Мартин Эсслин - Театр абсурда

The ColoneFs Photograph (collected stories in English), trans. by Jean Stewart and John Russell, London: Faber Faber, 1967 Le Solitaire. Roman, Paris: Mercure de France, 1973

ESSAYS AND OTHER PROSE WRITINGS

‘L’invraisemblable, Гinsolite, mon univers…’, Paris: Arts, 14 August I9J3; also Paris: Cahiers des Saisons, no. 15, Winter 1959, under the title 'Je n’ai jamais riussi…’

BIBLIOGRAPHY

'Le point du depart', Paris: Cahiers des Quatre Saisons, do. i, August

1955 [this periodical changed its tide to Cahiers des Saisons from no. 2, October 1955] (trans. by L.C. Pronko, New York: Theatre Arts, June 1958; by Donald Watson in Plays, vol. I [London: Calder])

‘ Thiitre et anti-thidtre’, Paris: Cahiers des Saisons, no. 2, October 1955 (trans. by L. C. Pronko, New York: Theatre Arts, June 1958)

‘Mes piices ne pritendent pas sauver le monde', Paris: L'Express, 15–16 October 1955 LMes critiques et moi’, Paris: Arts, 22 February 1956 ‘Gammes’ (nonsense aphorisms), Paris: Cahiers des Saisons, no. 7, September 1956

‘There is no avant-garde theatre’, trans. by Richard Howard, New York: Evergreen Review, I, 4,1957 ‘The world of Ionesco’, International Theatre Annual, no. 2, ed. Harold Hobson, London: Calder, 1957; Tulane Drama Review, October 19S8

‘Olympie’ (prose poem), Paris: Cahiers des Saisons, no. 10, April-May

1957

‘Pour Cocteau', Paris: Cahiers des Saisons, no. 12, October 1957 ‘The theatre’, talk on Б.В.С. Third Programme, July 1957 [an early version oЈ‘Experience du thi tre — see below]

‘Dans les ames de la ville' (on Kafka), Paris: Cahiers de la Compagnie M. Renaud — J.-L Barrault, no. 20, October 1957 ‘Qu’est-ce que Г avant-garde en 1958?', Paris: Les Lettres Francoises, itf April 1958; also Paris: Cahiers des Saisons, no. 15, Winter 1959, under the tide ‘Lorsque j’icris — '

‘Experience du thidtre’, Paris: Nouvelle Revue Fran$aise, February 1958 (trans. by L. C. Pronko, ‘Discovering the theatre’, Tulane Drama Review, September 1959)

'Ni un dieu ni un dimon’ (on Artaud), Paris: Cahiers de la Compagnie M. Renaud-J.-L Barrault, nos. 22-3, May 1958 ‘Reality in depth’, London: Encore, May-June 1958 ‘The playwright’s role’, London: Observer, 29 June 1958 (The entire controversy with Kenneth Tynan is reproduced as ‘Controverse londonienne' in Cahiers des Saisons, no. 15, Winter 1959)

‘La tragidie du langage’, Paris: Spectacles, no. 2, July 1958 (trans. by Jack Unclank, ‘The tragedy of language*, Tulane Drama Review, Spring i960)

BIBLIOGRAPHY

‘Preface' to Les Possidis, adapted from the novel by Dostoevsky by Akakia Viala and Nicolas Bataille, Paris: Emile-Paul,

1959

‘Le cceur nest pas sur la main’ (reply to Kenneth Tynan not published by the Observer), Paris: Cahiers des Saisons, no. 15, Winter 1959 ‘Naissance de La Cantatrice’, Paris: Cahiers des Saisons, no. 15, Winter 1959

‘La demystification par Г humour noir’, Paris: Avant-Scene, 15 February

1959

‘Eugbie Ionesco ouvre le feu’ (with parallel English translation), Paris: World Theatre, voL VIII, no. 3, Autumn 1959 Interview with Claude Sarraute, Paris: Le Monde, 17 January i960 Interview with himself, Paris: France-Ohservateur, 21 January i960;

reprinted Cahiers du College de Pataphysique, Dossiers 10–11, i960 Interview, Paris: L’Express, 28 January i960 ‘Pages de journal’, Paris: Nouvelle Revue Franfaise, February i960 'Printemps 1939. Les dSris du souvenir. Pages de journal’, Cahiers de la Compagnie M. Renaud — J.-L. Barrault, no. 29, February i960 ‘Propos sur mem thidtre et sur les propos des autres’, Brussels: L’ VII, no. 3. i960

