Peter Carey - Oscar and Lucinda

Тут можно читать онлайн Peter Carey - Oscar and Lucinda - бесплатно полную версию книги (целиком) без сокращений. Жанр: Современная проза, издательство Vintage Books, год 1988. Здесь Вы можете читать полную версию (весь текст) онлайн без регистрации и SMS на сайте лучшей интернет библиотеки ЛибКинг или прочесть краткое содержание (суть), предисловие и аннотацию. Так же сможете купить и скачать торрент в электронном формате fb2, найти и слушать аудиокнигу на русском языке или узнать сколько частей в серии и всего страниц в публикации. Читателям доступно смотреть обложку, картинки, описание и отзывы (комментарии) о произведении.

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Oscar and Lucinda - описание и краткое содержание, автор Peter Carey, читайте бесплатно онлайн на сайте электронной библиотеки LibKing.Ru

The Booker Prize-winning novel-now a major motion picture from Fox Searchlight Pictures.

This sweeping, irrepressibly inventive novel, is a romance, but a romance of the sort that could only take place in nineteenth-century Australia. For only on that sprawling continent-a haven for misfits of both the animal and human kingdoms-could a nervous Anglican minister who gambles on the instructions of the Divine become allied with a teenaged heiress who buys a glassworks to help liberate her sex. And only the prodigious imagination of Peter Carey could implicate Oscar and Lucinda in a narrative of love and commerce, religion and colonialism, that culminates in a half-mad expedition to transport a glass church across the Outback.

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34

After Whitsunday

The Reverend Dennis Hasset, vicar of All Saints in Woollahra, was pleased, having received the letter to invite L. Leplastrier to discuss his queries on the "physical properties and manufacture of glass." Not Lavoisier, Leplastrier, but a Frenchman doubtless. Lavoisier was a scientist famous for gases. Lavoisier, anyway, was dead. Dennis Hasset was flattered none the less. It was the day after the Whitsunday baptisms-fourteen babes-inarms and the father of Morton the grocer. He had planned an idle day and this interview was an indulgence. He readied himself for it with a self-consciousness he found amusing. He placed around his study those learned magazines in which his work had appeared, did it in such a careful way (a self-mocking way, too, but that is not the point) that the wandering eye of a guest could not help but fall upon them. He could thus display himself like a case of Tasmanian Lepidoptera, with polished pins through his nose and earlobes. He could lay down the journals like a manservant lays out vestments, and even while he laughed at himself for doing something so childish, still approached the matter with the utmost particularity.

"You see, Monsieur," he told the empty room, "it is like this." Like what? He did not know. He placed two large red split logs on the fire and went to sit behind his desk while the first red splinters spluttered and ignited.

The study was dark, but not sombre, and the desk he had placed across one comer looked out on to a bright, cold vista: a curl of yellow road swirling through two lines of eucalyptus and then out of sight. Behind this was a two-inch brushstroke of ocean. He was burning lamps at midday, four of them. He had them dotted here and there to balance the brightness of the window. The Reverend Dennis Hasset found all this very satisfying. He placed his hands on the red leather 114

After Whitsunday

top of the desk, regretted the round stain left by a glass of claret, but was pleased to remember that the claret, a Bechyville, had been a good one.

He was a tall, well-made man in his early thirties. His face could almost be called handsome, and often was, for he gave his companions such a sense of his deep interest in them that they easily overlooked those heavy eyebrows-joined across the bridge of his nose-that marred his looks. He had dark curly hair, elegant side-whiskers, a slightly long face and a dimpled chin. His natural complexion was a step short of olive, although an increasing fondness for claret made it redder than the season could explain. But claret or no, he was one of those people who-should you lay a hand on his arm, say, in comradeship-you would find to be of a surprising hardness: surprising, that is, to you, but not to the twenty-four boys at St Andrew's day school whom he coached in Rugby.

He was a bachelor and he would have said it was not by choice, that he wished nothing more in his life than a wife and children, and yet the truth-which he acknowledged now, adjusting the level of the lamp on his desk so that it cast a low and golden light on the cedar surround of the leather top-was that he had become so particular in his habits that it would have taken the most impossible charity for him to permit, good fellow though he was, his beloved to alter either the number of lamps or their intensity. Was that the truth? Or was it what he feared to be the truth?

Did he not enjoy the company of women? Would he not, as they said, "adjust"?

It had not taken him long to discover that the women were by far the most interesting of the two sexes in the colony, although you would never imagine it the case if you met them with their menfolk present. For then they affected the most remarkable vapidity. But alone, or with their own sex, they revealed themselves as scientists when it came to the vectors of the human heart. Besides-and he knew this himself-he was a vain man. They admired him and he liked to be admired. He liked to stretch his big body on their chintz-covered settees and accept another tea. He enjoyed this all a great deal and it would have been reprehensible had he not, at the same time, observed the little beetle of pride, the insect of lust, the segmented undulating caterpillar of conceit. So even while he stretched a leg to reveal a black wool ankle he was describing himself to himself, just as he might press his eye to his microscope and detail the mandibles of a colonial dragonfly. This was his great strength. It was his great weakness, too,

Oscar and Lucinda

an excess of detachment from his own life.

He knew he was clever but not distinguished, influential but not powerful, or if so only in the most indirect way through the fathers who took an interest in the rugby-playing of their sons. Waiting for Monsieur Leplastrier, he arranged a piece of glass cullet on his desk, a large clear piece, like a great chunk of diamond, clear enough to make optical glass, made from the fine leached sands of Botany.

