Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо.

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    Крестный отец, часть 1. Английский язык с Марио Пьюзо.
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Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо. краткое содержание

Крестный отец, часть 1. Английский язык с Марио Пьюзо. - описание и краткое содержание, автор Mario Puzo, читайте бесплатно онлайн на сайте электронной библиотеки LibKing.Ru

Английский язык с с Крестным Отцом


Текст адаптирован (без упрощения текста оригинала) по методу Ильи Франка: текст разбит на небольшие отрывки, каждый и который повторяется дважды: сначала идет английский текст с «подсказками» — с вкрапленным в него дословным русским переводом и лексико-грамматическим комментарием (то есть адаптированный), а затем — тот же текст, но уже неадаптированный, без подсказок.

Начинающие осваивать английский язык могут при этом читать сначала отрывок текста с подсказками, а затем тот же отрывок — без подсказок. Вы как бы учитесь плавать: сначала плывете с доской, потом без доски. Совершенствующие свой английский могут поступать наоборот: читать текст без подсказок, по мере необходимости подглядывая в подсказки.

Запоминание слов и выражений происходит при этом за счет их повторяемости, без зубрежки.

Кроме того, читатель привыкает к логике английского языка, начинает его «чувствовать».

Этот метод избавляет вас от стресса первого этапа освоения языка — от механического поиска каждого слова в словаре и от бесплодного гадания, что же все-таки значит фраза, все слова из которой вы уже нашли.

Пособие способствует эффективному освоению языка, может служить дополнением к учебникам по грамматике или к основным занятиям. Предназначено для студентов, для изучающих английский язык самостоятельно, а также для всех интересующихся английской культурой.

Мультиязыковой проект Ильи Франка: www.franklang.ru

От редактора fb2. Есть два способа оформления транскрипции: UTF-LATIN и ASCII-IPA. Для корректного отображения UTF-LATIN необходимы полноценные юникодные шрифты, например, DejaVu или Arial Unicode MS. Если по каким либо причинам вас это не устраивает, то воспользуйтесь ASCII-IPA версией той же самой книги (отличается только кодированием транскрипции). Но это сопряженно с небольшими трудностями восприятия на начальном этапе. Более подробно об ASCII-IPA читайте в Интернете:

http://alt-usage-english.org/ipa/ascii_ipa_combined.shtml

http://en.wikipedia.org/wiki/Kirshenbaum

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Johnny Fontane shrugged. "I can't marry Ginny again, not the way she wants. I have to gamble (мне нужно = я не могу не играть /на деньги/; делать ставки), I have to drink, I have to go out with the boys. Beautiful broads (девки [bro:d]) run after me and I never could resist them (у меня никогда не получалось сопротивляться им [rı'zıst]). Then I used to feel like a heel (как подонок, подлец, обманщик /на воровском жаргоне/; heel – пятка) when I went back to Ginny. Christ, I can't go through all that crap again (через все это дерьмо)."

It was rare (редко) that Don Corleone showed exasperation ([ıgzα:sp∂’reı∫n] – обострение /боли/; озлобление, раздражение, гнев). "'I didn't tell you to get married again. Do what you want. It's good you wish to be a father to your children. A man who is not a father to his children can never be a real man. But then, you must make their mother accept you. Who says you can't see them every day? Who says you can't live in the same house? Who says you can't live your life exactly as you want to live it?"

Johnny Fontane laughed. "Godfather, not all women are like the old Italian wives. Ginny won't stand for it (не станет этого терпеть; to stand for – терпеть, сносить)."

