David Wallace - Infinite jest
- Название:Infinite jest
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- Издательство:Back Bay Books
- Год:2006
- ISBN:нет данных
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David Wallace - Infinite jest краткое содержание
Infinite Jest is the name of a movie said to be so entertaining that anyone who watches it loses all desire to do anything but watch. People die happily, viewing it in endless repetition. The novel Infinite Jest is the story of this addictive entertainment, and in particular how it affects a Boston halfway house for recovering addicts and a nearby tennis academy, whose students have many budding addictions of their own. As the novel unfolds, various individuals, organisations, and governments vie to obtain the master copy of Infinite Jest for their own ends, and the denizens of the tennis school and halfway house are caught up in increasingly desperate efforts to control the movie — as is a cast including burglars, transvestite muggers, scam artists, medical professionals, pro football stars, bookies, drug addicts both active and recovering, film students, political assassins, and one of the most endearingly messed-up families ever captured in a novel.
On this outrageous frame hangs an exploration of essential questions about what entertainment is, and why it has come to so dominate our lives; about how our desire for entertainment interacts with our need to connect with other humans; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. The huge cast and multilevel narrative serve a story that accelerates to a breathtaking, heartbreaking, unfogettable conclusion. It is an exuberant, uniquely American exploration of the passions that make us human and one of those rare books that renew the very idea of what a novel can do.
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Gately, for several months before he did his State assault-bit, was disastrously involved with one Pamela Hoffman-Jeep, his first girl ever with a hyphen, a sort of upscale but directionless and not very healthy and pale and incredibly passive Danvers girl that worked in Purchasing for a hospital-supply co. in Swampscott and was pretty definitely an alcoholic and drank bright drinks with umbrellas in Rte. 1 clubs in the late P.M. until she swooned and passed out with a loud clunk. That’s what she called it — ‘swooned.’ The swooning and passing out with a loud clunk as her head hit the table was more or less a nightly thing, and Pamela Hoffman-Jeep fell automatically in love with any man she termed ‘chivalrous’ [374]enough to carry her out to the parking lot and drive her home without raping her, which rape of an unconscious head-lolling girl she termed ‘Taking Advantage. ‘ Gately got introduced to her by Fackelmann, who one time as he came up through a sports bar called the Pourhouse’s parking lot to dialogue with a Sorkin-debtor Gately saw Fackelmann staggering along carrying this unconscious girl to his ride, one big hand quite a bit farther up her prom-looking taffeta gown than it really needed to be to carry her, and Fackelmann told Gately if Don’d give this gash a ride home he’d stay and do the collection, which Gately’s heart wasn’t in collections anymore and he jumped at the trade, as long as Fackelmann could promise him she could hold her various fluids in the 4x4 he was driving. So it was Fackelmann who told him, as he put the tiny and limp but still continent body in his arms in the parking lot of the Pourhouse, to watch his personal six, Gately, and be sure and violate her a little, because this gash here was like one of those South Sea-culture gashes in that if Gately took her home and she woke up nonviolated she’d be Gately’s for life. But Gately obviously had no intention of raping an unconscious person, much less even putting his hand up the gown of a girl that might lose her fluids any second, and this locked him into the involvement. Pamela Hoffman-Jeep called Gately her ‘Night-Errand’ and fell passively in love with his refusal to Take Advantage. Gene Fackelmann, she confided, was not the gentleman Gately was.
What helped make the involvement disastrous was that Pamela Hoffman-Jeep was always either so leglessly drunk or so passively hungover all the time that any sort of sex any time at all with her would have classified as Taking Advantage.
