Tiffany Reisz - The Original Sinners: The Red Years

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    The Original Sinners: The Red Years
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The Original Sinners: The Red Years - описание и краткое содержание, автор Tiffany Reisz, читайте бесплатно онлайн на сайте электронной библиотеки LibKing.Ru
The Original Sinners: The Red Years collection contains four unforgettable, erotic stories and one tantalising, provocative novella collection.THE SIREN Some love stories you never forget.She tore herself from the man she adored, who transformed her, who possessed her… who would have destroyed her.Now, she is adored by a man she must not have.Some books will change your world.She thinks she knows what it means to be pushed to her limits.She’s wrong.Be prepared… this is one of them.THE ANGELShe wanted him…Nora Sutherlin is hiding. On paper, she’s following her master’s orders – and her flesh is willing.More deeply, more strongly than she’d wanted anyoneBut her mind is wandering to a man from her past, whose hold on her heart is less bruising, but whose absence is no less painful. Instead of letting him make love to her, she’d let him go.This is the story of a summer that proves that love hurts.THE PRINCEOne man taught her to love…She left her old life for him. Now Nora is torn in two, wanting to fit into this new, innocent relationship, yet relentlessly hungering for her darker self…and Søren, the man she left behind.One man taught her to obey…While Nora’s trying on innocence for size, Søren is stepping ever further into decadence, determined to block out the agony of watching Nora walk away. Wills she ever choose to return to their life of glorious, addictive sin?Which man would you crave?THE MISTRESSShe is addictive… irresistible.Nora Sutherlin, Dominatrix-turned-literary-star, is held prisoner by two dangerous men. Under different circumstances she would enjoy this immensely. These men aren’t lovers, however, but tools of vengeance from an old adversary.Possessor of the hearts of two men, she plays her hardest hand.But her captor isn’t interested in play. Or pity. In Nora’s world, however, no one is ever truly powerless. Her friends and lovers will do anything to save her – even if the only certainty seems to be sacrifice and heartbreak.The stakes are high in a dangerous game of love, lust and passion.THE MISTRESS FILES: The Case of the Acting Actress, The Case of the Diffident Dom, The Case of the Reluctant Rock Star, The Case of the Secret Switch, The Case of the Broken BartenderWelcome to the private files of Nora Sutherlin, The Mistress.Kingsley Edge, owner of the 8th Circle BDSM club, has ordered her to compose client profiles so the other Dominatrices in his employ can learn from her expert erotic encounters. She’s the best Dominatrix at the club and her clients always leave satisfied.The Mistress’s first five cases are anything but vanilla…1. The young actress known as “America’s Sweetheart” who definitely isn’t innocent.2. The ex-Dom whose wife wants to experience the pleasure of domination – Nora can convince him to trust his wife’s desires.3. The rock star who says he’s researching a music video, but whose arousal makes Nora determined to prove he’s a sub.4 .The special client who’s secretly a Switch like Nora, both dominant and submissive, and only comes to her when he wants pain.5. The woman with a very unique request, who Nora will never see in her dungeon again…

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“I’ll talk to her.”

“A good start.”

“And I’ll read the manuscript. If I think there’s any chance she—we—can make something decent out of her book, I’ll give her my last six weeks. But the book doesn’t go to press until I sign off on it.”

J.P.’s eyes bored into Zach. Zach refused to blink or look away. He was used to having final say on all his books. He wasn’t about to relinquish that power, not for J.P., not for Nora Sutherlin, not for anyone.

“Easton, one Dan Brown title will outsell in a month what the entire poetry section of a bookstore will sell in five years. Sutherlin’s ‘pornography,’ as you call it, could pay for a lot of poetry around here.”

“I want the contract in my hands, J.P., or I won’t even meet her.”

J.P. sat back in his chair and exhaled loudly through his nose.

“Fine. She’s all yours. She’s got a nice little place in Connecticut. Take the train. Take my car. I don’t care. She’ll be home on Monday, she said.”

“Very well then.” Zach knew he was likely safe. When the mood struck him, Zach could be merciless to an author about his or her book’s shortcomings. The great writers took the criticism. The hacks couldn’t handle it. If he was hard enough on her, she’d beg for another editor.

The argument now at a stalemate, Zach rose tiredly from the chair and with hunched and aching shoulders headed toward the door.

A small cough stopped Zach before he could leave the office. J.P. didn’t meet his eyes, only ran his hand over the first page of the Hamlet reader’s copy in front of him.

