Greg Iles - The Devils Punchbowl

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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (USA Today) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.

A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town.

Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the Magnolia Queen, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.


From Publishers Weekly

Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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Dr. Jessup brings a quivering fist to his mouth, and I realize I'm seeing something I’'ve never witnessed before. Jack Jessup, a surgeon who, for as long as I can remember, appeared to be as stony and remote as a Victorian banker, is crying.

Father Mullen starts toward him as though to commiserate, but I warn the priest off with a glance. When a man like Jack Jessup breaks down, he’s capable of anything.

“Mr. Mayor,” Father Mullen says softly, “Dr. Jessup felt that before I called the bishop, you might be able to give me some details unknown to the public—things that might mitigate the present appearance of things.”

Despite my desire to help, I'm hesitant to reveal anything about

what Tim was doing. It’s not that I don'’t trust the priest. My fear is that Dr. Jessup, in his desire to amend people’s opinions of Tim, might reveal more than he should. In truth I never liked the surgeon, but he’s suffering terribly now, and if I can ameliorate that, I should. The risk of Tim not getting a Catholic funeral must be remote, but one never knows what bureaucrats will do to keep from offending those who subsidize their existence.

“Gentlemen,” I say reluctantly, “I want both of you to give me your word that what I'm about to say doesn’'t go beyond these four walls.”

Dr. Jessup’s eyes narrow. “I'’ll never repeat anything you say here. As God is my witness.”

Father Mullen frowns at the doctor, but it’s hard to chide a man who has just lost his son. “You have my word, of course,” says the priest.

“I want the seal of the confessional.”

Mullen looks offended. “I'm not sure what you mean by that. You’re not Catholic, are you?”

“You know exactly what I mean, Father. I'm sorry to insist, but I’'ve known priests and pastors who betrayed confidences, both in private conversation and in court.”

Father Mullen shakes his head with a weary sigh. “The seal of the confessional. What we say here goes no further.”

Dr. Jessup is watching me like the parents of defendants I prosecuted for rape or murder watched the faces of their sons’ accusers; he’s waiting for some hint that his child wasn'’t the terrible man people believe he was—some scrap of hope to cling to as time wears him down and leaves nothing but memory.

“Father Mullen,” I say softly, “I'm ashamed to admit this, but I was Tim’s childhood friend, yet for the past few years I shared the low opinion people have of him. If we’re all honest here, I think even Dr. Jessup shared that opinion.”

A strangled croak comes from my right, but I cannot bear to look.

“In the next few days, people are going to say a lot of things about Tim. The newspaper may say he was using drugs the night he died. The police or the district attorney might even say Tim was planning to commit terrible crimes. I'm telling you now that those charges will be lies.”

Dr. Jessup’s shoes creak as he steps forward and leans closer. “What do you mean? Tell us.”

I keep my eyes on those of the priest, which are blue and clear and bright with skepticism. “Tim Jessup was a hero,” I tell him quietly. “I don'’t say that lightly. Tim died trying to save innocent people from suffering, and to protect this town from evil. That may sound archaic, Father, but I’'ve dealt with evil firsthand. I know what I'm talking about. Tim suffered terrible torment before he died. The tragedy is that his death was unnecessary. Had the rest of us been doing the work we pay lip service to doing, Tim would still be with us. I know Mrs. McQueen has suffered over her son, but Tim paid for that a long time ago. What matters most is this: Even if the truth of what Tim was trying to do never comes out, every citizen of this town is in his debt. Of that you can be sure.”

Dr. Jessup clutches my upper arm like a drowning man clutches a life preserver.

Father Mullen’s eyes are wide, his mouth half open. “Well…I think I expected a plea for the sake of the man’s wife. Can you give me any details?”

“I'm afraid not. There are lives at stake.”

The surgeon’s hand is shivering on my arm. “Please, Penn. Anything.”

I shake my head. “Father, Jacqueline Kennedy once said that the Catholic Church is at its best when dealing with death. To me, this is one of those opportunities to live up to the promise of your creed. I personally don'’t know what Tim believed about God, but I do know he believed

in

God. He made religious references to me the night before he died, and I know he believed he was doing God’s work when he was killed. Now, you can call the bishop if you like. But I think it’s best if Dr. Jessup and I just leave you alone with your conscience.”

Before the priest can respond, I turn and pull the old surgeon with me to the door. Dr. Jessup is wheezing like an asthmatic, but this sound isn’t respiratory distress; it’s the throttled crying of a man who sealed himself off from emotion for most of his life and now finds himself unable to contain the hurt and stunted love within him.

“Can you get home all right?” I ask.

Dr. Jessup won'’t let me off so easy. When we reach the steps, he

seizes my arm and turns me until I'm looking into his watery gray eyes, eyes that for forty years seemed to look down from an Olympian height to the mortals who came to him to cut out their tumors and inflamed gallbladders, and that now hold only pain and pleading. How the mighty are fallen.

“Was that true? What you said about Tim? That he was trying to do something good?”

“Yes. But don'’t ask me what it was. And please don'’t tell your wife yet. I'’ll tell you the rest of it someday, Doctor. When it’s safe. But that’s the best I can do tonight.”

