Chuck Palahniuk - Stranger Than Fiction (True Stories)

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Chuck Palahniuk - Stranger Than Fiction (True Stories) краткое содержание

Stranger Than Fiction (True Stories) - описание и краткое содержание, автор Chuck Palahniuk, читайте бесплатно онлайн на сайте электронной библиотеки LibKing.Ru

"Full of wonderful moments…Palahniuk's voice is so distinctive and intimate-he writes as though he is recounting a great story to a close friend." — Los Angeles Times

"Step into Palahniuk's dark worldview and watch for what crawls out. These stories are true to him and no one else." — The Oregonian

“One of the oddest and most oddly compelling collections to come along for some time.” —The Milwaukee Journal Sentinel

“In Chuck Palahniuk’s world, the ride is fast, often disturbing, and there is never any holding back.” —The New Orleans Times-Picayune

“Eccentric, idiosyncratic, and often entertaining.” —The Onion

"Priceless grace notes from an exceptionally droll and sharp-eyed observer." — The New York Times

“Rarely does a collection of essays continually resonate with a main theme and accumulate a weight that would lead you to call it a great book. . This is a pretty great book.” —The Seattle Times

"The book's lurid appeal rests largely on being let in on Palahniuk's secrets, the raw material for much of his fiction. . Acts that give spice to his novels are made more menacing when encountered in the real world." — Black Book

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Stranger Than Fiction (True Stories) - читать книгу онлайн бесплатно, автор Chuck Palahniuk
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Since then, Jerry's castle has become a landmark.

"Airline pilots I talk to, for Alaska Airlines," Jerry says, "they make a turn when they come in from Seattle. They follow a route that takes them right over the top of the castle. They're announcing it to the passengers and all this shit. I talked to a couple of the pilots, and they said, 'We call that the Castle Turn into PDX.»

The castle's finest hour was in 1993, when a friend's wife sewed huge banners for the place. Four banners hung from the castle keep, and a half-dozen banners hung from the courtyard battlements and parapet towers. The keep's 250-pound door was painted with the castle's crest, a lion, similar to the crest of Norway. All of this, for a very special event.

"My daughter got married here ten years ago. We had a big wedding out here. There was, like, three hundred people." Jerry says, "I had this place dolled up like you wouldn't believe. Big banners and horseshit. Her husband dressed as Robin Hood, and she dressed as Maid Marion. And we had the Society for Creative Anachronism people out here for three days. I set up portable showers, and I had ten porta-potties. Jesus. Dance floors. The whole deal."

Since then the medieval groupies have talked about buying the castle as a permanent headquarters for Renaissance fair events. Another couple tried to buy the castle in order to lease it out for weddings; they'd planned to rent period costumes and provide catering, but Jerry backed away from the deal when it all seemed to be going too fast.

One irony is how a fortress built to exclude strangers now seems to attract a steady stream of the curious.

Jerry lights another Delicato cigarette and says, "We used to have a lot of trouble with people driving in all the time. Christ, one morning I was sitting in the castle having a cup of coffee, and I hear this noise, and the wife comes into the kitchen and says, 'What the hell is going on? She looked out the little window on the bottom floor, and there's a guy with a forty-foot motor home trying to turn around in the driveway. It took him about half an hour."

He says, "We put up NO TRESPASSING signs, but there must be a lot of illiterate people out there because they don't seem to know what it means."

An independent film company has used the castle as a backdrop for a film about the Middle Ages. Jerry's mother and brother live in the two closest houses. State Farm Insurance has asked about coming out to see just what it is they've insured, but no agent has ever made the trip.

"Rumor has it there's a basement dungeon under the tower," Jerry says, "and I just let people keep thinking that."

He adds, "I'm probably known as a crazy man in Camas, but I don't give a damn what they think."

His castle rises next to a small lake edged with cattails and lawn. This is the flooded quarry where Jerry dug rock for his original construction. That first labor-intensive tower was so solid it took two days to knock it down with a bulldozer. Now the stony ruins of it rise from the depths of the flooded quarry. Near the ruins, the castle's drawbridge spans the lake. The drawbridge used to lift and lower, until Jerry's brother, Ken, came along.

"There's an apparatus up in there with a motor and a series of couplers, and I had cables down," Jerry says. "And I had a guy rig me up a switch. My brother's the one who broke it. He came down here with a couple of his cronies-I was gone-and they were all drunk and messing with the goddamn bridge. They messed the switch up. They were always down here running it. Everybody who came here had to work the goddamn drawbridge."

With Jerry spending every winter fishing in Mexico, the castle is a little worse for wear. Inside the keep, sections of Sheetrock and insulation are pulled down to show dark stains and water damage inside the walls. You can smell mildew in stale air.

"I used a system of downspouts inside the walls, which was fine-made out of ABS," he says. "When I did the gutters on top of the building, I used a trough-type system. Then I had to get a downspout through this galvanized metal into my ABS. We had some made, and they worked fine. We used a fiberglass buildup roof and it held up really good, but then we started getting water leaks. This was maybe four years ago. Lo and behold, the galvanized drop out of the gutter had rusted away."

The stucco isn't as white as it used to be. In some places it's cracked and chipping away. In a few spots, the metal lath underneath shows through.

"The worst part is the exterior stucco," Jerry says. "I've coated it twice: the first time, and then I redid it about twelve years ago. I should go around and clean it up. I use water and bleach and spray it. Then it's a matter of batching. You get a mixer and a sprayer and all your material, and you keep mixing and spraying, and it goes pretty fast.

"This place is in pretty rough shape, compared to how it was," he adds. "But it's fixable."

