Heather Graham Pozzessere - Never Sleep With Strangers

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She almost looked as if she slept, except… The trident had pierced through her. And the snow-white gown was turning ever more crimson. Four years ago, while vacationing at their country estate in Scotland, Jon Stuart watched his wife plummet from the balcony to a horrific death. Although cleared of any involvement, he's endured years of public suspicion–losing friends and his good standing in the community.But this was no accident, and now he's determined to prove it was murder. Orchestrating a dangerous plan, Jon has gathered the prime suspects at the scene of the crime. The stage is set as past and present collide, old lovers reunite…and a killer plots another perfect crime.

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Until now.

Three years after the death of his wife, he had opened the doors of Lochlyre Castle to the outside world once again.

“Come to think of it, Cassie’s praise of Sabrina’s work was noteworthy,” Brett mused suddenly, “because she wasn’t usually so generous. She supposedly liked my work, but she ripped Scalpel to shreds. Remember, Jon? She even blasted your work sometimes, and though I hate to admit it, that’s hard to do.”

“Thanks. That’s quite a compliment,” Jon said dryly.

Brett grinned. “I’m feeling chipper. Just got the word that Surgery is number two, the New York Times list, come a week from Sunday.”

“Congratulations,” Sabrina told him wholeheartedly. He always made the bestseller lists, but his position was rising steadily, much to his delight.

“Great,” Jon said. “You can keep everybody’s spirits up during the week. Remind them that, dire perennial rumors to the contrary, publishing is not yet dead. So…what do you two think of the chamber of horrors this year?”

“Ghoulishly wonderful,” Brett said.

“Too real.” Sabrina shuddered.

“Ah,” Jon murmured, eyes pure gold with sudden devilish humor. “I wouldn’t let your resemblance to the lady on the rack upset you,” he said. “An artist named Joshua Valine created the figures for the exhibit. He’s also done a lot of cover art—he met you at the booksellers’ convention in Chicago and was duly impressed.”

“Not very positively, if he has me on the rack,” Sabrina commented.

Jon laughed, a deep, husky, compelling sound. “Trust me, his reaction was quite positive. He always uses real people, whether he’s painting or working in wax. And if you’ll look around, you’ll see that there really wasn’t a pleasant situation in which he could have put anyone. Look to the far corner,” he said, that glimmer still in his eyes.

As hardened as she told herself she had become, Sabrina could still feel the force of his charisma. He had just the slightest hint of a Scotsman’s burr in his deep voice, acquired from all the time he had spent here. His features and build—his entire presence—were exceedingly masculine. Even his subtle aftershave seemed intoxicating.

Indeed, Jon Stuart was a dangerous man, she reminded herself. And a stranger, really, though she had once known him well—in a way.

“In the far corner over there,” he said now, “Louis XVI and Marie Antoinette are off to face the guillotine, and Joan of Arc is about to be burned at the stake. In the next display, Anne Boleyn is ready to meet her swordsman, and over there, Jack the Ripper is in the midst of slicing Mary Kelly’s throat.” He shook his head in mock sadness. “Joshua is not fond of Susan Sharp, I’m afraid. Go take a look at Mary Kelly.”

“So I suppose I should be grateful to be on the rack? Tortured for endless hours before death?” Sabrina observed.

Jon cocked his head slightly, amused. “Actually, Ms. Holloway, the beautiful blonde on the rack is the only victim in this room to survive. She is Lady Ariana Stuart, and before she could be stretched and broken—accused of an attempt to turn young Charles over to Cromwell’s forces when his father was about to be beheaded—her brother brought a plea regarding her innocence before the young Charles himself, who was by then returned to the throne as Charles II, king of England. Charles, being the lusty fellow he was, instantly saw the waste in destroying so fine a damsel, so he ordered her out of the torture chamber and into his bed. Naturally, being the charming man he was, he made her one of his mistresses. She bore him numerous illegitimate children and lived to a ripe old age.”

“How comforting,” Sabrina said.

“Very romantic,” Brett sniffed. “I bet you made all that up to placate Sabrina.”

“I swear it’s God’s own truth,” Jon Stuart assured them.

“Well, Joshua certainly had a field day with Susan Sharp,” Brett said, chuckling with malicious pleasure. “And what a perfect Ripper’s victim. After all, she has been known to ‘entertain’ men for the rewards she might gain,” he remarked.

“That’s hearsay,” Jon murmured, shrugging.

Sabrina gritted her teeth at Brett’s boorish comment and silently applauded Jon’s refusal to speak ill of others.

“Who did old Josh use for Joan of Arc?” Brett asked, unfazed.

“My assistant, Camy,” Jon said. “She’s actually quite religious herself, I believe, and a good, hard worker.”

“How apropos,” Brett said. “I approve.”

Jon grinned. “So far you do.”

Brett let out a groan. “So there’s something I’m not going to like?”

“Most probably not.”

“He used me?”

Jon nodded.

“As?”

Jon indicated the torturer about to twist the rack with the blond beauty upon it.

“Take away all the facial hair…” Jon suggested with a touch of rueful apology.

Brett gasped. “I should sue!”

Sabrina couldn’t help but laugh, which irritated Brett still further.

“Come on, Brett, be a sport. You were just a model—and with the beard and mustache, no one will guess. And remember, the weekend is all for charity. Have a sense of humor,” she suggested.

“Oh, very funny. I get to torture my ex-wife. So are you in this rogues’ gallery?” he demanded of Jon.

Jon arched a brow. “Yes. Yes, I am.”

“Where?” Brett demanded.

“Come on.”

