Peter Carey - Oscar and Lucinda
- Название:Oscar and Lucinda
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- Издательство:Vintage Books
- Год:1988
- Город:New York
- ISBN:0-679-77750-4
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Peter Carey - Oscar and Lucinda краткое содержание
The Booker Prize-winning novel-now a major motion picture from Fox Searchlight Pictures.
This sweeping, irrepressibly inventive novel, is a romance, but a romance of the sort that could only take place in nineteenth-century Australia. For only on that sprawling continent-a haven for misfits of both the animal and human kingdoms-could a nervous Anglican minister who gambles on the instructions of the Divine become allied with a teenaged heiress who buys a glassworks to help liberate her sex. And only the prodigious imagination of Peter Carey could implicate Oscar and Lucinda in a narrative of love and commerce, religion and colonialism, that culminates in a half-mad expedition to transport a glass church across the Outback.
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She swore later that Oscar's mouth dropped open. She described it for him. He was like a ventriloquist's doll from which the ruling hand has been rudely withdrawn, leaving the subject slumped, without a spine, unable to lift so much as an arm.
The silence that now fell on the little room was not complete-the Chinaman began to clear away his brass cup and coins. There can be no doubt what the misunderstanding was-he feared another Royal Commission into gambling. He imagined the slack-jawed, red-headed youth to be one more Reverend commissioner intent on proving his father an opium addict and his wife a prostitute. He slipped the coins into the pocket of his floppy coat, the cup into his back pocket and arranged to have himself dissolved into the shadow of the wall.
The room did not empty immediately. There were those more curious than fearful who waited a nosy minute or two while they considered the association of clergyman and oilskinned woman. In all likelihood they too came down in favour of a Royal Commission. In any case they soon departed.
"Oh, dear," Lucinda said. "I am so sorry."
"It is not Crab."! "No, no. I am so sorry. I don't know where the name came from." This was an untruth. She knew exactly where it came from-the image of a crab scuttling from red settee, to cabin, to red settee.
"It is Hopkins, not Crab," he persisted.
She thought his response too hurt and humourless. "It is the reverend," she said, "that I should first apologize for."
He smiled then, and she remembered how much she had liked him.
"Well," he said, flipping a coin into the air and catching it (slap) against the back of his wrist, "I suppose I must face up to facts-my disguise is done for. But in London, as I suppose you know, they would not be half as particular. In Drury Lane they expect to see a little cloth."
"You could try Ah Moy's."
The Multitude of Thy Sorceries
"That's true. But it is such an awful trek."
"I am so sorry."
"Oh," he said, yawning and stretching-she could see his tonsils, a clean pink cave and quite surprisingly uncorrupted-"! am better off because of it. I should thank you, Miss Leplastrier, for saving me from
my weakness."
They were walking now, proceeding awkwardly, embarrassed, indecisive, through the Pak-AhPu room. The customers had all departed but two Chinese with a ladder were hanging a large Union Jack on the wall. They bowed politely, although this was not an easy thing to accomplish from the top of an unsteady ladder. One of them lost his balance, or perhaps he jumped intentionally. He was a nimble old man who landed with ony the slightest "oof"; he escorted them to the door on George Street with many polite Good evenings.
"This is dangerous work you do, Miss Leplastrier," said Oscar when the door had been bolted behind them and they were left alone in the dark and rain-shiny street. "You know we are not a minute from the Crooked Billet Inn where whatshisname obtained the pistol which he used to trick poor Kinder into shooting himself? Do you have a carriage? For me, alas, it is shanks's pony." "Then you do not have a living?"
"I do not wish one. But the Bishop would not hear of mission work. He gave me Randwick (it is far too grand for me) and there was a lovely carriage and a gelding by the name of Prince. But unfortunately I took some bad advice."
Lucinda was cold and wanted to be home with her cocoa but she could not leave him to walk four miles in this weather. She must drive him to his vicarage which lay in exactly the opposite direction to the one she wished to go in. She watched him warily, more detached than was her custom, as he stood before her, flapping his long arms around in the damp waterfront air, explaining, in such innocent, educated English, how it was that he had lost his horse and carriage (the one provided by the Randwick vestry) to a common racecourse tout who was also, he discovered the next Sunday, a member of his congregation. She was both enchanted and appalled by his innocence and it was this quality she was confused by, not knowing if it were genuine, or if it were a cloak for a mad or even criminal personality.