This girl was the single passivest person Gately ever met. He never once saw P.H.-J. actually get from one spot to another under her own power. She needed somebody chivalrous to pick her up and carry her and lay her back down 24/7/365, it seemed like. She was a sort of sexual papoose. She spent most of her life passed out and sleeping. She was a beautiful sleeper, kittenish and serene, never drooling. She made passivity and unconsciousness look kind of beautiful. Fackelmann called her Death’s Poster-Child. Even at work, at the hospital supply co., Gately imagined her horizontal, curled fetal on something soft, with all the hot slack facial intensity of a sleeping baby. He imagined her bosses and coworkers all tiptoeing around Purchasing whispering to each other to not wake her up. She never once rode in the actual front seat of any vehicle he drove her home in. But she also never threw up or pissed herself or even complained, just smiled and yawned an infant’s little milky yawn and snuggled deeper into whatever Gately had swaddled her in. Gately started doing that thing about yelling they’d been robbed when he carried her into whatever stripped luxury apt. they were crewing in. P.H.-J. wasn’t what you’d call great-looking, but she was incredibly sexy, Gately felt, because she always managed to look like you’d just X’d her into a state of total unmuscled swoon, lying there unconscious. Trent Kite told Fackelmann he thought Gately was out of his fucking mind. Fax observed that Kite himself was not exactly a W. T. Sherman with the ladies, even with coke-whores and strung-out nursing students and dipsoid lounge-hags whose painted faces swung loose from their heads. Fackelmann claimed to have started a Log just to keep track of Kite’s attempted pickup lines — surefire lines like e.g. ‘You’re the second most beautiful woman I’ve ever seen, the first most beautiful woman I’ve ever seen being former British Prime Minister Margaret Thatcher,’ and ‘If you came home with me I’m unusually confident that I could achieve an erection,’ and said that if Kite wasn’t still cherry at twenty-three and a half it was proof of some kind of divine-type grace.
Sometimes Gately would come out of a Demerol-nod and look at pale passive Pamela lying there sleeping beautifully and undergo a time-lapse clairvoyant thing where he could almost visibly watch her losing her looks through her twenties and her face starting to slide over off her skull onto the pillow she held like a stuffed toy, becoming a lounge-hag right before his eyes. The vision aroused more compassion than horror, which Gately never even considered might qualify him as a decent person.
Gately’s two favorite things about Pamela Hoffman-Jeep were: the way she would come out of her stupor and hold her cheek and laugh hysterically each time Gately carried her across the threshold of some stripped apartment and bellow that they’d been ripped off; and the way she always wore the long white linen gloves and bare-shoulder taffeta that made her seem like some upscale North Shore debutante who’s had like one too many dippers of country-club punch and is just begging to be Taken Advantage of by some low-rent guy with a tattoo — she’d make a sort of languid very-slow-motion bullwhip-gesture with her hand in the long white glove as she lay wherever Gately had deposited her and simper out with an upscale inflection ‘Don Honey, bring Mommy a highball’ (she called a drink a highball), which it turned out was a deadly impression of her own Mom, who it turned out this lady made Gately’s own Mom look like Carry Nation by comparison, lush-wise: the only four times Gately ever met Mrs. H.-J. were all at E.R.s and sanitaria.
Gately lies there pop-eyed with guilt and anxiety in the hiss and click of resumed sleet, in the twilit St. E.’s room, next to the glittering back-brace-and-skull-halo thing clamped exoskeletally to the empty next bed and gleaming dully at selected welds, Gately trying to Abide, remembering. It had been Pamela Hoffman-Jeep that finally clued Gately in on the little ways Gene Fackelmann had been historically getting over on Whitey Sorkin, and alerted him to the suicidal creek Fackelmann had got himself into with a certain mistaken-bet scam that had blown up right in his map. Even Gately had been able to tell something was the matter: for the last two weeks Fackelmann had been squatting sweatily in a corner of the stripped living room, right outside the little luxury bedroom Gately and Pamela were lying in, out there squatting over his Sterno cooker and incredible twin hills of sky-blue Dilaudid and many-hued M&M’s, not much speaking or responding or moving or even seeming to cop a nod, just sitting there hunched and plump and glistening like some sort of cornered toad, his mustache flailing around on his lip. Things would have had to be bad indeed for Gately ever to try to get coherent data out of P.H.-J. Apparently the deal was that one of the bettors that bet with Sorkin through Fackelmann was a guy Gately and Fackelmann know only as Eighties Bill, an impeccably groomed guy that wore red suspenders under snazzy Zegna-brand menswear and tortoiseshell specs and Docksiders, an old-fashioned corporate take-overer and asset-plunderer, maybe fifty, with an Exchange Place office and a souvenir FREE MILKEN bumper sticker on his Beamer — it was a night of many highballs and much papoosing, and Gately had to keep flicking the top of P.H.-J.’s skull to keep her conscious long enough to free-associate her way through the details — who was on his fourth marriage to his third aerobics instructor, and who liked to bet only on Ivy League college hoops, but who when he did so — bet — bet amounts so huge that Fackelmann always had to get Sorkin’s pre-approval on the bet and then call Eighties Bill back, and so on.
