Peake, Mervyn - 02 Gormenghast

'I hate him!' said Titus.

'You're becoming a 'bore!' said Fuchsia, with heat. 'Can't you say anything except "I hate him"? What's wrong with him? Do you hold his appearance against him? Do you? If so, you're mean and damnable.'

She shook her thick black hair away from her eyes. Her chin trembled.

'Oh God! God Do you think I want to quarrel with you, Titus, my darling?

You know how I love you. But you're unfair. 'Unfair'. You know nothing about him.'

'I hate him,' said Titus. 'I hate the cheap and stinking guts of him.'

FIFTY-SIX

As the months passed the tensions increased. Titus and Steerpike were at daggers drawn, although Steerpike, the soul of bland discretion, showed nothing of his feelings, and gave no sign to Titus or the outside world of his loathing of this forward boy - the boy who unconsciously stood between him and the zenith of his ambition.

Titus, who ever since that day when, little more than a child, he had defied Steerpike in the classroom silence, and had fallen fainting from his desk, had held on grimly to the dangerous ascendancy he had gained by that curious and childish victory.

Every day the details of his after-school duties were read out to Titus in the Library, Steerpike flicking through the pages of cross-reference, and explaining the obscurer passages with clarity and precision. Up till now the Master of Ceremonies had kept rigidly to the letter of the Law. But now, in the all but invulnerable position of being the only one who had access to the tomes of reference and procedure, he was making a list of duties which he would insert among the ancient papers. He had been able to unearth some of the original paper, and it was only for him to forge the copper-plate writing, and the archaic spelling and invent a series of duties for Titus which would be both galling and, on occasion, sufficiently hazardous for there to be always the outside chance of the young Earl coming to grief. There were for instance stairways that were no longer safe - there were the rotten beams and crumbling masonry. Beyond this there would always be the possibility of deliberately weakening and undermining certain cat-walks that stretched along the upper walls of the castle, or in some way or another of making sure that in following out the forged procedures, Titus would sooner or later fall 'accidentally' to his death.

And with the death of Titus, and with Fuchsia in his power, the Countess alone would stand between him and a virtual dictatorship.

There would yet be enemies. There would be the Doctor whose intelligence was rather more acute than Steerpike would have wished; and there was the Countess herself, the only character for whom he held a puzzled and grudging respect - not for her intelligence, but for the reason of the very fact that she baffled his analysis. What was she? What was she thinking and by what processes? His mind and hers had no point of contact. In her presence he was doubly careful. They were animals of different species. They watched one another with the mutual suspicion of those who have no common tongue.

As for Fuchsia, it was but a step towards mastery. He had surpassed himself.

Her heart was now as tender as his overtures had been, with their delicate gradations, their subtle cadences, their superb restraint.

It was no longer a case of their meeting at dusk, now here, now there, at varying rendezvous. For some while, Steerpike had for his own delectation been furnishing yet another secret room for himself. He now had nine, scattered throughout the castle only one of which, a large bedroom-study, was known to the castle. Of the rest five were in obscure quarters of Gormenghast, and three, though in the most populous areas, were as curiously hidden as a wren's nest, in a bank of grass and weeds. Their doors, abutting on major arteries of the castle, were never seen to open. They were there for all to see but no one saw them.

In one of these rooms which he had but recently appropriated, and which he only visited at night when thick silence lay along the corridor, he had got together a few pictures, some books, a cabinet of shallow drawers in which he kept his collection of stolen jewellery, of old coins, a range of poisons, and various secret papers. A thick crimson carpet covered the floor. The small table and the two chairs were of elegant design and he had skilfully repaired the damage that long years had worked upon them. How different was this interior to the rough stone corridor without, with its stone pillars on either side of every door and the heavily protruding shelf-like slabs of stone above.

It was to this room that Fuchsia made her nocturnal journeys, her heart beating, her pupils dilated in the darkness. And it was here that she was so courteously received. A shaded lamp threw out a soft golden glow. A book or two, carefully chosen, lay casually here and there. It was always irksome for Steerpike to make those last few changes in the disposition of the objects which were calculated to give an air of informality to the room. He detested untidiness as he detested love. But he knew that Fuchsia would be ill at ease with the kind of formal and perfect arrangement that gave him pleasure.

Even so, she seemed strangely incongruous in that tasteful and orderly trap. For Steerpike could not entirely destroy the reflection of his own coldness. She seemed too much alive - alive in so different a sense from the glittering and icy vitality of her companion - too much alive in the way that love like an earthquake or some natural and sinless force, is incompatible with a neat and formal world. However quietly she sat back in her chair, her black hair about her shoulders, she was potentially disruptive.

But she admired what she saw. She admired all that she was not. It was all so different from Gormenghast. When she remembered her old untidy attic and the rooms she now occupied with the floor littered with poems, and the walls with drawings, she supposed that there must be something wrong with her.

