Greg Iles - The Devils Punchbowl
- Название:The Devils Punchbowl
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With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (USA Today) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.
A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town.
Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the Magnolia Queen, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.
From Publishers Weekly
Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence.
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Christ.
As selfish as it sounds, this image has a more violent effect on my adrenal glands than the photos I viewed in the cemetery. If I'm this jealous, can I possibly be over her? One thing is sure: I'll be damnedtruly damnedif I stand here mooning at her light like a latter-day Gatsby, until the very scene I fear transpires before me. Caitlin left me because I believed the path to my future lay through the past. So what the hell is she doing back here, where the past is never past?
As I drift toward sleep, the images from Tims cell phone snapshots rise again, but they seem remote, like evidence dropped on my desk by cops I dealt with in Houston. Can young girls be raped and dogs be slaughtered within sight of the town I love so dearly? In the foggy frontier between sleep and wakefulness the idea seems farfetched, yet one burden of my legal experience is the knowledge that savage crimes occur in the most benign settings, that screams go unheard, that pleas for mercy are ignored, even relished.
When thoughts like these trouble my passage into sleep, I use a trick taught me by a sixties-era rock musician I saved from going to jail in Houston. Whenever drug withdrawal sent him into paroxysms of pain and need, whenever the demons came for him, he would picture a virgin field of ice, blue-white and impossibly clean, so remote that no footprint had ever marred its surface. He would focus on that scene until he felt himself inside it, and sometimes peace would come. To my surprise, I found this sometimes works for me as well. But tonight, as I carefully construct my Zen-like sanctuary, I cannot keep the demons out. Dark shapes move beneath the ice like predators prowling a vast sea, ever alert for the shadows of prey on the white sheet above.
Tonight I'm on the ice, I realize, one more shadow to be hunted. A penumbra the size of a small car flashes beneath me, and I run. Though I lie supine in bed, my heart thumps in my chest, and the blood rushes through my veins. Far ahead, I see a blue mark on the
ice. A hole. Beside it Tim Jessup stands shirtless and blue from the cold. As I crunch toward him, he removes his pants and looks down into the hole. I shout for him to wait, but he doesn't hear. He sits down, dangles his legs in the water, then, with a gentle shove like a boy edging himself off a roof, drops through the blue-black opening. I start to scream, but a new vision stops me. Stark against the horizon, a wolf stands watching me. His fur is bone white, and his eyes gleam with unsettling intelligence. I try to stop running, but I slide forward, hopelessly out of control. As I come to rest, the wolf begins to move, walking at first, then loping toward me with single-minded purpose. His eyes transfix me, and as I try to force my legs to backpedal, I hear Tims hysterical voice crying, You don't know, man! You don't know .
CHAPTER
6
Julia sits at her kitchen table, staring at a Ziploc sandwich bag filled with speckled pills and white powder. She found it an hour ago, when the running toilet got on her nerves badly enough to make her remove the tank cover. The baggie was sealed inside a small Tupperware container weighted with a handful of bolts. The edge of the Tupperware lid was keeping the toilet flapper from sealing. Tim had been clean for so long that the first moments after lifting the container out of the tank filled Julia with confusion. But after removing the lid, shed felt her universe imploding as surely as if a black hole had swept into it.
Shed set the baggie on the kitchen table and simply stared at it for a while, shivering with anger and her sense of betrayal. But mostly she felt fear, because she hadn't seen any sign that Tim was using again. To stop her hands from shaking, she got out her crocheting needle and tried to crochet the way her grandmother had taught her, but her mind was unable to direct her fingers. So she waited, her gaze moving from the dope on the table to the clock on the stove, an endless motion of eyes that offered no solace.
Julia tenses now, listening for sound from the babys room. Its 3:45 a.m., almost time for a feeding. She has preternatural hearing when it comes to her baby; Tim is constantly amazed by the things she picks up. Its like shes bound to the child by an invisible thread, a silken strand like a spiders web, and if little Timmy moves, it pulls something down in Julias belly. She knows what that something is.
When you lose a child and God grants you another, you take no chances. She feels the same way about Tim, but on that score there isnt a lot she can do. Someone has to stay with the baby. Shes been worried recently, but not about drugsnot for a long time. It infuriates her to think that she was afraid for Tim tonight. Before she found that baggie, shed believed he was doing something about whatever hed seen at work, and trying to protect her by not telling her details. But hed been almost three hours late even then. She feels so stupid that she wants to tear out her hair or whip herself.
As if Penn Cage would stay out this late with Tim! Penn is home in bed with Libby Jensen, or somebody like her. Someone smart who can still laugh with innocence in her eyes, someone who has her shit together. Julia wonders briefly why Penn left Libby. Maybe Libby doesn't have her shit quite as together as she seems to. Maybe she doesn't really understand whats important in life. Or maybe Penn just grew bored with her, the way men do.