Glass was his enthusiasm but not his passion, and while-for instance-he had enjoyed giving his lectures ("Some Surprising Properties of Glass") to the East Sydney Mutual Improvement Society — the newspaper report of which had, he presumed, drawn the impending Leplastrier to him-he did not care sufficiently. There was something missing from his engine. It could not sustain the uphill grades.

This quality, however, was represented in plenty by the young lady who was being admitted to his household at this moment. The Reverend Dennis Hasset did not hear the doorbell. He arranged the cullet on his desk, turning it half a degree so that a ray of morning sun was refracted, just so, to strike (he giggled at the cheap theatricality) his framed degree from Cambridge. He was so taken by this preposterous showing off that he did not notice the "Miss" instead of the "Mr" when his guest was announced. |

"Jolly good, Frazer," said Dennis Hasset. "Show him in." j He was surprised, of course, to find Monsieur Leplastrier in skirts,! but he was not shocked. He was delighted. He made his petite visitor blush by continuing to call her monsieur and it took a while before he saw his insensitivity, and then he stopped it.

She sat opposite him. She was very young, but he could not tell exactly how young. Her manner, in many respects, was that of a woman in her twenties, although this impression was contradicted not only by her small stature, but in the way her confidence-so bright and clean at the beginning of a sentence where every word was as unequivocable as the unsmudged lines of her perfectly arched eyebrows-would seem to evaporate as she began, not quite to mumble, but to speak less distinctly, and her eyes, which had begun by almost challenging his, now slid away towards bookshelf or windowledge. There was also the charming, rather European way she gestured with her handsthey were very flexible and she could bend her palms right back from her wrists, her fingers back at another angle again-and there was something in these gestures, so ostensibly worldly, so expressive, even

11*

After Whitsunday

expansive which, combined with the shyness which her shifting eyes betrayed, gave an impression of great pluck. Dennis Hasset was much touched by her.

She wore an unusual garment: grey silk with a sort of trouser underneath. Dennis Hasset-no matter what his bishop thought-was not a radical, and this garment shocked him, well, not quite shocked, but let us say it gave a certain unsettling note to their interview, although the discord was muted by the quality of the silk and the obvious skill of the dressmaking. These were things he knew about. The garment declared its owner to be at once wealthy and not quite respectable. She was "smart," but not a beauty. There was about her, though, this sense of distillation. Her hands and feet were quite dainty, but it was in her face that he saw this great concentration of essence. It was not that her eyes were small, for they were large. The green iris was not a deeper green, or a brighter green. It was clear, and clean and, in some way he could not rationally explain, a great condensation of green. The eyes were gateways to a fierce and lively intelligence. They were like young creatures which had lost their shells, not yet able to defend themselves.

The mouth was small, but there was no suggestion of meanness, merely-with the lips straightdetermination or-when they were relaxed and the plump lower lip was permitted to show-a disturbing (because it appeared to be unconscious) sensuality.

She wore a wide-brimmed grey hat with a kingfisher-blue feather which was, although

"dashing," not quite the thing. Her hair-what one could see of it-was brown, less than perfectly tidy. This lack of care, when every other part of her was so neat, and pressed, produced an unsettling impression. The hair seemed wilful. It did not occur to him that her hair was, as she would put it, "like that."

In any case, he knew he had met a remarkable young woman, not his type, but unlike anyone he had known before.

"Of course," he said, pouring the leaves from Lucinda's first cup of tea into the little maidenhair fern he kept for just this purpose. "Of course you must, dash it." He gave her a lot of milk, more than she liked. (It was in deference to her youth, which he felt he must insist on.)

"But you understand that although I write a pamphlet or two, I really don't know anything about the manufacturing process. I might look at a glass factory and see no more than you might." Lucinda felt quite hot. If he would not help, she would go to the accountant whom Chas Ahearn had recommended. She would pay

Oscar and Lucinda

the accountant. She would write him a cheque and have him employ a man for her who could do what she required. Or was this man actually in the process of helping? He spoke less directly, more playfully, than she was accustomed to. Her mother had been proud to call a spade a spade. They had despised "shilly-shallyers." The tea was worse than Mrs O'Hagen's. The room was too hot. She was confused to end up with a clergyman when she had begun with a small pamphlet titled "On Laboratory Arts," a practical guide to glass work in the chemistry laboratory. She had written to the printer who had supplied her with the address of the author. She did not think of clergymen as practical people. Mr Horace (at Gulgong near Mitchell's Creek) had managed to chop off three fingers while trying to kill a sick hen. This man seemed to be confirming her prejudice, to be taking pride in confirming his uselessness.

"So I must warn you," he said, "that while I have adequate theory-in fact you have your saucer resting on it-I have no knowledge or experience of the commercial side."

"Then you cannot help me."

"On the contrary," he declared.

He saw her adjust to this. She did not say thank you, but rather: "The vendors must not know me as a woman."

"And why not?"

"They will act strange," she said, gesturing with her flexible fingers and palms, letting her eyes roll away. (Should she pay the clergyman for his labour?) "It would occupy you a great deal," she suggested. "There would be books-wouldn't there? — to examine." (He cannot be poor, she thought, if he burns four lamps on a sunny day.)

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