Ernest Hemingway - Английский язык с Эрнестом Хэмингуэем. Киллеры (ASCII-IPA)

“I don’t like it (мне это не нравится) ,” said Al. It’s sloppy (нечистая работа; slop — жидкая грязь; sloppy — покрытый лужами; неряшливый, небрежный) . You talk too much (ты слишком много болтаешь) .”

“Oh, what the hell,” said Max. “We got to keep amused, haven’t we?”

“You talk too much, all the same (все равно) ,” Al said. He came out from the kitchen. The cut-off barrels of the shotgun (обрезанные стволы ружья) made a slight bulge (делали легкую выпуклость) under the waist of his too tight-fitting overcoat (под талией = на боку его слишком узкого пальто) . He straightened his coat (он одернул свое пальто) with his gloved hands.

“So long (прощай, пока) , bright boy,” he said to George. “You got a lot of luck (везет тебе: «имеешь много удачи, большую удачу») .”

“That’s the truth (это правда) ,” Max said. You ought to play the races (тебе надо бы играть на скачках) , bright boy.”

The two of them went out the door. George watched them, through the window, pass under the arc-light (как они прошли под /дуговым/ фонарем; arc — /электрическая/ дуга) and cross the street (и пересекли улицу). In their tight overcoats and derby hats they looked like a vaudeville team (на водевильную команду, на эстрадную пару) . George went back through the swinging-door (через вращающуюся, двустворчатую, открывающуюся в обе стороны дверь) into the kitchen and untied (развязал) Nick and the cook.

“Come on, Al,” said Max. “We better go. He’s not coming.”

“Better give him five minutes,” Al said from the kitchen.

In the five minutes a man came in, and George explained that the cook was sick.

“Why don’t you get another cook?” the man asked.

“Aren’t you running a lunch-counter?” He went out.

“Come on, Al,” Max said.

“What about the two bright boys and the nigger?”

“The’re all right.”

“You think so?”

“Sure. We’re through with it.”

“I don’t like it,” said Al. It’s sloppy. You talk too much.”

“Oh, what the hell,” said Max. “We got to keep amused, haven’t we?”

“You talk too much, all the same,” Al said. He came out from the kitchen. The cut-off barrels of the shotgun made a slight bulge under the waist of his too tight-fitting overcoat. He straightened his coat with his gloved hands.

“So long, bright boy,” he said to George. “You got a lot of luck.”

“That’s the truth,” Max said. You ought to play the races, bright boy.”

The two of them went out the door. George watched them, through the window, pass under the arc-light and cross the street. In their tight overcoats and derby hats they looked like a vaudeville team. George went back through the swinging-door into the kitchen and untied Nick and the cook.

vaudeville ['v@ud@vIl]

“I don’t want any more of that (я не хочу больше ничего подобного = с меня довольно) ,” said Sam, the cook. “I don’t want any more of that.”

Nick stood up (встал) . He had never had a towel in his mouth before (он никогда раньше не имел полотенца во рту) .

“Say (послушай: «скажи») ,” he said. “What the hell?” He was trying to swagger it off (он пытался отмахнуться от этого /от происшедшего/, сделать вид, что ему все нипочем; to swagger — расхаживать с важным видом; чваниться; хвастать) .

“They were going to kill Ole Andreson,” George said. “They were going to shoot him (они собирались застрелить его) when he came in to eat.”

“Ole Andreson?”

“Sure.”

The cook felt the corners of his mouth with his thumbs (потрогал углы своего рта большими пальцами; to feel — чувствовать; ощупывать) .

“They all gone?” he asked.

“Yeah,” said George. “They’re gone now (они теперь все ушли) .”

“I don’t like it,” said the cook. “I don’t like any of it at all.”

“Listen,” George said to Nick. “You better go see Ole Andreson.”

“All right.”

“You better not have anything to do with it at all (лучше не связывайся: «не имей никакого дела с этим всем») ,” Sam, the cook, said. “You better stay way out of it (лучше держись подальше от этого: «оставайся прочь, вне этого») .”

“Don’t go if you don’t want to (не ходи, если не хочешь) ,” George said.

“Mixing up in this (вмешиваясь в это, вмешательство в это) ain’t going to get you anywhere (никуда тебя не приведет = ни к чему хорошему не приведет) ,” the cook said. “You stay out of it.”

“I’ll go see him,” Nick said to George. “Where does he live (где он живет) ?”

The cook turned away (отвернулся) .

