Mons Kallentoft - Autumn Killing

‘And then you decided you wanted to buy back the castle?’

‘Petersson just laughed at Father’s offer.’

‘Did you confront Petersson yourself?’ Sven asks, and Fredrik seems to hesitate before replying.

‘I’ll be completely honest. I was there the evening before Petersson was found murdered. He let me in, and rejected my offer in no uncertain terms. He asked if I’d like a glass of cognac in the rooms where I’d grown up. His smile was so arrogant that I’d have killed him happily, but I didn’t.’

Fredrik pauses, folds his hands on his lap.

‘Mind you, I should have,’ he says eventually.

‘So you think you should have killed him?’ Sven asks.

‘Yes,’ Fredrik says. ‘I should have. But how often do we ever do what we ought to?’

‘What car were you driving when you went out there?’

‘My black Volvo. The one you’ve got impounded.’

‘Your wife said you were at home when we spoke to her.’

‘She was trying to protect me. That’s natural enough, isn’t it? Trying to protect your nearest and dearest?’

What we ought to do?

Hesitation, hesitation. That’s one of the many differences between me and you, Fredrik Fagelsjo. I never hesitated.

You people are so conceited.

What do we need people like you for? You try to lay claim to all the traditions of our world and believe that your heritage and wallets can solve all your problems, but you still don’t understand the ultimate power: saying no to money, no matter how large the amount.

I took great pleasure in laughing at the old man’s offer. In offering you a cognac.

How did you treat me? How do you treat each other? How do you think it feels to have forty stinging, open wounds in your soul?

Were you the person who came to me that morning, Fredrik? Scared and weak as you are, you tell your story. Where’s the nobility in that, in your story?

You were muttering.

The police officer almost embarrassed, but you didn’t notice that.

You wanted to prove to your father that you could increase your fortune. That you could, in front of your computer screen, do what your forefathers used to on the battlefields of old.

And you, Malin, what is it that you ought to do?

Ought to call Tove.

I’m her mum, Malin thinks.

Maybe she can come this evening.

It’s already long past lunch by the time Zeke and Malin go through the swing doors into the police station.

The open-plan office is Sunday empty, the rain like a never-ending wall outside the windows.

Ought to, ought to, ought to call Tove, but I’ve had my mobile switched off for hours now. I’m longing to get down to the gym.

How can I bear to let you out of my sight now, Tove? It was impossible for the first ten months after the catastrophe in Finspang. I was like a leech, at least that’s how it must have felt for you. To protect you, or to calm my own fears? My sense of guilt?

Malin sits down at her desk and switches on her computer, and Zeke does the same. It isn’t long before Sven Sjoman comes over to their desks. He tells them what Fredrik Fagelsjo has just said.

‘Could he have done it?’ Malin asks.

‘Who knows? Maybe they had a fight? And he killed Petersson by mistake?’

Malin looks at Sven, at the doubt that has started to take shape in his eyes. Maybe Fredrik Fagelsjo isn’t their man? She knows Sven must have considered this. But she also knows that he will carry on regarding Fagelsjo as their prime suspect until there’s any evidence to the contrary.

‘If Fredrik Fagelsjo murdered Petersson when he was there on Thursday evening, the timings don’t fit,’ Malin says. ‘According to Karin, the body had only been in the water for a couple of hours, four at the most. And he had been dead for a maximum of five hours, so after approximately four o’clock that morning. And Forensics haven’t found any traces of blood in Fagelsjo’s car, which they certainly ought to have done, because the perpetrator must have been covered in blood. The fact that the gravel in the tyres matches the gravel out at Skogsa is explained by the fact that he admits to having been there the previous evening, but it doesn’t tie him to the murder. Unless he’s lying about the times, of course.’

‘Do you think he could have gone back the following morning?’ Zeke asks.

‘I don’t know, but his wife has given him an alibi and we can’t force her to testify against her husband. She might just be trying to protect her family.’

‘I got the impression that he’s telling the truth,’ Sven says. ‘But you never know. He could have gone back. The dark car that old Mrs Sjostedt saw could have been his, even if she wasn’t quite with it.’

‘Who knows what he might have done,’ Zeke says.

‘Yes, to appease his father,’ Sven says. ‘He seems to be a real patriarch. Fredrik seems almost to forget that he has a family of his own when you talk to him about his father.’

‘A search warrant?’ Zeke asks. ‘To help us get a bit more clarity?’

Sven shakes his head.

‘We simply can’t get a search warrant for Fredrik’s home in connection with the murder at the moment. He’s in custody for other reasons, and Ehrenstierna would put a stop to that at once. If we did search his house in connection with those other offences, we wouldn’t be able to use anything we found in any eventual murder prosecution.’

‘What about Katarina Fagelsjo?’ Zeke says.

‘We can interview her again,’ Malin says. ‘That feels like a natural next step.’

She hears herself say the words, even though all she wants is to get down into the gym and beat the shit out of the punchbag.

‘Have we got her address?’

‘Yes,’ Sven says, ‘we’ve got it.’

Malin switches on her mobile.

