Мэри Габриэль - Женщины Девятой улицы. Том 1 [Ли Краснер, Элен де Кунинг, Грейс Хартиган, Джоан Митчелл и Хелен Франкенталер: пять художниц и движение, изменившее современное искусство]

Solomon, Jackson Pollock, 124–125; Engelmann, Jackson Pollock and Lee Krasner , 25.

John Bernard Myers, interview by Barbara Rose, videotape courtesy of, March 12, 1968, Series V, Box 13, R3, GRI.

Lee Krasner , interview by Barbara Novak, videotape courtesy of courtesy PKHSC.

Potter, To a Violent Grave , 68.

Lee Krasner, unpublished notes, December 1977, Series 2, Subseries 5, Box 10, Folder 11, Jackson Pollock and Lee Krasner Papers, AAA-SI, 1.

Rose, «Krasner/Pollock: A Working Relationship», 8.

Naifeh and Smith, Jackson Pollock , 433; Solomon, Jackson Pollock , 127.

Landau, Lee Krasner: A Catalogue Raisonné , 307.

Naifeh and Smith, Jackson Pollock , 434; Glueck, «Scenes from a Marriage», 60.

Potter, To a Violent Grave , 72; Naifeh and Smith, Jackson Pollock , 434; Ellen G. Landau, «Lee Krasner’s Early Career, Part Two», 81; Solomon, Jackson Pollock , 127.

Marquis, The Art Biz , 242; Landau, Lee Krasner: A Catalogue Raisonné , 70; Levin, Lee Krasner , 209; Friedman, Jackson Pollock: Energy Made Visible, 66.

Landau, Lee Krasner: A Catalogue Raisonné , 70; Janis, Abstract and Surrealist Art in America.

Les Levine, «A Portrait of Sidney Janis», 52; Naifeh and Smith, Jackson Pollock , 474; Solomon, Jackson Pollock , 146.

Potter, To a Violent Grave , 68; Friedman, Jackson Pollock: Energy Made Visible , 65; Naifeh and Smith, Jackson Pollock , 442.

Gill, Art Lover , 316; Melvin P. Lader, «Howard Putzel», 87.

Oral history interview with history interview with Theodoros Stamos, AAA-SI.

Gill, Art Lover , 315.

Naifeh and Smith, Jackson Pollock , 443; Lader, «Howard Putzel», 91.

Lader, «Howard Putzel», 91; Naifeh and Smith , Jackson Pollock , 448, 458–459; Marquis, Art Czar , 94.

Letter from Lee Krasner to Mercedes Matter reprinted in Landau et al., Mercedes Matter , 72n86.

Amei Wallach, «Lee Krasner’s Triumph», 501.

Ashton and Banach, The Writings of Robert Motherwell , 1, 2, 5; Jack Flam, Katy Rogers, and Tim Clifford, Robert Motherwell , viii, 184, 186; Abel, The Intellectual Follies , 88; Robert Motherwell, interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 239; H. H. Arnason, Robert Motherwell.

Robert Motherwell, interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 240–241; Flam et al., Robert Motherwell , 184, 186.

Abel, The Intellectual Follies , 90; Solomon, Jackson Pollock , 121; Naifeh and Smith, Jackson Pollock , 429; Abel, The Intellectual Follies , 90; Flam et al., Robert Motherwell , 7.

Naifeh and Smith, Jackson Pollock , 422, 424; Flam et al., Robert Motherwell , 184; Solomon, Jackson Pollock , 123–124; Landau, «Lee Krasner’s Early Career, Part Two», 81–82.

Naifeh and Smith, Jackson Pollock , 424–426; Levy, Memoir of an Art Gallery , 247; Abel, The Intellectual Follies , 90–91.

Levy, Surrealism, 52; Abel, The Intellectual Follies , 107, 109; Parker and Pollock, Old Mistresses , 137–139; John Bernard Myers, ed., The Poets of the New York School , 12; Terrence Diggory and Stephen Paul Miller, eds., The Scene of My Selves , 192.

Parker and Pollock, Old Mistresses , 137–39; Levy, Surrealism , 52; Mary Ann Caws, Rudolf Kuenzli, and Gwen Raaberg, eds., Surrealism and Women , 1–2, 17–18, 19, 20.

Lee Krasner , interview by Barbara Cavaliere, AAA-SI, 10; Lee Krasner , interview by Barbara Novak, videotape courtesy of courtesy PKHSC; Lee Krasner, interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 202.

Lee Krasner , interview by Barbara Novak, videotape courtesy of courtesy PKHSC; Lee Krasner, interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 202.

