Greg Iles - The Devils Punchbowl
- Название:The Devils Punchbowl
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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (USA Today) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.
A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town.
Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the Magnolia Queen, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.
From Publishers Weekly
Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence.
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South Boston. You can play it as cool as you want, but you see me. You hear me. And I don't want any misunderstanding after I leave this room. Were not your problem anymore, and youre not ours. You guys can rob this town blind for all we care. Neither I nor the mayor is going to lift a finger to stop you. Am I right, Penn?
Right.
But, Kelly adds, if anything happens to my friend or his familyif his father should suffer a minor heart attack while walking through the produce section of the local Wal-Mart, say then you, Jonathan Sands, will cease to exist. Your pal standing behind me toobut purely as an afterthought. Id take him out just to get rid of the bog stink.
I hear Quinn shifting his weight, but Sands stops him with a glance.
Are we clear? Kelly asks.
Danny, Danny, says Sands. Who do you think youre dealing with?
Rats, Kelly says. Informers. But thats an old IRA tradition, isnt it? That's why you have the kneecapping with the power drills and all that, to try to keep your mates from selling you out for a bottle of Bushmills.
Sandss eyes harden remarkably fast.
Youre ratting Po to the government, Kelly goes on, despite my trying to shut him up with a glance, which sounds like a risky proposition to me, even if they get him. But if I were you, Id be worried about what your lapdog behind mes going to do if Po
doesn't
take the bait. Hull is going to want something to show for his years of investigation. Quinn might decide to flip on you and turn states evidence to keep his own ass out of jail. Yeah, Id be thinking hard about that.
I hear a quick sliding sound, and then Quinn is flying over Kelly, a gun in his hand. At first I think hes pistol-whipping Kelly, but when the motion stops, Kelly is wrapped around the Irishman like a boa constrictor, his bulging calf locked across Quinns thighs, his forearm wrapped around Quinns neck. The Irishmans spine is
bowed to the point of breaking around Kellys other knee. Sometime during this commotion Sands whistled and the white Bully Kutta went alert, but something makes Sands call him off. The dog stands with his forelegs braced three feet from Kelly and Quinn, his clipped ears back, his bunched muscles quivering, tongue panting in frustrated energy.
Then I see why.
Kellys free hand is holding something small and black against Quinns bulging neck. Thin and irregularly shaped, it looks like the ancient flint knives I used to see in my fathers anthropology books. Where the point should be, I see only skin; then a trail of blood begins to make its way down the flesh of Quinns neck. Sands is on his feet behind his desk, as ready as his dog to burst into action, but he can do nothing, short of ordering his dog to attack me.
Pick up the gun, Penn, Kelly says in a steady voice.
I look down. Quinns automatic is lying on the floor, two feet in front of me. It would be nothing to pick it upif Sandss dog werent here.
You give that animal an attack order, says Kelly, Quinn will be spurting blood like the
Texas Chainsaw Massacre,
and I'll gut the dog before hes dead. Pick up the gun, Penn.
Now.
I feel like I'm reaching into a cobras basket, but I bend at the waist and pick up the gun. Theres no question about whos in charge in this room.
Dont point it at the dog, Kelly says calmly. Point it at his master.
I turn to Sands, which brings the barrel of the pistol in line with his stomach.
That's right, says Kelly, like a man giving instructions to toddlers. That dog could take three or four rounds from a nine mil, but Mr. Sands will have a hard time surviving one.
Quinn suddenly jerks hard in Kellys grip, but Kelly tightens his arm and leg, and I hear a sound like rope being stretched taut. Quinn groans, then screams in agony.
How do you like being on the receiving end? Kelly asks mildly. He drags the black blade farther along Quinns neck, and blood begins to stream from the cut.
Youre a dead man, Sands says quietly.
Kelly laughs. It takes one to know one. Open the door, Penn. Nice and slow. Just put your foot in front of it. Anyone but Penn moves, I'll sever Quinns carotid. Fair warning.
Hes bluffing, gasps Quinn, still struggling against the hold.
With a strained smile, Kelly tightens his calf muscle, and Quinn screams like a heretic on the rack.
I never bluff, Kelly says. You came after me with a gun. I kill you, its self-defense all the way. Right, Mr. Prosecutor?
Absolutely. Any reasonable person would have been in fear for his life.
Yeah, I almost shit myself from fear. Now, open the door.
I obey, but slowly, the dog watching me all the way.
Okay, says Kelly, his voice strained from the effort of holding Quinn immobile, just so were all clear. First, I'm going to let this piece of shit go. Then Penn and I are going to walk off this tub. And you two, after licking your wounds, are going to realize that business is business. You crossed the line when you brought Penns family into this, and I've pointed out your mistake. Now were all going to go our separate ways.
Are we? says Sands. I think we have some unfinished business. You killed two of my dogs last night. I had an investment in those animals.
