Meg Cabot - Size 12 Is Not Fat

Here’s another:

“To who it conserns: My bed is not long enuf. Can I have new bed. Thanx.”

I swear I am not making this stuff up.

Sarah and I don’t hear the scream, although later we hear that she apparently screamed the whole way down.

What we do hear are running footsteps in the hallway, and then one of the RAs, Jessica Brandtlinger, skids into the office.

“Heather!” Jessica cries. Her normally pale face has gone white as paper, and she is breathing hard. “It happened again. The elevator shaft. We heard a scream. You can see her legs through the crack between the floor and the car—”

I am up before she’s gotten half a sentence out.

“Call nine-one-one,” I yell to Sarah, on my way out. “Then find Rachel!”

I follow Jessica down the hall toward the guard desk and the stairs to the basement. Pete, I see, is not at his desk. We find him already in the basement, standing in front of the elevator bank, shouting into his walkie-talkie as Carl, one of the janitors, is trying to pry open the elevator doors with a crowbar.

“Yes, another one,” Pete is yelling into his walkie-talkie. “No, I’m not joking. Get an ambulance here fast!” Seeing us, he lowers the walkie-talkie, points at Jessica, and shouts, “You: Go back upstairs and call this car”—he slaps the door to the left-hand cab—“to the first floor and hold it there. Don’t let anyone on or off, and whatever you do, don’t let the doors close until the fire department gets here and turns it off. Heather, find the key.”

I curse myself for not grabbing it on my way downstairs. We keep a set of elevator keys behind the reception desk: an override key, like the ones the Allingtons were issued when they moved in, so they can bypass floors on their way to the penthouse; a key to the motor room for repairs; and a key that opens the doors from the outside.

“Got it!” I yell, and tear back up the stairs, right behind Jessica, who has run back up the stairs to call the elevator to the first floor and hold it there.

When I get to the reception desk, I tear open the door and rush through it, heading straight for the key cabinet, which is supposed to remain locked at all times—only the desk worker on duty is allowed to hold the key.

But with the building maintenance staff, and resident assistants constantly borrowing keys so they can make repairs, clean, or let locked-out students into their rooms, the key cabinet is rarely, if ever, locked, the way it’s supposed to be. I find the doors to it yawning wide open as I flash by Tina, the desk worker on duty.

“What’s going on?” Tina asks, nervously. “Is it true there’s another one? At the bottom of the elevator shaft?”

I ignore her. That’s because I’m concentrating. I’m concentrating because I have found the elevator override key, and the key to the motor room.

But the key to the elevator doors is gone.

And when I check the sign-out sheet hanging on the door to the key cabinet, there is no signature for it, or any indication it was ever checked out in the first place.

“Where’s the key?” I demand, swinging on Tina. “Who has the elevator door key?”

“I–I d-don’t know,” Tina stammers. “It wasn’t there when I came on duty. You can check my duty sheet!”

Another change to the way Justine had run things that I’d implemented upon being hired—besides the key sign-out sheet—was forcing the desk workers to keep a log of what happened during the shift. If someone borrowed a key—even if they signed it out—the desk worker was still supposed to record the fact on his or her duty sheet. And the first thing a desk worker was supposed to do upon arriving at the desk was jot down which keys were in and which were out.

“Then who has it?” I cry, grabbing the logbook and flipping to the previous desk worker’s duty sheet.

But while there are entries for every other key taken during the previous worker’s shift, there’s nothing about the elevator door key.

“I don’t know!” Tina’s voice is rising to dangerously hysterical levels. “I swear I didn’t give it out to anyone!”

I believe her. But that doesn’t help the situation.

I whirl around to run back downstairs and tell Carl to break down the doors, if he has to. But my way is blocked by President Allington who, along with some other administrative types, has come out of the cafeteria to see what all the commotion’s about.

“We’re trying to have an event in there, you know,” is what he snaps to me.

“Yeah?” I hear myself snapping back. “Well, we’re trying to save someone’s life out here, you know.”

I don’t stick around to hear what he has to say in reply to that. I’ve grabbed the first aid kit from the desk and am racing back down the stairs… only to encounter Pete, looking pale, making his way slowly back up them.

“I couldn’t find the key,” I say. “Someone’s got it. He’s going to have to force the doors open… ”

But Pete is shaking his head.

“He already did,” Pete says, taking my arm. “Come on back upstairs.”

“But I’ve got the kit,” I say, waving the red plastic case. “Is—”

“She’s gone,” Pete says. Now he’s pulling on me. “Come on. And don’t look. You don’t want to look.”

I believe him.

I let him steer me up the stairs. As we enter the lobby, I see that the president is still there, standing around with some basketball players and the same administrators in their gray suits. Beside them, Magda, who has emerged from behind her cash register to see what’s going on, makes a bright splash of color in her pink smock and fuchsia hot pants.

Magda takes one look at my expression, and her face crumples. “Oh no! Not another of my movie stars!”

