Meg Cabot - Size 12 Is Not Fat

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Meg Cabot - Size 12 Is Not Fat краткое содержание

Size 12 Is Not Fat - описание и краткое содержание, автор Meg Cabot, читайте бесплатно онлайн на сайте электронной библиотеки LibKing.Ru

HEATHER WELLS ROCKS!

Or, at least, she did. That was before she left the pop-idol life behind after she gained a dress size or two—and lost a boyfriend, a recording contract, and her life savings (when Mom took the money and ran off to Argentina). Now that the glamour and glory days of endless mall appearances are in the past, Heather's perfectly happy with her new size 12 shape (the average for the American woman!) and her new job as an assistant dorm director at one of New York's top colleges. That is, until the dead body of a female student from Heather's residence hall is discovered at the bottom of an elevator shaft.


The cops and the college president are ready to chalk the death off as an accident, the result of reckless youthful mischief. But Heather knows teenage girls… and girls do not elevator surf. Yet no one wants to listen—not the police, her colleagues, or the P.I. who owns the brownstone where she lives—even when more students start turning up dead in equally ordinary and subtly sinister ways. So Heather makes the decision to take on yet another new career: as spunky girl detective!


But her new job comes with few benefits, no cheering crowds, and lots of liabilities, some of them potentially fatal. And nothing ticks off a killer more than a portly ex-pop star who's sticking her nose where it doesn't belong.

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Christopher Allington peeled out so fast that people attending the street fair—oh yes. The street fair went on, in spite of the fire engine and coroner’s wagon—jumped up onto the sidewalk, thinking someone was trying to run them down.

I’ll tell you something: If the Allingtons were my parents, I’d have tried to run people down, too.

Dr. Flynn recovers from my announcement that I’m leaving before anybody else. He says, “Of course, Heather. You go on home. We don’t need Heather anymore, do we, Stan?”

Dr. Jessup exhales a stream of blue-gray smoke.

“Go home,” he says to me. “Have a drink. A big one.”

“Oh, Heather,” Rachel cries. She leaps up from her swivel chair and, to my surprise, throws her arms around me. She has never been physically demonstrative with me before. “Thank you so much for coming over. I don’t know what we would have done without you. You keep such a level head in a crisis.”

I have no idea what she’s talking about. I hadn’t done a single thing. I certainly hadn’t bought her those flowers Dr. Jessup had recommended. I’d calmed the student workers down, maybe, and talked Sarah out of having her dance, but that’s it, really. Not exactly anything life-saving.

I look everywhere but at anyone else’s face as Rachel hugs me. Hugging Rachel is a lot like hugging—well, a stick. Be cause she’s so thin. I sort of feel bad for her. Because who wants to hug a stick? I know all those guys who go after models do. But I mean, what kind of normal person wants to hug, or be hugged by, a lot of pointy bones? It would be one thing if she were naturally pointy. But I happen to know that Rachel starves herself in order to be that way on purpose.

It’s just not right.

To my relief, Rachel lets go almost immediately, and as soon as she does, I hurry from the office without another word, mostly because I am afraid I will start crying if I speak. Not because of her boniness, but because it all just seems like such a waste. I mean, a girl is dead, her parents devastated. And for what? A thrill ride on top of an elevator?

It just doesn’t make any sense.

Since the alarm to the fire exit is still turned off, I leave the building through it, relieved that I don’t have to pass the reception desk. Because I seriously think I might lose it if anyone says a single word to me. I have to walk all the way down to Sixth Avenue and around the block to avoid running into anyone I know—passing right by Banana Republic, which does carry size 12 clothing, but rarely has any in stock, because, being that it’s the most common size, they can never keep enough of it on the racks for everyone—but it’s worth it. I am in no shape for small talk with anyone.

Sadly, however, when I get to my front door, I discover that small talk is exactly what I’m in for. Because lounging on my front stoop is my ex-fiancé, Jordan Cartwright.

And I’d truly been convinced my day couldn’t get any worse.

He straightens when he sees me, and hangs up the cell phone he’d been jawing into. The late-afternoon sunlight brings out the gold highlights in his blond hair, and I can’t help noticing that in spite of the Indian summer heat, the lines pressed into his white shirt and—yes, I’m sorry to have to say it—matching white pants look perfectly crisp.

With the white outfit, and the gold chain around his neck, he looks like he’s AWOL from a really bad boy band.

Which, sadly, is exactly what he is.

“Heather,” he says, when he sees me.

I can’t read his pale blue eyes because they’re hidden by the lenses of his Armani sunglasses. But I suppose they are, as always, filled with tender concern for my well-being. Jordan is good at making people think he actually cares about them. It’s one of the reasons his first solo effort, “Baby, Be Mine,” went double platinum. The video was number one on Total Request Live for weeks.

“There you are,” he says. “I’ve been trying to reach you. I guess Coop’s not home. Are you all right? I came down as soon as I heard.”

I just blink at him. What is he doing here? We broke up. Doesn’t he remember?

Maybe not. He’d obviously been working out. Like majorly. There’s actual definition to his biceps.

Maybe a dumbbell fell on his head or something.

“She lived in your building, didn’t she?” he goes on. “The girl on the radio? The one who died?”

It is totally unfair that someone who looks so hot can be so… well, lacking in anything remotely resembling human emotion.

I dig my keys out of the front pocket of my jeans.

“You shouldn’t have come down here, Jordan,” I say. People are staring—mostly just the drug dealers, though. There are a lot of them in my neighborhood, because the college, in order to clean up Washington Square Park for the students (and, more importantly, their parents), puts all this pressure on the local police precinct to scoot all the drug dealers and homeless people out of the park and onto the surrounding streets… like, for instance, the one I live on.