So this is the year for fixing the castle. Among other projects. In the garage is a stripped-down thirty-year-old, twenty-one-foot StarCraft fishing boat. Jerry is installing a metal dragon that will rear up from the bow with a red eye on one side and a green eye on the other. The dragon is plumbed to spit fire. He's adding twelve inches to raise the bow and help the flat-bow boat handle better in rough water.

"I'll have it down in Mexico, and we get into some stuff in the afternoons," he says. "The wind picks up, and you're riding in ten-, twelve-foot waves. It causes you some concern with an open bow."

In retrospect, he says, "My advice would be: Don't do it. It's obvious, looking at the exterior, that stucco is not conducive to this area. They've come out with new exterior stucco material I'm going to use, and it's a hell of a lot better. But I've lived here with women, and they don't like this, and they don't like that, and they don't like going up and down the stairs. That's probably why there's no women here now." And again, he laughs.

Jerry Bjorklund laughs a lot. Far overhead, you can hear the dull roar of a jetliner making the "castle turn" into Portland International Airport.

And it all goes back to that one night, drinking Black Velvet…

"The problem is I told somebody I was going to do it," Jerry says. "That was probably my biggest downfall. If I say I'm going to do something, I don't give a damn what it takes."

But that's not to say Jerry Bjorklund has regrets.

"Too many people, to my mind, they do things like everybody else does, and I'm not going to be like that. Never have been." And, again, he lights another Mexican cigarette and laughs his gravelly laugh.

For Roger DeClements-who has built three castles-the first was more about speed and saving money. Born in Edmonds, Washington, Roger worked as a building contractor during the 1970s. Roger has a wife and three children, and because his wife is afraid of doctors, all the kids were born in his castles. The first two kids, in a castle he built in Machias, Washington, five miles north of Snohomish, which is east of Everett, which is north of Seattle. It's a little town named after a town in Maine, with a little white steepled church built in 1902, and it sits in a valley on the Pilchuk River.

"My first castle," Roger says, "I got financing. It was 1980, when interest rates were eighteen percent, and we went to the local banks and nobody was giving loans then. Somebody mentioned Citicorp, so we went to Citicorp, and they said, 'Sure… at eighteen percent…»

Still, Citicorp didn't know what their money was financing.

"They didn't even know it was going to be a castle," Roger says. "They just wanted security, so we used another piece of property as collateral. The second castle, we used our own money. This third castle, we used our own money, then when we got farther along we just had a banker come up and look and see it to refinance it.

"The first castle was actually a concrete tilt-up castle. We carved the shape of the walls in the sand, put the rebar in there, poured the concrete in, tilted them up and picked the shape out of the sand. It was a very inexpensive castle and completed in five weeks. I did everything from start to finish."

Basing them on Disneyland castles and castles in movies, Roger drew his own plans.

"In Washington State," he says, "you have to take your plans to a structural engineer and they'll put their stamp on. And then, no problem after that.

"My degree is in chemistry and physics, but I've been doing a lot of architecture and engineering, myself," Roger explains. "And I specialize in castles.

"The first one was a single tower," he says. "Eight hundred square feet on two floors. It was built basically like a basement, with concrete walls we tilted up. Then we insulated by furring out with two-by-fours and doing Sheetrock on the inside. A lot of people across the country, that's how they'll start out building their castles, but I found that doesn't work very well. Plus, everybody was coming out and asking, 'Is that real stone? So I got so tired of that question."

He adds, "We built it in one day, so it was quite the surprise for the neighborhood. Boom-and there it was.

"Kids would love to sneak down the driveway to see how far they could get before getting too scared. People would love to stop on the road and take pictures."

That first castle cost only $14,000 and took only five weeks from start to finish. It still sits on five acres near the bank of the Pilchuk River. It has electric heat, but what Roger gained in speed and cost, the DeClements family paid for in comfort.

"Furring the walls out with insulation," Roger says, "that doesn't work well. The cold goes right through the concrete. It gets right to where the insulation is. Then the warm inside air filters through the insulation and contacts the cold surface of the concrete or blocks. Then the water will condense. As soon as one water molecule condenses, another one is there to take its place. So you get this continuous condensation on the cold wall behind the insulation. That's a problem, because it will cause mold to grow, and it smells like a basement."

In order to go back to college and study for a graduate degree, Roger sold that castle to artists to use as a studio. "Before I built my second castle, I went back to college and learned a lot," he says. "I was a contractor from 75 until about 87, building homes and commercial buildings, using the traditional methods. Going to college, I learned a lot more about the physical process of what's going on with heat transfer and moisture."

He says, "So for the second castle we built, we went to real stone."

That second castle stands on a rock above a waterfall in Sedro-Woolley, Washington. It's perched on a stone precipice, high above a nature pool where local kids swim all summer. Instead of electric heat, the second castle was heated with a wood stove.

He says, "The second one we designed to look like a castle, and you couldn't tell when it was built. We used all stone and incorporated a new construction method, too, starting with a double-wall castle where you go from rock on the outside, then a layer of rigid, extruded polystyrene, then reinforced concrete, and then you'd go back to stone again, so you couldn't see the concrete or insulation on the inside. All you could see is the stone."

Step-by-step, Roger explains: "The first thing to go up is the rebar grid, then the insulation boards. Then we run the conduit and plumbing, high-speed Internet, whatever you want. Then you build a double rock wall, on the inside and the outside. After you get up about eight feet, you fill it with concrete. Then you do it over again. The two rock walls, which are held together by stainless-steel rods, form a permanent concrete form. It's just like the Romans did a long time ago. They did the same thing. They didn't use metal ties, they used extra-long rocks to tie the two rock walls together.

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