Greg Iles - The Devils Punchbowl

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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (USA Today) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.

A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town.

Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the Magnolia Queen, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.


From Publishers Weekly

Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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“If you say so.”

“I do. Now—tell me about Jiao.”

CHAPTER

53

Shad speaks over his shoulder as he ushers me in. “Why was one of our most distinguished selectmen drunk in the middle of the day?”

I glance briefly around the district attorney’s office. He has a huge, antique desk pilfered from one of the historic buildings owned by the city—three-quarters the size of a billiards table. The wall behind him is covered with diplomas and plaques, while the one to my right almost bulges from the weight of framed photographs: Shadrach Johnson’s Wall of Respect. In most of the pictures, Shad stands beside the nationally famous black politicians and celebrities who visited Natchez during his 1996 mayoral campaign against Wiley Warren. Fewer than half of those figures returned to the city two years ago when Shad ran against me during the special election. Apparently, during the interim, they’d learned that Shad was primarily interested in advancing the cause of Shad Johnson, and no one else, no matter what color they might be. Many politicians share this illness, of course, but Shad has a particularly virulent strain of it.

“Did you come in to look at the pictures?” Shad asks.

I turn and look deep into his eyes. “Caitlin Masters was kidnapped last night. She was taken by Jonathan Sands and Seamus Quinn. Paul Labry just informed me that if I do nothing against Sands for thirty-six hours, they’ll return her to me unharmed.”

Shad’s eyes go wide, then narrow slowly. “Labry works for Sands?”

“You thought you were the only one?”

The district attorney jabs his forefinger at me. “That'’s slander.”

“Sue me. Why aren'’t you advising me to call the FBI, Shad?”

He looks toward his window, then back at me. “If that’s what you wanted to do, you’d already have done it. What are you really doing here, Cage? What do you want from me?”

“That'’s a long list, buddy. I want to know why you soft-pedaled the murder of Tim Jessup. Why you misappropriated evidence and withheld facts critical to the investigation from the police chief. Why you’re not pushing to find out what happened to a computer programmer named Ben Li, who was also probably murdered. But I already know the answer, don'’t I?”

“I don'’t know anything about that. Any of it. Those are police matters.”

“The night Tim died, you made a point of telling me you were the chief law enforcement officer of the city. So why does your police chief think the last thing you want him to do is make progress on any of these investigations?”

Shad folds his hands together and leans back in his chair. “Chief Logan and I don'’t always see eye to eye. That'’s no secret.”

I stand and put my hands on his desk, then lean over him. “I'’ll tell you why I'm here. Right now, Jonathan Sands thinks I have a certain item that Tim Jessup stole from the

Magnolia Queen.

A USB thumb drive. But

you

know I don'’t have it. Don’t you?”

The district attorney’s face remains impassive. Shad is good in a courtroom, and he’d be a hell of a poker player, though I hear he prefers bridge. While he ponders my statement, I glance over at his Wall of Respect. One photograph draws my attention. It shows a huge boar hog, probably five or six hundred pounds, hanging by its hind legs from a hoist. Shad stands on one side of the hog, while on the other, wearing a bright orange jersey with the number 88 on it, stands a tall black man with a hunting rifle lying across his muscular forearms.

“I didn't know you were a hunter, Shad. I thought bridge was your game. Or the odd set of tennis.”

Johnson regards me with silent hatred.

“Is that Darius Jones?” I ask. “The wide receiver for San Antonio?”

“You know it is.”

“Was that photo taken around here?”

Shad shifts in his seat. “On DeSalle Island. Hunting camp.”

DeSalle Island lies farther downriver than we paddled last night, almost to Angola Prison, but it’s exactly the kind of remote spot in which Sands has been holding his dogfights.

“I think I’'ve got the picture,” I say quietly. “Darius win any money on the dogs?”

“On the what?”

I give Shad a knowing look. “I guess it doesn’'t matter. Darius has got it to lose, right? Long as he doesn’'t get caught.”

“You’re wearing out your welcome, Cage. I don'’t know anything about any computer drive.”

I lean farther over the desk, into Shad’s personal space. “I know you have it. You’re the only person who could. You had Tim’s cell phone. You heard the voice memo he made before he died. And somehow you got into the morgue—or got someone to go in there for you—and you got that drive. You want to dig into dead men’s asses for fun and profit, that’s your business. But I need that drive. If I don'’t have something to trade for Caitlin, they'’re going to kill her. Do you read me, Shad?”

The district attorney remains stone-faced.

“I think I know where you are on this,” I say, trying to help him along. “You think that drive is your ace in the hole, if everything goes to hell. I don'’t know how badly compromised you are, or what Sands has on you. But you need to figure out which side you’re on. Because if you give me that drive now, I'’ll make sure you stay out of trouble when the wheels come off of this deal.”

“I have no idea what you’re talking about,” Shad says evenly. “But even if I did, you don'’t have the power to offer anybody any kind of deal—certainly not immunity from prosecution. I'm the DA, Cage, and I could jail you for assault right now, based on what I saw five minutes ago.”

