Toni Morrison - Sula

When her partner disengaged himself, she looked up at him in wonder trying to recall his name; and he looked down at her, smiling with tender understanding of the state of tearful gratitude to which he believed he had brought her. She waiting impatiently for him to turn away and settle into a wet skim of satisfaction and light disgust, leaving her to the postcoital privateness in which she met herself, welcomed herself, and joined herself in matchless harmony.

At twenty-nine she knew it would be no other way for her, but she had not counted on the footsteps on the porch, and the beautiful black face that stared at her through the blue-glass window. Ajax.

Looking for all the world as he had seventeen years ago when he had called her pig meat. He was twenty-one then, she twelve. A universe of time between them. Now she was twenty-nine, he thirty-eight, and the lemon-yellow haunches seemed not so far away after all.

She opened the heavy door and saw him standing on the other side of the screen door with two quarts of milk tucked into his arms like marble statues. He smiled and said, “I been lookin’ all over for you.”

“Why?” she asked.

“To give you these,” and he nodded toward one of the quarts of milk.

“I don’t like milk,” she said.

“But you like bottles don’t you?” He held one up. “Ain’t that pretty?”

And indeed it was. Hanging from his fingers, framed by a slick blue sky, it looked precious and clean and permanent. She had the distinct impression that he had done something dangerous to get them.

Sula ran her fingernails over the screen thoughtfully for a second and then, laughing, she opened the screen door.

Ajax came in and headed straight for the kitchen. Sula followed slowly. By the time she got to the door he had undone the complicated wire cap and was letting the cold milk run into his mouth.

Sula watched him—or rather the rhythm in his throat—with growing interest. When he had had enough, he poured the rest into the sink, rinsed the bottle out and presented it to her. She took the bottle with one hand and his wrist with the other and pulled him into the pantry. There was no need to go there, for not a soul was in the house, but the gesture came to Hannah’s daughter naturally. There in the pantry, empty now of flour sacks, void of row upon row of canned goods, free forever of strings of tiny green peppers, holding the wet milk bottle tight in her arm she stood wide-legged against the wall and pulled from his track-lean hips all the pleasure her thighs could hold.

He came regularly then, bearing gifts: clusters of black berries still on their branches, four meal-fried porgies wrapped in a salmon-colored sheet of the Pittsburgh Courier, a handful of jacks, two boxes of lime Jell-Well, a hunk of ice-wagon ice, a can of Old Dutch Cleanser with the bonneted woman chasing dirt with her stick; a page of Tillie the Toiler comics, and more gleaming white bottles of milk.

Contrary to what anybody would have suspected from just seeing him lounging around the pool hall, or shooting at Mr. Finley for beating his own dog, or calling filthy compliments to passing women, Ajax was very nice to women. His women, of course, knew it, and it provoked them into murderous battles over him in the streets, brawling thick-thighed women with knives disturbed many a Friday night with their bloodletting and attracted whooping crowds. On such occasions Ajax stood, along with the crowd, and viewed the fighters with the same golden-eyed indifference with which he watched old men playing checkers. Other than his mother, who sat in her shack with six younger sons working roots, he had never met an interesting woman in his life.

His kindness to them in general was not due to a ritual of seduction (he had no need for it) but rather to the habit he acquired in dealing with his mother, who inspired thoughtfulness and generosity in all her sons.

She was an evil conjure woman, blessed with seven adoring children whose joy it was to bring her the plants, hair, underclothing, fingernail parings, white hens, blood, camphor, pictures, kerosene and footstep dust that she needed, as well as to order Van Van, High John the Conqueror, Little John to Chew, Devil’s Shoe String, Chinese Wash, Mustard Seed and the Nine Herbs from Cincinnati. She knew about the weather, omens, the living, the dead, dreams and all illnesses and made a modest living with her skills. Had she any teeth or ever straightened her back, she would have been the most gorgeous thing alive, worthy of her sons’ worship for her beauty alone, if not for the absolute freedom she allowed them (known in some quarters as neglect) and the weight of her hoary knowledge.

This woman Ajax loved, and after her—airplanes. There was nothing in between. And when he was not sitting enchanted listening to his mother’s words, he thought of airplanes, and pilots, and the deep sky that held them both. People thought that those long trips he took to large cities in the state were for some sophisticated good times they could not imagine but only envy; actually he was leaning against the barbed wire of airports, or nosing around hangars just to hear the talk of the men who were fortunate enough to be in the trade. The rest of the time, the time he was not watching his mother’s magic or thinking of airplanes, he spent in the idle pursuits of bachelors without work in small towns. He had heard all the stories about Sula, and they aroused his curiosity. Her elusiveness and indifference to established habits of behavior reminded him of his mother, who was as stubborn in her pursuits of the occult as the women of Greater Saint Matthew’s were in the search for redeeming grace. So when his curiosity was high enough he picked two bottles of milk off the porch of some white family and went to see her, suspecting that this was perhaps the only other woman he knew whose life was her own, who could deal with life efficiently, and who was not interested in nailing him.

