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Александр Молчанов - KillerFoulkner. Пьесы для Англии

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Александр Молчанов - KillerFoulkner. Пьесы для Англии
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    KillerFoulkner. Пьесы для Англии
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Александр Молчанов - KillerFoulkner. Пьесы для Англии краткое содержание

KillerFoulkner. Пьесы для Англии - описание и краткое содержание, автор Александр Молчанов, читайте бесплатно онлайн на сайте электронной библиотеки LibKing.Ru
Пьесы Александра Молчанова «Убийца» и «Фолкнер» в переводе Юрия Каляды. Пьеса «Убийца» была поставлена более чем в 30 театрах в России и Европе.

KillerFoulkner. Пьесы для Англии - читать онлайн бесплатно ознакомительный отрывок

KillerFoulkner. Пьесы для Англии - читать книгу онлайн бесплатно (ознакомительный отрывок), автор Александр Молчанов
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The paperwork was signed and they’d made the offer. I even studied. Like a week before the exams I learned some geometry. I rode around with Mishka at night on motorbikes, spending the last days before we went away, smoking, hanging out. Dreaming that soon we’d be walking round Arkhangelsk. And then the Colorado beetles came. These poisonous larvae, bright red, and they stripped the potato plants back to the stalks. Never seen them before. Just that one year. The old women were all saying the US has sent bio-weapons. Weaponised beetles. And we were all gonna die of starvation because potatoes were all we grew. Long story short, every morning I got on the bike and went to the fields, and I filled a half-litre jar with these fucking grubs and I siphoned in some gas from the tank and lit it. And one day I was watching them burn and I suddenly felt so sick. Puked my guts up. Didn’t feel any better. In the evening Mishka and me were riding around and I still felt feeling terrible. Woozy, like I was stoned. So I suggested going for a swim. Maybe it’d help. We went for a swim and I still felt shitty. Sick as a dog. Like, that night I thought I was going to die. My mum phoned the hospital and said «Go to the Emergency Room, the one our neighbour Aunt Sveta works at’ – so I went and she examined my eyes, and she checked out my stomach and the rest, and when she pushed her fingers over my liver she just stopped and said. Right. We’re done. Jaundice. I was in quarantine for three weeks. Everyone had to get vaccinations. Nobody else got it. Mishka went to Arkhangelsk and passed the entrance exams. I went back to school. And in four months Mishka had quit. Ran away. He said it was so fucking harsh – the hazing was so bad and the freshmen got beaten so brutally the walls in the room it happened in were covered in blood. Mishka stopped his education at the eighth grade, did his army service, started working as a welder. No fucking future. And I finished school and got into college. And I think that wasn’t an accident. I think God was watching over me. I think he sent a plague of locusts. Colorado beetles and jaundice, but same difference, eh? He did that so I didn’t go to the technical school. There’s something else I have to do with my life. Become a great musician or a great poet. Or maybe it’s all so I can kill Maronov. Maybe he’s going to become a new Hitler or build a dirty bomb? Although I reckon it’s probably something on the creative side. An artist. Something like that. I mean I can’t draw but that’s kind of optional. It’s not the Renaissance any more, thank fuck. I’m not going to kill anyone. It’s all OK. Everything’s gonna be OK. Right?

OKSANA. A three-room flat in a city. A floor lamp. Work anywhere, as an archivist maybe, or in a shop. Or in a firm. A business that pays a lot even if you don’t quite know exactly what it does. Apparently the bosses fuck all the women in firms like that. It’s tradition. It’s accepted. Fair enough, let them, as long as your husband doesn’t find out. Especially if the boss is cute like Seka. No. Better Seka’s the husband and the boss is even cuter. No, Seka’s the boss and there’s another husband and he’s cute and kind. Not greedy. But not some goon who can’t take care of money either. We’d go to the movies every week. Maybe somewhere in the south, although there are fucking wars everywhere now. Could get ourselves killed wherever. I’d cook for him, have to, wash, do laundry. Bear him a son. Why not? I’d push a kid out for a good man. When I first saw Seka I used to dream about him. That he had a wife somewhere. Like this toad of a woman. But a beautiful kid. And they’d go to the movies together and I’d say, you go. Let me stay here and take care of the baby.

ANDREW. When I get famous I’ll buy a house in a village. Or build one. Two stories for sure. Study on the second floor, looking out over the forest. Wake up in the morning to the sound of the birds. Nothing to do because I’m already in the encyclopedia. On the curriculum. Guitar all cabled and ready to go. Music up the ass. Speaker stack. Samurai sword on the wall. Next to it an abstract painting and on the table a manuscript. A novel called «My Life’. No. «My Triumph’. No. «My Defeats’. That’s cool. Everyone can see how humble that is. He got everything he wanted and he only remembers the defeats. He wandered from defeat to defeat. Live like that til I’m old. When you know you’ll be remembered, there’s no fear in dying. However it happens, it’s all good.

OKSANA. It’d be so lovely if everyone just died. I mean dying alone’s not fun. Even if you know heaven’s waiting for you. But with all the family in the room, kids, grandkids, watching, waiting for you to go. Why not just hit a button – switch everything off. Not bombs, or chemicals, but just gone, without pain. A clean planet. Forests, oceans, but no people. That’s be amazing. Nobody hurt. Fun, even. Someone who’s worked all his life. Saved millions, and then – voilà! Everyone’s equalised. And it’s interesting to think – where would all the souls go? The trees? Humans will pick a fight anywhere, even if they were trees. We’re bastards. The pine’s going – ’hey birch, get your fucking branches out of my space’. Then they fight with branches. Then some weapons research. A neutron chainsaw, and it starts over again.

