Robert Low - The Whale Road

I followed, scrambling out into the howe of Attila.

I had had no idea what we would find, even from the start. A cave, I had imagined, with neat piles of gleaming treasure, like all the sagas seemed to have. Hopefully with no coiled dragon.

But this was no cave. Even in the light of the torches, held high by Ketil Crow, Sigtrygg and Illugi, you could see that his people had done Attila proud.

The howe was the size of a small town, though I only had that impression from the great vault of the roof.

The floor was flagged with stone; the roof, which should have been dirt, was a vague, arched shape in the darkness, its great wooden beams socketed into solid stone pillars and, though crusted with age, still firm.

At one end of this flagstoned square was a huge throne, a magnificent edifice of wood and gleaming silver raised high above the flagged level, with a pile of bright, brocaded robes in red and green and blue lying at the foot of it.

And all around, everywhere, piled to the roof, gleaming here and there, were blackened shapes, ominous and flickering in the torch shadows, a great tumble of forms, like buildings, strange and slanted, holding the gods knew what.

Each arm of that throne was as large as a table and, fastened to one, I saw with a sudden leap to my throat, was a skeleton, held at the neck and wrists by short, thick black chains embedded in the base.

I knew it was a woman, though there was nothing there to let me know that. Naked, she had been chained to the throne of the dead Attila. I knew who she was: Ildico, his bride of one night. The dream rushed back to me, of Hild and the collar of silver.

Ketil Crow saw none of this, just the pile of robes at the foot of the throne and he knew what that meant.

His scream of rage should have echoed. Instead, it was sucked dead by that place. 'The sword . She has taken the sword!'

He rushed forward and raked his own blade in the robes. Yellowed bones and insects spilled out from the bright, curling gold embroidered dragons on it. A skull rolled, part of what was left of Attila, who had been on that throne until flung from it by Hild, tearing free the sword he had held in his lap for centuries.

With a curse, Ketil Crow flung himself at the dark, bulked shapes, searching for her and yelling curses.

Things clattered and fell and he screamed wildly and hurled bits of black metal backwards. He wanted that sword, as badly as Einar wanted the gifthrone.

Einar was now moving like an old man, bent and shuffling. I watched him give a choking, bitter half-laugh and hirple weakly forward, then slowly and painfully climb on to the great silver chair, where he slumped, laughing blood on to his moustaches.

I scarcely noticed, or heard Illugi Godi's muttered chanting. I had just realised, for the first time, what the building-sized shapes really were.

Age-blackened silver. The sheer extent of it sucked breath and reason right out of me. Acres of it, piled high to the roof, round the throne, beyond the throne, the riches of a dozen kingdoms, the craft of a thousand smiths.

Jewelled fans, I saw, with silver feathers. A miniature of a castle gleamed, sparkling with gemstone flags.

A silver ship reared out of a sea of coins, with ropes and stays of silver wire. A shirt of mail, each ring silver, every small rivet gold. Anklets and brooches and rings and tumbled pots on tumbled pots of coins, spilling like waterfalls.

For the first—and only—time, I discovered the silver-lust that so grips a man he loses his reason. I was, on that day, infected and cured of it for ever. I grabbed Illugi's torch from him and I doubt if he noticed.

I fell on my knees, picked something up. A cup, slightly flattened on one side, with stem and embossing.

I picked up another, then another, until I was scrabbling in the piles, heedless of the hurts. A silver pin stabbed me: I stuck it in my tunic. A silver-hilted dagger drew blood on my palm: I stuck it in my belt.

There were rings and armrings, which we still call ringmoney. Plates, shields, helmets, brooches, bowls, ewers, bracelets, necklaces, earrings and coins, thousands of coins. There were knuckledusters of gold and daggers of silver with jewelled hilts.

They were everywhere, piled high, forced together until cups flattened and thrones bent, a fortune, all in silver, wrenched from the world by Attila and his armies, a fitting panoply for the greatest of great steppe kings.

It was the scream that wrenched me out of it, my tunic stuffed, my boots full, my arms laden with a bowl the size of a bath.

`Burning ice, biting flame,' Illugi said. `That is how life began, in the south, in Muspell, where it seethes and shines and no man can look on it.'

In the flickering torchlight, I suppose, all that cold silver, bouncing with flame, could have reminded him of Muspell, the land of molten ice and shining flame where life was first created. At the time I thought his mind had gone. I am still not sure what was right.

The scream came again, then Ketil Crow slid down a hill, stumbling in an avalanche of coin, cursing and shrieking. He had lost his sword and there was blood on his mouth. He hit the flagstones and fell, scrambled up, fell again and tried to crawl to the exit.

Valknut went to him, but he was already sliding out of this world, bleeding in slowing gouts and spilling blue-pink coils from the rip in his stomach that went from groin to throat. Cunt to jawline.

His eyes chilled us. They were livid with fear and he was so gibbering with it that he couldn't speak, his mouth moving like a fish until it stopped and he died.

I stood up and moved, shedding rings and cups and a fork with two tines. I let the huge bowl clatter and Valknut whirled, searching the darkness.

Èinar . . . ?' I asked, but there was silence. I moved to where he sat, like the jarl he had always striven to be, surrounded by all the wealth of the world, on the throne of a ring-giver. He looked like spume on a wave, as if a breath would blow him away.

