Том 5. Литература XVIII в.

Spacks P. M. An argument of images: the poetry of Alexander Pope. — Cambridge, 1971.

Spacks P. M. John Gay. — N. Y., [1965].

Stephen L. Alexander Pope. — L., 1909.

Stephen L. Swift. — N. Y., 1902.

Twentieth — century interpretation of Gulliver’s travels: A coll. of critical essays. — Englewood Cliffs (N. J.), 1968.

Williams K. Jonathan Swift. — L., N. Y., 1968.

Zirker M. P. Fielding’s social pamphlets. — Berkeley, 1966.

Просветительский роман. Дефо. Ричардсон. Филдинг. Смоллет

Аникст A. A. Даниель Дефо: Очерк жизни и творчества. — М., 1957.

Елистратова А. Фильдинг: Критико — биогр. очерк. — М., 1954.

Нерсесова М. А. Даниель Дефо. — М., 1960.

Соколянский М. Г. Творчество Генри Фильдинга: Кн. очерков. — Киев, 1975.

Урнов Д. М. Дефо. — М., 1978.

Шкловский В. Б. Английский классический роман. — В кн.: Шкловский В. Б. Повести о прозе. М., 1966, т. 1, с. 203–324.

Alter R. Fielding and the nature of the novel. — Cambridge (Mas.), 1968.

Auty S. G. The comic spirit of the eighteenth — century novels. — Port Wash., L., 1975.

Ball D. L. Samuel Richardson’s theory of fiction. — The Hague; P., 1971.

Battestin M. C. The moral basis of Fielding’s art: A study of Joseph Andrews. — Middletown (Conn.), 1959.

Bearley J. C. Novels of the 1740s. — Athens, 1982.

Bouce P. G. Les romans de Smollet. — P., 1971.

Braudy L. Narrative form in history and fiction: Hume. Fielding Gibbon. — Princeton (N. J.), 1970.

Brophy E. B. Samuel Richardson: The triumph of craft. — Knoxville, 1974.

Bruce D. Radical doctor Smollet. — L., 1964.

Defoe: The critical heritage / Ed. P. Rogers. — L., 1972.

Dobson A. Fielding. — L., 1909.

Ducrocq J. Le théâtre de Fielding: Les débuts de la creation littéraire (1728–1737): These… — Lille, 1973.

Earle P. The world of Defoe. — L., 1976.

Giddings R. The tradition of Smollet. — L., 1967.

Gondebeand L. Le roman «picaresque» anglais, 1650–1730: These… — Lille, 1979.

Grant D. Tobias Smollet: A study in style. — Manchester, 1977.

Harrison B. Henry Fielding’s Tom Jones: The novelist as moral philosopher. — L., 1975.

Hatfield G. W. Henry Fielding and the language of irony. — Chicago; L., 1968.

Henry Fielding: The critical heritage / Ed. R. Paulson, T. Lockwood. — L.; N. Y., 1969.

Hunter J. P. The reluctant pilgrim: Defoe’s emblematic method and quest for form in «Robinson Crusoe». — Baltimore, 1966.

Hutckens E. N. Irony in Tom Jones. — Univ. Ala., 1965.

Irwin M. Henry Fielding: The tentative realist. — L.; Oxford, 1967.

James E. A. Daniel Defoe’s many voices: a rhetorical study of prose style and literary method. — Amsterdam, 1972.

Karl J. R. The adversary literature: The English novel in the 18th century: a study in genre. — N. Y., 1974.

Kinkead — Weekes M. Samuel Richardson: Dramatic novelist. — L., 1973.

Koningsberg I. Samuel Richardson and the dramatic novel. — Lexigton, 1968.

Levine G. R. Henry Fielding and the dry mock: A study of the Techniques of irony in his early works. — The Hague; P., 1967.

Macallister H. Fielding. — N. Y., 1971.

Maresca Т. Е. Epic to novel. — Columbus, 1974.

Minto W. Daniel Defoe. — L., 1909.

Moore J. R. Daniel Defoe, citizen of the modern world. — Chicago, 1958.

Rawson C. J. Henry Fielding and the Augustan ideal under stress. «Nature’s dance of death» and other studies. — L.; Boston, 1972.