ANDREW. The bus pulled up at the bridge. The driver turned round and shouted «Tickets to the bridge, you’re here.» I took her hand, pulled her towards the exit.

OKSANA. I was so lost in thought I didn’t notice where we were. Never been to Oskol before anyway. We stopped at a bridge and he took my hand and dragged me off the bus. So there we were. Standing at the bus stop. Bridge on the right, road on the left, and a field all around us. «What happens now’, I said? «What’s next? Is this Oskol?»

ANDREW. Kind of. Look. I’ve had an idea.

OKSANA. I couldn’t work it out at first. He’d bought tickets going in the opposite direction. The complete opposite. Like a fool I hadn’t even looked at the sign on the bus. I’m fucked. What do I tell Seka?

ANDREW. She was pissed off, obviously. Maybe she was thinking I was taking her to the woods. Drown her in a lake or something.

OKSANA. He’s jabbering about his mama.

ANDREW. Do you get it? Mama will give me the money. I’ll pay Seka what I owe him and it’s cleared. I don’t have to kill anyone. Seka can find someone else to do it.

OKSANA. Right.

ANDREW. Suddenly she’s calm. Seemed she wasn’t into the murder thing either. She even seemed a bit happier, I’d say.

OKSANA. She’s definitely good for the money?

ANDREW. For sure.

OKSANA. Come on, then. Where’s your rich mother?

ANDREW. I wasn’t actually certain she’d give me the money. She opened a shop six months ago. Converted a trailer and invested all her cash in the stock. She even put my dad on an allowance for his smokes and his booze. But I had cast-iron argument. If only…

OKSANA. Are you a fucking idiot? It says it’s fifty kilometres to Shichengi from here.

ANDREW. Not my fault. This is as far as the money got us.

OKSANA. So what are we gonna do? Walk?

ANDREW. Hitch..

OKSANA. Who’s going to stop out here, shit-for-brains?

ANDREW. Don’t know. Truckers, maybe? They get pretty bored. They might want passengers.

– Road

OKSANA. Every trucker’s got a No Hitchers sign on the windscreen. In the blue paint on the bus stop, someone’s scratched «Davydov is an asshole’ It’s like the local paper. Today’s headlines, Davydov’s still an asshole. I wonder who Davydov is? Fat, bald, businessman. They don’t write about guys like that on bus stops though. Some kid. Pissed off a girl or something. Now he’s famous as an asshole on the Moscow-Arkhangelsk bus route.

ANDREW. When I was a kid we were playing with knives behind our house – me, Bor’ka and Nataskha Sigalyovy – Sigalyata. One finger, then two, then three. They lived upstairs, and she’d always play the piano until my grandma knocked on the ceiling with the mop. Things were easy from about four years old. My grandma had a headache – smashed her skull in the war. She’d been dying for years. Headache, then shoulders, chin, lips, nose, eyebrows, forehead. Natashka started hanging out with soldiers, got married, to a soldier I guess, I don’t really remember, but throwing the knife was tricky, must have been the sun – you had to throw it up towards the moon, catch it behind your back. Natashka went to see some guy, came back, her and the guy owed someone money, someone wanted to kill him. The knife wouldn’t go in. I lost the game and Bor’ka carved a piece of rowan, a tiny piece not much bigger than a matchstick, and used the knife to pound it into the ground, I had to pull it out with my teeth. My face was in the dirt.

OKSANA. You fucking asshole. Why didn’t you stop that car?

ANDREW. Nobody’s stopping. Can’t you see that?

OKSANA. You ass-hat. What are they seeing? Some psycho car-jacker waving a knife around. Would you stop for that?

ANDREW. So you go and stop one.

OKSANA. I fucking will, then we’ll see.

ANDREW. So a car comes along. A green Zaporozhets. Only not towards Shichenga but back towards Volokovets. She walks to the edge of the road, puts her thumb out, the car stops. There are two old guys in the car. Like, a hundred and fifty. They’re smiling. Get in little girl and let’s go for a ride.

OKSANA. I’m going back to the city. I’m going to tell Seka what’s gone on and I’m gonna leave him to deal with this shit on his own.

ANDREW. Fucking bitch. Are you trying to get away?

OKSANA. He got so pissed. Threw down his knife, ran to the car, grabbed hold of me – waved the grandpas away. Keep on driving oldsters. They laughed – youngsters’ issues, cough cough, puttered away in their rust bucket.

ANDREW. What the fuck?

OKSANA. What? I have to sit here with you all night? Get your fucking hands off me.

ANDREW. I felt myself gong red. Got even angrier. What’s up with her? Is she crazy or what?

OKSANA. Then he starts yelling. It’s my fault I’m stuck out here. If I didn’t want to go I should just have refused to come. I just wanted him to shut up. Shut up. Shut up. Shut up.

ANDREW. I was trying to explain that it’s her that’s in the wrong. That actually she’s only got herself to blame for ending up out here. She’s a free agent and she made a choice to come here. If not consciously then unconsciously. But she wouldn’t listen.

OKSANA. I crossed over to the other side, stuck my thumb out again, straight away stopped a BMW heading the other direction.

ANDREW. She got in the car like she wasn’t hanging around. I ran to it and got in the other side. The driver was a guy in a white shirt. He told me to watch out for his suit. It was on a hanger next my head. I hadn’t noticed.

OKSANA. The car smelled good, and I was really conscious I hadn’t showered in two days. In the dorm there’s one shower for a hundred and twenty rooms, so the queue takes forever, and you can only really use them at night. And people just fuck in them all the time anyway. Although me and Seka never did…

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