Of course when I’d accepted Jordan’s brother’s offer to move in with him, I didn’t know the neighborhood was so bad. I mean, come on, it’s Greenwich Village, which had long ago ceased to be a haven for starving artists, after the yuppies moved in and gentrified the place and the rents shot sky high. I figured it had to be on par with Park Avenue, where I’d been living with Jordan, and where “those kind of people,” as Jordan calls them, simply don’t hang out.

Which is a good thing, because “those kind of people” apparently can’t take their eyes off Jordan—and not just because of the prominently displayed gold chain.

“Hey!” one of them yells. “You that guy? Hey, are you that guy?”

Jordan, used to being harassed by paparazzi, doesn’t bat an eye.

“Heather,” he says, in his most soothing tone, the one he’d used during his duet with Jessica Simpson on their Get Funky tour last summer. “Come on. Be reasonable. Just because things didn’t work out between us romantically is no reason why we can’t still be friends. We’ve been through so much together. Grew up together, even.”

This part, anyway, is true. I’d met Jordan back when I’d first been signed by his father’s record label, Cartwright Records, when I’d been an impressionable fifteen years of age, and Jordan had been all of eighteen. Back then, I’d truly believed Jordan’s whole tortured artist act. I’d believed him when he insisted that he, like me, hated the songs the label was giving him to sing. I’d believed him when he’d said he, like me, was going to quit singing them, and start singing the songs he’d written himself. I’d believed him right up to the point I’d told the label it was my songs or no songs, and the label had chosen no songs… and Jordan, instead of telling the label (also known as his dad) the same thing, had said, “Maybe we better talk about this, Heather.”

I glance around to make sure his current performance isn’t for the benefit of a hidden camera. I totally wouldn’t put it past him to have signed up with some reality show. He’s one of those people who wouldn’t mind watching his own life broadcast on national television.

That’s when I notice the silver convertible BMW parked by the hydrant in front of the brownstone.

“That’s new,” I say. “From your dad? A reward for taking up with Tania Trace?”

“Now, Heather,” Jordan says. “I told you. The thing with Tania—it’s not what you think.”

“Right,” I say with a laugh. “I suppose she fell down and just happened to land with her head in your crotch.”

Jordan does something surprising then. He whips off his sunglasses and looks down at me very intently. I’m reminded of the first time I ever met him—at the Mall of America. The label—namely Jordan’s dad—had arranged for Jordan’s band, Easy Street, and me to tour together, in an effort to bring out the maximum number of preteens—and their parents, and their parents’ wallets—possible.

Jordan had given me the same intent look then that he was giving me now. His “Baby, you got the bluest eyes” hadn’t sounded a bit like a pickup line then.

But what did I know? I’d been yanked out of high school my freshman year and had been on the road ever since, heavily chaperoned and making contact with guys my own age only when they came up to ask for my autograph. How was I supposed to know “Baby, you got the bluest eyes” was a pickup line?

I didn’t realize it until years later, when “Baby, you got the bluest eyes” showed up as a line from one of the singles off Jordan’s first solo album. It turns out he’d had a lot of practice saying it. With sincerity, even.

It had certainly worked on me.

“Heather,” Jordan says now, as the rays of the sun, filtering through the treetops and apartment buildings to the west, play over the even planes of his handsome, still slightly boyish face. “We had something, you and I. Are you sure you really just want to walk away from that? I mean, I know I’m not exactly blameless in all this. That thing with Tania… well, I know how that must have looked to you.”

I stare at him incredulously.

“You mean like she was giving you head? Because that’s how it looked to me.”

Jordan flinches as if I’d hit him.

“See?” He folds his arms across his chest. “See, that’s exactly what I mean. When we first met, Heather, you never said crass things like that. You’ve changed. Don’t you see? That’s part of the problem. You’re not the same girl I knew all those years ago—”

I decide that if he drops his gaze to my waistline, where I’ve changed the most since ten years ago, I was going to belt him.

But he doesn’t.

“You’ve gotten… I don’t know. Hard, I guess, is the word,” he goes on. “And after what you’ve been through with your mom and your manager, who can blame you? But Heather, not everyone is out to steal all your money and flee to Argentina with it like they did. You’ve got to believe me when I say that I never meant to hurt you. We just drifted apart, you and I. We want different things. You want to sing your own songs, and you apparently don’t care if doing so destroys your career—what’s left of it. While I… well, I want—”

“Hey!” yells the drug dealer. “You’re JORDAN CARTWRIGHT!”

I can’t believe this is happening. First Elizabeth, now this.

What does Jordan want from me, anyway? That’s what I can never figure out. The guy is thirty-one years old, six-two, and worth a lot of money—way more than the hundred thousand a year Rachel is looking for in her ideal mate. I mean, I know his parents weren’t exactly thrilled when the two of us moved in together. It hadn’t looked good, two of their most popular teen performers, shacking up…

But had our entire relationship just been an elaborate attempt to get back at Mr. and Mrs. Grant Cartwright for allowing their youngest son to audition for the Mickey Mouse Club, like he’d begged them to back when he was nine, to his everlasting shame? Because of course serious rockers don’t have photos of themselves in Mickey Mouse ears being shown in Teen People every other week…

“Jordan,” I say, cutting him off as he is listing the things he wants out of life, most of which have to do with bringing a little sunshine into people’s lives, and why is that so wrong? Except that I never said it was. “Could you please just go away?”

I jostle past him, my keys in my hand. I guess my plan was to unlock the door and get inside before he could stop me.

With three locks to undo, though, a quick escape is kind of tough.

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