Now the Don was mocking. "Because you acted like a finocchio . You gave her more than the court said. You didn't hit the other in the face because she was making a picture. You let women dictate your actions and they are not competent in this world, though certainly they will be saints in heaven (конечно, будут святыми в раю) while we men burn in hell (в то время как мы, мужчины, будем гореть в аду). And then I've watched you all these years." The Don's voice became earnest (сделался серьезным ['∂:nıst]). "You've been a fine godson, you've given me all the respect. But what of your other old friends? One year you run around with this person, the next year with another person. That Italian boy who was so funny in the movies, he had some bad luck (неудачу = ему не везло) and you never saw him again because you were more famous. And how about your old, old comrade (а что насчет твоего старого товарища [‘komrıd]) that you went to school with, who was your partner singing? Nino. He drinks too much out of disappointment (из-за разочарования) but he never complains. He works hard driving the gravel truck (грузовик с гравием ['græv∂l]) and sings weekends for a few dollars. He never says anything against you. You couldn't help him a bit? Why not? He sings well."

Johnny Fontane said with patient weariness (с терпеливой усталостью, скукой = с досадой, что приходится объяснять [‘wı∂rınıs]; weary [‘wı∂rı] – усталый, изнуренный), "Godfather, he just hasn't got enough talent. He's OK, but he's not big time (но он не корифей; big time – достижение, успех)."

Don Corleone's face had become cold without a hint of sympathy. He said contemptuously, "You can start by acting like a man." Suddenly anger contorted his face. He shouted. "LIKE A MAN!" He reached over the desk and grabbed Johnny Fontane by the hair of his head in a gesture that was savagely affectionate. "By Christ in heaven, is it possible that you spent so much time in my presence and turned out no better than this? A Hollywood finocchio who weeps and begs for pity? Who cries out like a woman – 'What shall I do? Oh, what shall I do?' "

The mimicry of the Don was so extraordinary, so unexpected, that Hagen and Johnny were startled into laughter. Don Corleone was pleased. For a moment he reflected on how much he loved this godson. How would his own three sons have reacted to such a tongue-lashing? Santino would have sulked and behaved badly for weeks afterward. Fredo would have been cowed. Michael would have given him a cold smile and gone out of the house, not to be seen for months. But Johnny, ah, what a fine chap he was, smiling now, gathering strength, knowing already the true purpose of his Godfather.

Don Corleone went on. "You took the woman of your boss, a man more powerful than yourself, then you complain he won't help you. What nonsense. You left your family, your children without a father, to marry a whore and you weep because they don't welcome you back with open arms. The whore, you don't hit her in the face because she is making a picture, then you are amazed because she laughs at you. You lived like a fool and you have come to a fool's end."

Don Corleone paused to ask in a patient voice, "Are you willing to take my advice this time?"

Johnny Fontane shrugged. "I can't marry Ginny again, not the way she wants. I have to gamble, I have to drink, I have to go out with the boys. Beautiful broads run after me and I never could resist them. Then I used to feel like a heel when I went back to Ginny. Christ, I can't go through all that crap again."

It was rare that Don Corleone showed exasperation. "'I didn't tell you to get married again. Do what you want. It's good you wish to be a father to your children. A man who is not a father to his children can never be a real man. But then, you must make their mother accept you. Who says you can't see them every day? Who says you can't live in the same house? Who says you can't live your life exactly as you want to live it?"

Johnny Fontane laughed. "Godfather, not all women are like the old Italian wives. Ginny won't stand for it."

Now the Don was mocking. "Because you acted like a finocchio . You gave her more than the court said. You didn't hit the other in the face because she was making a picture. You let women dictate your actions and they are not competent in this world, though certainly they will be saints in heaven while we men burn in hell. And then I've watched you all these years." The Don's voice became earnest. "You've been a fine godson, you've given me all the respect. But what of your other old friends? One year you run around with this person, the next year with another person. That Italian boy who was so funny in the movies, he had some bad luck and you never saw him again because you were more famous. And how about your old, old comrade that you went to school with, who was your partner singing? Nino. He drinks too much out of disappointment but he never complains. He works hard driving the gravel truck and sings weekends for a few dollars. He never says anything against you. You couldn't help him a bit? Why not? He sings well."

Johnny Fontane said with patient weariness, "Godfather, he just hasn't got enough talent. He's OK, but he's not big time."

