David Wallace - Infinite jest

‘When they say it it sort of means like what you said was good for them, it helped them out somehow,’ he says, ‘but plus now also I like saying it myself because if you think about it it also means it was good to be able to hear you. To really hear.’ He’s trying subtly to alternate and look at Erdedy and Joelle both, like he’s addressing them both. It’s not something he’s good at. His head’s too big to be subtle with. ‘Because I remember for like the first sixty days or so I couldn’t hear shit. I didn’t hear nothing. I’d just sit there and Compare, I’d go to myself, like, “I never rolled a car,” “I never lost a wife,” “I never bled from the rectum.” Gene would tell me to just keep coming for a while and sooner or later I’d start to be able to both listen and hear. He said it’s hard to really hear. But he wouldn’t say what was the difference between hearing and listening, which pissed me off. But after a while I started to really hear. It turns out — and this is just for me, maybe — but it turned out hearing the speaker means like all of a sudden hearing how fucking similar the way he felt and the way I felt were, Out There, at the Bottom, before we each Came In. Instead of just sitting here resenting being here and thinking how he bled from the ass and I didn’t and how that means I’m not as bad as him yet and I can still be Out There.’

One of the tricks to being of real service to newcomers is not to lecture or give advice but only talk about your own personal experience and what you were told and what you found out personally, and to do it in a casual but positive and encouraging way. Plus you’re supposed to try and Identify with the newcomer’s feelings as much as possible. Ferocious Francis G. says this is one of the ways guys with just a year or two sober can be most helpful: being able to sincerely ID with the newly Sick and Suffering. Ferocious Francis told Gately as they were wiping down tables that if a Crocodile with decades of sober AA time can still sincerely empathize and Identify with a whacked-out bug-eyed Disease-ridden newcomer then there’s something deeply fucked up about that Crocodile’s recovery. The Crocodiles, decades sober, live in a totally different spiritual galaxy, inside. One long-timer describes it as he has a whole new unique interior spiritual castle, now, to live in.

Part of this new Joelle girl’s pull for Ken Erdedy isn’t just the sexual thing of her body, which he finds made way sexier by the way the overlarge blue coffee-stained sweater tries to downplay the body thing without being so hubristic as to try to hide it — sloppy sexiness pulls Erdedy in like a well-groomed moth to a lit window — but it’s also the veil, wondering what horrific contrast to the body’s allure lies swollen or askew under that veil; it gives the pull a perverse sideways slant that makes it even more distracting, and so Erdedy cocks his head a little more up at Gately and narrows his eyes to make his listening-look terribly intense. He doesn’t know that there’s an abstract distance in the look that makes it seem like he’s studying a real bitch of a 7-iron on the tenth rough or something; the look doesn’t communicate what he thinks his audience wants it to.

The raffle-break is winding down as everybody starts to want their own ashtray. Two more big urns of coffee emerge from the kitchen door over by the literature table. Erdedy is probably the second-biggest leg-and-foot-joggler in present residence, after Geoffrey D. Joelle v. D. now says something very strange. It’s a very strange little moment, right at the end of the raffle-break, and Gately later finds it impossible to describe it in his Log entry for the P.M. shift. It is the first time he realizes that Joelle’s voice — crisp and rich and oddly empty, her accent just barely Southern and with a strange and it turns out Kentuckian lapse in the pronunciation of all apicals except s — is familiar in a faraway way that both makes it familiar and yet lets Gately be sure he’s never once met her before, Out There. She inclines the plane of her blue-bordered veil briefly toward the floor’s tile (very bad tile, scab-colored, nauseous, worst thing about the big room by far), brings it back up level (unlike Erdedy she’s standing, and in flats is nearly Gately’s height), and says that she’s finding it especially hard to take when these earnest ravaged folks at the lectern say they’re ‘Here But For the Grace of God,’ except that’s not the strange thing she says, because when Gately nods hard and starts to interject about ‘It was the same for —’ and wants to launch into a fairly standard Boston AA agnostic-soothing riff about the ‘God’ in the slogan being just shorthand for a totally subjective and up-to-you ‘Higher Power’ and AA being merely spiritual instead of dogmatically religious, a sort of benign anarchy of subjective spirit, Joelle cuts off his interjection and says that but that her trouble with it is that ‘But For the Grace of God’ is a subjunctive, a counterfactual, she says, and can make sense only when introducing a conditional clause, like e.g. ‘But For the Grace of God I would have died on Molly Notkin’s bathroom floor,’ so that an indicative transposition like ‘I’m here But For the Grace of God’ is, she says, literally senseless, and regardless of whether she hears it or not it’s meaningless, and that the foamy enthusiasm with which these folks can say what in fact means nothing at all makes her want to put her head in a Radarange at the thought that Substances have brought her to the sort of pass where this is the sort of language she has to have Blind Faith in. Gately looks at a rectangular blue-selvaged expanse of clean linen whose gentle rises barely allude to any features below, he looks at her and has no idea whether she’s serious or not, or whacked, or trying like Dr. Geoff Day to erect Denial-type fortifications with some kind of intellectualish showing-off, and he doesn’t know what to say in reply, he has absolutely nothing in his huge square head to Identify with her with or latch onto or say in encouraging reply, and for an instant the Provident cafeteria seems pin-drop silent, and his own heart grips him like an infant rattling the bars of its playpen, and he feels a greasy wave of an old and almost unfamiliar panic, and for a second it seems inevitable that at some point in his life he’s going to get high again and be back in the cage all over again, because for a second the blank white veil levelled at him seems a screen on which might well be projected a casual and impressive black and yellow smily-face, grinning, and he feels all the muscles in his own face loosen and descend kneeward; and the moment hangs there, distended, until the White Flag raffle coordinator for November, Glenn K., glides up to the podium mike in his scarlet velour caparison and makeup and candelabrum with candles the same color as the floor tile and uses the plastic gavel to formally end the break and bring things back to whatever passes here for order, for the raffle drawing. The Watertown guy with middle-level sober time who wins the Big Book publicly offers it to any newcomer that wants it, and Gately is pleased to see Bruce Green raise a big hand, and decides he’ll just turn it over and ask Ferocious Francis G. for feedback on subjunctives and countersexuals, and the infant leaves its playpen alone inside him, and the rivets of the long table his seat’s attached to make a brief distressed noise as he sits and settles in for the second half of the meeting, asking silently for help to be determined to try to really hear or die trying.

