Meg Cabot - Size 12 Is Not Fat

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Size 12 Is Not Fat - описание и краткое содержание, автор Meg Cabot, читайте бесплатно онлайн на сайте электронной библиотеки LibKing.Ru

HEATHER WELLS ROCKS!

Or, at least, she did. That was before she left the pop-idol life behind after she gained a dress size or two—and lost a boyfriend, a recording contract, and her life savings (when Mom took the money and ran off to Argentina). Now that the glamour and glory days of endless mall appearances are in the past, Heather's perfectly happy with her new size 12 shape (the average for the American woman!) and her new job as an assistant dorm director at one of New York's top colleges. That is, until the dead body of a female student from Heather's residence hall is discovered at the bottom of an elevator shaft.


The cops and the college president are ready to chalk the death off as an accident, the result of reckless youthful mischief. But Heather knows teenage girls… and girls do not elevator surf. Yet no one wants to listen—not the police, her colleagues, or the P.I. who owns the brownstone where she lives—even when more students start turning up dead in equally ordinary and subtly sinister ways. So Heather makes the decision to take on yet another new career: as spunky girl detective!


But her new job comes with few benefits, no cheering crowds, and lots of liabilities, some of them potentially fatal. And nothing ticks off a killer more than a portly ex-pop star who's sticking her nose where it doesn't belong.

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“I know you don’t take me seriously as an artist, Heather,” Jordan goes on. And on and on. “But I can assure you that just because I don’t write the songs I sing, that doesn’t make me any less creative than you are. I do practically all my own choreography now. That move I did on the ‘Just Me and You Now’ video? You know, this one?” He does a quick step-ball-change, accompanied by a pelvic thrust, on the front stoop of the brownstone. “That’s all mine. I know to you that might not be much, but don’t you think it’s time you took a good look at your own life? I mean, what have you been doing that’s so artistically fulfilling lately? This stupid dorm thing—”

Two locks down. One to go.

“—and living down here with drug addicts at your doorstep… and with Cooper! With Cooper, of all people! You know how my family feels about Cooper, Heather.”

I do know how his family feels about Cooper. The same way they feel about Cooper’s grandfather, who came out of the closet at the age of sixty-five, bought a bright pink stucco brownstone in the Village, then willed it to his black sheep grandson, who’d moved into the garden apartment, turned the middle floor into a detective agency, and offered the top floor to me, rent-free (in exchange for doing his billing), when he’d found out about my walking in on Jordan and Tania.

“I mean, I know there isn’t anything going on between you two,” Jordan is saying. “That’s not what I’m worried about. You aren’t Cooper’s type.”

He can say that again. Sadly.

“But I wonder if you’re aware that Coop has a criminal record. Vandalism. And yeah, he was a juvenile, but still, for God’s sake, Heather, he has no respect for public property. That was an Easy Street marquee he defaced, you know. I’m aware that he always resented my talent, but it’s not my fault I was born with such a gift—”

The third lock springs open. I’m free!

“Good-bye, Jordan,” I say, and slip inside, shutting the door carefully behind me. Because, you know, I don’t want to slam it in his face and hurt him, or anything. Not because I still care, but because that would be rude.

Plus his dad might sue me, or something. You never know.

6

Secret Admirer

I’m your

Secret Admirer

I know how

Much you love

And desire her

And I think

What would you do

If you knew that

I loved you?

If you knew it was true

That I’m your

Secret Admirer?

“Secret Admirer”

Performed by Heather Wells

Composed by Valdez/Caputo

From the album Sugar Rush

Cartwright Records

Jordan is pounding on the door, but I’m ignoring him.

It’s cool inside the brownstone, and smells vaguely of toner from the photocopier in Coop’s office. I start up the stairs to my apartment, thinking Lucy—have I mentioned her? She’s my dog—will want to be let out, when I happen to glance down the hall and see that the French doors to the back terrace are open.

Instead of going upstairs, I go down the hallway—Cooper’s grandfather had it papered in black and white stripes, which was apparently all the rage in the seventies gay community—and find the man of the house sitting in a lawn chair on the back terrace, a bottle of beer in his hand, my dog at his feet, and a red mini-Igloo at his side.

He’s listening—as he usually is, when he’s home—to a jazz station on the radio. Cooper is the only member of his family who eschews the screeching of Easy Street and Tania Trace for the more dulcet tones of Coleman-Hawkins and Sarah Vaughn.

“Is he gone yet?” Cooper wants to know, when he notices me standing in the doorway.

“He will be soon,” I say. Then it hits me. “Are you hiding back here?”

“You got that right,” Cooper says. He opens the Igloo and takes a beer from it. “Here,” he says, offering it to me. “I figured you’d need one of these.”

I take the cold bottle gratefully, and sink down onto the green padded seat cushion of a nearby wrought-iron chair. Lucy immediately darts over and thrusts her head between my thighs, snuffling happily at me. I rub her ears.

That’s the nice thing about having a dog. They’re always so happy to see you. Plus, you know, there are health benefits. People’s blood pressure goes down when they pet a dog. Or even a cat. It’s a documented fact. I read it in People magazine.

Of course, pets aren’t the only thing that can help keep your blood pressure down. Sitting in a really tranquil place can do it, too. Like, for instance, Cooper’s grandfather’s terrace and the garden below, which are totally two of the best-kept secrets in Manhattan. Leafy and green, surrounded by high, ivy-covered walls, the place is this tiny oasis carved from a former eighteenth-century stable yard. There’s even this little fountain in the garden, which Cooper, I see, has turned on. It gurgles comfortingly in the late-afternoon stillness. As I stroke Lucy’s ears, I can feel my heart rate returning to normal.

