Уистан Оден - Стихи и эссе

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УИСТЕН ХЬЮ ОДЕН (WYSTAN HUGH AUDEN; 1907–1973) — англо-американский поэт, драматург, публицист, критик. С 1939 года жил в США. Лауреат Пулицеровской и других литературных премий. Автор многих поэтических сборников, среди которых «Танец смерти» («The Dance of Death», 1933), «Гляди, незнакомец!» («Look, Stranger!», 1936), «Испания» («Spain», 1937), «Век тревоги» («The Age of Anxiety», 1947), «Щит Ахилла» («The Shield of Achilles», 1955), «Избранные стихи» («Collected Shorter Poems», 1968).

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are germane to Hitler: the race of spiders
shall be allowed their webs. I should like
to be to my water-brethren as a spell
of fine weather: Many are stupid,

and some, maybe, are heartless, but who is not
vulnerable, easy to scare,
and jealous of his privacy? (I am glad
the blackbird, for instance, cannot

tell if I'm talking English, German or
just typewriting: that what he utters
I may enjoy as an alien rigmarole.) I ought
to outlast the limber dragonflies

as the muscle-bound firs are certainly
going to outlast me: I shall not end
down any oesophagus, though I may succumb
to a filter-passing predator,

shall, anyhow, stop eating, surrender my smidge
of nitrogen to the World Fund
with a drawn-out Oh (unless at the nod
of some jittery commander

I be translated in a nano-second
to a c.c. of poisonous nothing
in a giga-death). Should conventional
blunderbuss war and its routiers

invest my bailiwick, I shall of course
assume the submissive posture:
but men are not wolves and it probably
won't help. Territory, status,

and love, sing all the birds, are what matter:
what I dared not hope or fight for
is, in my fifties, mine, a toft-and-croft
where I needn't, ever, be at home to

those I am not at home with, not a cradle,
a magic Eden without clocks,
and not a windowless grave, but a place
I may go both in and out of.

1962

The Common Life

(for Chester Kallman)

A living-room, the catholic area you
(Thou, rather) and I may enter
without knocking, leave without a bow, confronts
each visitor with a style,

a secular faith: he compares its dogmas
with his, and decides whether
he would like to see more of us. (Spotless rooms
where nothing's left lying about

chill me, so do cups used for ash-trays or smeared
with lip-stick: the homes I warm to,
though seldom wealthy, always convey a feeling
of bills being promptly settled

with cheques that don't bounce.) There's no We at an instant,
only Thou and I, two regions
of protestant being which nowhere overlap:
a room is too small, therefore,

if its occupants cannot forget at will
that they are not alone, too big
if it gives them any excuse in a quarrel
for raising their voices. What,

quizzing ours, would Sherlock Holmes infer? Plainly,
ours is a sitting culture
in a generation which prefers comfort
(or is forced to prefer it)

to command, would rather incline its buttocks
on a well-upholstered chair
than the burly back of a slave: a quick glance
at book-titles would tell him

that we belong to the clerisy and spend much
on our food. But could he read
what our prayers and jokes are about, what creatures
frighten us most, or what names

head our roll-call of persons we would least like
to go to bed with? What draws
singular lives together in the first place,
loneliness, lust, ambition,

or mere convenience, is obvious, why they drop
or murder one another
clear enough: how they create, though, a common world
between them, like Bombelli's

impossible yet useful numbers, no one
has yet explained. Still, they do
manage to forgive impossible behavior,
to endure by some miracle

conversational tics and larval habits
without wincing (were you to die,
I should miss yours). It's a wonder that neither
has been butchered by accident,

or, as lots have, silently vanished into
History's criminal noise
unmourned for, but that, after twenty-four years,
we should sit here in Austria

as cater-cousins, under the glassy look
of a Naples Bambino,
the portrayed regards of Strauss and Stravinsky,
doing British cross-word puzzles,

is very odd indeed. I'm glad the builder gave
our common-room small windows
through which no observed outsider can observe us:
every home should be a fortress,

equipped with all the very latest engines
for keeping Nature at bay,
versed in all ancient magic, the arts of quelling
the Dark Lord and his hungry

animivorous chimaeras. (Any brute
can buy a machine in a shop,
but the sacred spells are secret to the kind,
and if power is what we wish

they won't work.) The ogre will come in any case:
so Joyce has warned us. Howbeit,
fasting or feasting, we both know this: without
the Spirit we die, but life

without the Letter is in the worst of taste,
and always, though truth and love
can never really differ, when they seem to,
the subaltern should be truth.

1963

August 1968

The Ogre does what ogres can,
Deeds quite impossible for Man,
But one prize is beyond his reach,
The Ogre cannot master Speech.
About a subjugated plain,
Among its desperate and slain,
The Ogre stalks with hands on hips,
While drivel gushes from his lips.

