Саймон Рейнольдс - Ретромания. Поп-культура в плену собственного прошлого

Berman, Judith, ‘Science Fiction without the Future’, первая публикация в New York Review of Science Fiction, May 2001. Перепечатано James Gunn, and Matthew Candelaria, Speculations on Speculation: Theories of Science Fiction (Lanham, Maryland: 2005)

Blackson, Robert, ‘One More .. . With Feeling: Reenactment in Contemporary Art and Culture, Art Journal, Spring 2007 Blanning, Lisa, Madlib profile, The Wire, issue no. 306, August 2009 Blom, Philipp, To Have and to Hold: An Intimate History of Collectors and Collecting (New York: The Overlook Press, 2003) Bloom, Harold, The Anxiety of Influence: A Theory of Poetry (New York: Oxford University Press, 1973)

— A Map of Misreading (New York: Oxford University Press, 1975) Booker, Christopher, The Neophiliacs: A Study of the Revolution

in English Life in the Fifties and Sixties (London: Wm. Collins, 1969) Bourriaud, Nicolas, Postproduction: Culture As Screenplay: How Art Reprograms the World (second edn) (New York: Lucas & Sternberg, 2005)

— Interview by Bennett Simpson, ArtForum, April 2001.

Boym, Svetlana, The Future of Nostalgia (New York: Basic Books, 2002) Bracewell, Michael, ‘Road to Nowhere’, Frieze, issue 54, September—-October 2000

Bromberg, Craig, The Wicked Ways of Malcolm McLaren (New York: Harper & Row, 1989)

Brooks, David, ‘The Nation of Futurity’, New York Times, 16 November 2009

Brown, Stephen, Marketing — The Retro Revolution (Thousand Oaks, CA: Sage Publications, 2001)

— and John F. Sherryjr (Eds), Time, Space and the Market: Retroscapes Rising (Armonk, New York: M. E. Sharpe, Inc., 2003)

Burchill, Julie, ‘Rock’s Rich Tapestry’, singles reviews column, New Musical Express, 25 October 1980

Burton, Johanna, ‘Repeat Performance: Marina Abramovic’s Seven Easy Pieces’, ArtForum, January 2006 Cohn, Nik, Awopbopaloobop Alopbamboom: Pop from the Beginning (London: Weidenfeld & Nicolson Ltd., 1969)

РЕТРОМАНИЯ

Cope, Julian, Krautrocksampler: One Head’s Guide to the Great Kosmische Musik— 1968 Onwards (London: Head Heritage, 1995)

—Japrocksampler: How the Post-War Japanese Blew Their Minds on Rock’n’ Roll (London: Bloomsbury, 2007)

Crowley, David, and Jane Pavitt (Eds), Cold War Modern: Design 1945-1970 (London: V&A Publishing, 2008)

Davis, Fred, Yearning for Yesterday: A Sociology of Nostalgia (New York: Free Press, 1979)

Derrida, Jacques, Specters of Marx: The State of the Debt, the Work of Mourning, and the New International (New York: Routledge, 1994)

— Archive Fever: A Freudian Impression, trans. Eric Prenowitz (Chicago: The University of Chicago Press, 1995)

Dettmar, Kevin J. H., Is Rock Dead? (New York: Routledge, 2005)

De Walley, Chas, ‘Power Pop Part 1: Suddenly, Everything Is Power Pop!’ Sounds, 11 February 1978

Dibbell, Julian, ‘Unpacking Our Hard Drives: Discophilia in the Age of Digital Reproduction’, in Eric Weisbard (Ed.), This Is Pop:

In Search of the Elusive at Experience Music Project (Cambridge,

MA: Harvard University Press, 2004)

Drummond, Bill, ‘Silence Is Golden — Or for at Least One Day of the Tear It Is’/No Music Day manifesto, Observer, 15 October 2006 Eisenberg, Evan, The Recording Angel: Music, Records and Culture from Aristotle to Zappa, originally published in 1987 (second edn: New Haven: Yale University Press, 2005)

Eklund, Douglas, The Pictures Generation, 1974-1984 (New York: Metropolitan Museum of Art, 2009)

Eisner, John, and Roger Cardinal (Eds), The Cultures of Collecting (Critical Views) (London: Reaktion Books, March 1994)

Eno, Brian, Review of Jay David Bolter’s Writing Space, Artforum International, Vol. 30, November 1991

— Interviewed by Kevin Kelly, Wired 3.05, May 1995

Evans, David, Appropriation (Cambridge, MA: MIT Press, 2009) Fellows, Will, A Passion to Preserve: Gay Men as Keepers of Culture

(Madison, WI: University of Wisconsin Press, 2004)

БИБЛИОГРАФИЯ

Finney, Tim, Review of Kompakt compilation Total 7, Pitchfork,

15 September 2006

Fisher, Mark, Capitalist Realism: Is There No Alternative? (Winchester: 0 Books, 2009)

— (writing as K-punk), Belbury Poly/Jim Jupp interview.