Don Corleone lidded his eyes almost closed (прикрыл веками; lid – веко) and then said, "And you, godson, you now, you just don't have talent enough. Shall I get you a job on the gravel truck with Nino?" When Johnny didn't answer, the Don went on. "Friendship is everything. Friendship is more than talent. It is more than government. It is almost the equal of family (/дружба/ почти равноценна семье; equal – ['i:kw∂l] – равный, равносильный, тождественный). Never forget that. If you had built up a wall of friendships (если бы ты построил стену = укрепление из дружеских связей) you wouldn't have to ask me to help (тебе бы не пришлось просить у меня помощи). Now tell me, why can't you sing? You sang well in the garden. As well as Nino."

Hagen and Johnny smiled at this delicate thrust (утонченный, искусный выпад, удар, укол; delicate ['delıkıt]). It was Johnny's turn to be patronizingly patient (настала его очередь быть снисходительно-терпеливым; patronize [‘pætr∂naız] – заботиться, опекать; относиться снисходительно, свысока). "My voice is weak. I sing one or two songs and then I can't sing again for hours or days. I can't make it through the rehearsals or the retakes (не выдерживаю, не могу продержаться во время репетиций или повторных записей). My voice is weak, it's got some sort of sickness (что-то с ним не так, тут какая-то болезнь: «получил какую-то болезнь»)."

"So you have woman trouble (женская проблема). Your voice is sick. Now tell me the trouble you're having with this Hollywood pezzonovante (с этой голливудской шишкой: 90-ый калибр /итал./) who won't let you work." The Don was getting down to business (переходил к делу).

"He's bigger than one of your pezzonovantes ," Johnny said. "He owns the studio. He advises the President on movie propaganda for the war. Just a month ago he bought the movie rights to the biggest novel of the year. A best seller. And the main character is a guy just like me. I wouldn't even have to act, just be myself. I wouldn't even have to sing. I might even win the Academy Award (я, возможно, даже получу награду академии; award [∂’wo:d] – присуждение /награды, премии/). Everybody knows it's perfect for me and I'd be big again. As an actor. But that bastard Jack Woltz is paying me off, he won't give it to me. I offered to do it for nothing (я предложил сыграть бесплатно), for a minimum price and he still says no. He sent the word that if I come and kiss his ass (его задницу) in the studio commissary (на складе ['komıs∂rı]), maybe he'll think about it."

Don Corleone dismissed this emotional nonsense with a wave of his hand. Among reasonable men (среди разумных людей = между разумными людьми) problems of business could always be solved (всегда могут быть /раз/решены). He patted his godson on the shoulder (похлопал по плечу). "You're discouraged (деморализован: «обескуражен»; courage [‘kLrıdG] – отвага, мужество). Nobody cares about you, so you think. And you've lost a lot of weight (потерял много веса). You drink a lot, eh? You don't sleep and you take pills (таблетки /снотворное/)?" He shook his head disapprovingly (неодобрительно; to disapprove [dıs∂’pru:v] – не одобрять).

"Now I want you to follow my orders (следовать моим указаниям)," the Don said. "I want you to stay in my house for one month. I want you to eat well, to rest (отдохнуть) and sleep. I want you to be my companion, I enjoy your company, and maybe you can learn something about the world from your Godfather that might even help you in the great Hollywood. But no singing, no drinking and no women. At the end of the month you can go back to Hollywood and this pezzonovante , this .90 caliber will give you that job you want. Done (по рукам: «сделано»)?"

Johnny Fontane could not altogether believe (не мог вполне поверить) that the Don had such power. But his Godfather had never said such and such a thing could be done (что та или иная вещь может быть сделана) without having it done (и не сделал бы: «без того, чтобы ее сделать»). "This guy is a personal friend of J. Edgar Hoover (этот парень – личный друг Хувера /director of the FBI 1924–72/)," Johnny said. "You can't even raise your voice to him (он вас даже слушать не станет)."

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