“Little boys always know what they want to do (маленькие мальчики всегда знают, что они хотят делать) ,” he said.

“He lives up (вверх по улице) at Hirsch’s rooming-house (в меблированных комнатах Хирш) ,” George said to Nick.

“I’ll go up there.”

“I don’t want any more of that,” said Sam, the cook. “I don’t want any more of that.”

Nick stood up. He had never had a towel in his mouth before.

“Say,” he said. “What the hell?” He was trying to swagger it off.

“They were going to kill Ole Andreson,” George said. “They were going to shoot him when he came in to eat.”

“Ole Andreson?”

“Sure.”

The cook felt the corners of his mouth with his thumbs.

“They all gone?” he asked.

“Yeah,” said George. “They’re gone now.”

“I don’t like it,” said the cook. “I don’t like any of it at all.”

“Listen,” George said to Nick. “You better go see Ole Andreson.”

“All right.”

“You better not have anything to do with it at all,” Sam, the cook, said. “You better stay way out of it.”

“Don’t go if you don’t want to,” George said.

“Mixing up in this ain’t going to get you anywhere,” the cook said. “You stay out of it.”

“I’ll go see him,” Nick said to George. “Where does he live?”

The cook turned away.

“Little boys always know what they want to do,” he said.

“He lives up at Hirsch’s rooming-house,” George said to Nick.

“I’ll go up there.”

thumb [TVm]

Outside the arc-light shone through the bare branches of a tree (на улице дуговой фонарь светил сквозь голые ветки дерева) . Nick walked up the street beside the car-tracks (возле трамвайных путей) and turned at the next arc-light down a side-street (и свернул у следующего фонаря в боковую улицу, в переулок) . Three houses up the street (через три дома) was Hirsch’s rooming-house. Nick walked up the two steps (поднялся на две ступеньки) and pushed the bell (и надавил кнопку звонка) . A woman came to the door.

“Is Ole Andreson here?”

“Do you want to see him?”

“Yes, if he’s in (если он дома) .”

Nick followed the woman up a flight of stairs (последовал за женщиной вверх по пролету лестницы) and back to the end of a corridor. She knocked on the door (она постучала в дверь) .

“Who is it (кто там: «кто это») ?”

“It’s somebody to see you (тут вас спрашивают: «кто-то к вам») , Mr. Andreson,” the woman said.

“It’s Nick Adams.”

“Come in.”

Nick opened the door and went into the room. Ole Andreson was lying on the bed (лежал на кровати) with all his clothes on (одетый: «с одеждой на нем») . He had been a heavyweight prize-fighter (боксером-тяжеловесом; heavy — тяжелый; weight — вес; prize — награда, премия; to fight — драться, биться) and he was too long for the bed (слишком длинный для кровати) . He lay with his head on two pillows (с головой на двух подушках) . He did not look at Nick.

Outside the arc-light shone through the bare branches of a tree. Nick walked up the street beside the car-tracks and turned at the next arc-light down a side-street. Three houses up the street was Hirsch’s rooming-house. Nick walked up the two steps and pushed the bell. A woman came to the door.

“Is Ole Andreson here?”

“Do you want to see him?”

“Yes, if he’s in.”

Nick followed the woman up a flight of stairs and back to the end of a corridor. She knocked on the door.

“Who is it?”

“It’s somebody to see you, Mr. Andreson,” the woman said.

“It’s Nick Adams.”

“Come in.”

Nick opened the door and went into the room. Ole Andreson was lying on the bed with all his clothes on. He had been a heavyweight prize-fighter and he was too long for the bed. He lay with his head on two pillows. He did not look at Nick.

heavy [hevI] weight [weIt]

“What was it (в чем дело: «что это было») ?” he asked.

“I was up at Henry’s,” Nick said, “and two fellows came in (пришли два парня, типа) and tied me and the cook, and they said they were going to kill you.”

It sounded silly when he said it (прозвучало, звучало глупо, когда он это сказал) . Ole Andreson said nothing.

“George thought I better come and tell you about it (Джордж подумал, что мне лучше придти и сказать вам об этом) .”

“There isn’t anything I can do about it (я ничего не могу поделать с этим) ,” Ole Andreson said.

“I’ll tell you what they were like (как они выглядели: «на что они были похожи») .”

“I don’t want to know (я не хочу знать) what they were like,” Ole Andreson said. He looked at the wall (на стену) . “Thanks for coming to tell me about it (спасибо, что пришел рассказать мне об этом) .”

“That’s all right (не стоит /благодарности/: «это в порядке») .”