FACT magazine, 4 February 2009. Онлайн: http://wwwfactmag. сот/2009/02/04/interview-belbury-poly/

Foreman, Richard, ‘The Pancake People, или «‘The Gods Are Pounding My Head»’, 3 August 2005 онлайн: http://www.edge.org/3rd_culture

Gibson, William, Book Expo America Luncheon talk. Онлайн: http:// blog.williamgibsonbooks.com/2010/05/31/book-expo-american-luncheon-talk.

— Интервью BBC News. 12 October 2010. Онлайн: http://www.bbc. co.uk/news/technology-11502715

Goldman, Vivien, ‘The Road to Wigan Casino: Northern Soul’, New Musical Express, 11 October 1975. Reprinted in The Sound and the Fury: 40 Years of Classic Rock Journalism (Ed. Barney Hoskyns) (London: Bloomsbury, 2003)

Greene, Jo-Anne, ‘Long-Lost Punk and Folk Resurface’, Goldmine,

21 September 2008

Gregson, Nicky, Kate Brooks and Louise Crewe, ‘Bjorn Again? Rethinking 70s Revivalism Through the Reappropriation of 70s Clothing’, in Fashion Theory: The Journal of Dress, Body & Culture,

Vol. 5, No. 1, February 2001, pp. 3-27 (25)

Guffey, Elizabeth, Retro: The Culture of Revival (London: Reaktion Books, 2006)

Hatherley, Owen, Militant Modernism (Winchester: 0 Books, 2008)

Heiser, Jorg, ‘Pick & Mix: What Is «super-hybridity»?’ Frieze magazine, September 2010

— with Ronald Jones, Nina Powers, Seth Price, Sukhdev Sandhu and Flito Steyerl, ‘Analyze This’ (круглый стол no проблеме сверхгибридно-emu), Frieze magazine, September 2010

Hilderbrand, Lucas, Inherent Vice: Bootleg Histories of Videotape and Copyright (Durham, NC: Duke University Press, 2009)

Hobsbawm, Eric, and Terence Ranger (Eds), The Invention of

Tradition (Cambridge: Cambridge University Press, 1992)

РЕТРОМАНИЯ

Hogan, Marc, ‘This Is Not a Mixtape’ (статья о возрождении аудиокассет), Pitchfork, 22 February 2010

Hughes, Robert, The Shock of the New (New York: Alfred A. Knopf 1982) Huyssen, Andreas, ‘Present Pasts: Media, Politics, Amnesia’, in Public Culture, Vbl. 12, No. 1, winter 2000

— ‘Monumental Seduction’, in Mieke Bal, Jonathan Crewe and Leo Spitzer (Eds), Acts of Memory: Cultural Recall in the Present

(Darmouth: Dartmouth College Press, 1998)

Jameson, Fredric, Postmodernism, or, The Cultur al Logic of Late Capitalism (London: Verso, 1991)

—‘Culture and Finance Capital’, in The Cultural Turn: Selected Writings on the Postmodern, 1983-1998 (London: Verso, 1998)

—A Singular Modernity: Essay on the Ontology of the Present (London: Verso, 2002)

—Archaeologies of the Future: The Desire Called Utopian and Other Science Fictions (London: Verso, 2005)

—‘Periodizing the 60s’, in The 60s Without Apology (Eds Sonya Sayres, Anders Stephenson, Stanley Aronowitz and Frcdric Jameson), pp. 208-9 (Minneapolis, MN: University of Minnesota Press, 1984)

Jamieson, Mark, ‘The Place of Counterfeits in Regimes ofValue: An Anthropological Approach’ (Northern Soul and rock’n'roll revivalism), in Journal of the Royal Anthropological Institute, Vol. 5, 1999 Jenss, Heike, ‘Dressed in History: Retro Styles and the Construction of Authenticity in Youth Culture’, in Fashion Theory: The Journal of Dress, Body & Culture, Vol. 8, No. 4, December 2004, pp. 387-403 (17)

Jones, Dylan, iPod, Therefore I Am (New York: Bloomsbury USA, 2005) Jones, Max, ‘A New Jazz Age’, Picture Post, 12 November 1949. Reprinted in The Faber Book of Pop (Eds Jon Savage and Hanif Kureishi) (London: Faber & Faber, 1995)

