Мэри Габриэль - Женщины Девятой улицы. Том 1 [Ли Краснер, Элен де Кунинг, Грейс Хартиган, Джоан Митчелл и Хелен Франкенталер: пять художниц и движение, изменившее современное искусство]

Harold Rosenberg, «The Fall of Paris», 440–441.

Parrish, Anxious Decades , 465.

Gilbert, The Second World War , 94, 111, 116, 123, 134, 153.

Oral history interview with history interview with Margaret Scolari Barr, AAA-SI; Marquis, Alfred H. Barr, Jr. , 104, 106, 108, 153.

Marquis, Alfred H. Barr, Jr. , 177, 182, 185–87; Lynes, Good Old Modern , 226, 231.

Oral history interview with history interview with Margaret Scolari Barr, AAA-SI.

Lynes, Good Old Modern , 226, 231; oral history interview with history interview with Dorothy C. Miller, AAA-SI; oral history interview with history interview with Margaret Scolari Barr, AAA-SI; Jackman and Borden, The Muses Flee Hitler, 81.

Oral history interview with history interview with Rebecca Reis, AAA-SI; Anton Gill, Art Lover , 241–243; Jackman and Borden, The Muses Flee Hitler , 81, 83; Marquis, Alfred H. Barr, Jr. , 185–87; Lynes, Good Old Modern , 231; «The 194 °Census: Employment and Income», National Archives, www.archives.gov.

Jackman and Borden, The Muses Flee Hitler , 50, 54, 80; Lynes, Good Old Modern , 231–232. Данные об иммиграции в США показывают, что из общего числа иммигрантов, въехавших в страну из Европы в период с 1933 по 1941 г. (132 тыс. человек), 702 были художниками и скульпторами.

Frank O’Hara, Robert Motherwell , 9; Alfred Leslie, interview by Jack Taylor.

Harry Holtzman, interview by Jack Taylor; oral history interview with history interview with George L. K. Morris, AAA-SI.

Rembert, «Mondrian», 44; Harry Holtzman, interview by Jack Taylor.

May Tabak Rosenberg, interview by Jeffrey Potter, courtesy PKHSC; Levin, Lee Krasner , 138, 141–142; Rose, Lee Krasner , 45.

Levin, Lee Krasner , 127; Landau, Lee Krasner: A Catalogue Raisonné , 59.

Rembert, «Mondrian», 45; Landau et al., Mercedes Matter , 33, 68n63.

Sandler, A Sweeper Up After Artists , 51.

Landau et al., Mercedes Matter , 13, 34; Goodman, Hans Hofmann , 31.

John O’Brian, ed., Clement Greenberg: The Collected Essays and Criticism , vol. 1, Perceptions and Judgments, 1939–1944, 188.

Mercedes Matter , interview by Sigmund Koch, Tape 4A, Aesthetics Research Archive; oral history interview with history interview with Nell Blaine, AAA-SI.

Rembert, «Mondrian», 78; Gill, Art Lover, 282; O’Brian, Clement Greenberg: The Collected Essays and Criticism , 1:189.

Hall and Wykes, Anecdotes of Modern Art , 72; Rembert, «Mondrian», 78n75–76.

Ilya Bolotowsky and Henry Geldzahler, «Adventures with Bolotowsky», 25; Rembert, «Mondrian», 45–46; Levin, Lee Krasner , 151; oral history interview with history interview with George L. K. Morris, AAA-SI.

Lee Krasner, interview by Barbaralee Diamonstein, provided by Dr Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 199–200.

David W. Stowe, «The Politics of Cafe Society», 1384, 1387.

Lee Krasner, interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 200; Rose, Lee Krasner , 40; Rembert, «Mondrian», 78n75–76.

Lee Krasner , interview by Barbara Novak, videotape courtesy of courtesy PKHSC.

Hobbs, Lee Krasner (1999), 29.

Rembert, «Mondrian», 46.

Oral history interview with history interview with Lee Krasner, November 2, 1964–April 11, 1968, AAA-SI.

Dewey, Art as Experience , 56–57; Martica Sawin, Nell Blaine , 20.

Oral history interview with history interview with Lee Krasner, November 2, 1964–April 11, 1968, AAA-SI.

Landau, Lee Krasner: A Catalogue Raisonné , 76; Landau, «Lee Krasner’s Early Career, Part One», 16.

Rembert, «Mondrian», 78n75–76.

Landau, Jackson Pollock , 86; It Is 3 (Winter — Spring 1959): 10; Landau, «Krasner’s Past Continuous», 71. Гофман однажды сказал: «Видеть без осознания… это почти слепота. „Видеть“ и осознавать — это визуальный опыт, искусство. Нам нужно научиться видеть».