Consider it overhead. Now, I know what youre thinking. As soon as the door closes, Quinn will say, We've got to kill that bastard. I'm not spending the rest of my life looking over my shoulder for him. But you don't have to do that, you see? For two reasons. First, because I'm a man of my word. Were backing off. And second, because it would be a waste of time. Youd never see me coming anyway.
Sands is smiling again, but the effect is more frightening than a scowl on a normal person. Before you go, Mr. Kelly, let me tell you something about myself. I don't often do that, but you've earned it, so I'll make an exception. You ever hear of the Shankill Butchers?
Kelly thinks for a few seconds. Northern Ireland. They were a Prod bunch, right? Mass murderers. More gangsters than political.
One of the bloodiest gangs as ever stalked the streets of Belfast. Scum, really. Grabbed Catholics at random off the streets and tortured them. Cut them to ribbons, beat them to death. When they couldn't get Catholics, they took whatever they found. I know,
because I worked with them now and again, on legitimate UDF missions. For a while they were protected by the Brits because they occasionally topped an IRA man or two. But eventually, everyone on both sides knew something had to be done.
My arms getting tired, Kelly says. Can you cut to the chase?
Sands smiles, then rubs the Bully Kuttas head and speaks in a barely audible voice. I killed their headman, Mr. Kelly. When two armies of killers who couldn't agree on a fucking thing for thirty years decided one of their own needed killing, they came to me. And I wasn't even twenty. Oh, its a famous murder. Never solved.
Whats your point?
Lets don't be making threats that its in neither of our interests to back up. Were both tough boys, but theres room in the jungle for both of us. At least until Mr. Hull and I conclude our business. We have a cease-fire until then.
That's exactly what we came to get.
After that, we can renegotiate new terms, if you like. I hear you may be looking for work soon. Sands gives me a pointed look.
You
go back to worrying about city ordinances and garden clubs. However, if you should come across that data that Jessup copied, make sure it gets to me. If you find out somebody else has it, you do the same. No copies. No games. Are we clear?
No problem, I say. Its your property anyway.
Right. Sands doesn't move, but the sense of dismissal is unmistakable. I think were done here, gentlemen.
In a burst of motion almost as fast as the one with which he restrained Quinn, Kelly disengages from the Irishman and bounds to his feet. Then he takes the gun from me, and we back out of the office, the dog watching us like a wolf cheated of a kill.
I'll leave the gun with your doorman, Kelly says. Have a grand day altogether, gentlemen.
The doors hiss closed.
Outside, stepping off the far end of the gangplank, I finally take my first easy breath.
I know that was tense, Kelly says, but it was necessary. Especially if I'm leaving town for a few hours to get Annie back.
Why did you provoke them like that?
Guys like that only understand one thing. Force. I wanted them to know who they're dealing with, and I wanted more information about Sands than we had before. I accomplished both things.
You did that, all right. Sands shocked me when he asked about the USB drive. I've assumed they had that for a while now.
I think Quinn has it, Kelly says. But hes keeping it for himself. Its his ace in the hole if the Po sting goes bad. A chip in the game with Hull. That's one reason Quinn flipped out and attacked me. I was dead right about him getting positioned to stab his boss in the back.
Do you think its really safe to bring Annie back?
As long as we stick to the agreement. They have nothing to gain by antagonizing you further, and now they understand they have a lot to lose.
What do you mean?
They know well bypass the law as easily as they will. That's something they needed to know.
I look into Kellys eyes for a while but say nothing. When I start to shake his hand, he turns and starts walking toward the parking lot.
Whats the matter?
Quinns bound to be watching us. We don't want anything that looks like a good-bye scene. We want them thinking I'm right around the corner, day and night.
Sorry.
Kelly laughs softly as I catch up to him. That felt good, didn't it?
The last knot of tension is starting to uncoil in me. I've got to say, seeing Quinn on the floor with the knife to his throat beat any courtroom moment I ever had. How did you get the knife in there?
Flint doesn't show up on the wands. No metal.
Where was it hidden?
Lower back, in the little valley over my spine. I guess its my version of Walt Garritys derringer necklace. People miss it all the time.
A flint knife, I marvel. A cavemans weapon.
Kelly turns back and gives me a serious look. Remember what I told Caitlin last night. Were still in the cave. Its just bigger now. He pats my shoulder. Tonight youre going to eat dinner with your little girl. Lets get to the airport.
CHAPTER
37
Linda Church crouches naked and shivering in the corner of the kennel stall, praying for deliverance to a God she has almost given up on. Theres a dog collar around her neck, and a heavy chain runs from the collar to a steel post anchored in cement. The kennel is a long, low building with a tin roof, hidden entirely beneath a tall shed so that it cant be seen from the air. The two rows of gated stalls are made of Cyclone fencing, with an office and a storeroom made of plywood at one end. Theres a barred window in her room, but she doesn't dare try to break out of it. The kennel is surrounded by a high fence, and a half dozen ravenous pit bulls roam free between the outer wall and the fence.
That's why Quinn feels confident leaving her alone here. Even if she could somehow get the chain off, Linda couldn't leave the kennel. But the truth is, she hasn't the strength for any of that.
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