Toni Morrison - Song of Solomon

“He didn’t give his name.”

“He don’t have to! He’s Guitar Bains. Gitar, Gitar, Gitar Bains!” Milkman did a little dance and Sweet covered her mouth, laughing.

“Come on, Sweet, tell me where the sea is.”

“They some water comin down below the ridge on the other side. Real deep; wide too.”

“Then let’s go! Come on!” He grabbed her arm and pulled her out to the car. He sang all the way: “‘Solomon ’n Ryna Belali Shalut…’”

“Where you learn that?” she asked him. “That’s a game we used to play when we was little.”

“Of course you did. Everybody did. Everybody but me. But I can play it now. It’s my game now.”

The river in the valley was wide and green. Milkman took off his clothes, climbed a tree and dived into the water. He surfaced like a bullet, iridescent, grinning, splashing water. “Come on. Take them clothes off and come on in here.”

“Naw. I don’t wanna swim.”

“Come in here, girl!”

“Water moccasins in there.”

“Fuck ’em. Get in here. Hurry up!”

She stepped out of her shoes, pulled her dress over her head and was ready. Milkman reached up for her as she came timidly down the bank, slipping, stumbling, laughing at her own awkwardness, then squealing as the cold river water danced up her legs, her hips, her waist. Milkman pulled her close and kissed her mouth, ending the kiss with a determined effort to pull her under the water. She fought him. “Oh, my hair! My hair’s gonna get wet.”

“No it ain’t,” he said, and poured a handful right in the middle of her scalp. Wiping her eyes, spluttering water, she turned to wade out, shrieking all the way. “Okay, okay,” he bellowed. “Leave me. Leave me in here by myself. I don’t care. I’ll play with the water moccasins.” And he began to whoop and dive and splash and turn. “He could fly! You hear me? My great-granddaddy could fly! Goddam!” He whipped the water with his fists, then jumped straight up as though he too could take off, and landed on his back and sank down, his mouth and eyes full of water. Up again. Still pounding, leaping, diving. “The son of a bitch could fly! You hear me, Sweet? That motherfucker could fly! Could fly! He didn’t need no airplane. Didn’t need no fuckin tee double you ay. He could fly his own self!”

“Who you talkin ‘bout?” Sweet was lying on her side, her cheek cupped in her hand.

“Solomon, that’s who.”

“Oh, him.” She laughed. “You belong to that tribe of niggers?” She thought he was drunk.

“Yeah. That tribe. That flyin motherfuckin tribe. Oh, man! He didn’t need no airplane. He just took off; got fed up. All the way up! No more cotton! No more bales! No more orders! No more shit! He flew, baby. Lifted his beautiful black ass up in the sky and flew on home. Can you dig it? Jesus God, that must have been something to see. And you know what else? He tried to take his baby boy with him. My grandfather. Wow! Woooee! Guitar! You hear that? Guitar, my great-granddaddy could flyyyyyy and the whole damn town is named after him. Tell him, Sweet. Tell him my great-granddaddy could fly.”

“Where’d he go, Macon?”

“Back to Africa. Tell Guitar he went back to Africa.”

“Who’d he leave behind?”

“Everybody! He left everybody down on the ground and he sailed on off like a black eagle. ‘O-o-o-o-o-o Solomon done fly, Solomon done gone /Solomon cut across the sky, Solomon gone home!’”

He could hardly wait to get home. To tell his father, Pilate; and he would love to see Reverend Cooper and his friends. “You think Macon Dead was something? Huh. Let me tell you about his daddy. You ain’t heard nothin yet.”

Milkman turned in his seat and tried to stretch his legs. It was morning. He’d changed buses three times and was now speeding home on the last leg of his trip. He looked out the window. Far away from Virginia, fall had already come. Ohio, Indiana, Michigan were dressed up like the Indian warriors from whom their names came. Blood red and yellow, ocher and ice blue.

He read the road signs with interest now, wondering what lay beneath the names. The Algonquins had named the territory he lived in Great Water, michi gami. How many dead lives and fading memories were buried in and beneath the names of the places in this country. Under the recorded names were other names, just as “Macon Dead,” recorded for all time in some dusty file, hid from view the real names of people, places, and things. Names that had meaning. No wonder Pilate put hers in her ear. When you know your name, you should hang on to it, for unless it is noted down and remembered, it will die when you do. Like the street he lived on, recorded as Mains Avenue, but called Not Doctor Street by the Negroes in memory of his grandfather, who was the first colored man of consequence in that city. Never mind that he probably didn’t deserve their honor–they knew what kind of man he was: arrogant, color-struck, snobbish. They didn’t care about that. They were paying their respect to whatever it was that made him be a doctor in the first place, when the odds were that he’d be a yardman all of his life. So they named a street after him. Pilate had taken a rock from every state she had lived in–because she had lived there. And having lived there, it was hers–and his, and his father’s, his grandfather’s, his grandmother’s. Not Doctor Street, Solomon’s Leap, Ryna’s Gulch, Shalimar, Virginia.