Sacks A. Fiction and the shape of belief: A study of Henry Fielding. With glances at Swift, Johnson and Richardson. — Chicago; L., 1980,

Spearman D. The novel and society. — L., 1966.

Spector R. D. Tobias George Smollet. — N. Y., 1968.

Steeves H. R. Before Jane Austen: The shaping of the English novel in the eighteenth century. — N. Y., 1965.

Sutherland J. Defoe. — L., 1937.

Weimann R. Daniel Defoe: Eine Einführung in das Romanwerk. — Halle (Saale), 1962.

Wolff E. Der englische Roman in 18. Jahrhundert. — Göttingen, 1980.

Wright A. Henry Fielding: Mask and feast. — L., 1965.

Zirker M. R. Fielding’s social pamphlets: A study of an enquiry into the causes of the late in crease of robbers and a proposal for making an effectual provision for the poor. — Berkeley; Los Angeles, 1966.

Мещанская драма. Лилло и Мур

Bernbaum E. The drama of sensibility. — Gloucester (Mass.), 1958.

Connolly L. W. The censorship of English drama 1737–1824. — San Marino, 1976.

Cox J. E. The rise of sentimental comedy. — Norwood (Pa.), 1976.

Sherbo A. English sentimental drama. — East Lansing (Mich), 1957.

Stock R. D. Samuel Johnson and neoclassical dramatic theory, — Lincoln, 1973.

Сентиментализм

Aers D. Romanticism and ideology: studies in English writing, 1765–1830. — L., 1981.

Bayer — Berenbaum L. The gothic imagination: expansion in Gothic literature and art. — Rutherford, 1982.

Beers H. A. A history of English romanticism in the 18th century. — L., 1926.

Cox S. D. «The stranger within thee»: concepts of the self in late — eighteenth — century literature. — Pittsburgh, 1980.

Lévy M. Le roman «golhique» anglaise. 1764–1824. Thèse… — Toulouse, 1968.

Поэзия сентиментализма

Agrawal R. R. Tradition and experiment in the poetry of James Thomson (1700–1748). — Salzburg, 1981.

Arthos J. The language of natural description in eighteenth — century poetry. — Ann Arbor, 1949.

Cecil D. The quiet loves. Dorothy Osborne — Thomas Gray. — L., 1948.

Deane C. V. Aspects of eighteenth century nature poetry. — N. Y., 1968.

Free W. N. William Cowper. — N. Y., 1970.

Golden M. In search of stability: The poetry of William Cowper. — N. Y., 1960.

Gosse E. W. Gray. — N. Y.; L., 1902.

Hartley L. C. William Cowper. — Chapel Hill, 1960.

Jones W. P. The rhetoric of science: A study of scientific ideas and imagery in 18th century English poetry. — L., 1866.

Lemonnier L. Les poètes anglais du 18е siècle. — P., 1947.

Lytton Sells A. L. Thomas Gray: his life and works. — L., 1980.

Mackail J. W. Studies of English Poets. — Freeport, 1968.

Östman H. Realistiska drag i engelsk 1700-talspoesi. — Stockholm, 1980.

Plaisant M. S. La sensibilité dans la poésie anglaise an début du XVIIIe siécle: Thèse… Vol. 1, 2. — Lille, 1974.

Smith G. Cowper. — N. Y., 1902.

Spacks P. M. The insistence of horror: Aspects of the supernatural in 18th-century poetry. — Cambridge (Mass.), 1962.

Spacks P. M. The poetry of vision: Five eighteenth — century poets. — Cambridge (Mass.), 1967.

Spacks P. M. The varied god: A critical study of Thomson’s «The seasons». — Berkeley, 1959.

Storey M. Poetry and humour from Cowper to Clough. — L., 1979.

Thomas G. William Cowper and the eighteenth century. — L., 1935.

Роман сентиментализма. Стерн. Голдсмит. Поздний Смоллет

Bäckman S. This singular tale: a study of «The vicar of Wakefield» and its literary background. — L., 1971.

Black W. Goldsmith. — N. Y., 1902.

