Эрик Кандель - Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней
- Название:Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней
- Автор:
- Жанр:
- Издательство:Литагент Corpus
- Год:2016
- Город:Москва
- ISBN:978-5-17-085501-8
- Рейтинг:
- Избранное:Добавить в избранное
-
Отзывы:
-
Ваша оценка:
Эрик Кандель - Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней краткое содержание
Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней - читать онлайн бесплатно полную версию (весь текст целиком)
Интервал:
Закладка:
Comini, A. Egon Schiele’s Portraits . Berkeley, CA: University of California Press, 1974. Pp. 50–51.
126
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture . New York: Alfred A. Knopf, 1980. Pp. 234–235.
127
Persinger, C. Reconsidering Meyer Schapiro in the New Vienna School // Journal of Art Historiography 3 (2010): 1.
128
Arnheim, R. Art History and the Partial God // Art Bulletin 44 (1962): 75.
129
Empson, W. Seven Types of Ambiguity . New York: Harcourt, Brace, 1930. P. x.
130
Kuspit, D. A Little Madness Goes a Long Creative Way // Artnet, October 7, 2010. См.: http://www.artnet.com/magazineus/features/kuspit/franz-xaver-messerschmidt10-7-10.asp.
131
Gombrich, E. H. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation . London: Phaidon Press, 1982. P. 11.
132
Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation . London: Phaidon Press, 1982. P. ix. Princeton and Oxford: Princeton University Press, 1960
133
Kris, E., and E. Gombrich Caricature . Неопубликованная рукописть из архива Э. Гомбриха ( Archive of E. H. Gombrich Estate, Warburg Institute, London ). Цит. по: Rose, L. Psychology, Art, and Antifascism: Ernst Kris, E. H. Gombrich, and the Politics of Caricature . Неопубликованная рукопись, 2011.
134
King, D. B., and M. Wertheimer Max Wertheimer and Gestalt Theory. New Brunswick, NJ, and London: Transaction Publishers, 2004. P. 378.
135
Hoffman, D. D. Visual Intelligence: How We Create What We See . New York: W. W. Norton, 1998. P. 15.
136
Henle, M. 1879 and All That: Essays in the Theory and History of Psychology. New York: Columbia University Press, 1986. P. 24.
137
Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 40.
138
Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation . London: Phaidon Press, 1982. P. 5.
139
Ibid., p. 24.
140
Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986.
141
Novotny, F. Cezanne and the End of Scientific Perspective. Excerpts / In: The Vienna School Reader: Politics and Art Historical Method in the 1930s . C. S. Wood, ed. New York: Zone Books, 2000. P. 424.
142
Gregory, R. Seeing Through Illusions . New York: Oxford University Press, 2009. P. 6.
143
Crick, F. The Astonishing Hypothesis: The Scientific Search for the Soul . New York: Charles Scribner’s Sons, 1994. P. 32.
144
Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. Pp. 111, 132.
145
Zeki, S. Inner Vision: An Exploration of Art and the Brain . Oxford: Oxford University Press, 2001. P. 113.
146
Gregory, R. Seeing Through Illusions . New York: Oxford University Press, 2009. P. 212.
147
Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 301.
148
Hoffman, D. D. Visual Intelligence: How We Create What We See . New York: W. W. Norton, 1998. Pз. 2–3.
149
Tsao, D. Y., and M. S. Livingstone Mechanisms of face perception // Annual Review of Neuroscience 31 (2008): 411.
150
Exploratorium Mona: Exploratorium Exhibit . См.: http://www.exploratorium.edu/exhibits/mona/mona.html .
151
Morton, J., and M. H. Johnson Biology and Cognitive Development: The Case of Face Recognition. Oxford: Blackwell Publishing, 1991.
152
Meltzoff, A. N., and M. K. Moore Imitation of Facial and Manual Gestures by Human Neonates // Science 198, no. 4312 (1977): 75–78.
Pascalis, O., de Haan, M., and C. A. Nelson Is face processing species-specific during the first year of life? // Science 296 (5571) 2002: 1321–1323.
153
Ramachandran, V. S. The Emerging Mind. The Reith Lectures. London: BBC, Profile Books, 2003.
154
Gelder, B., de Towards the neurobiology of emotional body language // Nature Reviews Neuroscience 7 (3) 2006: 242.
155
Mamassian, P. Ambiguities and conventions in the perception of visual art // Vision Research 48 (2008): 2149.
