Stephen King - Duma Key

The lady herself was in her wheelchair, slumped a bit sideways, vacantly overseeing the disheveltry on her play-table, which was usually so neatly kept. She was wearing a blue dress that almost matched the enormous blue Chuck Taylors on her feet. Her slump had stretched the boat neck of the dress into a lopsided gawp that revealed an ivory-colored slip-strap. I found myself wondering who had dressed her that morning, she or Wireman.

She spoke rationally at first, calling me by my correct name and enquiring after my health. She said goodbye to Wireman when he left for the Baumgartens' and asked him to please wear a hat and take an umbrella. All that was good. But when I brought her her snack from the kitchen fifteen minutes later, there had been a change. She was looking into the corner and I heard her murmur, "Go back, go back, Tessie, you don't belong here. And make the big boy go away."

Tessie. I knew that name. I used my thinking-sideways technique, looking for associations, and found one: a newspaper headline reading THEY ARE GONE. Tessie had been one of Elizabeth's twin sisters. Wireman had told me that. I heard him saying The presumption is they drowned, and a chill like a knife slipped into my side.

"Bring me that," she said, pointing to the cookie-tin, and I did. From her pocket she drew a figurine wrapped in a hankie. She took the lid off the tin, gave me a look that combined slyness and confusion in a way that was hard to look at, then popped the figure inside. It made a soft hollow bonk. She fumbled the lid back on, pushing my hand away when I tried to help. Then she handed it to me.

"Do you know what to do with this?" she asked. "Did... did..." I could see her struggling. The word was there, but dancing just out of reach. Mocking her. I could give it to her, but I remembered how furious it made me when people did that, and waited. "Did him tell you what to do with it?"

"Yes."

"Then what are you waiting for? Take the bitch."

I carried the tin up one side of the tennis court to the little pond. The fish were jumping at the surface, a lot more excited by the rain than I was. There was a little pile of stones beside the bench, just as Wireman had said there would be. I tossed one in ("You might not think she could hear that, but her ears are very sharp," Wireman had told me), being careful to avoid beaning one of the carp. Then I took the tin, with the figurine still inside, back into the house. But not into the China Parlor. I went into the kitchen, removed the lid, and pulled out the wrapped figure. This hadn't been in Wireman's set of contingency instructions, but I was curious.

It was a china woman, but the face had been chipped away. There was only a ragged blank where it had been.

" Who's there? " Elizabeth shrieked, making me jump. I almost dropped the creepy little thing on the floor, where it surely would have shattered on the tiles.

"Just me, Elizabeth," I called back, laying the figure on the counter.

"Edmund? Or Edgar, or whatever your name is?"

"Right." I went back into the parlor.

"Did you take care of that business of mine?"

"Yes, ma'am, I sure did."

"Have I had my snack yet?"

"Yes."

"All right." She sighed.

"Do you want something else? I'm sure I could-"

"No thanks, hon. I'm sure the train will be here soon, and you know I don't like to travel on a full stomach. I always end up in one of the backwards seats and with food in my stomach I should certainly be train-sick. Have you seen my tin, my Sweet Owen tin?"

"I think it was in the kitchen. Should I bring it?"

"Not on such a wet day," she said. "I thought I'd have you throw her in the pond, the pond would do, but I've changed my mind. It seems unnecessary on such a wet day. The quality of mercy is not strained, you know. It droppeth like the gentle rain."

"From heaven," I said.

"Yeah, yeah." She flapped her hand as if that part were of no matter.

"Why don't you arrange your chinas, Elizabeth? They're all mixed up today."

She cast a glance at the table, then looked at the window when an especially strong gust of wind slapped it with rain. "Fuck," she said. "I'm so fucking confused." And then, with a spite I would not have guessed she had in her: "They all died and left me to this."

I was the last one to be repulsed by her lapse into vulgarity; I understood it too well. Maybe the quality of mercy isn't strained, there are millions of us who live and die by the idea, but... we have things like this waiting. Yes.

She said, "He never should have got that thing, but he didn't know."

"What thing?"

"What thing," she agreed, and nodded. "I want the train. I want to get out of here before the big boy comes."

After that we both lapsed into silence. Elizabeth closed her eyes and appeared to doze off in her wheelchair.

For something to do, I got out of my own chair, which would have looked at home in a gentlemen's club, and approached the table. I plucked up a china girl and boy, looked at them, then put them aside. I scratched absently at the arm that wasn't there, studying the senseless litter before me. There had to be at least a hundred figures on the polished length of oak. Maybe two hundred. Among them was a china woman with an old-fashioned cap on - a milkmaid's cap, I thought - but I didn't want her, either. The cap was wrong, and besides, she was too young. I found another woman with long painted hair, and she was better. That hair was a little too long and a little too dark, but -

No it wasn't, because Pam had been to the beauty parlor, sometimes known as the Midlife Crisis Fountain of Youth.

I held the china figure, wishing I had a house to put her in and a book for her to read.

I tried to switch the figurine to my right hand - perfectly natural because my right hand was there, I could feel it - and it fell to the table with a clack. It didn't break, but Elizabeth's eyes opened. "Dick! Was that the train? Did it whistle? Did it cry?"