Dr. Jessup shakes his head slowly. “You said he—he suffered.”

I look down the street, toward the corner of Washington Street. “You’re going to see that for yourself when Tim’s body comes back from Jackson. You’re a doctor, so you’ll know what you’re looking at. I wanted you to be prepared. Don’t let your wife see him.”

“Who killed my boy?” Dr. Jessup asks in a cracked whisper. “You tell me. Tell me!”

“I can’t.”

“But you know, don'’t you?”

“No, sir. And I'm afraid the police aren'’t even calling it murder yet. Not officially. The next few days are going to be hard on you and Mrs. Jessup. I hope you can take some comfort in what I told Father Mullen. I don'’t think you’ll have any more trouble about the funeral. Mullen’s just young, and I'm sure Mrs. McQueen was pretty formidable. She feels about Patrick the way you do about Tim.”

Dr. Jessup nods. “I know that. I see it now.”

I try to turn and walk to my car, but he clings to me, his hand like a claw on my wrist. “What are

you

doing? I know you’re your father’s son. Are you trying to finish what Tim started?”

A car with blue headlights approaches on the street. After it hisses past, I say, “All I can tell you is this: If I have anything to do with it, Tim will not have died in vain. Now, I need to go.”

“One last thing,” Dr. Jessup says. “I know your father never thought much of me. All my life I chased after things that don'’t mean a damned thing. My son needed me, and all I could do was hate him for not being what I wanted. Well, this is my punishment, I guess.” Dr. Jessup’s gaze slides off my face and climbs the but

tresses and spires of the cathedral. “Your father was the best of us. Our crop, I mean.” The wet eyes come back to me. “And Tim thought the world of you. I wish you would say something at his wake, if you will. Even if you can’t say what you told us in there.”

“Of course I will.”

Just as I think I'm free, the gray eyes peer into mine with a darkness like blood behind them. “If you find out who killed my boy, Penn, you pick up the telephone. You hear me? Tell me where to find him, that’s all. I don'’t care if I spend the rest of my life behind bars and eternity in flames.”

Dr. Jessup’s clenched hand finally loosens as the force of his passion drains from him. For a moment I fear he’s going to collapse on the steps, but then he pulls his coat around him and gets himself under control. I saw this too many times when I was a prosecutor, most often in victims’ families: fathers and brothers who would readily kill to avenge those they should have loved far better when the person was alive.

“Tim will get justice. The best thing you can do for him now is take care of your grandson. Your wife and your daughter-in-law too. They need you.”

With a last grimace of confusion, he shuffles past me toward the big Mercedes by the curb. As he wrestles with his key, I trot to my car on unsteady legs, hoping that Caitlin has waited for me.

Caitlin is watching from one of her front windows as I pull up. She opens the front door with only her face showing, as though she’s just gotten out of the shower, then motions for me to come in, but I wave her out to the car. She extends a bare foot and calf, points to the foot, then disappears inside. I get out and walk halfway to her door. A moment later she comes out wearing shorts, sandals, and a white linen top, a puzzled look on her face.

“To what do I owe this honor?”

“We need to talk,” I whisper, “and it can’t be in our houses or cars. Is there a car at the newspaper office we can use?”

She’s looking at me strangely, but she answers quietly. “Yes. Are you going to drive us over there?”

When I nod, she walks back and locks her door, then comes out to my car.

Caitlin never needs to be told anything twice, unless it’s to keep her nose out of something. She doesn’'t speak as we drive across town; she’s content to study me from the passenger seat. I look toward her a few times, but it’s difficult to do that without making eye contact, and there’s too much unsaid between us to endure that for long. It’s easier to study her legs, which are long and toned and surprisingly tawny, given her pale skin. She must have spent some time in the lower latitudes recently.

“Antigua,” she says, reading my mind.

“Alone?”

“No.” After letting me suffer for a few moments, she says, “A corporate retreat.”

“I’'ve never really understood what happens at those.”

“Depends on the company. Some put you through a week of New Age sermons on the gospel of wealth. Others encourage you to kill large mammals and screw beautiful ethnic prostitutes.”

After the awful tension at the rectory, this makes me laugh. “I spent a lot of my career dealing with men who’d rather screw large mammals and kill beautiful ethnic prostitutes.”

This brings a real laugh from Caitlin. In the closed car the sound rings bright and true. “Or writing about them,” she says.

I nod but don'’t continue our old conversational rhythm, and the sparkle dies in her eyes. As I start to pull into the newspaper parking lot, she points to the side of the building, which I assume means I should park behind it. When I get to the back, I see six cars parked in a row beside a glass door.

As soon as we’re inside, she says, “Are you sure you don'’t just want to talk here?”

“Can you get us total privacy? I don'’t want everyone in the building knowing I'm here.”

“If you don'’t mind sitting on the floor of a supply room.”

“Fine. Perfect.”

A little way up the hall, she leads me into a room lined with metal shelves and boxes, then locks the door behind us. After a quick survey of the shelves, she pulls down two boxes of legal-size copy paper and makes a seat. I pull down two more, and soon we’re facing each other, separated by three feet of harshly lit space.

“You look bad,” she says bluntly. “How long has it been since you slept?”

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