He closed his eyes and thought of the black men in Shalimar, Roanoke, Petersburg, Newport News, Danville, in the Blood Bank, on Darling Street, in the pool halls, the barbershops. Their names. Names they got from yearnings, gestures, flaws, events, mistakes, weaknesses. Names that bore witness. Macon Dead, Sing Byrd, Crowell Byrd, Pilate, Reba, Hagar, Magdalene, First Corinthians, Milkman, Guitar, Railroad Tommy, Hospital Tommy, Empire State (he just stood around and swayed), Small Boy, Sweet, Circe, Moon, Nero, Humpty-Dumpty, Blue Boy, Scandinavia, Quack-Quack, Jericho, Spoonbread, Ice Man, Dough Belly, Rocky River, Gray Eye, Cock-a-Doodle-Doo, Cool Breeze, Muddy Waters, Pinetop, Jelly Roll, Fats, Lead-belly, Bo Diddley, Cat-Iron, Peg-Leg, Son, Shortstuff, Smoky Babe, Funny Papa, Bukka, Pink, Bull Moose, B.B., T-Bone, Black Ace, Lemon, Washboard, Gatemouth, Cleanhead, Tampa Red, Juke Boy, Shine, Staggerlee, Jim the Devil, Fuck-Up, and Dat Nigger.

Angling out from these thoughts of names was one more—the one that whispered in the spinning wheels of the bus: “Guitar is biding his time. Guitar is biding his time. Your day has come. Your day has come. Guitar is biding his time. Guitar is a very good Day. Guitar is a very good Day. A very good Day, a very good Day, and biding, biding his time.”

In the seventy-five-dollar car, and here on the big Greyhound, Milkman felt safe. But there were days and days ahead. Maybe if Guitar was back in the city now, among familiar surroundings, Milkman could defuse him. And certainly, in time, he would discover his foolishness. There was no gold. And although things would never be the same between them, at least the man-hunt would be over.

Even as he phrased the thought in his mind, Milkman knew it was not so. Either Guitar’s disappointment with the gold that was not there was so deep it had deranged him, or his “work” had done it. Or maybe he simply allowed himself to feel about Milkman what he had always felt about Macon Dead and the Honoré crowd. In any case, he had snatched the first straw, limp and wet as it was, to prove to himself the need to kill Milkman. The Sunday-school girls deserved better than to be avenged by that hawk-headed raven-skinned Sunday man who included in his blood sweep four innocent white girls and one innocent black man.

Perhaps that’s what all human relationships boiled down to: Would you save my life? or would you take it?

“Everybody wants a black man’s life.”

Yeah. And black men were not excluded. With two exceptions, everybody he was close to seemed to prefer him out of this life. And the two exceptions were both women, both black, both old. From the beginning, his mother and Pilate had fought for his life, and he had never so much as made either of them a cup of tea.

Would you save my life or would you take it? Guitar was exceptional. To both questions he could answer yes.

“Should I go home first, or go to Pilate’s first?” Out in the street, late at night with autumn air blowing cold off the lake, he tried to make up his mind. He was so eager for the sight of Pilate’s face when he told her what he knew, he decided to see her first. He’d have a long time at his own house. He took a taxi to Darling Street, paid the driver, and bounded up the stairs. He pushed the door open and saw her standing over a tub of water, rinsing out the green bottles she used for her wine.

“Pilate!” he shouted. “Have I got stuff to tell you!”

She turned around. Milkman opened his arms wide so he could hold all of her in a warm embrace. “Come here, sweet-heart,” he said, grinning. She came and broke a wet green bottle over his head.

When he came to, he was lying on his side in the cellar. He opened one eye and considered the option of not coming to for a little while more. For a long time now he knew that anything could appear to be something else, and probably was. Nothing could be taken for granted. Women who loved you tried to cut your throat, while women who didn’t even know your name scrubbed your back. Witches could sound like Katharine Hepburn and your best friend could try to strangle you. Smack in the middle of an orchid there might be a blob of jello and inside a Mickey Mouse doll, a fixed and radiant star.

So he lay on the cool damp floor of the cellar and tried to figure out what he was doing there. What did Pilate knock him out for? About the theft of her sack of bones? No. She’d come to his rescue immediately. What could it be, what else could he have done that would turn her against him? Then he knew. Hagar. Something had happened to Hagar. Where was she? Had she run off? Was she sick or…Hagar was dead. The cords of his neck tightened. How? In Guitar’s room, did she…?

What difference did it make? He had hurt her, left her, and now she was dead—he was certain of it. He had left her. While he dreamt of flying, Hagar was dying. Sweet’s silvery voice came back to him: “Who’d he leave behind?” He left Ryna behind and twenty children. Twenty-one, since he dropped the one he tried to take with him. And Ryna had thrown herself all over the ground, lost her mind, and was still crying in a ditch. Who looked after those twenty children? Jesus Christ, he left twenty-one children! Guitar and the Days chose never to have children. Shalimar left his, but it was the children who sang about it and kept the story of his leaving alive.

Milkman rolled his head back and forth on the cellar floor. It was his fault, and Pilate knew it. She had thrown him in the cellar. What, he wondered, did she plan to do with him? Then he knew that too. Knew what Pilate’s version of punishment was when somebody took another person’s life. Hagar. Something of Hagar’s must be nearby. Pilate would put him someplace near something that remained of the life he had taken, so he could have it. She would abide by this commandment from her father herself, and make him do it too. “You just can’t fly on off and leave a body.”

Suddenly Milkman began to laugh. Curled up like a Polish sausage, a rope cutting his wrists, he laughed.

“Pilate!” he called. “Pilate! That’s not what he meant. Pilate! He didn’t mean that. He wasn’t talking about the man in the cave. Pilate! He was talking about himself. His own father flew away. He was the ‘body.’ The body you shouldn’t fly off and leave. Pilate! Pilate! Come here. Let me tell you what your father said. Pilate, he didn’t even tell you to sing, Pilate. He was calling for his wife—your mother. Pilate! Get me out of here!”