Maybe when I pass my six months’ review, and I’m finally able to enroll in school, I’ll become a pre-med major. Yeah, it’ll be hard to do with a full time job—not to mention Cooper’s billing. But I’ll find a way to make it work.

And then maybe later I’ll get like a scholarship or something to medical school. And then, when I graduate, I can take Lucy with me on rounds, and she can calm down all of my patients. I’ll totally eradicate heart disease, just by having my patients pet my dog. I’ll be famous! Like Marie Curie!

Only I won’t wear uranium around my neck and die of radiation poisoning like I read that Marie Curie did.

I don’t mention my new plan to Cooper. Somehow, I don’t think he’d fully appreciate its many facets. Although he’s a pretty open-minded guy. Arthur Cartwright, Cooper’s grandfather, angered by the way the rest of the family had treated him after he’d revealed he was gay, had left the majority of his vast fortune to AIDS research; the entirety of his world-class art collection to Sotheby’s to auction, with the provision that all proceeds from the sales go to God’s Love We Deliver; and almost all the property he’d owned to his alma mater, New York College…

… all except his beloved pink brownstone in the Village, which he’d willed to Cooper—along with a cool million bucks—because Cooper had been the only member of the Cartwright family to have said, “Whatever floats your boat, Gramps,” when he’d heard the news about his grandfather’s new boyfriend, Jorge.

Not that Jordan and the rest of the Cartwrights had been overly worried by Arthur’s cutting them off. There’d still been plenty of money left in the Cartwright family bank vault for everyone else.

Still, it hadn’t exactly made Cooper, already the family scapegoat for getting himself thrown out of multiple high schools and choosing college over a place in Easy Street—not to mention his tendency to date highly attractive heart surgeons or art gallery owners named Saundra or Yokiko—the most popular member of the Cartwright clan.

Which truthfully doesn’t seem to bother him. I’ve never met anyone who seems more content with his own company than Cooper Cartwright.

He doesn’t even look like the rest of his family. Dark-haired, whereas the rest of them are blond, Cooper does have the requisite Cartwright good looks and ice blue eyes.

Though his eyes are where any resemblance to his brother Jordan ends. Both are tall, with gangling, athletic builds.

But whereas Jordan’s muscles have been honed by a personal trainer several hours a day at his personal home gym, Coop’s are from playing aggressive rounds of one-on-one down at the public basketball courts on Sixth and West Third, and from—though he won’t admit this—high-speed on-foot pursuits through Grand Central on behalf of whatever client he’s currently employed by. I know the truth because, being the one who does his client billing, I see the receipts. There is no way someone can go from a cab—a six-dollar trip ending at 5:01—to a Metro North ticket booth—round-trip ticket to Stamford, departing at 5:07—without running.

Because of all this—the niceness, the eyes, the weekend-hoops thing… not to mention the jazz—of course I’ve fallen madly in love with Cooper.

But I know it’s completely futile. He treats me with the kind of friendly nonchalance you’d normally reserve for your kid brother’s girlfriend, which is what I am apparently destined to remain to him, since, compared to the women he dates, who are all waiflike, gorgeous, and professors of Renaissance literature or microphysicists, I’m like vanilla pudding, or something.

And who wants vanilla pudding when they can have crème brûlée?

I’m going to fall in love with someone else just as soon as I can. I swear. But in the meantime, is it so wrong that I enjoy his company?

Taking a long sip from his beer, Cooper studies the tops of the buildings around us… one of which happens to be Fischer Hall. You can see the twelfth to twentieth floors, including the president’s penthouse, from Arthur Cartwright’s backyard garden.

You can also see the vents to the elevator shaft.

“So,” Cooper says. “Was it bad?”

He doesn’t mean my encounter with Jordan. This is obvious by the way he nods his head in the direction of the college campus.

I’m not surprised he knows about the dead girl. He would have heard all the sirens and seen the crowds. For all I know, he could even have a police scanner tucked away somewhere.

“It wasn’t pretty,” I say, taking a sip of my beer while massaging Lucy’s pointed ears with my free hand. Lucy is a mutt I’d picked up from the ASPCA shortly after my mother took off. I’m sure Sarah would say I adopted Lucy as some sort of surrogate family member, since I’d been abandoned by all of mine.

But since I’d been touring all the time, I’d never been able to have a pet, and I just felt like the time had come to get one. Part collie and seemingly part fox, Lucy has a laughing face I’d been unable to resist—even though Jordan had wanted a pure breed, if possible a cocker spaniel. He hadn’t been too happy when, instead of Lady, I’d come home with the Tramp.

But that had been all right, because Lucy never liked Jordan anyway, and had promptly shown her disapproval of him by eating a pair of his suede pants.

Strangely, she doesn’t seem to have a problem with Cooper, a fact I attribute to Cooper’s never having thrown a copy of Us Weekly magazine at her for chewing on his Dave Matthews Band CDs. Cooper doesn’t even own any Dave Matthews Band CDs. He’s a Wynton Marsalis fan.

“Anybody know how it happened?” Cooper wants to know.

“No,” I say. “Or, if someone does, they aren’t exactly coming forward with the information.”

“Well.” He takes a swig of beer. “They’re just kids. Probably afraid they’ll get into trouble.”

“I know,” I say. “It’s just that… how could they have just left her there? I mean, she had to have been there for hours. And they just left her.”

“Who left her?”

“Whoever she was with.”

“How do you know she was with anybody?”

“Nobody goes elevator surfing alone. The whole point is that a bunch of kids climb on top of the elevator through the maintenance panel in the ceiling, and dare one another to jump off the roof of their car they’re riding on, onto the roof of a second car as it passes by. If there’s no one to dare you, there’s no point.”

It’s easy to explain things to Cooper, because he’s a very good listener. He never interrupts people, and always seems genuinely interested in what they have to say. This is another character trait that sets him apart from the rest of his family.

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