I want to snatch Shad up from his chair and bang his head against the desk, but that’s not going to get me the drive. I’d find myself in the county jail in short order, and it’s right across the street.

“Shad, there’s a federal investigation going on in this county, and my guess is you don'’t know a thing about it. Or if you do, you only

know enough to make your asshole pucker. When the feds don'’t tell you they'’re on your turf, it’s bad news for you. So, I repeat, you need to decide which side you’re on. And the best way to prove you’re on the right one is to give me that drive.”

Shad gives me a tired smile. “I think we’re done here.”

I make no move to leave or even straighten up. “After I leave, you might be tempted to destroy that drive. I could see the logic of it, from your point of view. But that would be a mistake. You’re going to need a friend when this blows up. And if Caitlin dies because you didn't give it to me, I'’ll hound you right into Parchman, I swear to God. You’ll have a cell right next to Sands.”

There’s a sudden rush of heavy footsteps outside, and then someone pounds on Shad’s door. I jump to my feet and open the door, expecting to see Paul Labry making another plea for forgiveness. But it’s Mitch Catton, a deputy from the sheriff’s department, and he’s breathing hard.

“What is it, Deputy?” Shad asks calmly.

“Paul Labry was just killed in a car accident!”

“What?”

“He hit a bridge abutment. Must have been doing seventy, at least.”

“Was anyone else hurt?” I ask.

“Nope. One-car accident. There was an empty bottle of vodka in the car too. Sally, over to the clerk’s office, told me Mr. Labry’d been hanging around here all during lunch. Said he smelled like a liquor cabinet.”

I look down at Shad, my eyes filled with foreboding.

“Thank you, Mitch,” Shad says. “Mayor Cage and I need to finish our conversation.”

“Okay, sorry. I just figured you’d want to know. I mean, is there anything special we should do because it’s a selectman?”

“No, just follow your normal procedures.”

Catton stares at us in puzzlement for a few seconds, then shuts the door and bangs down the stairs.

“This town is under siege,” I say softly. “And the biggest threat always comes from within. Don’t kid yourself that you can come out of this clean. Not without me. I don'’t know if Paul committed sui

cide or if they killed him, but when this is all over, there’s going to be a reckoning. Pick your side, Shad. Fast. That thumb drive is your only get-out-of-jail-free card. You know how to reach me.”

“Get out of my office.”

I hold up my forefinger and point at him, my eyes burning, then turn and go.

CHAPTER

54

Caitlin stands naked in the storeroom of the kennel, a leather dog collar tight around her neck, its thick chain binding her to the wooden support post of some shelves behind her. She’s bound so tightly that she can’t turn her head, which forces her to watch the scene taking place before her. She’s shut her eyes as long and as often as she could, but Quinn has sworn to Taser her if she does it again.

Linda Church lies bent forward over a crude table, her collar chained to a ringbolt set in its top. Naked from the waist down, Seamus Quinn plunges relentlessly into her from behind, his eyes on Caitlin to be sure she’s watching. Linda screamed so much when he began that Quinn wrapped four long pieces of duct tape around her face. Caitlin is afraid Linda will vomit and aspirate it before Quinn can get the tape off—if he’d even try.

“Don’t pretend you don'’t want to look,” Quinn says, panting from exertion. “Everything that walks on two legs would watch this…if they knew nobody was looking. Why do you think Romans paid their last coin to see this kind of thing? This is what we are, princess. The emperors gave the people what they wanted—sex and death. Everything else is just window dressing.”

Caitlin keeps her eyes on Quinn but speaks to Linda. “Think

about something else,” she says in what she hopes is a maternal voice. “Anything but this. This will pass, like every other thing in life. You don'’t believe me right now, but it will—”

“Shut your gob!” Quinn shouts, seizing Linda’s haunches and driving harder. “You know what they really loved in the arena? Women and animals. They’d take the urine of female animals and spread it on virgins, sometimes twenty at a time. Then they’d let the trained males at them. Baboons and mandrills, bulls and boars, dogs and leopards, even giraffes. That'’s history—real, every bit of it.” Quinn shows Caitlin his gray teeth. “People don'’t change, and you’re no different.”

Caitlin can’t bear to look at Linda’s face. All she can think to do is deflect some of Quinn’s bottomless rage onto herself. “I’d like to see

you

get it this rough,” she says. “See how you like being on the receiving end.”

Quinn huffs and laughs. “A man does the givin’, princess. The woman does the takin’. I'm not particular, so long as it’s warm and tight.”

“Your day is coming,” Caitlin says in a barely audible voice. “There are places not far from here where men twice your size will be happy to give you what you’re giving her. Twice as much, from what I saw when you dropped your pants.”

Quinn pulls out and starts toward Caitlin, but before he can reach her, the door to her right bursts open and two men enter the room. One wears a black balaclava hood, the other a green one. The man in the black mask looks from Quinn to Caitlin, then back at Quinn. It’s as though Linda isn’t in the room.

“What are you doing here?” Quinn asks in a dazed voice.

“Liam called me.” The black-masked man’s voice seems hardly distinguishable from Quinn’s. “About a day late, by the look of it.”

“You told me I could do what I wanted with her.”

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