyer, and he stood staring after her, smiling, half-glad that he had acted so; but already half-sorry.

Then it came to his mind that for ten minutes or more she had made him forget all about Angela.

At least she hadn’t been able to follow him to Smith Hall.

CHAPTER 7

Smith Hall

ROLLISON drove more slowly than usual back to town, keeping a very sharp lookout, giving every car which appeared to stay behind him every chance to overtake. Satisfied that he had not been followed again he drove along Bloomdale Street, one of the few in the district where large single houses were still safe from the clan-gour of the demolition machines. Most of them were now used for business, university or hostel purposes; Rollison believed only one was still used as a private residence. There was some echo in his mind of a story about the owner, Sir Douglas Slaker—no, Slesser—no, but something like it. One of the old school, he had re-fused to sell any of the considerable properties he had in central London—oh, that was it! Sir Douglas Slatter, twice compelled by the law to give way to town planning schemes, more often successful in holding up what some called progress and he called vandalism.

Rollison had more than a sneaking admiration for him.

But he, Slatter, was an anachronism, too!

For the first time, he laughed at his treatment of Gwendoline Fell. Then he recalled that he had not remembered who she was, at first; his memory was failing.

“Don’t be a damned fool,” he said sotto voce.

The big corner house, Number 31, was Smith Hall, the name and the number written on the fanlight over the front door, very clearly. There was no board in the grounds, nothing he could see to announce the fact that it was a hostel.

The house next door to it was Slatter’s. He drove past, parking fifty or sixty yards away, then walked back to the hostel, glancing behind him all the time, still on edge because of Gwendoline. He had to step into the roadway at a spot cordoned off by flickering lamps outside a plot of land where builders were working but he hardly noticed it. He was about to turn into the gateway when he saw a shadow, thrown from a front room window light, on the ground. It looked like a man’s head and shoulders. He walked on, without slackening his pace even for a moment. But he did not go far, just turned round and walked back towards Smith Hall very softly.

He could still see the shadow.

There was a low brick wall between the two gardens, and between the wall and each house perhaps ten feet. He turned softly into the garden of Number 29, thankful for the grass underfoot, which deadened the sound of his approach. He went along by the wall, and slowly the figure of a man materialised, waiting in the shadows and watching Smith Hall.

The nearer Rollison drew, the bigger and more powerful the man seemed to be.

Rollison, making no sound at all on the grass, drew level; only about four feet and the stone wall—no more than four feet high—were between him and the lurking man. Rollison watched and waited, just as the other was doing.

The man was obviously watching the front door of Smith Hall.

Anyone who came out of the Hall would not see him, and he would need to take only two or three quick steps forward to reach the flagged path. He was so still that if it were not for his breathing he might have been mistaken for a statue.

Had he a weapon in his right hand?

Rollison could not be sure, for the whole of the man’s right side was in darkness, no light reached it at all. The left arm only could be seen, half-raised, the hand resting against the dark overcoat. And he was gloved.

His shoulders were enormous.

People passed, footsteps sharp on the pavement. Cars passed, mostly with only parking lights on, some with headlights dimmed, but bushes in the grounds of the Hall were so placed that the man was almost completely hidden; only the Toff, whose power of observation amounted to a sixth sense, would have noticed him.

There was a sudden click from the porch, as of a door being opened. The man seemed to square his shoulders, and to raise his right arm. Now at last Rollison could see that he carried something heavy, it looked like a bricklayer’s hammer with its massive steel head.

The door opened; brighter light shone but did not fall upon the waiting man. Rollison placed a hand on the wall, ready to vault over, quite sure that he could forestall any attack. He saw the shadow of a woman thrown by the light in the hall, then heard the door slam and the light was dim again.

Naomi Smith stepped from the porch on to the path. The waiting man raised the weapon in his hand, and leapt forward.

And as he leapt and as Naomi cried out in alarm, the Toff vaulted over the wall and called in a sharp voice of command:

“Keep still! Don’t move!”

On the instant the assailant spun away from Naomi and towards the Toff, who now saw that there was a stocking drawn over the big face, making it quite unrecognisable. He saw, too, the murderous hammer swinging, not towards Naomi Smith but towards his own bare head.