“You should read this book when it comes out,” J.P. said, tapping the page. “Fascinating exploration of the feigned madness of Hamlet—‘I am but mad north north-west…’”

“‘But when the wind is southerly, I can tell a hawk from a handsaw,’” Zach finished the famous quotation.

“Sutherlin’s only as mad as Hamlet was. Don’t believe everything you’ve heard about her. The lady knows her hawks from her handsaws.”

“Lady?”

J.P. closed the book and didn’t answer the insult. Zach turned to leave again.

“You know, you’re still young, Easton, and too handsome for your own good. You should try it sometime.”

“What? Madness?” Zach asked, nodding toward the book.

“No. Happiness.”

“Happiness?” Zach allowed himself a bitter grin. “I’m afraid my memory’s too good for that.”

Zach returned to his office. His assistant, Mary, had left Nora Sutherlin’s manuscript on his desk along with a file folder.

Zach flipped the file open and barely glanced at Sutherlin’s bio. She was thirty-three, about a decade younger than him. Her first book had come out when she was twenty-nine. She’d released five titles since then; her second book, entitled Red, had created a minor sensation—great sales, lots of buzz. Zach studied the numbers in the file and saw why J.P. was so eager to acquire her. With each subsequent release, her sales had nearly doubled. Zach ran through the little he knew of erotica writers in his mind. These days erotica was about the only growth market in publishing. But it shouldn’t be about the money. Just the art.

Zach threw Sutherlin’s bio and sales projections in the trash. He’d stolen his philosophy of editing from the old New Critics—it’s just about the book. Not the author, not the market, not the reader…one judged a book only by the book. He shouldn’t care that Nora Sutherlin’s personal life was rumored to be as torrid as her prose. Only her book mattered. And his hopes for the book were not high.

Zach examined the manuscript with suspicion. Mary knew he preferred to read his books in hard copy versions. But she’d obviously had a little too much fun printing out this one for him. Across the scarlet-red cover blazed the title in a lurid Gothic font—The Consolation Prize. Editors almost invariably changed a book’s title, but he had to concede it was an interesting choice for a work of erotica. He opened the manuscript and read the first sentence: “I don’t want to write this story any more than you want to read it.”

Zach paused in his reading as he felt the shadow of something old and familiar whisper across his shoulder. He brushed the sensation off and read the line again. Then the next one and the next one…

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2

Some days Zach hated his job. The actual editing he loved, taking a novel with pretensions of greatness and actually making it great. But the politics he hated, the budget crises, having to let a brilliant midlister go to make room for a better-selling hack… And now here he was, hauling his arse into Connecticut to meet some loony smut writer who’d somehow convinced one of the most respected lions in publishing that she deserved one of the best editors in literary fiction. Yes, some days he hated his job. Today he felt quite certain it hated him back.

Zach parked J.P.’s car in front of a rather quaint two-story Tudor cottage in the tame and pedestrian suburb. He checked the address, his directions and stared at the house. Nora Sutherlin—the notorious erotica writer whose books were banned as often as they were translated lived here? Zach could imagine his own grandmother in this house forcing tea and biscuits on small children.

With a heavy sigh, he strode to the front door and rang the bell. Shortly after, he heard footsteps approaching—sturdy, masculine footsteps. Zach allowed himself the pleasure of imagining that Nora Sutherlin might simply be the pen name for some overweight bloke in his mid-fifties.

A man did open the door. No, not a man—a boy. A boy wearing nothing but plaid pajama pants and a cluster of hemp necklaces, one dangling a small silver cross, stood across the threshold from Zach and regarded him with a sleepy smile.

“Nineteen,” he said in an accent Zach immediately recognized as American South. “Not sixteen. She just tells everybody I’m sixteen for the street cred.”

“Street cred?” Zach asked, stunned that the rumor of the teenage intern had proved true.

The boy shrugged his sun-freckled shoulders. “Her words. Wesley Railey. Just Wes.”

“Zachary Easton. I’m here to meet with your…employer?”

The boy, Wesley, laughed and brushed a swath of dark blond hair out of his brown eyes with the graceful languor of youth.

“My employer is right this way,” he said, exaggerating the Southern accent for comic effect. Zach entered the house and found it cozy and homey, replete with overstuffed furniture and bursting bookcases. “I like your accent. You’re British?”

