Greg Iles - The Devils Punchbowl

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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (USA Today) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.

A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town.

Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the Magnolia Queen, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.


From Publishers Weekly

Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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“Make them account for every one of them. Look for time sheets. Try to spot the vehicles on surveillance cameras.”

Logan leans back in his chair. “Jessup did something on that boat, didn't he? That'’s why he’s dead.”

“I have no idea, Chief.”

“Sure you don'’t.”

For a moment I consider telling Logan that I know where Tim’s car is, but that’s a risk I'm not prepared to take until I know Carl Sims is alive and well. “I’d also check every business and home on Broadway for security cameras. Maybe somebody has a tape of the minutes before Tim went over the fence and doesn’'t even know it yet.”

“I’'ve checked. No luck. In Natchez, you generally only find cam

eras at gas stations, convenience stores, and banks. Liquor stores, of course.”

“And casinos,” I add.

“I hear you. But what judge is going to give me a search warrant for those tapes?”

“Judge? I thought you had a stack of presigned warrants over here that you just fill out when you need one.”

Logan shakes his head. “Once upon a time, maybe. But those days are gone. I can pick up the phone and get a search warrant for almost anywhere in the city, probable cause or not. But the security tapes of a casino boat? No judge wants to get into a pissing match with those people and their lawyers.”

“An honest judge has nothing to worry about. You’ll get the warrant if you ask for it. Try Eunice Franklin.”

Logan gives me a weary sigh. “I'’ll think about it, okay?”

“Don’t think too long. Tapes can be erased. Actually it’s probably hard drives, not tapes. I’d get on top of this fast.”

“In an ideal world.”

“The world is what we make it,” I say softly.

Logan steeples his fingers and regards me with a cold eye. “You know, when you won for mayor, I was looking for some big changes. And I think you were ready to make them. So why haven'’t things changed much?”

“I take your point. I realize you don'’t have a lot of power, Don. But you do have some. And no one can fault you for working a homicide case hard. Certainly not the average citizen. If you say you need those tapes, I'’ll back you up, and so will the people of the town.”

“The people of the town won'’t be sued for harassment by a battery of attorneys.”

“Who do you think pays if you lose a suit? Ultimately, it’s the town.”

“Okay, okay. But let me turn this around. What are

you

doing about Jessup’s death?”

“Nothing,” I say flatly.

Logan seems surprised, but after a few moments he seems to reconcile himself with the fact that I can’t or won'’t say more. “Penn,

what did Jessup steal? What’s on that USB drive he hid up his ass? If I knew that…”

I turn up my palms and give him a helpless shrug. Unless he’s a very good actor, Don Logan is an honest man. That he’s in the dark about the missing data tells me that. But his power to help me with my problem is limited. “Are your men as ignorant of that as you are?”

His eyes never leave mine. “I wish I knew.”

“Have you been threatened, Don?”

“Not in so many words. But it’s no secret that nobody wants a cash cow to stop making milk.” Logan gets up and gets himself a cup of coffee from a small carafe on a table to his left. “I thought I was being put through the ringer, but you look pretty rough, brother.”

“I feel worse than I look.”

“You’d better get some sleep.”

“I'm about to. Maybe things will be better when I wake up, huh?”

Logan sips his coffee. “I wouldn'’t count on it. If this were a hurricane, I’d say it hadn'’t even made landfall. Yet.”

I get to my feet and walk slowly toward his door. “I hope you’re wrong.”

“Any last advice?” Logan asks.

“Think hard about who you assign to this case.”

“Who would you suggest?”

“Family men with no history of financial problems or substance abuse. And none with expensive habits.”

He studies me in silence for a while. “What if they actually turn up some evidence?”

“I’d keep it to myself until I talked to the mayor.”

Logan clucks his tongue. “What about the district attorney?”

“Obviously the DA has to be informed. At some point.”

“That sounds like a dangerous game.”

“It has been from the start. We just didn't know we were playing it.”

When I step outside, Caitlin actually gets out and opens my door for me. “A new black Cadillac Escalade parked in the lot three minutes after you went inside.”

“Where is it now?”

“The second you appeared in the entryway, it took off, headed downtown.”

“It didn't pick up anybody or drop someone off?”

“No. And it had tinted windows. I couldn'’t see anything.”

Only after I'm in and seated do I notice my open backpack on the floor at my feet. My pistol is lying on the dashboard.

“Good girl.”

“Maybe it was nothing,” she says.

“Don’t think that for a second. You’re in the middle of this now. You’ve been in it ever since you wrote the story on Tim’s death.”

“Should I drive back to the office and get my car?”

“No. This van’s blown now. Let’s take the shortest path to your house. I need a bed.”

She pulls out of the lot and turns right, heading toward town through widely spaced pools of sodium-pink light. “What did Logan want?”

“He knows Tim was murdered. He knows it has something to do with the

Magnolia Queen.

Beyond that…I don'’t know.”

“Do you trust him?”

“I think he’s clean on this. But he knows something’s wrong, and that it runs deep in the town.”

“Can he help?”

“Not much, if at all.”

The smell of the leftover Greek food combined with the mess already in the van makes my stomach roll.

“What is it?” Caitlin asks anxiously.

“Just queasy. Exhaustion.”

