Rita Herron - Say You Love Me

I have an odd attraction to animals, especially golden retrievers. The guy next door is really hot—big with blond hair and gorgeous blue eyes. Every night when I see him walking his big dog, I start dreaming about what it would be like…

Britta slid the letter back into the envelope. Bestiality held no appeal to her, but it didn’t mean the person was a killer. Besides, it was written by a woman.

The killer was male.

Using that logic, she sorted the letters by sex, so she could focus on male submissions.

In the next letter, the woman fantasized about bondage. Hmm. A perfect target for the killer.

A disturbing thought struck her. What if the killer chose his victims from her letters?

But how would the killer know who had submitted the letter or how to find the woman? He’d have to tap into their computer base….

Tomorrow, she’d verify that Elvira Erickson hadn’t written to her. If she had, she’d alert R.J.

And Detective Jean-Paul Dubois.

The phone rang and Britta jumped, the last strains of Harry Connick’s voice dying as the song ended. She stared at the caller ID, half expecting to see the detective’s number, but the display read as an unknown listing. She must be crazy. Just because she’d thought of Jean-Paul Dubois, didn’t mean he was telepathic. Or that he was thinking about her.

“Hello.”

Heavy breathing rattled over the line. “Did you like the picture I sent you?”

Britta’s breath caught in her throat. “Who is this?”

“The man who knows your secrets.”

A bead of sweat rolled down Britta’s neck. She started to slam down the phone, but hanging up on him would do nothing to help the woman he’d murdered. “Why don’t you tell me your name?”

Laughter, low and sinister, rumbled from him. “One day I will. But I must build my kingdom first.”

A frisson of alarm rang through her. His kingdom, meaning he was just getting started. Detective Dubois was right; her column had drawn sexual deviants like sweet molasses drew flies. “You’re a coward,” Britta whispered.

His voice held a threatening edge. “No, Britta, I’m the one in control now. You feel it, don’t you?”

He’d never control her. No man would. “Then why hide behind the phone? Behind the notes?”

“Because my work has only begun.” Another laugh, even more sinister, filled the silence.

“I must save those women, make them repent for their sins. Just as you must.” Agitation made his voice raspy. “You run from town to town—changing your name, your hair—until you don’t even know who you are anymore. You’re as dead as the people whose names you steal. I can see it in your eyes.” He lowered his voice. “Your fear controls you.”

She twirled the phone cord around and around her fingers, winding it into a knot. He was right.

But how did he know so much about her? How long had he been following her?

“Please leave me alone. I don’t want any part of your twisted games.”

Again she started to hang up, but his next words stopped her cold.

“You don’t want to know who I have now?”

Britta clenched her hands into fists. “Let her go,” Britta whispered. “Please don’t hurt anyone else.”

“I can’t, Britta. Not yet. Not until she learns her lesson and pays for her sins.”

The phone clicked, then went dead in her hand.

A vision of the woman begging for her life taunted her. Then the crude mask of Sobek and an image of this man offering the woman as a sacrifice to the half crocodile, half man.

Time swirled backward. The smell of death, blood and the marsh assaulted her. Then the hiss and snapping of the gators as they churned the muddy water, anxious for their meal….

TWENTY-FOUR HOURS since they’d found Elvira Erickson. Jean-Paul Dubois sighed, loosening his collar in the smothering heat as he exited the precinct. Another long, frustrating day. And no headway on the case. He’d questioned the two mask-makers in town for the festival and neither of them made or sold one like they’d found at the scene. Both men had alibis, too.

The necklaces, however, were a dime a dozen.

Several reporters suddenly rushed him, jamming microphones in his face. A camera flash nearly blinded him and he threw up his hands to block another.

“Tell us about the woman murdered in Black Bayou!” a reporter shouted.

“Is it true she was stabbed with a lancet?”

“Did the gators get to her?”

“He raped her before he killed her or after?”

“Do we have a serial-killer case?”

Jean-Paul had to make some kind of statement. But what could he tell them? That so far they had no evidence, no name, no one to arrest? He spotted Mazie Burgess and headed toward her. She was a friend of sorts; had written stories on the hurricane and was fair. She’d also asked him out, but he hadn’t been ready or interested in dating. She smiled and met him halfway and he took the mike.

“We did find a woman murdered yesterday,” he said matter-of-factly. “At this time we have no suspects in custody, but the police are doing everything possible to find the woman’s killer. Now, get out of the way so I can do my job.”

Mazie thanked him. But instead of backing up, the mob moved in, surrounding him. He shouldered his way through, shrugging off a skinny guy who chased him to his car. “Come on, Detective, you have to give us more than that. Someone said that the killer contacted the editor of the Naked Desires magazine.”

Bon Dieu! If they caught wind of the picture Britta Berger had seen, there would be widespread panic. “No comment,” Jean-Paul barked. The last thing he wanted was the press hounding Britta. They might even scare off this guy from sending her information.

And he refused to give the swamp devil the pleasure of seeing a big write-up in the paper.

He tried to pry the man’s fingers off his car door but the reporter resisted. “If you don’t move out of the way, I’m going to arrest you for interfering with a police investigation and charge you with assault.”

“I didn’t assault you!” the man screeched, but he did back away. Jean-Paul hit the accelerator and bolted.

Next on his agenda—he had to check R.J. Justice’s alibi. He drove to the pricey new lofts near the edge of town and met Carson. Debbie Waller, the woman with whom Justice claimed he’d spent the night, supposedly lived in one of the units. The inside of the building consisted of chrome and cement and showcased exposed beams and concrete walls. Apparently the artsy, rich twenties and thirties crowd had flocked to buy the units.

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