“Lived in London the past ten years. You don’t sound like a native, either.”

“Kentucky. But Mom’s a Georgia peach so that’s where I get this mess from. I keep trying to lose it, but Nora won’t let me. Has a thing for accents.”

“That does not bode well,” Zach said as Wesley grabbed a V-neck white T-shirt off a pile of folded laundry and pulled it on. Zach noted the boy’s slim but muscular frame and wondered why Nora Sutherlin bothered with the intern pretense. A nineteen-year-old lover might be rather disgraceful for a woman of thirty-three but certainly legal.

Wesley led him down an abbreviated hallway. Without knocking he pushed open a door.

“Nor, Mr. Easton’s here.”

He stepped to the side and Zach blinked in surprise at his first glimpse of the infamous Nora Sutherlin.

From all the rumors he’d heard, he’d expected some sort of Amazonian in red leather wielding a riding crop. Instead, he found a pale, petite beauty with wavy black hair barely contained in a loose knot at her nape. And no red leather in sight at all. She wore men’s style pajamas, blue ones covered in what appeared to be little yellow ducks.

Her legs rested on top of her desk and she had her keyboard balanced across her lap. With quick nimble fingers she typed away, saying nothing and giving them only her beguiling profile.

“Nora?” Wesley prompted.

“I’ve got a crisp new Benjamin for the first person who can give me a good synonym for thrust, noun form. Go,” she said, her voice both honeyed and sardonic.

Although irritated by her cavalier attitude and her unfortunate attractiveness, Zach couldn’t help but scroll through his substantial mental thesaurus.

“Push, lunge, shove, attack, force, jab,” he rattled off the words.

“His slow, relentless jabs sent her reeling…” she said. “Sounds like commentary on a boxing match. Goddammit, why are there no good synonyms for thrust? Bane of my existence. Although…” She set her keyboard aside and turned to face him for the first time. “I do love a man with a big vocabulary.”

Zach’s spine stiffened as the most unusually beautiful woman he’d seen in years smiled at him. She stood up and walked on bare feet to him.

“Ms. Sutherlin.” Zach took her proffered hand. “How do you do?”

From her small stature he expected a dainty grip. But she grasped his hand with surprisingly strong fingers.

“Gorgeous accent,” she said. “Not a bit of the old Scouser left, is there?”

“You’ve done your homework, I see,” Zach replied, troubled that she seemed to know more about him than he knew about her. He now regretted tossing her bio into the bin. “But not everyone born in Liverpool speaks like a young Paul McCartney.”

“Shame.” Her voice dropped to a whisper as she continued to gaze at him. “What a shame.”

Zach forced himself to really meet her eyes and then wished he hadn’t. At first glance her eyes appeared a deep green, but she blinked and they seemed to change to a black so dark they likely could not remember the green they had just been. He knew that she looked only at his face, but still he felt stripped bare by her penetrating gaze, torn open. She knew him. He knew it, and he sensed she knew it, too.

Determined to regain control of the situation, Zach pulled his hand back.

“Ms. Sutherlin—”

“Right. Work.” She returned to her desk. Zach glanced around her office and saw even more books than were in the living room: books and notebooks, stacks of paper and dark wooden filing cabinets.

“One quick question, Mr. Easton,” she said, dropping into her desk chair. “Are you, by any chance, ashamed of being Jewish?”

“Excuse me?” Zach said, not quite certain he’d heard her correctly.

“Nora, stop it,” Wesley scolded.

“Just curious,” she said with an indifferent wave of her hand. “You go by Zachary but your name is actually Zechariah like the Hebrew prophet. Why did you change it?”

The question was so personal, so entirely none of her concern that Zach couldn’t believe he deigned to answer it.

“I’ve been called Zach or Zachary since the day I was born. Only when filling out formal documents do I even remember Zechariah is actually my name.” Zach kept his tone cool and even. He knew that he could only win here if he stayed calm and didn’t allow her to get the rise out of him she so clearly desired. “And the only thing I am ashamed of currently is this sudden downturn in my career.”

He expected her to flinch or fight. Instead, she just laughed.

“I really can’t blame you. Have a seat and tell me all about it.”

Warily, Zach sat down in the battered paisley armchair across from her desk. He started to cross his ankle over his knee but froze in midmovement as his foot tapped an unusually long black duffel bag that sat on the floor. He heard the distinct, unnerving sound of metal clinking against metal.

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