Anthony Trollope - Autobiography of Anthony Trollope
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for guidance, though there are many others from which no spark of
literary advantage may be obtained. But it is well that both public
and authors should know what is the advantage which they have a
right to expect. There have been critics,--and there probably will
be again, though the circumstances of English literature do not
tend to produce them,--with power sufficient to entitle them to
speak with authority. These great men have declared, tanquam ex
cathedra, that such a book has been so far good and so far bad, or
that it has been altogether good or altogether bad;--and the world
has believed them. When making such assertions they have given
their reasons, explained their causes, and have carried conviction.
Very great reputations have been achieved by such critics, but not
without infinite study and the labour of many years.
Such are not the critics of the day, of whom we are now speaking.
In the literary world as it lives at present some writer is selected
for the place of critic to a newspaper, generally some young
writer, who for so many shillings a column shall review whatever
book is sent to him and express an opinion,--reading the book through
for the purpose, if the amount of honorarium as measured with the
amount of labour will enable him to do so. A labourer must measure
his work by his pay or he cannot live. From criticism such as this
must far the most part be, the general reader has no right to expect
philosophical analysis, or literary judgment on which confidence
may be placed. But he probably may believe that the books praised
will be better than the books censured, and that those which are
praised by periodicals which never censure are better worth his
attention than those which are not noticed. And readers will also
find that by devoting an hour or two on Saturday to the criticisms
of the week, they will enable themselves to have an opinion about
the books of the day. The knowledge so acquired will not be great,
nor will that little be lasting; but it adds something to the
pleasure of life to be able to talk on subjects of which others are
speaking; and the man who has sedulously gone through the literary
notices in the Spectator and the Saturday may perhaps be justified
in thinking himself as well able to talk about the new book as
his friend who has bought that new book on the tapis, and who, not
improbably, obtained his information from the same source.
As an author, I have paid careful attention to the reviews which
have been written on my own work; and I think that now I well know
where I may look for a little instruction, where I may expect only
greasy adulation, where I shall be cut up into mince-meat for the
delight of those who love sharp invective, and where I shall find
an equal mixture of praise and censure so adjusted, without much
judgment, as to exhibit the impartiality of the newspaper and its
staff. Among it all there is much chaff, which I have learned bow
to throw to the winds, with equal disregard whether it praises or
blames;--but I have also found some corn, on which I have fed and
nourished myself, and for which I have been thankful.
CHAPTER XV "THE LAST CHRONICLE OF BARSET"--"LEAVING THE POST OFFICE"--"ST. PAUL'S MAGAZINE"
I will now go back to the year 1867, in which I was still living at
Waltham Cross. I had some time since bought the house there which
I had at first hired, and added rooms to it, and made it for our
purposes very comfortable. It was, however, a rickety old place,
requiring much repair, and occasionally not as weathertight as it
should be. We had a domain there sufficient for the cows, and for
the making of our butter and hay. For strawberries, asparagus, green
peas, out-of-door peaches, for roses especially, and such everyday
luxuries, no place was ever more excellent. It was only twelve
miles from London, and admitted therefore of frequent intercourse
with the metropolis. It was also near enough to the Roothing country
for hunting purposes. No doubt the Shoreditch Station, by which it
had to be reached, had its drawbacks. My average distance also to
the Essex meets was twenty miles. But the place combined as much
or more than I had a right to expect. It was within my own postal
district, and had, upon the whole, been well chosen.
The work that I did during the twelve years that I remained there,
from 1859 to 1871, was certainly very great. I feel confident that
in amount no other writer contributed so much during that time to
English literature. Over and above my novels, I wrote political
articles, critical, social, and sporting articles, for periodicals,
without number. I did the work of a surveyor of the General Post
Office, and so did it as to give the authorities of the department
no slightest pretext for fault-finding. I hunted always at least
twice a week. I was frequent in the whist-room at the Garrick. I
lived much in society in London, and was made happy by the presence
of many friends at Waltham Cross. In addition to this we always
spent six weeks at least out of England. Few men, I think, ever lived
a fuller life. And I attribute the power of doing this altogether
to the virtue of early hours. It was my practice to be at my table
every morning at 5.30 A. M.; and it was also my practice to allow
myself no mercy. An old groom, whose business it was to call me,
and to whom I paid (pounds)5 a year extra for the duty, allowed himself no
mercy. During all those years at Waltham Cross he was never once
late with the coffee which it was his duty to bring me. I do not
know that I ought not to feel that I owe more to him than to any
one else for the success I have had. By beginning at that hour I
could complete my literary work before I dressed for breakfast.
All those I think who have lived as literary men,--working daily
as literary labourers,--will agree with me that three hours a day
will produce as much as a man ought to write. But then he should
so have trained himself that he shall be able to work continuously
during those three hours,--so have tutored his mind that it shall
not be necessary for him to sit nibbling his pen, and gazing at the
wall before him, till he shall have found the words with which he
wants to express his ideas. It had at this time become my custom,--and
it still is my custom, though of late I have become a little lenient
to myself,--to write with my watch before me, and to require from
myself 250 words every quarter of an hour. I have found that the 250
words have been forthcoming as regularly as my watch went. But my
three hours were not devoted entirely to writing. I always began
my task by reading the work of the day before, an operation which
would take me half an hour, and which consisted chiefly in weighing
with my ear the sound of the words and phrases. I would strongly
recommend this practice to all tyros in writing. That their work
should be read after it has been written is a matter of course,--that
it should be read twice at least before it goes to the printers,
I take to be a matter of course. But by reading what he has last
written, just before he recommences his task, the writer will catch
the tone and spirit of what he is then saying, and will avoid the
fault of seeming to be unlike himself. This division of time allowed
me to produce over ten pages of an ordinary novel volume a day,
and if kept up through ten months, would have given as its results
three novels of three volumes each in the year;--the precise amount
which so greatly acerbated the publisher in Paternoster Row, and which
must at any rate be felt to be quite as much as the novel-readers
of the world can want from the hands of one man.
I have never written three novels in a year, but by following the
plan above described I have written more than as much as three
volumes; and by adhering to it over a course of years, I have been
enabled to have always on hand,--for some time back now,--one or
two or even three unpublished novels in my desk beside me. Were I
to die now there are three such besides The Prime Minister, half
of which has only yet been issued. One of these has been six years
finished, and has never seen the light since it was first tied up
in the wrapper which now contains it. I look forward with some grim
pleasantry to its publication after another period of six years,
and to the declaration of the critics that it has been the work of
a period of life at which the power of writing novels had passed
from me. Not improbably, however, these pages may be printed first.
In 1866 and 1867 The Last Chronicle of Barset was brought out by
George Smith in sixpenny monthly numbers. I do not know that this
mode of publication had been tried before, or that it answered very
well on this occasion. Indeed the shilling magazines had interfered
greatly with the success of novels published in numbers without
other accompanying matter. The public finding that so much might
be had for a shilling, in which a portion of one or more novels was
always included, were unwilling to spend their money on the novel
alone. Feeling that this certainly had become the case in reference
to novels published in shilling numbers, Mr. Smith and I determined
to make the experiment with sixpenny parts. As he paid me (pounds)3000
for the use of my MS., the loss, if any, did not fall upon me. If
I remember right the enterprise was not altogether successful.
Taking it as a whole, I regard this as the best novel I have
written. I was never quite satisfied with the development of the
plot, which consisted in the loss of a cheque, of a charge made
against a clergyman for stealing it, and of absolute uncertainty
on the part of the clergyman himself as to the manner in which the
cheque had found its way into his hands. I cannot quite make myself
believe that even such a man as Mr. Crawley could have forgotten
how he got it, nor would the generous friend who was anxious to
supply his wants have supplied them by tendering the cheque of a
third person. Such fault I acknowledge,--acknowledging at the same
time that I have never been capable of constructing with complete
success the intricacies of a plot that required to be unravelled.
But while confessing so much, I claim to have portrayed the mind
of the unfortunate man with great accuracy and great delicacy. The
pride, the humility, the manliness, the weakness, the conscientious
rectitude and bitter prejudices of Mr. Crawley were, I feel, true
to nature and well described. The surroundings too are good. Mrs.
Proudie at the palace is a real woman; and the poor old dean dying
at the deanery is also real. The archdeacon in his victory is very
real. There is a true savour of English country life all through
the book. It was with many misgivings that I killed my old friend
Mrs. Proudie. I could not, I think, have done it, but for a resolution
taken and declared under circumstances of great momentary pressure.
It was thus that it came about. I was sitting one morning at work
upon the novel at the end of the long drawing-room of the Athenaeum
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