Pete ignores her, goes to the phone by the security desk, and holding up a key chain, on which is attached a student ID card—and a little rubber replica of the cartoon character Ziggy—begins reading the information from the ID card to his superiors at the security office.

“Roberta Pace,” he reads tonelessly. “Fischer Hall resident. First year. ID number five five seven, three nine—”

I stand a little ways from both the security and the reception desks, feeling myself begin to shake. I don’t know the name. I don’t ask to see the photo on the ID. I don’t want to know if I knew the face.

It’s right then that Rachel rounds the corner from the ladies’ room.

“What’s going on?” she asks, her gaze going from my face to Pete’s to President Allington’s.

It’s Tina, behind the desk, who speaks.

“Another one fell off the top of the elevator,” she says, in a small voice. “She’s dead.”

Rachel’s face drains of all its color beneath her carefully applied MAC foundation.

But when she speaks a few seconds later, there is no tremor in her voice. “I assume the authorities have been notified? Good. Do we have an ID? Oh, thank you, Pete. Tina, beep Maintenance, and have them turn off all the elevators. Heather, can you call Dr. Jessup’s office, and let them know what’s going on? President Allington, I am so sorry about this. Please, go back to your breakfast… ”

Aware that I’m shaking and that my heart is beating a million times a minute, I slip back to my office to start making calls.

Only this time, instead of calling Dr. Jessup’s office first, I call Cooper.

“Cartwright Investigations,” he says, because I’ve called him on his office line, hoping he’d be there.

“It’s me,” I say. I keep my voice down, because Sarah is in Rachel’s office next door, calling each of the resident assistants on their cell phones and telling them what’s happened, then asking them to come back to their floors as soon as possible. “There’s been another one.”

“Another what?” Cooper asks. “And why are you whispering?”

“Another death by elevator,” I whisper.

“Are you serious?”

“Yeah,” I say.

“Dead?”

I think about Pete’s face.

“Yeah,” I say.

“Jesus, Heather. I’m sorry.”

“Yeah,” I say, for the third and final time. “Listen… could you come over?”

“Come over? What for?”

The firemen from Ladder #9 come striding past our office door just then, in their helmets and coats. One of them is carrying an axe. Obviously, no one told New York’s bravest what the nature of the emergency was when they called.

“Downstairs,” I say to them, pointing to the stairs to the basement. “Another, um, elevator incident.”

The captain looks surprised, but nods and leads what has suddenly turned into a very grim procession past the reception desk and down the stairs.

To Cooper, I whisper, “I want to get to the bottom of what is going on over here, and I could use the help of a professional investigator, Cooper.”

“Whoa,” Cooper says. “Slow down there, slugger. Are the police there? Aren’t they professional investigators?”

“The police are just going to say the same thing about this one that they did about the last one,” I say. “That she was elevator surfing, and slipped.”

“Because that’s probably what happened, Heather.”

“No,” I say. “No, not this time. Definitely not this time.”

“Why? Is this latest one preppie too?”

“I don’t know,” I say. “But that’s not funny.”

“I didn’t mean it to be funny. I just—”

“She liked Ziggy, Coop.” My voice cracks a little, but I don’t care.

“She liked what?”

“Ziggy. That cartoon character.”

“I’ve never heard of it.”

“Because it’s like the uncoolest cartoon character ever. No one who likes Ziggy is going to elevator surf, Coop.No one.”

“Heather—”

“And that’s not all,” I whisper, as Sarah’s voice drifts from Rachel’s office, self-importantly intoning, “We need you to come back to the building as soon as possible. There’s been another death. I am not at liberty to reveal the details just now, but it’s imperative that you—”

“Someone took the key,” I tell Cooper.

“What key?” he wants to know.

“The key that opens the elevator doors.” I am losing it. I know I am. I am practically crying. But I struggle to keep my voice from shaking. “No one signed it out, Coop. You’re supposed to sign it out. But they didn’t. Which means whoever has it doesn’t want anyone to know. Which means whoever has it can open the elevator doors anytime they want… even if there’s no car there.”

“Heather.” Cooper says, in a voice I can’t, even in my agitated state, help finding incredibly soothing. And sexy. “This is something you need to tell the police. Right away.”

“Okay,” I say, in a small voice. In Rachel’s office, Sarah is going, “I don’t care if it’s your grandmother’s birthday, Alex. There’s been a death in the building. Which is more important to you: your grandmother’s birthday, or your job?”

“Go tell the police exactly what you told me,” Cooper’s soothing, sexy voice is saying in my ear. “And then go get a big cup of coffee with lots of milk and sugar in it and drink it all while it’s still hot.”

This last part surprises me. “Why?” I say.

“Because I have found in my line of work that sweet milky drinks are good for shock when there is no whiskey available. Okay?”

“Okay. Bye.”

I hang up, and then I call Dr. Jessup, and explain to his assistant—because she says Dr. Jessup is in a meeting—what’s happened. Upon hearing the news, his assistant, Jill, says, in an appropriately panicked voice, “Oh my God. I’ll let him know right away.”