Rollison flung up a hand to fend off the blow and swung to one side. He caught the other’s forearm on his own, and it was like a steel bar. Off-balance, he tried to pivot, sensing that his assailant would rush at him, knowing that a man of such strength would be dangerous and could be deadly. He caught a glimpse of the stocking-covered face; it looked like the face of an idiot. Too near for a punch to be effective, Rollison gripped the other’s wrist, and twisted in an attempt to heave the man over his shoulder. He failed. He caught a doubled knee, intended for the groin, on the inner side of his thigh.

He heard shouting : a woman, then a man, then several men.

He gripped again but the masked assailant pulled himself free, then swung away and leapt the wall, dis- appearing from sight, as two men rushed down the path towards Naomi Smith, who was standing like a figure carved from stone.

Voices broke, incoherently.

“What was it?”

“Where is he?”

“Is anyone hurt?”

There were a dozen useless questions while Rollison moved towards the wall and began to search the ground. There was so little light here. A policeman turned into the gate. As Rollison bent down, a young man joined him.

“Looking for something?”

“Yes.”

“I’ve got a torch.” There was a click, and a pale beam of light wavered over grass and the dark brick wall—and then shone on the heavy-looking head of a bricklayer’s hammer.

“What’s that?” the youth darted forward.

“Don’t touch it !” exclaimed Rollison, in time to make the other draw back.

Behind them, Naomi Smith was saying: “I’m all right, I am, really.” On Rollison’s right the policeman was bearing down and a number of other people had gathered in the gateway. Why did people have to stand and gape and watch when others suffered? What sadistic streak lay buried in man?

“Good evening,” said the policeman. He was slight but quite tall and had a faintly Scottish accent. “What’s happening here?”

“A man was waiting to attack whoever was coming out of the house, as far as I can tell,” answered Rollison. “I happened to spot him. He dropped this,” He pointed to the hammer, glad to notice that the policeman bending down, made no attempt to touch it. “The assailant got away.”

Was anyone hurt?” asked the constable, practically.

“I don’t think so,” said Rollison. “Unless he himself was. This is a hostel for young women, and—”

“I know what it is, sir,” said the policeman, and lowered his voice. “Aren’t you Mr. Richard Rollison?”

“Yes,” said Rollison simply.

“Is this anything to do with what happened at St. John’s Wood, sir?”

“From the look of that hammer it wouldn’t surprise me,” said Rollison. “Can you see that it’s left there until your C.I.D. men come and have a look round?”

“I certainly can, sir.” The policeman pulled out a knob in the transistor radio tucked into his tunic and began to report to his division with a lucidity which Rollison admired, and which gave him much relief : he did not need to guide this young officer into doing what he wanted. And other police were approaching, from the gate one spoke with the patient firmness of authority.

“Move along, please, you’re causing an obstruction. Move along.”

“Is anyone hurt?” floated from the gateway.

“Isn’t that the hostel where—”

“Move along, now! I don’t want to have to tell you again!”

“I’ll be inside,” Rollison said to the constable near him, as the man pushed the aerial in.

“Thank you, sir. We’ll have a car along in a very few minutes.”

Raison looked towards Naomi Smith, who was now standing in the porch with the door behind her open and the light throwing her in dark relief. The policeman and the youth, seeing that they could do nothing more for her, turned towards Rollison.

“Are you the Rollison?” the youth breathed. The—the Toff?”

“Yes,” answered Rollison, crisply. “Now I must look after Mrs. Smith. Why don’t you telephone me later tonight or sometime tomorrow? You’ll find my name in the book.”

“Oh—may I?” There was tremendous excitement in the young voice.

“I’d like you to,” said Rollison. “And thank you for your help.” He moved away, watched very intently now by everyone who was near, and joined Naomi Smith. “Let’s go in,” he said, and took her arm leading her towards the hall beyond.

No one was there.

Rollison noted that the hall was pleasantly bright and much better furnished than might have been expected. There were oil portraits on the wall; the chairs, an oak settle and a big wardrobe were all old and well-preserved. The parquet flooring was well-polished and there was a big Indian square—Mirzapore, Rollison thought. A central staircase ended at a half-landing from which another flight led to the right and to the left.

Looking down from a wooden rail were three girls. In the shadowy light up there, each looked pale and nervous and dark-eyed.

Why hadn’t they come downstairs?

He wished Angela was one of them.

Naomi led the way to a room on the right, and switched on ceiling lights revealing a room which was part office, part sitting room. The big square desk had a green leather top, so did a smaller desk near it, on the right. On the other side was a typing table. Here were two telephones, a terra cotta jar filled with ball-point pens, another with finely-sharpened pencils.