Коллектив авторов - Конец моды. Одежда и костюм в эпоху глобализации
- Название:Конец моды. Одежда и костюм в эпоху глобализации
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- Издательство:Литагент НЛО
- Год:2020
- Город:Москва
- ISBN:9785444814048
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Radner H., Smith N. Fashion, Feminism and Neo-Feminism: From Coco Chanel to Jennifer Lopez // Fashion Cultures (2nd Edition) / Еds S. Bruzzi, P. Church Gibson. London: Routledge, 2013. Pp. 275–286.
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Donna Karan. Forbes Profile // forbes.com. Updated 2016. January 6. www.forbes.com/profile/donna-karan/ (accessed 12.05.2017).
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О «рыночном феминизме» см.: Radner H. Coda: Feminism Redux // Radner H. The New Woman’s Film: Femme-Centric Movies for Smart Chicks. London; New York: Routledge, 2017. Pp. 190–194; см. также: Zeilser A. We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement. New York: PublicAffairs, 2016.
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Ibid.
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Heilbrun C. G. Toward a Recognition of Androgyny. New York: Norton, 1993 [1964].
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Grigoriadis. A Death of One’s Own.
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Бюджет фильма, по сведениям, насчитывал семь миллионов долларов, а сумма кассовых сборов по всему миру составила 2 588 571 доллар. См. IMDb и the-numbers.com. www.imdb.com/title/tt1714915/business?ref_=tt_dt_bus ; www.thenumbers.com/movie/Only-Lovers-Left-Alive#tab=box-office (accessed 08.05.2017).
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Об образе Тильды Суинтон как звезды см.: Stacey J. Crossing Over with Tilda Swinton – the Mistress of «Flat Affect» // International Journal of Politics, Culture and Society. 2015. 28, no. 3. Pp. 243–271; см. также: Radner. Transnational Celebrity and the Fashion Icon: The Case of Tilda Swinton.
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Гечи А., Караминас В. Леди Гага: «Американская история ужасов», мода, монструозность и гротеск // Теория моды: одежда, тело, культура. 2018. № 47. С. 155–179; см. также: Case S.-E. Tracking the Vampire // Differences: A Journal of Feminist Cultural Studies. 1991. 3, no. 2. Pp. 1–20.
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Bellour. Querelle; Casetti. The Lumière Galaxy.
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Караминас В. Образ: пространства моды. С. 226.
312
Там же.
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Hepp A. The Communicative Figurations of Mediatized Worlds // Communicative Figurations. 2013. 1. P. 3.
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Mazzoleni G. Changes in Contemporary Communication Ecosystems Ask for a «New Look» at the Concept of Mediatization // Javnost – The Public. 2017. 2. P. 1.
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Приблизительно за последние семь лет число работ о медиатизации существенно возросло, поэтому перечислить их все здесь невозможно. Однако укажу на некоторые из них, где представлен всесторонний анализ этого понятия: Deacon D., Stanyer J. Mediatization: Key Concept or Conceptual Bandwagon? // Media, Culture & Society. 2014. Pp. 1–13; Deacon D., Stanyer J. «Mediatization and» or «Mediatization of»? A Response to Hepp et al. // Media, Culture & Society. 2015. 37, no. 4. Pp. 655–657; Lundby K. Mediatization of Communication // Mediatization of Communication / Еd. K. Lundby. Berlin: De Gruyter, 2014. Pp. 3–35; Lundby K. (ed.) Mediatization: Concept, Changes, Consequences. New York: Peter Lang, 2009; Krotz F. Explaining the Mediatisation Approach // Javnost – The Public. 2017. 2, no. 24; Hjarvard S. The Mediatization of Culture and Society. Oxon: Routledge, 2013; Couldry N. Mediatization or Mediation? Alternative Understandings of the Emergent Space of Digital Storytelling // New Media & Society. 2008. 10, no. 3. Pp. 373–391; Hepp A. Cultures of Mediatization. Cambridge: Polity, 2013 [2011]; Mazzoleni. Changes. Pp. 136–145.
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