Evelyn Bennett, «Lee Krasner, In Her Own Right», The Bridgehampton Sun , August 20, 1980, Series 2, Subseries 8, Box 11, Folder 16, Jackson Pollock and Lee Krasner Papers, AAA-SI, 2; Solomon, Jackson Pollock , 124.

Landau, «Lee Krasner’s Early Career, Part Two», 82; Levin, Lee Krasner , 211.

Lee Krasner , interview by Barbara Novak, videotape courtesy of courtesy PKHSC.

Bennett, «Lee Krasner: In Her Own Right», 2.

Lee Krasner , interview by Barbara Novak, videotape courtesy of courtesy PKHSC.

Lee Krasner , interview by Barbara Novak, videotape courtesy of courtesy PKHSC.

Helen Harrison, telephone interview with author.

Lillian Kiesler, interview Ellen G. Landau, AAA-SI, 9.

Glueck, «Scenes from a Marriage», 60; Lee Krasner: An Interview with Kate Horsfield , videotape courtesy PKHSC.

Gibson, Abstract Expressionism , 135.

Nemser, «A Conversation with Lee Krasner», 43–44; oral history interview with history interview with Lee Krasner, November 2, 1964–April 11, 1968, AAA-SI; Landau, Lee Krasner: A Catalogue Raisonné , 97; Landau, «Lee Krasner’s Early Career, Part Two», 82.

Philip Pavia, interview by John Gruen, AAA-SI, 14.

Myers, Tracking the Marvelous , 32; oral history interview with history interview with Enrico Donati, AAA-SI.

Gill, Art Lover , 335.

Lee Krasner: An Interview with Kate Horsfield , videotape courtesy of courtesy PKHSC.

Gill, Art Lover , 335.

Guggenheim, Out of This Century , 12–13, 21, 24, 27, 161–162.

Guggenheim, Out of This Century , 209, 215–216, 219.

Guggenheim, Out of This Century , 216, 220, 230, 233, 245.

Ashton, The Life and Times of the New York School , 121; oral history interview with history interview with Rebecca Reis, AAA-SI; Gill, Art Lover , 290, 305.

Gill, Art Lover , 306, 315.

Gill, Art Lover , 285, 304; Myers, Tracking the Marvelous , 24.

Guggenheim, Out of This Century , 280–284.

Guggenheim, Out of This Century , 284–85; Potter, To a Violent Grave , 71–72; Landau, «Lee Krasner’s Early Career, Part Two», 83; oral history interview with history interview with James Thrall Soby, AAA-SI. Соби был особенно важен, потому что в 1943 г. он стал помощником директора Музея современного искусства.

Rembert, Mondrian , 82, 85.

Potter, To a Violent Grave , 71–72.

Guggenheim, Out of This Century , 284–85; Theodoros Stamos, interview by Jack Taylor.

Саган Ф. Смутная улыбка. М.: Эксмо, 2007.

Elaine de Kooning, interview by Antonina Zara, 24; Edwin Denby, «My Friend de Kooning», 84; Hess, Willem de Kooning (1968), 46.

Stevens and Swan, De Kooning , 193.

Stevens and Swan, De Kooning , 194.

Elaine de Kooning, interview by Ellen Auerbach, 1, 3; Stevens and Swan, De Kooning , 192, 194.

Hall, Elaine and Bill , 45–46.

Schloss, «The Loft Generation», Edith Schloss Burckhardt Papers, Columbia, 6; Elaine de Kooning, interview by Ellen Auerbach, 1–2.

Elaine de Kooning, interview by Ellen Auerbach, 1–2; Lieber, Reflections in the Studio , 25–26.

Elaine de Kooning, interview by Molly Barnes, 9; Elaine de Kooning, interview by Ellen Auerbach, 1–2; Lieber, Reflections in the Studio , 26; Stevens and Swan, De Kooning , 179, 209; John Elderfield, De Kooning: A Retrospective , 982. Зарплата Элен шла на строительные расходы, на деньги от продажи картин Билла они жили.

Denby, My Friend de Kooning, 84; Schloss, «The Loft Generation», Edith Schloss Burckhardt Papers, Columbia, 9; Lieber, Reflections in the Studio , 26; Stevens and Swan, De Kooning , 195–96.

Lieber, Reflections in the Studio , 26; Stevens and Swan, De Kooning , 92, 196.

Schloss, «The Loft Generation», Edith Schloss Burckhardt Papers, Columbia, 10.

Elaine de Kooning, interview by Ellen Auerbach, 20.

Elaine de Kooning, interview by Arthur Tobier, 15.

Elaine de Kooning, interview by Antonina Zara, 14. Совет Билла студентам заключался в том, чтобы «найти для себя минимально возможный стандарт жизни и беречь свое время». А Элен добавляла: «Если хочешь стать художником… трать как можно меньше времени на выживание».