"Not yet," I said. "Why don't you nap a little?"

"Oh, you'll find it on the second floor landing," she said as if I had asked her something else, and closed her eyes again. "Call me when the train comes. I'm so sick of this station. And watch for the big boy, that cuntlicker could be anywhere."

"I will," I said. My right arm itched horribly. I reached into my back pocket, hoping my notebook was there. It wasn't. I'd left it on the kitchen counter back at Big Pink. But that made me think of the Palacio kitchen. There was a notepad for messages on the counter where I'd left the tin. I hurried back, snatched up the pad, stuck it between my teeth, then almost ran back to the China Parlor, already pulling my Uni-ball pen from my breast pocket. I sat down in my wingback chair and began to sketch the china doll rapidly while the rain whipped the windows and Elizabeth sat leaning in her wheelchair across the table from me, dozing with her mouth ajar. The wind-driven shadows of the palms flew around the walls like bats.

It didn't take long, and I realized something as I worked: I was pouring the itch out through the tip of the pen, decanting it onto the page. The woman in my drawing was the china figure, but she was also Pam. The woman was Pam, but she was also the china figure. Her hair was longer than when I'd last seen her, and spread out on her shoulders. She was sitting in

( the BURN, the CHAR )

a chair. What chair? A rocking chair. Hadn't been any such item in our house when I left it, but there was now. Something was on the table beside her. I didn't know what it was at first, but it emerged from the tip of the pen and became a box with printing across the top. Sweet Owen? Did it say Sweet Owen? No, it said Grandma's. My Uni-ball put something on the table beside the box. An oatmeal cookie. Pam's favorite. While I was looking at it, the pen drew the book in Pam's hand. Couldn't read the title because the angle was wrong. By now my pen was adding lines between the window and her feet. She'd said it was snowing, but now the snow was over. The lines were meant to be sunrays.

I thought the picture was finished, but apparently there were two more things. My pen moved to the far left side of the paper and added the television, quick as a flash. New television, flat screen like Elizabeth's. And below it -

The pen finished and fell away. The itch was gone. My fingers were stiff. On the other side of the long table, Elizabeth's doze had deepened into real sleep. Once she might have been young and beautiful. Once she might have been some young man's dream baby. Now she was snoring with her mostly toothless mouth pointed at the ceiling. If there's a God, I think He needs to try a little harder.

viii

I had seen a phone in the library as well as the kitchen, and the library was closer to the China Parlor. I decided neither Wireman nor Elizabeth would begrudge me a long-distance call to Minnesota. I picked up the phone, then paused with it curled to my chest. On a wall next to the suit of armor, highlighted by several cunning little pin-spots in the ceiling, was a display of antique weapons: a long-barreled muzzle-loader that looked of Revolutionary War vintage, a flintlock pistol, a derringer that would have been at home in a riverboat gambler's boot, a Winchester carbine. Mounted above the carbine was the gadget Elizabeth had been holding in her lap the day Ilse and I had seen her. To either side, making an inverted V, were four loads for the thing. You couldn't call them arrows; they were too short. Harpoonlets still seemed like the right word. Their tips were very bright, and looked very sharp.

I thought, You could do some real damage with a thing like that. Then I thought: My father was a skin diver.

I pushed it out of my mind and called what used to be home.

ix

"Hi, Pam, it's me again."

"I don't want to talk to you any more, Edgar. We finished what we have to say."

"Not quite. But this will be short. I have an old lady to look after. She's sleeping now, but I don't like to leave her long."

Pam, curious in spite of herself: "What old lady?"

"Her name's Elizabeth Eastlake. She's in her mid-eighties, and she's got a good start on Alzheimer's. Her principal caregiver is taking care of an electrical problem with someone's sauna, and I'm helping out."

"Did you want a gold star to paste on the Helping Others page of your workbook?"

"No, I called to convince you I'm not crazy." I had brought in my drawing. Now I crooked the handset between my shoulder and my ear so I could pick it up.

"Why do you care?"

"Because you're convinced that all this started with Ilse, and it didn't."

"My God, you're unbelievable! If she called from Santa Fe and said she'd broken a shoelace, you'd fly out there to take her a new one!"

"I also don't like you thinking that I'm down here going insane when I'm not. So... are you listening?"

Only silence from the other end, but silence was good enough. She was listening.

"You're ten or maybe fifteen minutes out of the shower. I think that because your hair is down on the back of your housecoat. I guess you still don't like the hairdryer."

"How- "

"I don't know how. You were sitting in a rocking chair when I called. You must have gotten it since the divorce. Reading a book and eating a cookie. A Grandma's oatmeal cookie. The sun's out now, and it's coming in the window. You have a new television, the kind with a flat screen." I paused. "And a cat. You got a cat. It's sleeping under the TV."

Dead silence from her end. On my end the wind blew and the rain slapped the windows. I was about to ask her if she was there when she spoke again, in a dull voice that didn't sound like Pam at all. I had thought she was done hurting my heart, but I was wrong. "Stop spying on me. If you ever loved me - stop spying on me."