Julia hadn't thought Tim was bored with her, but theres the dope, right there on the table. What else could it mean? That he cant cope? With what?
With happiness? With a loving wife and a beautiful son? This thought terrifies her. Julia once thought Tim was smarter than she, and he is, in book smartness. But what good is that when the issue is survival, as it has been for them? Julias common sense and fortitude have gotten them through some tough times. To sit facing the prospect of reliving the hell she thought long behind them is almost more than she can bear. She has gone from fury to terror and back a thousand times. The pills make her wonder about other women. A woman might push Tim back to using, if she was an addict, a woman from the boat, maybe
An unfamiliar scraping sound brings Julia to full alertness, the yarn stretched taut between her fingers and the hook. That noise didn't come from the babys roomshes sure of that. It sounded like someone raising the window in the guest room at the back of the house.
She swallows hard, then goes to the cabinet above the stove and takes down the pistol Tim stole from his fathers safe back when he was using. Hed tried to give it back later, but his father told him to keep it. The gun is heavy and black, but Julia grips it firmly in her flexed fist and tiptoes to the back of the house.
Terror hits her, gluing her bare feet to the floor. She can hear shoes moving behind the door. They creak as the intruder shifts his weight. Could it be the police? Nothey would crash through the door. It might be another junkie, coming to steal Tims stash. When the window slides back down, Julia tightens her finger on the trigger and almost fires through the door.
Shes on the verge of bolting for the babys crib when she realizes that the intruder must be Tim, because theres no light on in the guest room, yet the person inside is moving with assurance. She slides back three steps and aims the pistol at the door. If it opens and anyone but Tim appears, she will fire. She hears a muttered curse, and then the door opens.
Tim jerks as though hes been hit with a cattle prod when he sees the gun pointed at his face. Then suddenly he is apologizing, begging her to forgive him. Shes so angry that she wants to shoot him, but her relief is even stronger.
Where were you? she cries in a squelched scream. Its four in the morning!
Hey, hey, he says soothingly, throwing some balled-up clothes onto the floor. Its going to be all right now.
Bullshit! she hisses. I almost shot you! You fucking liar! Liar liar LIAR!
Tims forehead wrinkles with puzzlement. What are you talking about? I've been with Penn, honey. You don't want to know more than that.
Julia wipes her eyes with a quivering hand and looks at him the way she used to when she had to manage every moment of his life to keep him from sliding back into the abyss. She means to ask about the drugs, but what she says is Just with Penn?
Something in the quick blinking of his eyes tells her that whatever follows is going to be a lie. As she turns away, the fine cracks that have accumulated in her trust over the past weeks give way, and the true fragility of her existence is revealed. She stifles a wail, then goes to the kitchen cupboard and takes out a bottle of Isomil to heat on the stove.
She now knows that what she told herself after leaving her first husband was a lie.
If a man ever cheats on me again, I'll leave him in a second.
So easy to say, but with a baby in the nursery things get a lot more complicated.
Julia? Tim says awkwardly.
If he tries to approach her, she will move away to avoid smelling another woman on him. Theres something for you on the table, she says coldly.
Huh?
The table! She watches the gas flame glow at the edge of the pot.
Oh, God, Tim breathes. Julia
Mm-hm?
Its not what you think.
Its not? That's not dope on the table? That's not Vicodin and cocaine?
No. I mean it is, yeah. You know it is.
Let me guess. Its not yours, right? Youre just holding it for somebody.
Hearing the floor creak, she holds up a hand to ward him off. He stops.
Baby, I know what you think, but that stuff is part of what Penn and I are doing.
Even Julia is surprised by the harshness of her laughter. Oh, right. I understand now. You and the mayor are using a bag of dope to save the city.
Theres a brief silence. Then Tim says, Actually thats about it. Penn doesn't know about that part of it, but its the only way. That's all I can really tell you now. Anything else would be dangerous. In a few days, though, I should be able to explain it to you.
If youre not in jail, you mean?
Tim sighs in what sounds like exhaustion. I just wish youd believe me. Havent I earned that yet?
Julia grips the pot handle with her shaking hands. Part of her wants to throw the hot water on him, to scald him for lying to her. But part of her wants to believe. Tim sounded like he was telling the truth about the drugs, and she truly hasn't seen any signs of his being high. But hes lying about somethingthat she knows.
Julia?
Youre home now, she snaps, her eyes locked onto the milk bottle warming in the pot of water. Whatever youre doing, get it done, so we can get back to living.
Tim keeps his distance. Okay.
All right, she says, cutting off further discussion. Go get Timmy, please. You know what time it is. Hes going to start crying any second.
The kitchen is so small she can feel Tim nodding in the shadows. Okay, he mumbles in surrender.
Julia opens the bottle and touches some hot milk to the inside of her wrist. She knows whats important.
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