156
Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 304.
157
Bostrom, A., Scherf, G., Lambotte, M.-C., Potzl-Malikova, M. Franz Xaver Messerschmidt 1736–1783: From Neoclassicism to Expressionism . Italy: Officina Libraria, 2010. P. 521.
158
Kris, E. Psychoanalytic Explorations in Art . New York: International Universities Press, 1995. P. 190.
159
Slaughter, V., and M. Heron Origins and Early Development of Human Body Knowledge // Monographs of the Society for Research in Child Development 69, no. 2 (2004): 103–113.
160
Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection . R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 100.
161
Ibid., p. 95.
162
Solso, R. L. Cognition and the Visual Arts . Cambridge, MA: MIT Press, 1994. P. 155.
163
Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 7.
164
Gage, J. Color in Art . London: Thames and Hudson, 2006. P. 50.
165
Ibid., p. 53.
166
Hughes, R. The Shock of the New: Art and the Century of Change . 2nd ed. London: Thames and Hudson, 1991. P. 127.
167
Пер. П. Мелковой. – Прим. пер.
168
Gage, J. Color in Art . London: Thames and Hudson, 2006. P. 50.
169
Пер. П. Мелковой. – Прим. пер.
170
Ibid., p. 51.
171
Пер. П. Мелковой. – Прим. пер.
172
Hughes, R. The Shock of the New: Art and the Century of Change . 2nd ed. London: Thames and Hudson, 1991. P. 273.
173
Ibid., p. 276.
174
Zeki, S. Splendors and Miseries of the Brain . Oxford: Wiley-Blackwell, 2009. P. 39.
175
James, W. Principles of Psychology . Vol. 2. Mineola, NY: Dover Publications, 1950. P. 474.
176
Damasio, A. Descartes’ Error: Emotion, Reason and the Human Brain . New York: G. P. Putnam Sons, 1994. P. 129.
177
James, W. Principles of Psychology . Vol. 2. Mineola, NY: Dover Publications, 1950. Pp. 1066–1067.
178
Ibid., p. 449.
179
MacMillan, M. An Odd Kind of Fame: Stories of Phineas Gage . Cambridge, MA: MIT Press, 2000. P. 114.
180
Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism . P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 27.
181
Dutton, D. D. The Art Instinct: Beauty, Pleasure, and Human Evolution . New York: Bloomsbury Press, 2009. P. 6.
182
Ibid.
183
Spurling, H. Matisse the Master: A Life of Henri Matisse: The Conquest of Colour 1909–1954 . New York: Alfred A. Knopf, 2007. P. 26.
184
Gombrich, E. H., Hochberg, J., and M. Black Art, Perception, and Reality. Baltimore: Johns Hopkins University Press, 1972. P. 41.
185
Ibid.
186
Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 149.
187
Frith, U. Autism: Explaining the Enigma . Oxford: Blackwell, 1989. Pp. 77–78.
188
Kanner, L. Autistic Disturbances of Affective Contact // Nervous Child 2 (1943): 217.
189
Ibid., p. 242.
190
Frith, U. Autism: Explaining the Enigma . Oxford: Blackwell, 1989. P. 80.
191
Пер. М. Лозинского. – Прим. пер.
192
Цит. по кн.: Ochsner, K. N., Bunge, S. A. Gross, J. J. and J. D. E. Gabrieli Rethinking Feelings: An fMRI Study of the Cognitive Regulation of Emotion // Journal of Cognitive Neuroscience 14, no. 8 (2002): 1215.
193
Mellars, P. Archaeology: Origins of the Female Image // Nature 459 (2009): 176.
194
Ibid.
195
Ibid., p. 177.
196
Aiken, N. E. The Biological Origins of Art . Westport, CT: Praeger, 1998. P. 169.
197
Dissanayake, E. What Is Art For? Seattle: University of Washington Press, 1988. P. 44.
198
Tooby, J., and L. Cosmides Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts // SubStance 94/95, no. 30 (2001): 25.
199
Ramachandran, V. The Science of Art: A Neurological Theory of Aesthetic Experience // Journal of Consciousness Study 6 (1999): 49.
200
Ibid., p. 15.
201
Gardner, H. Creating Minds: An Anatomy of Creativity as Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi . New York: Basic Books, 1993. P. 298.
202
Holton, G. The Scientific Imagination: Case Studies . London: Cambridge University Press. Pp. 231–232.
203
Интервал:
Закладка:
