Мэри Габриэль - Женщины Девятой улицы. Том 1 [Ли Краснер, Элен де Кунинг, Грейс Хартиган, Джоан Митчелл и Хелен Франкенталер: пять художниц и движение, изменившее современное искусство]

Beauvoir, America Day by Day , 36.

John Ferren, «Epitaph for an Avant-Garde», 25.

Ashton, The Life and Times of the New York School , 60.

Seitz, Abstract Expressionist Painting in America , xii — xiii, 115, 132.

Hess, Abstract Painting , 63.

Ferren, «Epitaph for an Avant-Garde», 25.

Seitz, Abstract Expressionist Painting in America , 166.

Seitz, Abstract Expressionist Painting in America , 132.

David Anfam, Abstract Expressionism , 107.

Marquis, Alfred H. Barr, Jr. , 242.

Diggins, The Proud Decades , 61, 63, 73.

Barton J. Bernstein, ed., Towards a New Past , 356.

Daniel Catton Rich, «Freedom of the Brush» 50.

Marquis, Art Czar , 106; Catton Rich, «Freedom of the Brush», 5.

Catton Rich, «Freedom of the Brush», 50; Ashton, The New York School , 207.

Catton Rich, «Freedom of the Brush», 50.

David Caute, The Great Fear , 36–37; Miller and Nowak, The Fifties , 25.

Lehmann-Haupt, Art Under a Dictatorship , 239–240; Diggins, The Proud Decades , 236.

Catton Rich, Freedom of the Brush , 51.

Anfam, Abstract Expressionism , 106; Diggins, The Proud Decades , 141; Michael Davidson, Guys Like Us , 56. Первой тайной миссией ЦРУ было вмешательство в Иране, нацеленное на возвращение к власти шаха, свергнутого в результате националистического переворота.

Caute, The Great Fear , 26–27, 90, 488, 515. К концу расследования в отношении сочувствующих коммунистам в Голливуде около 250 человек оказались в черном списке и еще 100 — в «сером».

Diggins, The Proud Decades , 161; Miller and Nowak, The Fifties , 26; Zinn, A People’s History , 429, Caute, The Great Fear , 28.

Miller and Nowak, The Fifties , 25–26; Nancy Jachec, The Philosophy and Politics of Abstract Expressionism , 39; Polcari, Abstract Expressionism , 325; Barrett, The Truants , 114; Timothy Snyder, «Hitler Versus Stalin: Who Killed More?» New York Review of Books , March 10, 2011, www.nybooks.com/articles/2011/03/10/hitler-vs-stalin-who-killed-more; Clements, Prosperity, Depression and the New Deal , 231; Diggins, The Proud Decades , 73, 76, 101; Caute, The Great Fear , 29–31; Zinn, A People’s History , 417–418; Chafe, The American Woman , 190. Забастовки во время войны (14 тыс. стачек на промышленных предприятиях — больше, чем в любой другой сопоставимый период в истории США) начались главным образом из-за того, что огромные прибыли компаний никак не отразились на зарплате рабочих.

Beauvoir, America Day by Day , 51.

Gilbert, The Second World War , 733.

KZ ‐ KAMPFKUNST Boris Lurie: NO!ART , 103–104; Doris Aach, interview by author.

Larkin, Art and Life in America , 481; Ashton, The Life and Times of the New York School , 177.

Oral history interview with Peter Agostini, AAA-SI.

Stahr, The Social Relations of Abstract Expressionism , 103; Dorfman, Out of the Picture , 65; oral history interview with Milton Resnick, AAA-SI.

Oral history interview with Milton Resnick, AAA-SI. Elaine de Kooning, interview by Charles Hayes, 6–7. Резник говорил, что решение использовать меньше материалов также было реакцией на войну «После войны вся эта чушь о долговечности и тому подобном канула в небытие», — утверждал он.

Stevens and Swan, De Kooning , 244–245; Elaine de Kooning, interview by Charles Hayes, 6.

Harold Rosenberg, «Introduction to Modern American Painters», 75.

John O’Brian, ed., Clement Greenberg: The Collected Essays and Criticism , vol. 2, Arrogant Purpose , 1945–1949, 166–167, 169–170.

Marquis, Art Czar , 107–108.

Naifeh and Smith , Jackson Pollock , 552.

Фраза из книги: Frank O’Hara, Jackson Pollock , 22.

