Коллектив авторов - Конец моды. Одежда и костюм в эпоху глобализации

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Ibid. P. 75.

Ibid. P. 76.

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Molloy M., Larner W. (eds) Fashioning Globalisation: New Zealand Design, Working Women and the Cultural Economy. Chichester, West Sussex: John Wiley & Sons, 2013; Weller S. Creativity or Costs? Questioning New Zealand’s Fashion Success: A Methodological Intervention // Journal of Economic Geography. 2013. 14, no. 4. Pp. 721–737; Anderson R. 10 New Zealand Fashion Designers and Brands You Should Know // The Culture Trip. 2016. October 31. theculturetrip.com/pacific/new-zealand/articles/top-10-new-zealand-fashion-designers-you-should-know/ (accessed 22.11.2016).

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Слова директора по моде дублинского магазина Arnotts, цит. по: Де Клер Ш. Мода на периферии. С. 62.

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«Позолоченный век» (Guilded Age) – период в истории США (приблизительно с 1870‐х годов по начало ХХ века), для которого были характерны быстрый экономический рост и увеличение численности населения за счет иммигрантов. Авторство

самого термина принадлежит Марку Твену и Чарльзу Дадли Уорнеру, которые описывали эту эпоху критически, полагая, что американцами того времени двигало прежде всего желание разбогатеть, и указывая на резкий контраст между жизнью состоятельных людей и жизнью городской бедноты. ( Прим. пер .)

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Meiklejohn H. E. Section VI, Dresses – The Impact of Fashion on a Business // Price and Price Policies / Еd. W. Hamilton. New York: McGraw-Hill, 1938. Pp. 313–315.

Le Zotte J. From Goodwill to Grunge: A History of Secondhand Styles and Alternative Economies. Chapel Hill: University of North Carolina Press, 2017.

Pouillard V. The Rise of Fashion Forecasting and Fashion PR, 1920–1940: The History of Tobé and Bernays // Globalizing Beauty: Consumerism and Body Aesthetics in the Twentieth Century / Еd. H. Berghoff, Th. Kuehne. New York: Palgrave, 2013. Pp. 151–169; Leach W. R. Land of Desire: Merchants, Power, and the Rise of a New American Culture. New York: Vintage, 1994. Pp. 311–313.

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Crane D. Fashion and Its Social Agendas: Class, Gender and Identity in Clothing. Chicago: University of Chicago Press, 2000; Daves J. Ready-Made Miracle: The American Story of Fashion for the Millions. New York: Putnam, 1967; Kidwell C. B., Christman M. Suiting Everyone: The Democratization of Clothing in America. Washington, DC: Smithsonian, 1974.

Ruffat M., Veillon D. La mode des sixties, l’entrée dans la modernité. Paris: Autrement, 2007.

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Une Conférence technique tripartite du textile aux Etats-Unis // Textilis. 1937. April 1. 9, no. 4. P. 63.

Lee Blaszczyk R., Pouillard V. Fashion as Enterprise // European Fashion. The Creation of a Global Industry / Еd. R. Lee Blaszczyk, V. Pouillard. Manchester: Manchester University Press, 2018. Pp. 24–25.

Charlier Th. Un exemple de coopération entre les pouvoirs publics et le secteur privé. Le programme quinquennal de restructuration de l’industrie belge du textile et de la confection en aout 1980 // MA thesis in Economics, Université Libre de Bruxelles. Brussels, 1985. Pp. 6–7, 12.

Ibid. P. 5 («ont délibérément laissé périr leur industrie de l’habillement pour devenir la premiere plaque de transit en matiere de commerce de vetements a bas prix»).

Sluiter L. Clean Clothes: A Global Movement to End Sweatshops. London: Pluto Press, 2009.

Charlier. Un exemple de coopération. P. 16.

Ibid. P. 15.

Bayly Ch.A. The Origins of Swadeshi (Home Industry): Cloth and Indian Society, 1700–1930 // The Social Life of Things: Commodities in Cultural Perspectives / Еd. A. Appadurai. New York: Cambridge University Press, 2008. Pp. 285–321; Glickman L. B. «Make Lisle the Style»: The Politics of Fashion in the Japanese Silk Boycott, 1937–1940 // Journal of Social History. 2005. 38, no. 3. P. 586; Jones G. G., Herman K., Kothandaraman P. K. Jamnalal Bajaj, Mahatma Gandhi, and the Struggle for Indian Independence. Case study no. 807028. Harvard Business School, 2006 (revised 2015). Pp. 1–21; Kuldova T. Luxury Indian Fashion. A Social Critique. London: Bloomsbury, 2016. P. 11.

Moons A. To Be (In) or Not to Be (In): The Constituting Processes and Impact Indicators of the Flemish Designer Fashion Industry Undressed // Modus Operandi: State of Affairs in Current Research on Belgian Fashion / Еd. N. Bernheim. Antwerp: Mode Museum, 2008. Pp. 69–81.

McAfee A., Dessain V., Sjöman A. Zara: IT for Fast Fashion. Case study no. 9–604–081. Harvard Business School. 2007. September 6.

Ibid.

Chrétien-Ichikawa S. La réémergence de la mode en Chine et le rôle du Japon. PhD diss., EHESS. Paris, 2012; Takada K., Huang G. Uniqlo Thinks Faster Fashion Can Help It Beat Zara // Bloomberg. 2017. March 16. www.bloomberg.com/news/articles/2017-03-16/uniqlo-turns-speed-demon-to-take-on-zara-for-global-sales-crown (accessed 15.05.2017).

Липовецкий Ж. Империя эфемерного. Мода и ее судьба в современном обществе / Пер. Ю. Розенберг под ред. А. Маркова. М.: Новое литературное обозрение, 2012.

Agins T. The End of Fashion: How Marketing Changed the Clothing Business Forever. London: William Morrow, 2000.