`Was it worth it?' I demanded of him and the sunken eyes flicked open, the pale face rose a little. One strand of black hair stuck to his cold-sweated cheek like a scar and his grin was as pale as the torc he wore, that mark of his status.

He grinned and touched it, that thick, braided ring of silver, shredded and lopsided where gift-sections had been hacked off.

`You . . . may have . . . to learn . . . for yourself,' he said, with that wolf-snarl of his. 'The weight of a jarl torc like this.'

It was the smile that finished it. I had seen it before, just as he'd reached the back of Gunnar Raudi in Dengizik's tomb.

`Before you die,' I said. 'I have a message.'

His head wobbled as he raised it to look at me. I took Bjarni's sword and rammed it hard in him, so that he folded round it and gasped.

`From Gunnar,' I said to the fade in his black eyes. 'My father.'

Valknut wiped his mouth with the back of one hand, glanced wildly at me, then at Illugi. Then he heaved in a great suck of air and stepped forward, sword up, staring into the darkness. 'I am here. Come ahead, if you think you are hard enough to fight me. I am Odin's chosen. Let him deal with me as he pleases, for I am not afraid to die.'

There was a black chuckle, a rustling, insect-wing of a thing and something shaded detached itself from the dark and came down the silver mountain in a clatter of riches.

'Freyja' ; said Illugi, his mouth open in awe. Truth to tell, it certainly wasn't Hild and could easily have been Freyja the sister of Yngvi, foremost of the Vanir, the old gods. Freyja, the Queen of Witches, shapechanger, teacher of the dark seidr magic.

`Hild . . .' I managed and she turned at that, hair draped half over her face in black tangles, the delicate S-curve of the sabre in both hands, her dark dress shredded. A wind blew up the tunnel and into the howe, then, snaking her hair back from a mask of a face.

`Not . . . Hild,' she said, in that lost voice. `We Volsung say it as Ildico.'

Ildico, the bride sent to Attila, who had died on his wedding night to her, rumour said by her hand, in vengeance for Attila's betrayal of the Volsung. They had chained her to his throne for all eternity, naked and alive.

I believed then that her fetch called to the bloodline to come and free her, made powerful by that double-damned runesword and what it was made from. Whatever the right of it, the girl I had known as Hild was gone. What she was now was something to run from, screaming, as Ketil Crow had done.

Valknut gave a howl. Witch or no witch, Valknut knew how to die and he hurled himself at her, swinging, frothing, screaming on Odin for help.

Behind me, Illugi was also calling to the All-Father and the wind hissed round the howe as if in answer, guttering torches, flaring shadows everywhere, bringing the clean, cold smell of rain.

Valknut would have kippered her if things had been normal, but they weren't normal. He swung, she parried, did it again and again until he backed off to get his breath.

`Help me,' he grated. I blinked away from Einar's dead stare and hauled my sword out of him. It came with a slight suck and a groan of air, as if he was alive, and that made me step back a pace. But he was gone across Bifrost, for sure.

So I stepped to Valknut's side, still uneasy. It was Hild, after all. Illugi Godi came up on Valknut's right.

It wasn't Hild. Those eyes were just all blackness now and the smell of rot was on her. We all tasted it, saw what we saw—and I was so scared that I felt the piss wash hot down my leg.

Illugi rapped his staff and uttered some commanding phrase, looked down at the splash it made, then up, while she blocked Valknut's rush and moved sideways as if she floated, sinking the sword-point straight in Illugi's slow-spreading smile.

He fell away, choking. I lashed at her and she turned the blade slightly to meet it. There was a high ting of sound and my sword halved just above the hilt, the main part spinning into the darkness. Now, it seemed, I had the gods' answer for my having stolen it in the first place.

Valknut hacked down, reversed, hacked back. Each time it was met with a delicate parry. I stood there and gawped at the ruin of Bjarni's blade and the only thing that I could think was that he was going to be really annoyed about that.

Then I staggered away, fell over Ketil Crow and sprawled backwards at the foot of the throne, scrabbling in the heavy silk, dragon-embroidered robes that had draped Attila's corpse. Bones crunched and scattered and I dropped the useless sword, which was so perfectly broken it barely had a jagged edge.

Valknut, panting and gasping, backed away, unable to sustain his attacks. Illugi was writhing and choking to death in his own blood as it splashed on the floor. I wondered why he had smiled . . .

Splashing. I was wet through and not because I had pissed myself. The floor was wet. The floor was wet .

. . ?

Valknut started to launch himself again, but she swung, he deflected and his sword shattered into three and the pieces flew off, clattering into the dark. Before he could even curse, she whicked the sabre left and right and left and blood flew, an arm circled lazily and then Valknut folded from the waist, his bottom half falling backwards and gore spraying everywhere.

Wet. The floor was wet because water was sliding greasily up the tunnel, thick with slurry and mud. And I remembered us arriving here, and Einar's marvelling voice: `To hide the entrance, they turned a river across it. This was once . . . a lake, a great pool, with water flowing in there and running out there to the Don.'

Illugi had smiled because he'd had an answer from the gods and, as usual, it was a Loki joke. Not once a lake. Always a lake when it rained—as it had done far to the north all night.