Solomon, Jackson Pollock , 178.

Malina, The Diaries of Judith Malina , 15.

Naifeh and Smith, Jackson Pollock , 553.

Naifeh and Smith, Jackson Pollock , 556–557.

Solomon, Jackson Pollock , 178–179.

Kuh, The Artist’s Voice , 81.

Maurice Merleau-Ponty, «Cezanne’s Doubt», 464.

Krasner, Pollock , unpublished, undated notes, Series 1.3, Box 2, Folder 41, Jackson Pollock and Lee Krasner Papers, AAA-SI, 5; Naifeh and Smith, Jackson Pollock , 880n.

Krasner, Pollock , unpublished, undated notes, Series 1.3, Box 2, Folder 41, Jackson Pollock and Lee Krasner Papers, AAA-SI, 5; Lee Krasner: An Interview with Kate Horsfield , videotape courtesy PKHSC; Lee Krasner, interview by Barbara Rose, 1972, AAA-SI, 6.

Lee Krasner, interview by Emily Wasserman, AAA-SISI, 3.

Lee Krasner, interview by Barbara Rose, June 27, 1978, GRI, 5.

Krasner, Pollock , unpublished, undated notes, Series 1.3, Box 2, Folder 41, Jackson Pollock and Lee Krasner Papers, AAA-SI, 6.

Krasner, Pollock , unpublished, undated notes, Series 1.3, Box 2, Folder 41, Jackson Pollock and Lee Krasner Papers, AAA-SI, 6.

Varnadoe and Karmel, Jackson Pollock , 48.

Oral history interview with Lee Krasner, 1972, AAA-SI; Karmel, Jackson Pollock: Interviews, Articles, and Reviews , 41; Glueck, «Scenes from a Marriage», 61.

Sandler, A Sweeper Up After Artists , 93–94.

George McNeil, interview by Jack Taylor.

Edgar, Club Without Walls , 67.

Gibson, Abstract Expressionism , 22.

Oral history interview with Betty Parsons, June 4–9, 1969, AAA-SI.

Hall, Betty Parsons , 90.

Karmel, Jackson Pollock: Interviews, Articles, and Reviews , 59–60.

Elaine de Kooning, «A Stroke of Genius», 38.

Alcopley, interview by Jack Taylor.

Karmel, Jackson Pollock: Interviews, Articles, and Reviews , 59.

Karmel, Jackson Pollock: Interviews, Articles, and Reviews , 60; Thomas B. Hess, interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 140. Том Гесс несколько лет спустя сказал: «Поллока ругали те критики, которые совершенно не были готовы к его подходу и все еще испытывали большие трудности с Матиссом 1920-х гг».

Karmel, Jackson Pollock: Interviews, Articles, and Reviews , 59; Hall, Betty Parsons , 92.

Naifeh and Smith, Jackson Pollock , 555.

Naifeh and Smith, Jackson Pollock , 558; Lee Krasner: An Interview with Kate Horsfield, videotape courtesy PKHSC.

Naifeh and Smith, Jackson Pollock , 557; Potter, To a Violent Grave , 93.

Potter, To a Violent Grave , 93–94; Naifeh and Smith, Jackson Pollock , 558.

Naifeh and Smith, Jackson Pollock , 557; Levin, Lee Krasner , 249.

Lee Krasner, interview by Barbara Rose, June 27, 1978, GRI, 6.

Krasner, Pollock , unpublished, undated notes, Series 1.3, Box 2, Folder 41, Jackson Pollock and Lee Krasner Papers, AAA-SI, 6.

Oral history interview with Esteban Vicente, AAA-SI.

Thomas B. Hess, interview by Barbaralee Diamonstein, provided by Dr. Barbaralee Diamonstein-Spielvogel, interviewer and author, from Inside New York’s Art World , 142.

George McNeil, interview by Jack Taylor.

O’Hara, Robert Motherwell , 54.

Lieber, Reflections in the Studio , 30.

Luke Luyckx, telephone interview with author.

Elaine de Kooning, interview by Antonina Zara, 9.

Elaine de Kooning, interview by Amei Wallach, 5; Renée Arb, «They’re Painting Their Way», 81. Художник Клиффорд Райт также был упомянут в статье Harper's Jr. Bazaar.

Elaine de Kooning and Slivka, Elaine de Kooning , 10; Elaine de Kooning, interview by Amei Wallach, 13.