Andrey Tikhomirov - The Koran research. Исследование Корана. Prerequisites for creation of the Koran. Предпосылки создания Корана
- Название:The Koran research. Исследование Корана. Prerequisites for creation of the Koran. Предпосылки создания Корана
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- ISBN:9785449345790
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Andrey Tikhomirov - The Koran research. Исследование Корана. Prerequisites for creation of the Koran. Предпосылки создания Корана краткое содержание
The Koran research. Исследование Корана. Prerequisites for creation of the Koran. Предпосылки создания Корана - читать онлайн бесплатно ознакомительный отрывок
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However, the similarity of the forms of development of feudalism, active trade and cultural ties and the fact of subordination of different peoples to one religion, one language, and one legal and social institution could not but give rise to the features of community in art. Fine arts as a means of propagating religious ideas were excluded from the sphere of Islam. The new religion based its power of influence on the word, not on the depiction of living beings. The main shrines were not icons and statues, but old handwritten Korans.
Highly developed calligraphy, which was a letter not only of religion, but also of poetry, philosophy, science, was regarded as an art, taking an honorable place among its other types. Reaching extraordinary sophistication in the application of various complicated handwriting, calligraphy has become one of the forms of the ornament played a significant role in the arts of the Muslim Middle Ages.
God in the countries of Islam could not be portrayed, but could be denoted by letters and signs. Therefore, in art, especially in the design of religious buildings, a geometric ornament was developed, often consisting of signs and motifs that had a religious symbolic meaning. For example, four vertical lines that schematically expressed the letters of this Arabic word denoted the word «Allah» («God»). Made in a square, they became a symbol of the Kaaba. Two crossed squares formed an eight-pointed star-the most common element of Muslim ornamentation.
Meanwhile, even before the Muslim religion similar elements took place in other cultures. The ancient Egyptian Pharaoh Ramses II created a sanctuary near Abu Simbel (now near the Sudanese border), deep in the rock. Before his entrance rise 4 sitting giant-with the features of the Pharaoh. In the mountain, it is home to several successive buildings. The first of them is supported by eight ten-meter statues depicting the God Osiris. Eight ten-meter statues depicting the God Osiris! «The One father» «father Moon» – that’s what was the form of address to God for many centuries and even in the IV century BC Nectaneb I said: «The Great built a house for his father Thoth, twice great, God of Simona (Hermopolis), the great God, which came from the nose of RA (i.e. the Sun), the Creator of his own beauty.»
Archaeologists found the Royal graves of Ur, reproduces the funeral ceremony of the III Millennium BC. Killed all who will help the king in the «next world». The women participating in this procession, according to archaeological excavations, were dressed in bright red robes, which sparkled various jewels. Warlords have been going with all signs differences musicians – with harps or lyres. They were followed by wagons pulled by bulls, or sleds. On the wagon sat the pages or driverless, sled led sled’s bridle. In the end, everyone took a pre-allocated place for them; duty soldiers, closing the procession, stood guard at the exit. All the men and women in their hands had a small bowl – the only item needed to complete the rite. Some victims in the last minutes of their earthly life had to perform certain tasks. At least, it is known that the musicians played their instruments until the very end. When through the centuries the tomb was opened, their hands still convulsively clutching the strings of the harp or lire.
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