Мэри Габриэль - Женщины Девятой улицы. Том 1 [Ли Краснер, Элен де Кунинг, Грейс Хартиган, Джоан Митчелл и Хелен Франкенталер: пять художниц и движение, изменившее современное искусство]

Ernestine Lassaw, interview by author.

Campbell, «Elaine de Kooning Paints a Picture», 41.

Elaine de Kooning, interview by Molly Barnes, 3; Elaine de Kooning, interview by Antonina Zara, 6; Munro, Originals , 252.

Munro , Originals , 252–53.

Elaine de Kooning, interview by Antonina Zara, 6; Elaine de Kooning, interview by Molly Barnes, 4.

Elaine de Kooning, interview by Minna Daniels, 16; Hess and Baker, Art and Sexual Politics , 62–63. Elaine said, «As far as I’m concerned, nobody had to grant me anything to become an artist, except for my mother».

Elaine de Kooning, interview by Antonina Zara, 3; Elaine de Kooning, interview by Minna Daniels, 14; Munro, Originals , 249; Jill Rachelle Chancey, «Elaine de Kooning: Negotiating the Masculinity of Abstract Expressionism», 18–19; Maud Fried Goodnight, telephone interview by author; Dr. Guy Fried, telephone interview by author.

Elaine de Kooning, interview by Minna Daniels, 14; Munro, Originals , 249.

Maud Fried Goodnight, telephone interview by author; Dr. Guy Fried, telephone interview by author; Stevens and Swan, De Kooning , 156; Munro, Originals , 249–50.

Elaine de Kooning, interview by Charles Hayes, 4; Elaine de Kooning, interview by Molly Barnes, 6; Munro, Originals , 250.

Munro, Originals , 251; Elaine de Kooning, interview by Charles Hayes, 5.

Hess and Baker, Art and Sexual Politics , 66; Elaine de Kooning, interview by Antonina Zara, 3–4.

Elaine de Kooning, interview by Charles Hayes, 4; Maud Fried Goodnight, telephone interview by author; Stevens and Swan, De Kooning , 156.

Charles Fried, telephone interview by author.

Elaine de Kooning, interview by Minna Daniels, 14; Stevens and Swan, De Kooning , 157; Dr. Guy Fried, telephone interview by author.

Dr. Guy Fried, telephone interview by author; Ernestine Lassaw, interview by author.

Stevens and Swan, De Kooning , 156; Elaine de Kooning, interview by Minna Daniels, 17; Clay Fried, interview by author; Ernestine Lassaw, interview by author.

Stevens and Swan, De Kooning , 157; Ernestine Lassaw, interview by author.

Stevens and Swan, De Kooning , 157; Dr. Guy Fried, telephone interview by author.

Stevens and Swan, De Kooning , 158.

Dr. Guy Fried, telephone interview by author.

Глава 5. Маэстро и Элен

May Natalie Tabak, But Not for Love , 112.

Munro, Originals , 253; Lieber, Reflections in the Studio , 18; Elaine de Kooning, interview by John Gruen, AAA-SI, 2–3.

Munro, Originals , 253.

Elaine de Kooning, interview by Jeffrey Potter, videotape courtesy of courtesy PKHSC; Munro, Originals , 253.

Janis, Abstract and Surrealist Art in America , 16.

Lewallen, «Interview with Elaine de Kooning», 12; Jane K. Bledsoe, E de K , 25.

Elaine de Kooning, interview by Molly Barnes, 4.

Elaine de Kooning, C. F. S. Hancock Lecture, 3; Elaine de Kooning, interview by Jeffrey Potter, courtesy PKHSC.

Stevens and Swan, De Kooning , 153, 162.

Hall, Elaine and Bill , 28.

Elaine de Kooning, interview by John Gruen, AAA-SI, 3; Stevens and Swan, De Kooning , 163.

Elaine de Kooning, interview by Minna Daniels, 38; Elaine de Kooning, interview by Antonina Zara, 6; Willem and Elaine de Kooning, interview by Peter Busa and Sandra Kraskin, AAA-SI; Elaine de Kooning, interview by Ellen Auerbach, 7; Stevens and Swan, De Kooning , 164.

Matossian, Black Angel , 210; Herrera, Arshile Gorky , 209–10.

Matossian, Black Angel , 158.

Matossian, Black Angel , 252; Elaine de Kooning, interview by Minna Daniels, 35.

Herrera, Arshile Gorky , 202; oral history interview with history interview with Dorothy C. Miller, AAA-SI; Dorothy C. Miller, interview by Barbara Rose, February 15, 1980, Series V, Box 13, R.2, Barbara Rose Papers, GRI.