Landau, Lee Krasner: A Catalogue Raisonné , 306; Lee Krasner, interview by Ellen G. Landau, AAA-SI; Naifeh and Smith, Jackson Pollock , 391; Levin, Lee Krasner , 164; Rose, Lee Krasner , 45.

Lee Krasner , interview by Barbara Novak, videotape courtesy of courtesy PKHSC; Lee Krasner, interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 201.

John Graham to Lenore Krasner, note, November 12, 1941, Series 2.2, Box 8, Folder 3, Lee Krasner Papers, AAA-SI.

Lee Krasner , interview by Barbara Novak, videotape courtesy of courtesy PKHSC.

Naifeh and Smith, Jackson Pollock , 391.

Lee Krasner , interview by Robert Coe, videotape courtesy of courtesy PKHSC.

Oral history interview with history interview with Lee Krasner, November 2, 1964–April 11, 1968, AAA-SI.

Oral history interview with history interview with Lee Krasner, November 2, 1964–April 11, 1968, AAA-SI; Naifeh and Smith, Jackson Pollock , 392; Levin, Lee Krasner , 166; Lee Krasner , interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 201.

Lee Krasner , interview by Robert Coe, videotape courtesy of courtesy PKHSC; Lee Krasner , interview by Barbara Novak, videotape courtesy of courtesy PKHSC; Levin, Lee Krasner , 165; Landau, Lee Krasner: A Catalogue Raisonné , 75.

Lee Krasner, Pollock , unpublished, undated notes, Series 1.3, Box 2, Folder 41, Jackson Pollock and Lee Krasner Papers, AAA-SI, 2.

Cindy Nemser, «A Conversation with Lee Krasner», 43; Lee Krasner, interview by Barbara Rose, 1972, AAA-SI, 6.

Munro, Originals , 112.

«Lee Krasner, Paintings, Drawings and Collages», 8–9.

Gruen, The Party’s Over Now , 230.

Lee Krasner: An Interview with Kate Horsfield , courtesy PKHSC.

Naifeh and Smith, Jackson Pollock , 43, 124, 129, 130, 136; Philip Guston, interview by Jack Taylor. Молодой Филипп Густон был выслан вместе с Поллоком.

Solomon, Jackson Pollock , 46–47; Arnold Hauser, The Social History of Art , vol. 2, Renaissance, Mannerism, Baroque , 48, 60; Naifeh and Smith, Jackson Pollock , 155.

Naifeh and Smith, Jackson Pollock , 167, 170, 227.

Naifeh and Smith, Jackson Pollock , 255; Edgar, Club Without Walls , 25.

Naifeh and Smith, Jackson Pollock , 124, 202, 248–249.

Naifeh and Smith, Jackson Pollock , 278–279, 310, 313, 318; Solomon, Jackson Pollock , 90.

Naifeh and Smith, Jackson Pollock , 325–326, 336; Solomon, Jackson Pollock , 90.

Naifeh and Smith, Jackson Pollock , 336, 343, 346; John D. Graham, «Primitive Art and Picasso», 236–37; Lee Krasner , interview by Barbara Novak, AAA-SI, 30.

Naifeh and Smith, Jackson Pollock , 347, 359, 361; Lee Krasner , interview by Barbara Novak, AAA-SI, 30; Solomon, Jackson Pollock , 101.

Levin, Lee Krasner , 172.

Zinn, A People’s History , 425; Richard Polenberg, War and Society , 4–5; Wittner, Rebels Against War , 10–11. В период с 1940 по 1944 г. ВВП США вырос с 90 до 200 млрд долл., а прибыль корпораций достигла самого высокого уровня за всю историю страны.

Parrish, Anxious Decades , 466–67, 470–471; Polenberg, War and Society , 4–5; Gilbert, The Second World War , 129, 187; Diggins, The Proud Decades , 10.

Zinn, A People’s History , 425; James E. B. Breslin, Mark Rothko , 153.

Parrish, Anxious Decades , 447, 469; Gilbert, The Second World War , 132.

Oral history interview with history interview with Sylvan Cole, AAA-SI.

Robert Motherwell, interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 243.

Richler, Writers on World War II, 263; Brogan, The Penguin History of the United States , 557.

Leighton, The Aspirin Age , 483; oral history interview with history interview with Elisabeth Ross Zogbaum, AAA-SI.

Leighton, The Aspirin Age , 483; Gilbert, The Second World War , 272.

Oral history interview with history interview with Elisabeth Ross Zogbaum, AAA-SI; Clements, Prosperity, Depression and the New Deal , 198; Gilbert, The Second World War , 216, 271, 275–276, 278, 280.