Isaiah Berlin - Russian Thinkers
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etc. to be the motive factors which cause historical change and determine the destinies of men and nations; whereas in fact they are nothing: only so much self-important milling ia the void. And so
Tolstoy arrives at one of his celebrated paradoxes: the higher soldiers
or statesmen are in the pyramid of authority, the farther they must be
from its base, which consists of those ordinary men and women whose
lives are the actual stuff of history; and, consequently, the smaller
the effect of the words and acts of such remote personages, despite all
their theoretical authority, upon that history. In a famous passage
dealing with the state of Moscow in 1 8 1 2 Tolstoy observes that from
the heroic achievements of Russia after the burning of Moscow one
might infer that its inhabitants were absorbed entirely in acts of selfsacrifice-in saving their country, or in lamenting its destruction-in heroism, martyrdom, despair etc., but that in fact this was not so.
People were preoccupied by personal interests. Those who went about
their ordinary business without feeling heroic emotions or thinking
that they were actors upon the well-lighted stage of history were the
most useful to their country and community, while those who tried
to grasp the general course of events and wanted to take part in
history, those who performed acts of incredible self-sacrifice or
heroism, and participated in great events, were the most useless.1
Worst of all, in Tolstoy's eyes, were those unceasing talkers who
accused one another of the kind of thing 'for which no one could in
fact have been responsible'. And this because 'nowhere is the commandment not to taste of the fruit of the tree of knowledge so clearly written as in the courSe of history. Only unconscious activity bears
fruit, and the individual who plays a part in historical events never
understands their significance. If he attempts to understand them, he
is struck with sterility.'1 To try to 'understand' anything by rational
means is to make sure of failure. Pierre Bezukhov wanders about,
1 W11r 1111J Pt11u, vol. 4, part 1, chapter 4·
I ibid.
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T H E H E D G E H O G AND T H E FOX
'lost' on the battlefield of Borodino, and looks for something which
he imagines as a kind of set piece; a battle as depicted by the historians
or the painters. But he finds only the ordinary confusion of individual
human beings haphazardly attending to this or that human want.l
That, at any rate, is concrete, uncontaminated by theories and abstractions; and Pierre is therefore closer to the truth about the course of events-at least as seen by men-than those who believe them to obey
a discoverable set of laws or rules. Pierre sees only a succession of
'accidents' whose origins and consequences are, by and large, untraceable and unpredictable; only loosely strung groups of events forming
· an ever varying pattern, following no discernible order. Any claim
to perceive patterns susceptible to 'scientific' formulas must be
mendacious.
Tolstoy's bitterest taunts, his most corrosive irony, are reserved for
those who pose as official specialists in managing human affairs, in
this case the western military theorists, a General Pfuel, or Generals
Bennigsen and Paulucci, who are all shown talking equal nonsense
at the Council of Orissa, whether they defend a given strategic or
tactical theory or oppose it; these men must be impostors since no
theories can possibly fit the immense variety of possible human
behaviour, the vast multiplicity of minute, undiscoverable causes and
effects which form that interplay of men and nature which history
purports to record. Those who affect to be able to contract this infinite
multiplicity within their 'scientific' laws must be either deliberate
charlatans, or blind leaders of the blind. The harshest judgment is
accordingly reserved for the master theorist himself, the great Napoleon,
who acts upon, and has hypnotised others into believing, the assumption that he understands and controls events by his superior intellect, or by flashes of intuition, or by otherwise succeeding in answering
correctly the problems posed by history. The greater the claim the
greater the lie : Napoleon is consequently the most pitiable, the most
contemptible of all the actors in the great tragedy.
This, then, is the great illusion which Tolstoy sets himself to
expose: that individuals can, by the use of their own resources, understand and control the course of events. Those who believe this turn out to be dreadfully mistaken. And side by side with these public faces
-these hollow men, half self-deluded, half aware of being fraudulent,
1 On the connection of this with Stendhal'a lA CAtlrlrttllt u Ptmnt see
p. 56, note 1.
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R U SSIAN T H I N K E R S
talking, writing, desperately and aimlessly i n order to keep u p appearances and avoid facing the bleak truths-side by side with all this elaborate machinery for concealing the spectacle of human impotence
and irrelevance and blindness lies the real world, the stream of life
which men understand, the attending to the ordinary details of daily
existence. When Tolstoy contrasts this real life-the actual, everyday,
'live' experience of individuals-with the panoramic view conjured
up by historians, it is dear to him which is real, and which is a coherent,
sometimes elegantly contrived, but always fictitious construction.