* 1968 *

Moon Landing

It's natural the Boys should whoop it up for
so huge a phallic triumph, an adventure
it would not have occurred to women
to think worth while, made possible only

because we like huddling in gangs and knowing
the exact time: yes, our sex may in fairness
hurrah the deed, although the motives
that primed it were somewhat less than menschlich.

A grand gesture. But what does it period?
What does it osse? We were always adroiter
with objects than lives, and more facile
at courage than kindness: from the moment

the first flint was flaked this landing was merely
a matter of time. But our selves, like Adam's,
still don't fit us exactly, modern
only in this-our lack of decorum.

Homer's heroes were certainly no braver
than our Trio, but more fortunate: Hector
was excused the insult of having
his valor covered by television.

Worth going to see? I can well believe it.
Worth seeing? Mneh! I once rode through a desert
and was not charmed: give me a watered
lively garden, remote from blatherers

about the New, the von Brauns and their ilk, where
on August mornings I can count the morning
glories where to die has a meaning,
and no engine can shift my perspective.

Unsmudged, thank God, my Moon still queens the Heavens
as She ebbs and fulls, a Presence to glop at,
Her Old Man, made of grit not protein,
still visits my Austrian several

with His old detachment, and the old warnings
still have power to scare me: Hybris comes to
an ugly finish, Irreverence
is a greater oaf than Superstition.

Our apparatniks will continue making
the usual squalid mess called History:
all we can pray for is that artists,
chefs and saints may still appear to blithe it.

1969

River Profile

Our body is a moulded river

NOVALIS

Out of a bellicose fore-time, thundering
head-on collisions of cloud and rock in an
up-thrust, crevasse-and-avalanche, troll country,
deadly to breathers,

it whelms into our picture below the melt-line,
where tarns lie frore under frowning cirques, goat-bell,
wind-breaker, fishing-rod, miner's-lamp country,
already at ease with

the mien and gestures that become its kindness,
in streams, still anonymous, still jumpable,
flows as it should through any declining country
in probing spirals.

Soon of a size to be named and the cause of
dirty in-fighting among rival agencies,
down a steep stair, penstock-and-turbine country,
it plunges ram-stam,

to foam through a wriggling gorge incised in softer
strata, hemmed between crags that nauntle heaven,
robber-baron, tow-rope, portage-way country,
nightmare of merchants.

Disemboguing from foothills, now in hushed meanders,
now in riffling braids, it vaunts across a senile
plain, well-entered, chateau-and-cider-press country,
its regal progress

gallanted for a while by quibbling poplars,
then by chimneys: led off to cool and launder
retort, steam-hammer, gasometer country,
it changes color.

Polluted, bridged by girders, banked by concrete,
now it bisects a polyglot metropolis,
ticker-tape, taxi, brothel, foot-lights country,
à-la-mode always.

Broadening or burrowing to the moon's phases,
turbid with pulverised wastemantle, on through
flatter, duller, hotter, cotton-gin country
it scours, approaching

the tidal mark where it puts off majesty,
disintegrates, and through swamps of a delta,
punting-pole, fowling-piece, oyster-tongs country,
wearies to its final

act of surrender, effacement, atonement
in a huge amorphous aggregate no cuddled
attractive child ever dreams of, non-country,
image of death as

a spherical dew-drop of life. Unlovely
monsters, our tales believe, can be translated
too, even as water, the selfless mother
of all especials.

1966

A New Year Greeting

After an article by Mary J. Marples

in Scientific American, January, 1969

On this day tradition allots
to taking stock of our lives,
my greetings to all of you, Yeasts,
Bacteria, Viruses,
Aerobics and Anaerobics:
A Very Happy New Year
to all for whom my ectoderm
is as Middle-Earth to me.

For creatures your size I offer
a free choice of habitat,
so settle yourselves in the zone
that suits you best, in the pools
of my pores or the tropical
forests of arm-pit and crotch,
in the deserts of my fore-arms,
or the cool woods of my scalp.

Build colonies: I will supply
adequate warmth and moisture,
the sebum and lipids you need,
on condition you never
do me annoy with your presence,
but behave as good guests should,
not rioting into acne
or athlete's-foot or a boil.

Does my inner weather affect
the surfaces where you live?
Do unpredictable changes
record my rocketing plunge
from fairs when the mind is in tift
and relevant thoughts occur
to fouls when nothing will happen
and no one calls and it rains.

I should like to think that I make
a not impossible world,
but an Eden it cannot be:
my games, my purposive acts,
may turn to catastrophes there.
If you were religious folk,
how would your dramas justify
unmerited suffering?

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