Keenan, David, ‘Hypnagogic Pop’, The Wire, issue no. 306, August 2009 Kelly, Kevin, ‘Scan This Book!’, New York Times Magazine, 14 May 2006 Kent, Nick, Apathy for the Devil: A ’70s Memoir (London: Faber and Faber, 2010)

— ‘The Cramps and Rockabilly’, Neiv Musical Express, 23 June 1979 Kirby, Alan, Digimodernism: How New Technologies Dismantle the Postmodern and Reconfigure Our Culture (London and New York:

Continuum, 2009)

БИБЛИОГРАФИЯ

— ‘The Death of Postmodernism, and Beyond’, in Philosophy Now,

N о vem ber/Decern her 2006. Available online at http://www. philosophy now.

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Kugelberg, Johan, Vintage Rock T-Shirts, (New York: Universe/Pizzoli International Publications, 2007)

— ‘Interview with Johan Kugelberg’ (by Sean Bidder), in Various, Old Rare New: The Independent Record Shop (London: Black Dog Publishing,

2008)

Landau, Jon, ‘I Saw Rock & Roll Future and Its Name Is Bruce Springsteen’, in The Real Paper, May 1974. Reprinted in Clinton Heylin (Ed.), The Penguin Book of Rock & Roll Writing (New York: Viking, 1992)

Levine, Sherrie, ‘First Statement’, 1981. Онлайн: http://www. ajterwalkerevans.com/. Also reprinted in David Evans. Appropriation (Cambridge, MA: MIT Press, 2009)

Levy, Steven, The Perfect Thing: Flow the iPod Shuffles Commerce, Culture and Coolness (New York: Simon & Schuster, 2006) Lewandowski, Joseph D., ‘Unpacking: Walter Benjamin and his Library’, Libraries & Culture, 34.2 (1999), pp. 151-7..

Livingston, Tamara E., ‘Music Revivals: Towards a General Theory’, in Ethnomusicology, Vol. 43, No. 1 (winter 1999)

Lowenthal, David, The Past Is a Foreign Country (Cambridge: Cambridge University Press, 1985)

MacDonald, Ian, Revolution in the Flead: The Beatles’ Records and the Sixties (London: Fourth Estate, 1994)

—‘The Band Music from Big Pink’, in The People’s Music (London: Pimlico, 2003)

McDowell, Colin, Fashion Today (London: Phaidon Press Ltd., 2003) McEwan, Ian, ‘Solid Geometry’, first published 1975, collected in First Love, Last Rites (New York: Vintage, 1998)

McKay, George, ‘«Unsafe Things Like Youth and Jazz»: Beaulieu Jazz Festivals (1956-61), and the Origins of Pop Festival Culture in Britain’, in Andy Bennett (Ed.), Remembering Woodstock (Aldershot and Burlington: Ashgate, 2004)

McLaren, Malcolm, ‘Dirty Pretty Things’ (New York Dolls), Guardian, Friday 28 May 2004

McRobbie, Angela, ‘Secondhand Dresses and the Role of the Ragmarkef, in Angela McRobbie (Ed.), Zoot Suits and Second-Hand Dresses: An Anthology of Fashion and Music (London: Macmillan, 1989)

РЕТРОМАНИЯ

Marcus, Greil, ‘The Band: Pilgrim’s Progress’, in Mystery Train:

Images of America in Rock ’n’ Roll Music (London: Penguin, 1975) Marinetti, F. T, Critical Writings, trans. Doug Thompson, edited by Gunter Berghaus (New York: Farrar, Straus and Giroux, 2006) Melly, George, Revolt into Style: The Pop Arts (London: Allen Lane/ Penguin, 1970)

Merewether, Charles (Ed.), The Archive (Cambridge, MA: MIT Press, 2006)

Moore, Hilary, Inside British Jazz: Crossing Borders of Race, Nation and Class (Farnham, Surrey: Ashgate, 2007)

Morley, Paul, Words and Music: A History of Pop in the Shape of a City (London: Bloomsbury, 2003)

O’Neill, Alistair, London — After a Fashion (London: Reaktion Books, 2007)

Orlean, Susan, ‘Orchid Fever’, The New Yorker, 23 January 1995 O’Rourke, P J., ‘Future Schlock’, The Atlantic, December 2008 Parr, Martin, Boring Postcards (London: Phaidon Press, 1999)

Pessoa, Fernando, The Book of Disquiet (originally published 1982; London: Penguin Classics, 2002)

Petrusich, Amanda, It Still Moves; Lost Songs, Lost Highways, and the Search for the Next American Music (New York: Faber and Faber, 2008)