NNYC’s harbor’s Liberty Island’s gigantic Lady has the sun for a crown and holds what looks like a huge photo album under one iron arm, and the other arm holds aloft a product. The product is changed each 1 Jan. by brave men with pitons and cranes.

But it’s funny what they’ll find funny, AAs at Boston meetings, listening. The next Advanced Basics guy summoned by their gleamingly bald western-wear chairman to speak is dreadfully, transparently unfunny: painfully new but pretending to be at ease, to be an old hand, desperate to amuse and impress them. The guy’s got the sort of professional background where he’s used to trying to impress gatherings of persons. He’s dying to be liked up there. He’s performing. The White Flag crowd can see all this. Even the true morons among them see right through the guy. This is not a regular audience. A Boston AA is very sensitive to the presence of ego. When the new guy introduces himself and makes an ironic gesture and says, ‘I’m told I’ve been given the Gift of Desperation. I’m looking for the exchange window,’ it’s so clearly unspontaneous, rehearsed — plus commits the subtle but cardinal Message-offense of appearing to deprecate the Program rather than the Self — that just a few polite titters resound, and people shift in their seats with a slight but signal discomfort. The worst punishment Gately’s seen inflicted on a Commitment speaker is when the host crowd gets embarrassed for him. Speakers who are accustomed to figuring out what an audience wants to hear and then supplying it find out quickly that this particular audience does not want to be supplied with what someone else thinks it wants. It’s another conundrum Gately finally ran out of cerebral steam on. Part of finally getting comfortable in Boston AA is just finally running out of steam in terms of trying to figure stuff like this out. Because it literally makes no sense. Close to two hundred people all punishing somebody by getting embarrassed for him, killing him by empathetically dying right there with him, for him, up there at the podium. The applause when this guy’s done has the relieved feel of a fist unclenching, and their cries of ‘Keep Coming!’ are so sincere it’s almost painful.

But then in equally paradoxical contrast have a look at the next Advanced Basics speaker — this tall baggy sack of a man, also painfully new, but this poor bastard here completely and openly nerve-racked, wobbling his way up to the front, his face shiny with sweat and his talk full of blank cunctations and disassociated leaps — as the guy speaks with terrible abashed chagrin about trying to hang on to his job Out There as his A.M. hangovers became more and more debilitating until he finally got so shaky and aphasiac he just couldn’t bear to even face the customers who’d come knocking on his Department’s door — he was, from 0800 to!6OOh., the Complaint Department of Filene’s Department Store —

— ‘What I did finally, Jesus I don’t know where I got such a stupid idea from, I brought this hammer in from home and brought it in and kept it right there under my desk, on the floor, and when somebody knocked at the door I’d just… I’d sort of dive onto the floor and crawl under the desk and grab up the hammer, and I’d start in to pounding on the leg of the desk, real hard-like, whacketa whacketa, like I was fixing something down there. And if they opened the door finally and came in anyhow or came in to bitch about me not opening the door I’d just stay out of sight under there pounding away like hell and I’d yell out I was going to be a moment, just a moment, emergency repairs, be with them momentarily. I guess you can guess how all that pounding felt, you know, under there, what with the big head I had every morning. I’d hide under there and pound and pound with the hammer till they finally gave up and went away, I’d watch from under the desk and tell when they finally went away, from I could see their feet from under the desk.’

— And about how the hiding-under-the-desk-and-pounding thing worked, incredibly enough, for almost the whole last year of his drinking, which ended around this past Labor Day, when one vindictive complainant finally figured out where in Filene’s to go to complain about the Complaint Dept. — the White Flaggers all fell about, they were totally pleased and amused, the Crocodiles removed their cigars and roared and wheezed and stomped both feet on the floor and showed scary teeth, everyone roaring with Identification and pleasure. This even though, as the speaker’s confusion at their delight openly betrays, the story wasn’t meant to be one bit funny: it was just the truth.