She drove him out to Randwick and on the way they managed to leave alone the tender scar which was their voyage aboard the Leviathan. When he proposed a game of cards she found herself, against her better judgement, asking if he could accept her IOU. 65
Bishop Dancer's Ferret
Bishop Dancer is a man you would most quickly understand if you saw him on a Saturday in Camden, dressed in his red hunting jacket and high black boots, leaning forward to accept some hot toddy from the stirrup cup. He had a handsome ruddy face which these days extended to his crown. What hair remained clung to the sides and back of his head; it was fine and white, cut very short, as was his beard. With no mitre to assist you, you might be inclined to think him a gentleman farmer. He had big thighs, strong shoulders, and although you could see the man had a belly, it was not one of your featherdown bellies, but a firm one. He sat well on his horse and it was a good specimen, too-sixteen hands and no stockhorse in its breeding. Dancer could not, of course he could not, have clergy who were notorious around the track, who lost their horses or their carriages because they heard a horse was "going to try." Sydney-a venal citywas too puritanical to allow such a thing. But had you informed Dancer of this story after dinner, he would have found it funny. He could find nothing in his heart against the races and he left that sort of raging to the Baptists or Methodists. The true Church of England, he would have felt (but never said) was the Church of gentlemen. Sometimes gentlemen incur debts. He had interviewed Oscar closely on his arrival. He put him through his paces, questioning the fidgety fellow as closely as a candidate from Cambridge. He was looking for signs of this Broad Church heresy. He could find none. He accepted Virgin birth, the physical Resurrection, the loaves and fishes. The Bishop allowed him his view on Genesis with a little uneasiness, but it was no longer politic to make a fuss about this matter. He soon sniffed out, however, Oscar's Low Church background. In normal circumstances he would not have cared for it at all. He loathed Evangelicals with all their foot-thumping "enthusiasm."
; Bishop Dancer's Ferret
He did not like their "bare boards" approach to ritual, and there was plenty of this in Oscar's attitude. Bishop Dancer was delighted to find it so. "This fellah," he told himself, "will be my ferret out at Randwick." And when he thought it, he imagined Oscar quite literally as a ferret, his long white neck disappearing down in a hole.
| He asked the untidy applicant about candles on the altar. Oscar I; throught they should be lit only for illumination. He asked about vestments. Oscar thought a simple surplice quite acceptable, but preferred a plain black cassock. He asked about genuflexion. Oscar confessed himself uncomfortable with the practice.
Bishop Dancer became quite hearty. He had the young man stay to luncheon. He had him fed beef, although the beef was cold, and was not even mildly disconcerted when the young man refused his claret. There was going to be fun out at Randwick, that bed of Puseyites with all their popish ritual. There would be a firstclass row out there, but he would win. He must win. For he had, by one of those anomalies which made the diocese so interesting, the right to appoint the incumbent himself. If the Randwick vestry did not like it, they could go over to the Church of Rome. They;, would not get their new parson dressing up in white silk and! red satin. This one was a nervous little fellow, the Bishop judged, I but he would not budge on this issue. He would not be susceptible j! to Tractarians, only to missionaries. Even at luncheon he per[sisted with a request that he be sent "up-country" (wherever i that might be-when asked he could not say). Bishop Dancer told him I bluntly that mission work was a waste of time. The blacks were dying
< off like flies, and if he doubted this he should look at the streets of I Sydney, man, and note the condition of the specimens he saw there.; The field was over-supplied with missionaries and Methodists fighting f Baptists to see who could give the "poor wretches" the greater numj ber of blankets. Leave the blacks to the Dissenters, Dancer advised. [God had work for him to do at Randwick.
; It did not occur to Oscar that a bishop might lie to him. He accepted \ Dancer's story and, indeed, relayed it to Theophilus who disseminated Î it further through the columns of The Times. It was because of this gullibility that Oscar allowed himself to be placed almost next door to the notorious Randwick racecourse. He was Bishop Dancer's ferret, but it was not Kebble, Pusey and Newman who were to cause him the greatest stress in his new parish, but Volunteer, Rioter, Atlanta, Mnemon, and Kildare.
66
St John's
Sydney was a blinding place. It made him squint. The stories of the gospel lay across the harsh landscape like sheets of newspaper on a polished floor. They slid, slipped, did not connect to anything beneath them. It was a place without moss or lichen, and the people scrabbling to make a place like troops caught under fire on hard soil. St John's at Randwick was built from red brick with very white mortar. The fine clay dust that overlay everything, even the cypress hedge beside the vicarage, could not soften the feeling of the place. It was all harsh edges like facets of convict-broken rock.
He had been ready to minister to his flock, but found them to be creatures of their landscape. They did not embrace him, but rather stood their distance. He found their conversation as direct as nails. They found his to be tangled, its point as elusive as the end of a mishandled skein. They warned him about snakes, spiders and the advisability of locking his windows at night. He thought the fault was with himself. He had his housekeeper bake scones and invited the vestry to tea. They sat stiffly on their chairs and conversation could not be got under way. He felt young, inadequate, inexperienced. He asked them about the parishioners, but it seemed they knew almost nothing. Only when he asked if there were natives in the congregation did they show themselves capable of smiling.
They knew he was Dancer's man. They waited and watched. They found his form of service as unappetizing as unbuttered bread.
He prayed to God to give him the key to their hearts. He had nothing else to do but pray and write his sermons. In the long winter afternoons he listened to the drum of horses' hooves. He sent his sixteen volumes of track records to Mr Stratton and swore never to gamble again. He had promised God in the midst of that dreadful storm. There was reason enough for Mr Stratton to gamble, but not for him. He was
•7 K f.
St John's
clothed and provided for. He had shelter enough for a family of eight. He had three hundred pounds a year, and a housekeeper to feed him mutton every night. He did not require wealth. He coveted nothing. The horses drummed through the afternoon. The track was hard in April but softened with the rains in May. He preached sermons against
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