Сергей Дзикевич - Vol. 1(1). 2018
- Название:Vol. 1(1). 2018
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- ISBN:9785449096876
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Like all images, human images are the result of energetic processes. They transform the world of objects, actions and other people into images. Using the imagination they are imagined and become part of the collective and individual imaginary world. Many of these processes are mimetic and result in an assimilation to other people, environments, ideas and images. In mimetic processes the outer world becomes the «inner world», which is a world of images (Gebauer and Wulf 2018. 1998). This world of imaginary images plays a part in shaping the outer world. As these images are performative, they contribute to the emergence of actions and to the production and performance of our relationship to other people and to our surrounding world. The imaginary world is the place of the images as such, the destination of the imagination process generating the images. At the same time, it is the starting point of the mimetic and performative energies of the images.
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Christoph Wulf is Professor of Anthropology and Education and a member of the Interdisciplinary Centre for Historical Anthropology, the Collaborative Research Centre (SFB, 1999—2011) «Cultures of Performance», the Cluster of Excellence «Languages of Emotion» (2007—2012) and the Graduate School «InterArts» at Freie Universität Berlin. His books have been translated into more than 15 languages. He is Vice-President of the German Commission for UNESCO. Research stays and invited professorships have included the following locations, among others: Stanford; Tokyo, Kyoto; Beijing; Shanghai; Mysore, Delhi; Paris, Lille, Strasbourg; Modena; Amsterdam; Stockholm; Copenhagen; London; Vienna; Rome, Saint Petersburg, Moscow, Kazan; Sao Paulo. Major research areas: historical and cultural anthropology, educational anthropology, rituals, gestures, emotions, imagination, intercultural communication, mimesis, aesthetics, epistemology. Christoph Wulf is editor, co-editor and member of the editorial staff of many international journals, and also a member of Aesthetica Universalis International Editorial Council.
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