Greg Iles - The Devils Punchbowl

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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (USA Today) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.

A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town.

Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the Magnolia Queen, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.


From Publishers Weekly

Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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“Where are we going?”

“To throw them in the river.”

With a strange buzzing in my head, I kneel beside the black dog, lever my right arm under it, then wrestle it over my shoulder in an awkward fireman’s carry. The damn thing must weigh a hundred pounds, and it stinks. I'm winded before I cover twenty yards, but Kelly’s already far ahead.

This is one time I should have let him do the job alone.

When I reach the river’s edge, the white carcass is already spinning slowly downstream under the stars, and Kelly is stuffing the dog’s head into the rear cargo hold of his kayak. With the last of my strength, I stagger downstream from the boats and heave my burden into the current. The Bully Kutta disappears with a splash, then bobs to the surface.

“They actually went after my sister,” I say with breathless disbelief. “I haven'’t heard my dad sound that upset since Ruby died.”

Kelly squats and rinses his wounded forearm with river water. “I'’ll tell you what I think,” he says softly, scrubbing the half-clotted blood from his skin.

“What?”

He looks up, his mild blue eyes like those of a choirboy. “I think Jonathan Sands has become a one-bullet problem.”

CHAPTER

34

“A one-bullet problem?” Caitlin asks, echoing Kelly’s repeated phrase. “You mean you want to kill Sands? In cold blood?”

Kelly looks around the circle of faces in the room. Along with Kelly and Caitlin, Carl Sims, my father, and I are seated in chairs in the den of a lake house owned by Chris Shepard, my father’s youngest partner. Because it’s after Labor Day, most of the houses used as second homes by Natchezians are empty now. As I drew the curtains over the broad glass doors on the far wall, I saw the narrow black line of Lake Concordia, the oxbow lake that carries the name of the parish, behind the house. I also saw James Ervin, who’s guarding us from the lake side, while his brother Elvin guards the road entrance. Danny McDavitt is sitting in the chopper across the lake road, in the cotton field where we landed.

“Actually,” says Kelly, “my blood is still pretty hot at this point.”

“Mine too,” says my father. “Gutless bastards.”

While my father dressed Kelly’s wounded arm, we listened to his account of Jenny being attacked on the highway (not even the British police believe it was an accident), then brought Dad up to speed on the events on the river. While we talked, Carl tied the Bully Kutta’s severed head in a trash bag, then stored it in the refrigerator, so that its brain can be examined by the path lab in the morning. Coming after the events beside the river tonight, this scene was so surreal that

I could scarcely separate thought from emotion. Kelly’s assertion that the time has come to kill Jonathan Sands seems perfectly natural to me, given the situation. I can tell by Caitlin’s hard-set face that she doesn’'t agree. She doesn’'t want to antagonize my father, but she’s not going to be silent when the matter at hand is assassination.

“Look, I want the guy to go down,” she says. “He’s scum, okay? No question. But you can’t just kill him. I mean, if it’s all right for you to decide who lives and dies, the same goes for everyone else. Who empowered you? If you’re free to do that, where does it end? Back in the cave, that’s where.”

Kelly listens patiently until she stops. “Let me tell you a secret, Caitlin. We’re still in the cave. It’s just bigger, and we wear nicer clothes. We make alliances and try to be civil, we save the weak instead of leaving them out in the cold to die. But guys like Sands, Quinn, Po…they play by the ancient rules. To them, life is a zero-sum game. You win or lose, live or die. And the most important rule of all is, you take everything you can, when you can, until somebody draws a line and says, ‘No more.’”

“Is that your view of life?”

“If it were, I wouldn'’t be offering to kill a man in front of witnesses. You probably studied existentialism in college, right? Survey of philosophy course? I'm not trying to patronize you, okay? But I

am

an existentialist. A soldier. Asleep or awake, in uniform or out. There’s war in Afghanistan, but there’s war here too. When Sands threatened to kill Penn’s child, he opened hostilities and declared the rules of engagement. We know from Linda Church’s note that Sands probably murdered Ben Li, or else ordered it done. It’s a miracle Linda isn’t dead too—

if

she’s still alive, which we don'’t know for sure. I'm sure they'’re hunting for her as we speak.”

Caitlin shivers at this thought.

Kelly nods with certainty. “Given where things stand now, we have only one practical solution. Remove Sands from the equation.”

“You’re willing to do that?” Dad asks. “If we say here and now that that’s what we want…then Sands will die?”

Kelly nods soberly. “Quinn too, I think. Unavoidable.”

Caitlin shakes her head in amazement. “And you’ll go back to Afghanistan and never lose a night’s sleep over it?”

“I'’ll sleep better.”

What strikes me most about Kelly’s cool assertion is that a couple of hours ago, he was unwilling to put a dying dog out of its misery. But that mystery will have to wait. I look at my father, who’s rubbing his white beard with arthritically curled hands.

“It’s tempting,” Dad says. “When I think of Jenny rolling over in that car, I could do it myself.”

“I'm sorry to be a drag here, guys,” Caitlin says. “But this is

way

over the line. What does killing Sands even accomplish? If Edward Po is the problem, who’s to say he won'’t carry on the vendetta and send men here to kill Penn and every member of his family?”