When she remembered her mother, she felt, for the first time, embarrassed. One night when she tapped upon the door with her fingertips there was no reply. She tapped again, glancing apprehensively along the corridor on either side. The silence was absolute. She had never before had to wait for more than the fraction of a second. And then a voice said. 'Be careful, my lady.'

Fuchsia had started at the sound as at the touch of a red iron. The voice had come from nowhere. There was no sound of a step. In fear and trembling she lit the candle she carried in her hand - a rash and risky thing to do. But there was no one. And then, in the far distance, something began to approach her rapidly. Long before she could see Steerpike she knew it was he. It was but a few moments before his swift, narrow, high-shouldered form was upon her and had snatched the candle from her hand and crushed out the flame. In another moment his key had been turned in the lock and she had been hustled through the door. He locked it from the inside, in the darkness, but he had already whispered fiercely 'Fool.' With that word the world turned over. Everything changed.

The delicate balance of their relationship was set in violent agitation - and a dead weight came down over Fuchsia's heart.

Had the crystalline and dazzling structure which Steerpike had gradually erected, adding ornament to ornament until, balanced before her in all its beauty, it had dazzled the girl - an outward sign of his regard for her - had the exquisite structure been less exquisite, less crystalline, less perfect, then its crash upon the cold stones far beneath would never have been so final. Its substance, brittle as glass, had been scattered in a thousand fragments.

The short, brutal word and the push which he had given her had turned her on the instant from a dark and eager girl into something more sombre. She was shocked and resentful - but less resentful, for those first moments, than hurt. She had also become, without her knowing it, 'Lady Fuchsia'. Her blood had risen in her -the blood of her Line. She had forgotten it when love was tender, but now in bitterness she was again the daughter of an Earl.

She had known, of course, that to light a candle outside the very door was against all their strictest rules of care and secrecy. But she had been frightened. Maddening as it would have been for their rendezvous to have been discovered, yet there had been no sin in it, save that of her conducting her affairs in secret, and of allowing herself to be the close friend of a commoner.

But his face had been ugly with anger. She had never known that he could so lose that perfect, that chiselled quietness of pose and feature. She had never known that his clear, neat and persuasive voice could have taken on a tone so savage and cruel.

And to have been pushed! To have been thrust forwards in the darkness. His hands, which once, like those of a musician, had been so thrilling in their delicate strength, had been rough as the claws of an animal. As surely as the change of his voice, as surely as the word 'fool', this shove in the darkness had woken her to a reality both bitter and galling.

But, as she trembled, there was, mixed with the mortification, the ghostly and exciting memory of that voice out of nowhere. It had evolved out of the darkness and at no more distance from her than a few feet, but there had been no one there. She had no more idea of how it had originated than of the intention or meaning of its warning. She only knew now, that she would not seek assistance from Steerpike; she would not confide her fear of this inexplicable 'voice' in someone who had degraded her. All the Lords of Gormenghast were at her shoulder.

She turned on her heel, in the darkened room, and before he had lit the lamp, 'Let me out of here,' she said. But almost immediately the familiar room was filled with the gold lamp-light and she saw upon the table, sitting with its face cupped in its wrinkled hands, a monkey. It was dressed in a little costume of red and yellow diamonds. On its head was a small velvet hat, like a pirate's, with a violet feather curling from the crown.

Steerpike had covered his face with his hands, but he was watching Fuchsia through the slits between his fingers. He had lost command. The sight of a flame, where it had no cause to be, had struck at him like a lash. He had not been burned for nothing and fire was his only fear. Once again he had failed.

But he did not know how seriously. He watched her through his fingers. She stared at the monkey with an expression quite indefinable. What surprise she felt was not in evidence. The turmoil and the shock of having been so roughly treated was still too strong in her for any other emotion to supplant it, however bizarre the stimulus might be. But when the vivid little animal rose to its feet and took off its hat, and when it replaced it after scratching its head and yawning, then, for an instant, something less sad suffused her face with a fleeting animation.

But it was impossible for her mood to be swung so rapidly from one extreme to another. A part of her mind was fascinated by the oddness of it all, but nothing touched her heart. It was a monkey dressed up and that was all. What would once have inflamed her with excitement, left her now, at this paralysing moment, quite frozen.

Steerpike had gained a moment or two but what could he do with them? She had commanded him to let her go from the room when the monkey had caught her eye.

Once again she turned her gaze to him. Her black eyes appeared quite dead, the lustre drained away. Her lips were tightly closed.

She saw him with his hands across his face. And then she heard his voice. 'Fuchsia,' he said. 'Allow me one moment, only one, in which to tell you of the danger from which we have just escaped. There was no time to be lost and though there could never be any excuse, and although I can never ask for forgiveness, yet you must allow me a short moment in which to explain my violence.