Conrad P. Shandyism: the character of romantic irony. — Oxford, 1978.

Cross W. L. The life and times of Laurence Sterne. — New Haven, 1929.

Fluchère H. Laurence Sterne: De 1’homme à 1’oeuvre. — P., 1961.

Forster F. The life and times of Oliver Goldsmith. — L., 1890.

Ginger J. The notable man: the life and times of Oliver Goldsmith. — L., 1974.

Hopkins R. H. The true genius of Oliver Goldsmith. — Baltimore, 1969.

Irwing W. Oliver Goldsmith: a biography. — N. Y., 1864.

Kirk C. M. Oliver Goldsmith. — N. Y., 1967.

Lanham R. A. Tristram Shandy: the games of pleasure. — Berkeley, 1973.

Now M. Laurence Sterne as a satirist: a reading of «Tristram Shandy». — Gainesville, 1969.

Sells A. L. Oliver Goldsmith: his life and works. — L., 1974.

Shaw M. Laurence Sterne: The making of a humorist, 1713–1762. — L., 1957.

Stedmond J. M. The comic art of Laurence Sterne: Convention and innovation in «Tristram Shandy» and «A sentimental journey». — Toronto, 1967.

Thomson D. Wild excursions: the life and fiction of Laurence Sterne. — L., 1972.

Драма 70–80‑х годов. Шеридан

Маршова H. M. Ричард Бринсли Шеридан. — Л.; M., 1960.

Шервин О. Шеридан: Пер. с англ. — М., 1978.

Auburn M. S. Sheridan’s comedies: their contexts and achievements. — Lincoln; L., 1977.

Bevis R. W. The laughing tradition: stage comedy in Garrick’s day. — Athens, 1980.

Dulck J. Les comédies de R. B. Sheridan: Thèse pour le doctorat… — Bordeaux, 1962.

Loftis J. Sheridan and the drama of Georgian England. — Oxford, 1976.

Oliphant M. Sheridan. — L., 1883.

Sherbo A. English sentimental drama. — East Lansing (Mich.), 1957.

Бернс

Елистратова А. А. Роберт Бернс. — M., 1957.

Райт — Ковалева Р. Роберт Бернс. — M., 1965.

Angus — Butterwort L. M. Robert Burns and the 18th century revival in Scottish vernacular poetry. — Aberdeen, 1969.

Carlyle T. An essay on Robert Burns. — N. Y., 1896.

Crawford T. Burns: a study of the poems and songs. — Edinburgh; L., 1960.

Daiches D. Robert Burns. — N. Y., 1966.

Ericson — Ross C. The songs of Robert Burns: a study of the unity of poetry and music. — Uppsala, 1977.

Fitzbugh R. T. Robert Burns: The man and the poet. — Boston, 1970.

Mac Laine A. H. Robert Fergusson. — N. Y., 1965.

Rae E. S. Poet’s pilgrimage. — Glasgow, 1960.

Shairp P. Robert Burns. — L., 1883.

Предромантизм

Соловьева H. A. Английский предромантизм и формирование романтического метода. — М., 1984.

McNutt D. J. The eighteenth — century Gothic novel: an annotated bibliography of criticism and selected texts. — N. Y.; L., 1975.

Summers M. A Gothic Bibliography. — N. Y., 1964.

Левин Ю. Д. Оссиан в русской литературе, конец XVIII — первая треть XIX века. — Л., 1980.

Aers D., Cook J., Punter D. Romanticism and ideology: studies in English writing 1765–1830. — L., 1981.

Alexander B. England’s wealthiest son: a study of William Beckford. — L., 1962.

Arnaud P., Raimond J. Le préromantisme anglais. — P., 1980.

Bate W. J. From classic to romantic. — Cambridge, 1946.

Beers H. A. A history of English romanticism in the 18th century. — L., 1899.

Conger S. M. Matthew G. Lewis, Charles Robert Maturin and the Germans: an interpretative study of the influence of German literature on two Gothic novels. — Salzburg, 1977.

From sensibility to romanticism / Ed. F. W. Hilles, H. Bloom. — L., 1970.

Gemmett R. J. William Beckford. — Boston, 1977.