Sula, too, was curious. She knew nothing about him except the word he had called out to her years ago and the feeling he had excited in her then. She had grown quite accustomed to the clichés of other people’s lives as well as her own increasing dissatisfaction with Medallion. If she could have thought of a place to go, she probably would have left, but that was before Ajax looked at her through the blue glass and held the milk aloft like a trophy.

But it was not the presents that made her wrap him up in her thighs. They were charming, of course (especially the jar of butterflies he let loose in the bedroom), but her real pleasure was the fact that he talked to her. They had genuine conversations. He did not speak down to her or at her, nor content himself with puerile questions about her life or monologues of his own activities. Thinking she was possibly brilliant, like his mother, he seemed to expect brilliance from her, and she delivered. And in all of it, he listened more than he spoke. His clear comfort at being in her presence, his lazy willingness to tell her all about fixes and the powers of plants, his refusal to baby or protect her, his assumption that she was both tough and wise—all of that coupled with a wide generosity of spirit only occasionally erupting into vengeance sustained Sula’s interest and enthusiasm.

His idea of bliss (on earth as opposed to bliss in the sky) was a long bath in piping-hot water—his head on the cool white rim, his eyes closed in reverie.

“Soaking in hot water give you a bad back.” Sula stood in the doorway looking at his knees glistening just at the surface of the soap-gray water.

“Soaking in Sula give me a bad back.”

“Worth it?”

“Don’t know yet. Go ’way.”

“Airplanes?”

“Airplanes.”

“Lindbergh know about you?”

“Go ’way.”

She went and waited for him in Eva’s high bed, her head turned to the boarded-up window. She was smiling, thinking how like Jude’s was his craving to do the white man’s work, when two deweys came in with their beautiful teeth and said, “We sick.”

Sula turned her head slowly and murmured, “Get well.”

“We need some medicine.”

“Look in the bathroom.”

“Ajax in there.”

“Then wait.”

“We sick now.”

Sula leaned over the bed, picked up a shoe and threw it at them.

“Cocksucker!” they screamed, and she leaped out of the bed naked as a yard dog. She caught the redheaded dewey by his shirt and held him by the heels over the banister until he wet his pants. The other dewey was joined by the third, and they delved into their pockets for stones, which they threw at her. Sula, ducking and tottering with laughter, carried the wet dewey to the bedroom and when the other two followed her, deprived of all weapons except their teeth, Sula had dropped the first dewey on the bed and was fishing in her purse. She gave each of them a dollar bill which they snatched and then scooted off down the stairs to Dick’s to buy the catarrh remedy they loved to drink.

Ajax came sopping wet into the room and lay down on the bed to let the air dry him. They were both still for a long time until he reached out and touched her arm.

He liked for her to mount him so he could see her towering above him and call soft obscenities up into her face. As she rocked there, swayed there, like a Georgia pine on its knees, high above the slipping, falling smile, high above the golden eyes and the velvet helmet of hair, rocking, swaying, she focused her thoughts to bar the creeping disorder that was flooding her hips. She looked down, down from what seemed an awful height at the head of the man whose lemon-yellow gabardines had been the first sexual excitement she’d known. Letting her thoughts dwell on his face in order to confine, for just a while longer, the drift of her flesh toward the high silence of orgasm.

If I take a chamois and rub real hard on the bone, right on the ledge of your cheek bone, some of the black will disappear. It will flake away into the chamois and underneath there will be gold leaf. I can see it shining through the black. I know it is there…

How high she was over his wand-lean body, how slippery was his sliding sliding smile.

And if I take a nail file or even Eva’s old paring knife—that will do—and scrape away at the gold, it will fall away and there will be alabaster. The alabaster is what gives your face its planes, its curves. That is why your mouth smiling does not reach your eyes. Alabaster is giving it a gravity that resists a total smile.

The height and the swaying dizzied her, so she bent down and let her breasts graze his chest.

Then I can take a chisel and small tap hammer and tap away at the alabaster. It will crack then like ice under the pick, and through the breaks I will see the loam, fertile, free of pebbles and twigs. For it is the loam that is giving you that smell.

She slipped her hands under his armpits, for it seemed as though she would not be able to dam the spread of weakness she felt under her skin without holding on to something.

I will put my hand deep into your soil, lift it, sift it with my fingers, feel its warm surface and dewy chill below.

She put her head under his chin with no hope in the world of keeping anything at all at bay.

I will water your soil, keep it rich and moist. But how much? How much water to keep the loam moist? And how much loam will I need to keep my water still? And when do the two make mud?

He swallowed her mouth just as her thighs had swallowed his genitals, and the house was very, very quiet.