Matossian, Black Angel , 231, 234–235; Thomas B. Hess, Willem de Kooning (1959), 115.

Elaine de Kooning, interview by Antonina Zara, 7–8.

Elaine de Kooning and Slivka, Elaine de Kooning , 23–24.

Matossian, Black Angel , 300.

Marcia Epstein Allentuck, John Graham’s System and Dialectics of Art , 93, 95; Herrera, «John Graham: Modernist Turns Magus», 100; Herrera, Arshile Gorky , 662n178; Ashton, The New York School , 68, 70. Эштон утверждает, что высказывания Грэма, приведенные в его книге, были «для небольшой группы художников сродни символу веры».

Allentuck, John Graham’s System and Dialectics of Art , xvi; Ashton, The Life and Times of the New York School , 24–25; Fairfield Porter, «John Graham: Painter as Aristocrat», 39; Herrera, «John Graham: Modernist Turns Magus», 100.

Ellen G. Landau, Jackson Pollock , 79–80.

Edgar, Club Without Walls , 30.

Allentuck, John Graham’s System and Dialectics of Art , xxi; Herrera, «John Graham: Modernist Turns Magus», 100, 105; Matossian, Black Angel , 175; Barrett, Irrational Man , 133–134; William Barrett, «What Existentialism Offers Modern Man: A Philosophy of Fundamental Human Realities», 18.

Allentuck, John Graham’s System and Dialectics of Art , 28–29; Herrera, «John Graham: ModernistTurns Magus», 100; Dorfman, Out of the Picture, 21. «Когда Грэм смеялся, — рассказывал Милтон Резник, — он опускал на землю все это французское искусство и все эти великие смыслы, которые придавал ему журнал Cahiers d’art … Грэм спускал Европу с пьедестала».

Allentuck, John Graham’s System and Dialectics of Art , 93.

Allentuck, John Graham’s System and Dialectics of Art , 97–98.

Allentuck, John Graham’s System and Dialectics of Art , 120.

Allentuck, John Graham’s System and Dialectics of Art , 103, 106–107.

Joan M. Lukach, Hilla Rebay: In Search of the Spirit in Art , xiii, 1, 98, 141; Ashton, The New York School , 112.

Ashton, The Life and Times of the New York School , 112–113; Thomas B. Hess, Abstract Painting: Background and American Phase , 83; Schapiro, Modern Art in the Nineteenth and Twentieth Centuries , 204.

Lukach, Hilla Rebay , 100, 120–122, 151–153, 174.

Willem and Elaine de Kooning, interview by Peter Busa and Sandra Kraskin, AAA-SI.

Ashton, The Life and Times of the New York School , 112–113.

Schapiro, Modern Art, 204; Ashton, The Life and Times of the New York School , 112–113; Larkin, Art and Life in America , 353; Matossian, Black Angel, 192.

Ernestine Lassaw, interview with author.

Ernestine Lassaw, interview with author; Milton Resnick, interview by Deborah Solomon.

Milton Resnick, interview by Deborah Solomon.

Ernestine Lassaw, interview with author.

Elaine de Kooning, interview by Minna Daniels, 38; Stevens and Swan, De Kooning , 182–83.

Stevens and Swan, De Kooning , 11, 194.

Ernestine Lassaw, interview with author.

Stevens and Swan, De Kooning , 8, 12, 194–195; Lieber, Reflections in the Studio , 18.

Elaine de Kooning and Slivka, Elaine de Kooning, 229 ; Elaine de Kooning, interview by John Gruen, AAA-SI, 11; Zinn, A People’s History, 384.

Willem de Kooning, interview by Anne Bowen Parsons, AAA-SI.

Marshall Berman, All That Is Solid Melts into Air , 303.

«Fiorello LaGuardia, 1882–1947», jewishvirtuallibrary.org/fiorello-laguardia.

Leighton, The Aspirin Age , 438–443.

Clements, Prosperity, Depression and the New Deal , 194–96; John Patrick Diggins, The Proud Decades , 158. О нацистской угрозе не просто сообщали в СМИ, но и рассказывали в художественных фильмах. Вторая мировая война была первым в истории человечества вооруженным конфликтом, который стал темой для кинолент, еще не закончившись.

Munro, Originals , 253.

Albert Camus, Exile and the Kingdom , 103.

Edgar, Club Without Walls , 39–40; Virginia Pitts Rembert, «Mondrian, America, and American Painting», vi.

Parrish, Anxious Decades, 463; Gilbert, The Second World War , 60–61, 67–68, 77, 83, 85–86, 90–91.

Gilbert, The Second World War , 94, 97, 101–2, 105, 108.