“She’s got a point,” Carl says. “You’d be crazy not to consider that.”

“I’'ve considered it,” Kelly says. “Edward Po is a businessman. Whatever he’s up to here, he ultimately views it in terms of profit and loss. You can’t go around murdering government officials in small-town America. It draws the wrong kind of attention. That'’s bad business. Sands is Po’s cat’s-paw, his control mechanism for Golden Parachute. If Sands dies, Po will simply order Craig Weldon to put someone else in that job.”

“Yet you’re arguing that Sands

will

murder government officials,” Caitlin points out. “Or their families.”

“I think he’s proved that he will. I don'’t think Sands is motivated primarily by money.”

“You don'’t know that Po is either. You’re ignoring the question of face. If Po is a criminal, can he afford to let other criminals know that his lieutenants can be killed without reprisals?”

“I considered face,” Kelly says patiently. “Also

guanxi.

I think killing Sands is actually the most elegant solution to our problem—and not just for us. If Sands is killed, I suspect Po will claim credit for the murder—unofficially, of course. Competitors will assume that Po had Sands murdered for interfering with his niece, Jiao, whom Po vowed to protect from people like Sands.”

Everyone is silent, not least because Kelly seems two steps ahead of us all.

“We either kill him or we back off,” Kelly concludes. “Conventional methods are too slow. They’re just going to get someone we care about killed.”

“Carl?” Caitlin says pointedly. “Would

you

kill Sands?”

The sniper gives her a “Why me?” look, like a grade-school student being called on by his teacher. “Kelly’s a free agent,” he mumbles. “The man makes his own decisions.”

“I'm asking about

you.

”

“Depends on the situation. If somebody was going to die because I didn't, I would, yeah.”

“But would you shoot him sitting at his breakfast table?”

Carl turns up his palms. “I don'’t think so, but it’s complicated. I

have

shot somebody who was eating dinner, because the Marine Corps told me he needed to die. Now, I don'’t know Jonathan Sands from Jonathan Livingston Seagull. But if I knew he was going to kill my sister or my mother…then I’d vaporize him.”

Caitlin turns to me, as though I'm the court of last resort. “You’re an attorney, sworn to uphold the law. You’ve sent people to death row for doing exactly what Kelly’s offering to do now. Are you really going to send him out of this house to commit murder?”

The fact that I think Kelly is right surprises even me. I’'ve been in similar situations before, with the power of life and death over someone almost as evil as Sands, and I chose to use the court system, even with the chance that they might escape punishment. But Sands is a special case. I wish Caitlin and I could have this discussion in private, because she tends to get more stirred up when she’s in front of people. But there’s no alternative now.

“I have sent people to death row,” I concede in a level voice. “But not for doing something like this. This is a unique situation. Tim stumbled into something far bigger and more complicated than he knew. Blackhawk’s position and Peter Lutjens’s warning prove that. We still don'’t really know what we’re dealing with. We only know that the government is involved in some way, and that Sands and Quinn are prepared to kill to prevent anyone from learning what they'’re doing. I also know that wherever they are, my mother and Annie are scared to death. They’re holding their chins up, but they'’re terrified that they’ll get a phone call saying that Dad or me is dead. And I believe that’s a real possibility.”

“That sounded like a summation, not an answer,” Caitlin says, her tone still challenging.

“Caitlin…this is like a stalking case. When I was a prosecutor, I saw a lot of women die needlessly because the police had no effec

tive way to intervene until after they were dead. A lot of the men who killed those women went to prison afterward. But the women were still dead.”

This time I get no ricochet response.

“In this case, there are four women who could die,” I go on, “all of whom I love. And one of them is you.”

“Don’t do that,” she says with startling intensity. “Don’t use me to justify killing someone.”

“Maybe we should take a vote,” Kelly suggests.

“No!” snaps Caitlin. “We’re not taking any goddamn vote. No one here has the right to vote on murder. If you kill Sands, you'’ve done it on your own.”

“What would you do if he went through with it?” I ask. “Would you report Kelly to the police?”

She gets to her feet and turns to my father. “Tom, you’re not seriously condoning this?”

Dad looks up at her with sad eyes. “I understand your feelings, Kate. I believe in the rule of law. And Sands hasn’'t killed a member of my family—yet. But that’s only thanks to chance. My daughter could easily have died two hours ago.”

“But she

didn't,

Tom. She’s going to be all right. We have time to take another path.”

“What path would that be?”

“We could go public. I can have this story on the front page of twenty-three papers tomorrow, and a lot more than that, if I bring my father into this. I’d hate to do that, but if we’re to the point of assassinating someone, then I think it’s time to break the story nationwide.”

“If we go public,” I point out, “Edward Po won'’t set foot on U.S. soil for ten years, at least. Whatever he’s doing here, he won'’t be nailed for it.”

Caitlin looks at me like I'm an idiot. “What do you think Po is going to do if you murder Sands? You lose Po that way too.”

“What exactly would you print?” I ask. “Unsubstantiated allegations?”

Kelly leans forward and says, “I know going public seems like a magic solution, throwing light onto people who live in the shadows. But men like Po don'’t see the world the way you do. They’re not

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