Brett looked at Sabrina, shrugging. “He’s probably set himself up as a king—or as Gandhi.”

“Gandhi would hardly fit in here, and a number of kings weren’t such great fellows,” Jon reminded him. “But I didn’t have anything to do with Joshua’s choice of models. He doesn’t tell me how to write, and I don’t tell him how to sculpt.”

They followed him down a corridor to another display. A tall man in European dress of perhaps the 1500s stood above the sprawled body of a woman. Her head was turned to the side, hiding her features from them. The man was staring down at the woman with a mixture of anger and confusion on his face. He had long, light brown hair, but he was still quite evidently Jon Stuart.

“Who are they?” Sabrina asked, confused.

“He’s not well-known to Americans,” Jon said, studying the display dispassionately. “His name was Matthew McNamara. Laird McNamara. He was a Scotsman who did away with three mistresses and two wives.”

“How?” Brett asked. “I don’t see a weapon.”

“He strangled them,” Jon said simply.

“How did he get away with so many murders before he was found out?” Sabrina asked.

“He was never brought to justice. He was considered so powerful among the clansmen that executing his own wayward women was considered his right,” Jon said.

He turned away from the figures to look at her again, and she saw that his marbled eyes had gone very dark and cold. A strange trembling touched her as he slowly smiled. Was he mocking her? Or himself? She was afraid, she realized.

And worse.

She felt like a moth attracted to a flame. Time hadn’t changed anything, nor had distance. That Jon Stuart was virtually a stranger to her meant nothing at all. She felt the same fierce and immediate fascination she had felt the first time she’d met him, a little more than three and a half years ago.

The first time…the last time.

“Who’s the model for the wife?” Brett asked. Then, as if suddenly realizing that he might not want to hear the answer, he hurried on. “Joshua Valine is good. What an eye for detail.”

“Relax, Brett. It isn’t Cassie,” Jon said, a dry smile curling his lip. “It’s Dianne Dorsey. You can see her face if you look at the tableau from the other side.”

“Dianne…well, yes, of course. I guess I thought of Cassie because of the black hair, but Dianne is dark, too….” Brett murmured, clearing his throat. He looked at Jon uneasily.

“Cassie’s over there, Brett,” Jon said, indicating a figure praying in front of mullioned windows. “Joshua used her for his Mary, Queen of Scots, contemplating the morning of the day of her execution.”

“Yes, yes, that’s definitely Cassandra,” Brett said, staring for a long moment. His eyes jerked back to Jon’s. “Doesn’t that…bother you?”

“They all bother me—they’re so real,” Jon admitted. “But Josh is an artist, and that’s how he works. Besides, I think Cassie makes a good Mary, Queen of Scots.”

“They’re all women, the victims,” Sabrina commented.

Jon smiled. “Well, historically, it seems, lots of men were monsters. But I assure you, we have some lethal ladies here, as well.” He pointed across the room. “There you have Countess Bathory, the Hungarian ‘blood countess.’ Allegedly she sacrificed hundreds of young women so she could bathe in their blood to retain her youth and beauty. V. J. Newfield is the model, as you might notice.”

“Oh, you’re in trouble there!” Brett warned.

Jon laughed. “V.J. will get a good laugh out of it. Besides, the countess was supposed to be quite beautiful as well as bloodthirsty.” He pointed out another tableau. “There you have Lady Emily Watson, who poisoned no fewer than ten husbands to get their worldly goods. So you see, we do try to be an equal-opportunity chamber of horrors.”

“Who’s the model for Lady Emily?” Brett queried.

“Anna Lee Zane. And her victim is Thayer Newby.”

Brett laughed. “Thayer, downed by a woman! He’s going to love that.”

Jon shrugged. “There’s Reggie Hampton as Good Queen Bess, signing the death warrant for Mary, Queen of Scots.”

“Who are the others?” Sabrina asked, indicating the rest of the tableaux receding into the shadowy depths of the castle’s basement.

“Naturally Tom Heart and Joe Johnston are in here, but I’ll let you find them. Joshua used a few of the household staff, as well, so don’t be surprised if you find your breakfast being served by Catherine the Great.”

“Sabrina,” Brett puffed, “we really should remarry, and quickly! Jack the Ripper could arrive for your laundry!”

“Oh, I think I can manage my own hand laundry, and I’ll make sure to have breakfast with a crowd,” Sabrina told him. She wanted to kick him when she saw that Jon was studying her again.

Jon merely shrugged and seemed to ignore the exchange. “Joshua had lots of people working on this project for more than a year. We’ll be donating the sculptures to a new museum in the north country when we’re done here.”

“You’ll need releases from the models,” Brett warned him.

Jon smiled. “I think I’ll get them. The publicity will be phenomenal, you know.”

“Great, I’ll go down in history as a maniacal torturer!” Brett moaned, but the word publicity had won him over.

“Don’t feel bad. One way or the other, I go down as a wife murderer. Well, if you’ll excuse me, I have a few things to attend to. Enjoy yourselves. Brett, you know your way around. Ms. Holloway, please make yourself at home, as well. I’ll see you at cocktails.”

He turned and walked away with strong strides. In a moment the shadows swallowed him.

Yet somehow his presence seemed to linger, and Sabrina found herself turning to stare again at the wax tableau of Matthew, Laird McNamara.

Very tall, straight, broad-shouldered he was, with hands on his hips as he stood over the woman at his feet. Handsome, proud, merciless, powerful—laird indeed of his domain.

So powerful that he could kill and get away with it?

She forced herself to turn away, to look at the other figures as they engaged in their various dances with death.

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