‘Le Rhinocos i New York’, Paris: Arts, February 1961 ‘Some recollections of Brancusi’, trans. by John Russell, London Magazine, April 1961 Notes et Contre-notes (collected critical writings), Paris: Gallimard, 1962 (trans. by Donald Watson, Notes and Counter-Notes, London: Calder, 1965)

Journal en miettes, Paris: Mercure de France, 1967 Present passi, Passi prisent, Paris: Mercure de France, 1968 Dicouvertes, Geneva: Skira, 1969 Antidotes, Paris: Gallimard, 1977

ON IONESCO

Das Abenteuer Ionesco. Beitrage zum Theater von Heute (with contributions by Ionesco, A. Schulze Vellinghausen and Rudolf Sellner), Zurich: Verlag H. R. Stauffacher, 1958 Anouilh, jban, ‘Du chapitre des Chaises’, Paris: Le Figaro, 23 April

1956

BIBLIOGRAPHY

bataille, NicotAS, ‘La bataille de La Cantatrice’, Paris: Cahiers des Saisons, no. ij, Winter 1969 benmusa, siMONiB, Eugene Ionesco, Paris: Seghers, 1956 (in the series ‘Theatre de Tous les Temps) bentlby, eric, ‘llonesco, playwright of the fifties’, New York: Columbia Daily Spectator, 11 March 1958 BONNEfOY, claude, Entretiens avec Eugene Ionesco, Paris: Belfond,

1966

bosquet, alain, ‘Le thidtre d’Eugbte Ionesco, ou les 36 recettes du comique’, Paris: Combat, 17 February 1955 coe, richard, Iomesco, Edinburgh and London: Oliver Boyd, 1961 (no. 5 in the series ‘Writers Critics’) doubro vsky, sebge, ‘Ionesco and the comedy of the absurd’, Yale French Studies, no. 23, Summer 1959; also Paris: Nouvelle Revue Franfaise, February i960, under the title ‘Le rire d’Eugbu Ionesco’ duvignaud, jean, ‘La dirision', Paris: Cahiers de la Compagnie M.

Renaud — J.-L. Barrault, no. 29, February i960 francueil, berniard, ‘Digression automobile Dilectus quemad- modum jilius unictomiunt (review of Rhinocbos), Cahiers du College de Pataphysique, Dossiers 10–11,1960 laubrbaux, r., ‘Situation de Ionesco’, Paris: Thidtre d’Aujourd’hui, January-February 1959 laubreaux, r. (ed.), Les Critiques de notre temps et Ionesco, Paris: Gamier, 1973

lerminier, geor ges, * CUs pour Ionesco’, Paris: Thidtre d’Aujourd’ hui, September-October 1957 lutbmbi, ‘Contribution ck une itude de La Cantatrice Chauve’, Cahiers du College de Pataphysique, nos. 8–9,1953 marcel, gabriel, 'La crise du thidtre et le cripuscule de Fhumanisme’, Paris: Revue Thfdtrale, no. 39 robbe-grillet, alaiw, ‘Notes’, Paris: Critique, January 1953 roud, richard, ‘The opposite of sameness’, London '.Encore,June- July 1957

saroyan, william, ‘Ionesco’, New York: Theatre Arts, July 1958 saurel, ben6e, ‘ Ionesco ou Les blandices de la culpabiliti’, Paris: Les Temps Modemes, no. CIII, 1954 ‘A school of vigilance’, London: The Times Literary Supplement, 4 March i960

BIBLIOGRAPHY

senart, philippe, Ionesco, Paris: Editions Universitaires, 1964 tobi, saint, Eugbte Ionesco ou La Recherche du paradis perdu, Paris: Gallimard, 1973

TOUCHARD, p. A., ‘La loi du thidtre’, Paris: Cahiers des Saisons, no.