I feel her hand close on my left knee. “Three minutes, you’ll be in my bed.”

A strange laugh comes from my lips, but it sounds like someone else’s voice. “I thought that would take a lot more work than this.”

“Oh, I'm not worried. I don'’t think you could do anything about it even if you wanted to. Certainly not up to my standard, anyway.”

I want to offer a riposte, but my synapses don'’t seem to be firing properly. My eyelids are closing when my cell phone rings. I start to ignore it, but then I see that the caller is Seamus Quinn.

“Our friends from the Emerald Isle,” I mutter. “Hello?”

“What the fuck are you doing?” Quinn asks with his usual diplomacy.

“Making sure the police don'’t turn my ex-girlfriend’s son into hamburger.”

There’s a short pause. “Where are you now?”

“With my old girlfriend.”

“What girlfriend? The bookstore woman?”

“No, my

old

old girlfriend. The mouthy cunt, as your boss called her.”

Caitlin shoots me a sidelong look.

“What kind of game are you playin’, counselor?”

“No game. You told me to do what I would normally do. The chief called me about Soren Jensen, I went to deal with it. I'm still looking for your property.”

“And you haven'’t found it?”

“I covered the whole cemetery today, but I couldn'’t find anything.”

“Keep lookin’.”

On a hunch, I decide to take a gamble. “I did find Tim Jessup’s car.”

“Did you, now? Where was that?”

“Bottom of the Devil’s Punchbowl.”

“Ah. Well. That doesn’'t interest me.”

So they already knew about the car. They may even have burned it and run it into the Punchbowl. But from Quinn’s tone, I don'’t think he has Carl Sims on his radar. “Does your company own a black Escalade?”

“Don’t know what you’re blathering on about,” Quinn says. “But stick her once for me tonight, eh? She’s a hot piece.”

Caitlin obviously heard this last remark. She’s acting like she can’t believe the guy would say that, but she knows better, and she leans close to hear the rest of the conversation.

“I'’ll keep that in mind. I'm sleeping at her place. Tell your goons to keep their distance.”

“High and mighty,” Quinn says. “Know her type well. They want it nasty. She looks a bit young for you. Give me a ring if you run out of steam.”

Quinn is laughing as I click END.

“Was that Sands?” Caitlin asks.

“No, his security chief. He’s a thug. A monster, probably. Sands talks like the Duke of York. At least until he takes off the mask. Then he sounds like what you just heard.”

“Charming.”

“Don’t try to find out for yourself.” I slide lower in my seat, trying to find a comfortable position. “These guys are predators, you can’t forget that. Tim told me that the first night, and I didn't let it sink in. Don’t make the same mistake.”

Caitlin nods thoughtfully in the dark, but her eyes are bright. As it does most people, evil fascinates her. Like me, Caitlin has probed the dark side of human nature through her work. But unlike me, she has not become exhausted by the effort. As I descend into sleep, I recall a line of Wilde’s that she once quoted to me:

The burnt child loves the fire.

CHAPTER

26

It doesn’'t take long for a hooker to latch onto Walt. He’s playing the craps table in high style, like an oilman with money to burn, and nothing draws girls like burning money. This one’s young, and that fits his role: sugar daddy on the prowl. She’s a bottle blonde with skinny legs, a hard face, and hard little tits, but she’s not more than thirty, so she’ll do. Walt likes dark-haired women, but he’s somebody else tonight—J. B. Gilchrist from Dallas, Texas—and picking a wrong woman makes it easier to remember that.

Walt’s working the

Zephyr,

not the

Magnolia Queen.

In a market this small, word of a big player will spread plenty fast. His goal is to lose enough of Penn’s money that by tomorrow night, every pit boss and dealer in town will know his name.

The crowd on the

Zephyr

is mostly black, which he’d expected when a guy on the shuttle bus joked about him going to the

African Queen.

The majority of this clientele clearly doesn’'t have money to lose, but here they are, dropping their dollars into the slots and looking longingly at the table games. He feels guilty sliding the brightly colored chips across the felt under their watchful eyes, but he’s got a job to do, and there’s no point worrying about something he can’t change.

It takes about fifteen minutes—and a good deal more of Penn’s cash—before the table hits a hot streak. Walt’s not the roller when it happens, but that hardly matters: Craps is the most social of casino games, with the players rooting for each other, united against the house. By laying down hundreds per bet, Walt’s become the de facto “table captain,” and all eyes are on him. If he wins, everybody wins, at least in spirit.

By the time the roller has hit his fifth point, Walt’s up by thousands, and the hooker’s snuggling closer on his arm. His fellow players’ eyes go from Walt, as he makes his bet, to the tumbling dice, then back to Walt, who’s increased his line bets to a thousand dollars.

A couple of men in Western-style suede sport coats have joined the swelling crowd waiting for an opening at the table. Well-heeled rednecks by the look of them—one older with gray whiskers, the other a Tim McGraw look-alike in his midthirties—father and son, maybe. If they stick around, Walt might ask them about finding some action. They’ll ogle the blonde and say, “It looks like you already found some, partner,” but he’ll shake his head and draw them in close and ask about some real sport. They might act confused, play it carefully, but the young guy’s wearing an Angola Prison Rodeo belt buckle, so he can’t be from too far away. Walt suspects that he, at least, knows the score.

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