No new messages.

Then she dials Tove’s number, but gets straight through to the messaging service.

Where are you? Malin thinks. Tove? Has something happened? And she sees the beast looming over Tove, and feels that she herself is the beast.

Tove, where are you?

‘It’s Mum here. Where are you? You have to realise that I worry. Call me when you get this.’

Tove lets herself be swallowed up by the darkness of the cinema. Filippa is sitting beside her and they’re both gawping at how handsome Brad Pitt is. She likes silly films, lots of kissing and cuddling and people in love in a nice way. Books are a different matter entirely, she likes the ones that everyone else thinks are difficult.

She tries not to think about Mum.

Doesn’t want to think about the fact that she’s probably not coming back to them, and about what she’s decided to do herself.

How can I tell Mum about it? She’ll be sad, she’ll go crazy, maybe do something really stupid. But like Dad said, I can’t live with her at the moment, not with her the way she is, when she can’t cope without a drink.

And then there’s what Dad is going to do today. Does he have to do it so soon?

Brad Pitt smiles.

His teeth are white.

Tove wants to sink into that whiteness, wrap it around all her feelings, leaving just the nice things.

Waldemar Ekenberg runs one hand over his ever more swollen bruises, and puts the other on Lovisa Segerberg’s shoulder, giving it a proper squeeze as he says: ‘I bet you’ve got softer bits on your body, Segerberg. Haven’t you?’

Lovisa feels like standing up and screaming at this evidently severely socially handicapped hillbilly cop to drop the sexist remarks, but she knows his type all too well: macho officers, of all ages, who can’t help making the most bizarre, insulting comments to and about female police officers.

Once she raised a similar event with her boss, but she had just shaken her head and said: ‘If someone as attractive as you wants to be in the police, you’d better be prepared for a whole load of comments. Try to take it as a compliment.’

Lovisa is having trouble seeing the hand squeezing her shoulder as a compliment, and without saying anything she slides from his grasp and puts the papers in her hand on the desk.

She, Waldemar, and Johan Jakobsson have spent all day in paperwork Hades. And have only got through a fraction of the material.

But there’s one thing they can say with certainty: the tenancy agreements were legitimate, and the IT business seemed to be entirely above board. Petersson appeared to have got his fair share of the money, no more, no less. He had merely invested in the company, not acted as its legal advisor, so there was no question of bias. They hadn’t found a will, and during the course of the day Johan had made another twenty pointless calls to everyone from commercial lawyers whose names cropped up in the files to the carpenters, electricians and other workmen who had been employed by Jerry Petersson out at Skogsa. No one had anything interesting to say about him. He seemed to have managed all his business dealings in an irreproachable manner.

The clock on the yellow textured wallpaper says 2.25.

Lovisa looks at Johan, the pleasant, softly spoken officer out of the two she’s been set to work with. Competent and inoffensive.

Evidently Waldemar is also competent, and at lunch over at the National Forensics Laboratory she noticed how the other officers treated him with the respect the police usually reserve for officers who really know how to make things happen.

‘Time’s getting on,’ Waldemar says, settling down at his place at the table, in front of a screen showing the contents of Jerry Petersson’s hard-drives in neat folders.

‘I can’t think straight,’ Johan says. ‘So much fucking paper.’

‘The only thing I can see that could have a direct connection to the case,’ Lovisa says, ‘is the company Petersson owned with Jochen Goldman. The one dealing with the books and the income from interviews with Goldman. The company accounts look terrible. Maybe there’s more money somewhere, or else the interest or capitalisation value of Goldman’s celebrity status was a lot higher.’

‘Capitalisation value,’ Waldemar says. ‘You sound like a right nerd.’

‘We’ll mention it at the next meeting,’ Johan says.

‘The morning meeting first thing tomorrow,’ Waldemar says, and Lovisa thinks that no one could be less suited to paperwork than him.

Katarina Fagelsjo, dressed in dark jeans and a pink tennis shirt, is leaning back on a sofa that Malin knows comes from Svenskt Tenn and costs a fortune. The fabric of the sofa was designed by Josef Frank, old-fashioned black tendrils snaking through leaves in strong autumn colours against a pale blue background.

A fortune, she thinks. At least by my standards, and then she thinks how badly she fits in with this room, conscious of how cheap her H amp;M jeans look, her woollen sweater, how vulgar her sports socks are, and how scruffy she is as a whole compared to Katarina Fagelsjo. Malin feels like creeping along the walls, taking up as little space as possible, but she knows this won’t do, so she’ll have to hide her insecurity behind brusqueness.

A fragile wooden table in front of them, three cups of coffee that neither Malin, Zeke nor Katarina Fagelsjo have touched. The whole room smells of lemon-scented detergent and some expensive, famous perfume that Malin can’t place. Paintings on the walls. Classical, but with the same aura of quality as Jerry Petersson’s artworks. A lot of portraits of women by windows in bright light, women who all seem to be waiting for something. One painting in particular, of a woman by a window facing the sea, takes Malin’s interest. She reads the signature: Anna Ancher.