Utterly unlike her as he is in almost every other respect, Tolstoy is,
perhaps, the first to propound the celebrated accusation which
Virginia Woolf half a century later levelled against the public prophets
of her own generation- Shaw and Wells and Arnold Bennett-blind
materialists who did not begin to understand what it is that life truly
consists of, who mistook its outer accidents, the unimportant aspects
which lie outside the individual soul-the so-called social, economic,
political realities-for that which alone is genuine, the individual
experience, the specific relation of individuals to one another, the
colours, smells, tastes, sounds, and movements, the jealousies, loves,
hatreds, passions, the rare Rashes of insight, the transforming moments,
the ordinary day-to-day succession of private data which constitute
all there is-which are reality.
What, then, is the historian's task-to describe the ultimate data of
subjective experience-the persona! lives lived by men-the 'thoughts,
knowledge, poetry, music, love, friendship, hates, passions' of which,
for Tolstoy, 'real' life is compounded, and only that? That was the
task to which Turgenev was perpetually calling Tolstoy-him and all
writers, but him in particular, because therein lay his true genius, his
destiny as a great Russian writer; and this he rejected with violent
indignation even during his middle years, before the final religious
phase. For this was not to give the answer to the question of what
there is, and why and how it comes to be and passes away, but to turn
one's back upon it altogether, and stifte one's desire to discover how
men live in society, and how they are affected by one another and by
their environment, arod to what end. This kind of artistic purismpreached in his day by Flaubert-this kind of preoccupation witl1 the analysis and description of the experience and the relationships and
problems and inner lives of individuals (later advocated and practised
by Gide and the writers he inftuenced, both in France and in England)
struck him as both trivial and hlse. He had no doubt about his own
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T H E H E D G E H O G AND T H E FOX
superlative skill in this very art-and that it was precisely this for
which he was admired; and he condemned it absolutely. In a letter
written while he was working on War and Peace he said with bittern� that he had no doubt that what the public would like best would be his scenes of social and personal life, his ladies and his gentlemen,
with their petty intrigues and entertaining conversations and marvellously described small idiosyncrasies.• But these are the trivial 'flowers'
of life, not the 'roots'. Tolstoy's purpose is the discovery of the truth,
and therefore he must know what history consists of, and recreate
only that. History is plainly not a science, and sociology, which
pretends that it is, is a fraud; no genuine laws of history have been
discovered, and the concepts in current use-'cause', 'accident', 'genius'
-explain nothing: they are merely thin disguises for ignorance. Why
do the events the totality of which we call history occur as they do?
Some historians attribute events to the acts of individuals, but this is
no answer: for they do not explain how these acts 'cause' the events
they are alleged to 'cause' or 'originate'. There is a passage of savage
irony intended by Tolstoy to parody the average school histories of his
time, sufficiently typical to be worth reproducing in full:1
Louis XIV was a very proud and self-confident man. He had such
and such mistresses, and such and such ministers, and he governed
France badly. The heirs of Louis XIV were also weak men, and
also governed France badly. They also had such and such favourites
and such and such mistresses. Besides which, certain persons were
at this time writing books. By the end of the eighteenth century
there gathered in Paris two dcrzen or so persons who started saying
that all men were free and equal. Because of this in the whole of
France people began to slaughter and drown each other. These
people killed the king and a good many others. At this time there
was a man of genius in France-Napoleon. He conquered everyone
everywhere, i.e. killed a great many people because he was a great
genius; and, for some reason, he went off to kill Africans, and killed
1 Cf. the profession of faith in his celebrated-and militantly moralisticintroduction to an edition of Maupassant whose genius, despite everything, he admires ('Predislovie k sochineniyam Gyui de Mopassana', Po/not
sol!rt�t�it soclline11ii [ cf. p. 30, note 3 above], vol. 30, pp. 3-24). He thinks
much more poorly of Bernard Shaw, whose social rhetoric he calls stale and
platitudinous (diary entry for 3 I january I 908, ibid., voJ. 56, pp. 97-8).
• War a11ti Peace, epilogue, part z, chapter r .
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R U S S I A N T H I N K E R S
them so well, and was so clever and cunning, that, having arrived
in France, he ordered everyone to obey him, which they did.
Having made himself Emperor he again went to kill masses of
people in Italy, Austria and Prussia. And there too he killed a
great many. Now in Russia there was the Emperor Alexander who
decided to re-establish order in Europe, and therefore fought wars
with Napoleon. But in the year '07 he suddenly made friends with
him, and in the year ' 1 1 quarrelled with him again, and they both
again began to kill a great many people. And Napoleon brought six
hundred thousand men to Russia and conquered Moscow. But then
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