Коллектив авторов - Конец моды. Одежда и костюм в эпоху глобализации

Udland M. The Internet Is Losing Its Composure over This Dress That Might Be White and Gold or Black and Blue // Business Insider. 2015. February 26. www.businessinsider.com/white-and-gold-black-and-bluedress-2015-2 (accessed 08.06.2017).

Ugrina L. Celebrity Biometrics: Norms, New Materialism, and the Agentic Body in Cosmetic Surgery Photography // Fashion Theory: The Journal of Dress, Body & Culture. 2014. Vol. 18.1. Pp. 27–44.

Unione Industriale Pratese Confindustria Prato. Prato Textile and Fashion Centre and the Prototype of a Manufacturing District // Evolution of the Prato Textile District. Last modified 2014. www.ui.prato.it/unionedigitale/v2/english/presentazionedistrettoinglese.pdf (accessed 22.11.2016).

Vainshtein O. Digital Beauties: Strategies of Self-Presentation and Resistance // Beauty: Exploring Critical Perspectives / Ed. P. Wilhelm, R. Nash. Oxford: Inter-Disciplinary Press, 2016. Pp. 81–93 [electronic book].

Van Dijk J., Poell Th. Understanding Social Media Logic // Media and Communication. 2013. 1, no. 1. Pp. 2–14.

Vanska A., Clark H. (eds) Fashion Curating: In the Museum and Beyond. London; New York: Bloomsbury, 2017.

Veblen Th. Theory of the Leisure Class. Oxford: Oxford University Press, 2007.

Veenstra M. The Australian Fashion Community // Design Online. State Library of Queensland. Published 2012. Last modified 2017. designonline.org.au/content/the-australian-fashion-community/ (accessed 14.08.2017).

Victoria and Albert Museum. About the Balenciaga: Shaping Fashion Exhibition // Victoria and Albert Museum. Last modified 2017. www.vam.ac.uk/articles/about-balenciaga-shaping-fashion (accessed 02.09.2017).

Vinken B. Fashion Zeitgeist: Trends and Cycles in the Fashion System. Oxford; New York: Berg, 2005.

Von Drehle D. Triangle: The Fire That Changed America. New York: Grove Press, 2003.

Webneel. What’s the Secret of My Beauty? Adobe Photoshop Day Cream – 25 after before Photos. webneel.com/webneel/blog/whatssecret-my-beauty-photoshop-after (accessed 07.06.2017).

Webster K. Global Shift: Australian Fashion’s Coming of Age // The Conversation. 2013. November 6. theconversation.com/global-shift-australian-fashions-coming-of-age-19237 (accessed 21.11.2016).

Webster K. The Circular Economy. A Wealth of Flows. Cowes: Ellen MacArthur Foundation, 2017.

Weiser M. The Computer for the 21st Century // Scientific American September. 1991. Pp. 94–100.

Weller S. Fashion as Viscous Knowledge: Fashion’s Role in Shaping Transnational Garment Production // Journal of Economic Geography. 2007. 7, no. 1. Pp. 39–66.

Weller S. Beyond «Global Production Network» Metaphors: Australian Fashion Week’s Trans-sectoral Synergies // Growth and Change. 2008. 39, no. 1. Pp. 104–122.

Weller S. Consuming the City: Public Festivals and Participatory Economies in Melbourne, Australia // Urban Studies. 2013. 50, no. 14. Pp. 2855–2868.

Weller S. Creativity or Costs? Questioning New Zealand’s Fashion Success: A Methodological Intervention // Journal of Economic Geography. 2013. 14, no. 4. Pp. 721–737.

Whitelocks S. Blonde Bombshell Who Cut Off Hair to Work as Male Model Reveals How She and Her Husband Now Get Mistaken for a «Gay Couple» // The Daily Mail. 2013. October 30. www.dailymail.co.uk/femail/article-2480168/Elliott-Sailors-female-works-male-model-gets-mistaken-husbandgay-couple.html (accessed 08.06.2017).

Willis-Tropea L. Glamour Photography and the Institutionalization of Celebrity // Photography & Culture. 2011. 4, no. 3. Pp. 261–276.

Willsher K. and agencies. Models in France Must Provide Doctor’s Note to Work // The Guardian AUS. 2015. December 18. www.theguardian.com/world/2015/dec/18/models-doctors-note-prove-not-too-thinfrance (accessed 07.06.2017).

Wilson E. Adorned in Dreams: Fashion and Modernity. London: I. B. Tauris, 1985.

Wilson E. Fashion and Postmodern Body // Chic Thrills: A Fashion Reader / Ed. J. Ash, E. Wilson. Berkeley; Los Angeles: University of California Press, 1992. Pp. 3–17.

Wilson E. Now You Know: The Evolution of Donna Karan’s Seven Easy Pieces // Instyle Magazine. 2015. July. www.instyle.com/news/history-donna-karan-seven-easy-pieces (accessed 12.05.2017).

Wisler J. C. U. S. CEOs of SBUs in Luxury Goods Organizations: A Mixed Methods Comparison of Ethical Decision-Making Profiles // Journal of Business Ethics. 2016.

Wissinger E. A. This Year’s Model: Fashion, Media, and the Making of Glamour. New York: New York University Press, 2015.

Wolf N. The Beauty Myth: How Images of Beauty Are Used against Women. New York: HarperCollins, 1991.

Wolf N. Emily Ratajowski’s Naked Ambition // Harper’s Bazaar. 2016. July 7.

Wolinski N. When Fashion Dresses Up the Imagination // Beaux Arts Magazine. Pamphlet for Dysfashional exhibition. Luxembourg, 2007.

Wollen P. The Concept of Fashion in the Arcades Project // boundary 2 30. 2003. No. 1. Pp. 131–142.

Wrigley N., Lowe M. Reading Retail: A Geographical Perspective on Retailing and Consumption Spaces. London: Arnold, 2002.

Yaeger L. On the Eve of the Comme des Garçons Retrospective, the Notoriously Reclusive Rei Kawakubo Speaks Out // Vogue. 2017. April 14. www.vogue.com/article/rei-kawakubo-interview-comme-des-garcons-2017-met-museum-costume-exhibit/ (accessed 13.05.2017).

Yang Jung-ha, Kincade D. H. Chen-Yu J. H. Types of Apparel Mass Customization and Levels of Modularity and Variety: Application of the Theory of Inventive Problem Solving // Clothing and Textiles Research Journal. 2015. 33, no. 3. Pp. 199–212.

Young L. Growing Your Business. A report to HM Government. London: HMSO, 2013.

Yusoff K., Waterton C. Indeterminate Bodies // Body and Society. 2017. 3, no. 23. Pp. 3–22.

Zborowska A. Deconstruction in Contemporary Fashion Design: Analysis and Critique // International Journal of Fashion Studies. 2015. 2, no. 2. Pp. 185–201.

Zeilser A. We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement. New York: PublicAffairs, 2016.

Zellweger R. We Can Do Better // Huffington Post, The blog. 2016. August 8. www.huffingtonpost.com/renee-zellweger/we-can-dobetter_b_11355000.html (accessed 08.06.2017).

Zhang M. Kate Winslet’s Modeling Contract with L’Oréal Has a «No Photoshop» Clause // PetaPixel. 2016. October 24. petapixel.com/2015/10/24/kate-winslets-modeling-contract-with-loreal-has-a-no-photoshopclause/ (accessed 07.06.2017).

Žiźek S. Living in the End Times. London; New York: Verso, 2011.

ИНТЕРНЕТ-РЕСУРСЫ

2 x 4. Prada Waist Down. 2 x 4. 2x4.org/work/26/prada-waist-down/ (accessed 15.09.2017).

Bubble, Susie. Twitter post by @susiebubble. 2016. September 26 (12:59 a.m.). twitter.com/susiebubble/status/780315796107034624 (accessed 07.06.2017).

De Klerk, Amy. Kardashians to Blame // Harper’s Bazaar (UK). 2017. March 31. www.harpersbazaar.co.uk/beauty/news/a40729/kardashians-to-blame-for-the-number-of-millennial-women-getting-cosmeticprocedures/ (accessed 03.06.2017).

Donna Karan // Forbes Profile. Forbes. Last modified 2016. January 6. www.forbes.com/profile/donna-karan/ (accessed 12.05.2017).

Ecommerce News. Ecommerce in The United Kingdom. Ecommerce news 2017. ecommercenews.eu/ecommerce-per-country/ecommerce-the-united-kingdom/ ; www.cdmdiary.com/en/about-cdm/ (accessed 10.05.2017).

Fresh Heir: Interview with Ann Demeulemeester’s New Creative Director Sebastien Meunier // D’Vine. 2014. May 5. www.the-dvine.com/2014/05/fresh-heir-interview-with-ann-demeulemeesters-new-creative-directorsebastien-meunier/ (accessed 13.05.2017).

Hollywood Reporter. 2015. March 18; 2017. June 3. www.hollywoodreporter.com/news/givenchys-riccardo-tisci-why-he-782524 .

Ginsberg, Merle. Givenchy’s Riccardo Tisci on why he dresses Kim Kardashian and Kanye West but rejects other stars: «Why waste time?» // Pret-a-Reporter. The Hollywood Reporter. 2015. March 18; 2017. May 26. www.hollywoodreporter.com/news/givenchys-riccardo-tisci-why-he-782524 .

Mad Museum. fashion after Fashion. 2017. April 27. madmuseum.org/exhibition/fashion-after-fashion (accessed 01.06.2017).

Marc Jacobs says Fashion is not Art // Los Angeles Times. 2007. November 12. latimesblogs.latimes.com/alltherage/2007/11/marc-jacobs-say.html (accessed 23.09.2012).

Medine, Leandra. Confession: I don’t get Vetements // Man Repeller. 2016. March 30. www.manrepeller.com/2016/03/confession-i-dont-get-vetements.html .

Office for National Statistics. Retail sales in Great Britsin. 2017. April. www.ons.gov.uk/ businessindustryandtrade/retailindustry/bulletins/retailsales/apr2017/ (accessed 09.05.2017).

Rick Owens // Vogue France. Last modified 2015. November 24. en.vogue.fr/vogue-list/ thevoguelist/rick-owens/1088/30/the-later-thebetter/953af5b3-8ed6-4be0-9416-4b00718eba5e/ (accessed 10.05.2017).

T Magazine, The New York Times. 2014. November 21. tmagazine.blogs.nytimes.com/2014/ 11/21/tilda-swinton-cloakroom-parisfestival/ (accessed 19.08.2017).

WWD Overheated! // WWD. 2015. October 28. Pp. 50–59.

YouTube. David Bowie: The Stars (Are Out Tonight). Posted by DavidBowieVEVO. 2013. February 25. www.youtube.com/watch?v=gH7dMBcg-gE .

jezebel.com/new-photographs-show-that-zendaya-was-heavilyphotoshop-1740424576.

www.europarl.europa.eu/EPRS/140841REV1-Workers-conditions-in-the-textileand-clothing-sector-just-an-Asian-affair-FINAL.pdf.

mic.com/articles/130789/france-passes-law-requiring-companies-to-admitwhen-models-have-been-photoshopped#.llGs9KeX3.

www.theguardian.com/science/2015/may/14/thedress-have-researchers-solvedthe-mystery-of-its-colour.

ФИЛЬМОГРАФИЯ

«Колокол, книга и свеча» (реж. Ричард Куайн, 1958).

«Забавная мордашка» (реж. Стэнли Донен, 1957).

«Летти Линтон» (реж. Кларенс Браун, 1932).

«Выживут только любовники» (реж. Джим Джармуш, 2013).

«Красотка» (реж. Гарри Маршалл, 1990).

«Секс в большом городе» (HBO, 1998–2004).

«Головокружение» (реж. Альфред Хичкок, 1958).

ИНТЕРВЬЮ

Интервью доктора Валери Стил с Тери Агинс. 8 марта 2017 года.

1. Levi Strauss & Co., джинсы с вышивкой ручной работы. Ок. 1969. США. Дар Джея Гуда. Фотография © Музей Института технологии моды

2. Тави Гевинсон. Рисунок Эрики Пэрротт. Wikimedia Commons

3. Сюзанна Лау (Сьюзи Баббл) в 2007 году. Wikimedia Commons