But so — according to Pamela Hoffman-Jeep — this Eighties Bill, who’s a Yale alum and usually unabashedly sentimental about what Pamela H.-J. laughingly says Fackelmann called his ‘al mo meter’ — well, on this particular time it seems like a little impeccably groomed birdie has whispered in Eighties Bill’s hairy ear, because this one time Eighties Bill wants to put $125K down on Brown U. against Yale U., i.e. betting against his almome-ter, only he wants (-2) points instead of the even spread Sorkin and the rest of the Boston books are taking off the Atlantic City line for a spread. And Fackelmann has to cell-phone down to Saugus to bounce this off Sorkin, except Sorkin’s down in the city in Enfield at the National Cranio-Facial Pain Foundation office getting his weekly UV-bombardment and Cafergot refill from Dr. Robert (‘Sixties Bob’) Monroe — the septuagenarian pink-sunglasses-and-Nehru-jacket-wearing N.C.-F.P.F. ergotic-vascular-headache-treatment specialized, a guy who in yore-days interned at Sandoz and was one of T. Leary’s original circle of mayonnaise-jar acid-droppers at T. Leary’s now-legendary house in West Newton MA, and is now (60s B.) an intimate acquaintance of Kite, because Sixties Bob is an even bigger Grateful Dead fanatic maybe even than Kite, and sometimes got together with Kite and several other Dead devotees (most of who now had canes and O 2tanks) and traded historical-souvenir-type tiger’s eyes and paisley doublets and tie-dyes and lava lamps and bandannas and plasma spheres and variegated black-light posters of involuted geometric designs, and argued about which Dead shows and bootlegs of Dead shows were the greatest of all time in different regards, and just basically had a hell of a time. 60s B., an inveterate collector and haggling trader of shit, sometimes took Kite along on little expeditions of eclectic and seedy shops for Dead-related paraphernalia, sometimes even informally fencing stuff for Kite (and so indirectly Gately), covering Kite with $ when Kite’s rigid need-schedule didn’t permit a more formal and time-consuming fence, Sixties Bob then trading the merchandise around various seedy locales for 60s-related shit nobody else’d even usually want. A couple times Gately had to actually finger an ice cube out of a highball and slip it under the shoulderless neckline of P.H.-J.’s prom gown to try and keep her on some kind of track. Like most incredibly passive people, the girl had a terrible time ever separating details from what was really important to a story, is why she rarely ever got asked anything. But so the point is that the person that took Fackelmann’s call about Eighties Bill’s mammoth Yale-Brown bet wasn’t in fact Sorkin but rather Sorkin’s secretary, one Gwendine O’Shay, the howitzer-breasted old Green-Cardless former I.R.A.-moll who’d gotten hit on the head with a truncheon by a godless Belfast Bobbie once too often back on the Old Sod, and whose skull now was (in Fackelmann’s own terminology) soft as puppy-shit in the rain, but who had just the seedy sort of distracted-grandmotherly air that makes her perfect for clapping her red-knuckled old hands to her cheeks and squealing as she claimed Mass Lottery lottery winnings whenever Whitey Sorkin and his MA-Statehouse bagmen-cronies arrange to have a Sorkinite buy a mysteriously winning Mass Lottery ticket from one of the countless convenience stores Sorkin & cronies own through dummy corporations all up and down the North Shore, and who, because she could not only give what Sorkin claimed was the only adequate cervical massage west of the Berne Hot Alp Springs Center but also could both word-process a shocking 110 wpm and wield a shillelagh like nobody’s business — plus had been W. Sorkin’s dear late I.R.A.-moll Mum’s Scrabble-pal back in Belfast, on the Old Sod — served as Whitey’s chief administrative aide, manning the cellular phones when Sorkin was out or indisposed.
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