Эндрю Лоуни - Англичанин Сталина. Несколько жизней Гая Бёрджесса, джокера кембриджской шпионской колоды

В пьесе Сну Уилсона, поставленной в 2004 году на Радио-3, «Гиппомания» (Hippomania), о Джоне Бетжемене в военном Дублине, также есть Гай Бёрджесс, а действие радиопьесы Эрнеста Кабальеро «На скале» (On the Rock), впервые поставленной в декабре 2009 года, происходит в отеле «Скала» («Рок-отель») в Гибралтаре, когда Бёрджесс доставляет Филби новый шифр. Роль Бёрджесса как посредника для Джозефа Болла и Невилла Чемберлена является темой радиопьесы Джона Флетчера «Перемена на море» (Sea Change), впервые переданной на Радио-3 в начале 2012 года. Макл Доббс сделал встречу Бёрджесса с Черчиллем в Чартвелле во время Мюнхенского кризиса центральной частью своей телевизионной пьесы «Поворотный пункт» (The Turning Point), поставленной в 2009 году. Главную роль в ней сыграл Бенедикт Камбербэтч. Действие пьесы Джона Моррисона «Утро с Гаем Бёрджессом», впервые поставленной в январе 2011 года, происходит в 1963 году, и она посвящена вопросам природы веры, преданности, предательства.

Драматург Алан Беннетт услышал историю о встрече Бёрджесса с Корал Браун и почувствовал, что она может лечь в основу телевизионной драмы. «Англичанин за границей» (1989) и его же «Вопрос подлинности» (A Question of Attribution), так же как «Одинокие шпионы», – наиболее известные изображения Гая Бёрджесса в литературе [1075].

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