15, Winter 1959

- ‘ Un nouveau favuliste’, Paris: Cahiers de laCompagnieM. Renaud-

J.-L. Barrault, no. 29, February i960 towarnicki, f., 'Des Chaises vides… Broadway’, Paris: Spectacles, no. 2, July 1958

vernois, paul, La Dynamique thiatrale d’Eugene Ionesco, Paris: Klingsieck, 1972

KOPIT, ARTHUR L.

Oh Dad, Poor Dad, Mamma’s Hung You in the Closet and I’m Feeling

So Sad. A pseudo-classical tragifarce in a bastard French tradition, New York: Hill Wang, i960; London: Methuen, 1961

MROZEK, SLAWOMIR

The original texts of Mrozek’s plays can be found in the monthly journal Dialog, published in Warsaw, passim 1958-67.

A collection in german

Stiicke, voL I, Berlin: Henssel, 1963, contains: Die Polizei, Aufhoher See, Striptease, Karol, Das Martyrium des Peter Obey, Racket Baby, Der Hirsch

Stiicke, vol. П, Berlin: Henssel, 1965, contains: Eine wundersame Nacht, Zabawa, Tango

ENGLISH TRANSLATIONS

Six Plays, trans. by Nicholas Bethell, London: Cape, 1967, contains: The Police, The Martyrdom of Peter Ohey, Out at Sea, Charlie, The Party, Enchanted Night Tango, trans. by Nicholas Bethell, London: Cape, 1968

BIBLIOGRAPHY

PEDROLO, MANUEL DE Cruma, in Premi Joan Santamaria 1957, Barcelona: Editorial Nereida,

1958

Homes i No, Barcelona: Quadems de Teatre A.DЈ., no. 2, i960

PINGET, ROBERT Lettre Morte, Paris: Editions de Minuit, 1959

La Manivelle, Piice radiophonique (with parallel trans. by Samuel Beckett, The Old Tune), Paris: Editions de Minuit, i960 Id ou Ailleurs, suivi de Architruc et de L’Hypothese, Paris: Editions de Minuit, 1961

PINTER, HAROLD

The Birthday Party and Other Plays, London: Methuen, i960, contains: The Room, The Dumb Waiter, The Birthday Party. The Dumb Waiter also in Penguin New English Dramatists 2 and Penguin Plays, Har- mondsworth: Penguin Books, 1961 and 1964 The Caretaker, London: Methuen i960

A Slight Ache and Other Plays, London: Methuen, 1961, contains: A Slight Ache, A Night Out, The Dwarfs, and some revue sketches The Collection and The Lover, London: Methuen, 1963 The Homecoming, London: Methuen, 1965

Tea Party and Other Plays, London: Methuen, 1967, contains the three television plays Tea Party, The Basement, Night School Landscape and Silence, London: Methuen, 1969 Old Times, London: Methuen, 1971 Five Screen Plays, London: Methuen, 1971 No Man’s Land, London: Eyre Methuen, 1975 Poems and Prose, London: Eyre Methuen, 1978 The Proust Screenplay, London: Eyre Methuen, 1978 Betrayal, London: Eyre Methuen, 1978

BIBLIOGRAPHY ON PINTEK

dukore, Bernard f., Where Laughter Stops. Pinter’s Tragicomedy, Columbia: University of Missouri Press, 1976 esslin, martin, Pinter. A Study of his Plays, 3rd expanded edition, London: Eyre Methuen, 1977 ganz, Arthur, (ed.), Pinter. A Collection of Critical Essays, in the series ‘Twentieth-Century Views’, Englewood СШБ, N.J.: Prenticc-Hall, 1972 hinchcliffe, Arnold P., Harold Pinter, New York: Twayne, 1967 imhof, rddiger, Pinter. A Bibliography, 2nd revised edition, London: TQ Publications, 1976 kerr, Walter, Harold Pinter, New York: Columbia University Press, 1967

SIMPSON, NORMAN FREDERICK

PLAYS

A Resounding Tinkle, in The Observer Plays (anthology of prize- winning entries in a playwriting competition), London: Faber Faber, 1958; also in New English Dramatists 2, Harmondsworth: Penguin Books, i960, and in Penguin Plays 1, 1964; shorter stage version as performed at the Royal Court Theatre, London, 1 December 19J7, in The Hole and Other Plays and Sketches, London: Faber Faber, 1964 One Way Pendulum, A farce in a new dimension, London: Faber Faber, i960