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Ирина Борисова - English for AVT specialists. Английский для специалистов в сфере аудиовизуальных технологий. Сборник текстов и упражнений по английскому языку краткое содержание

English for AVT specialists. Английский для специалистов в сфере аудиовизуальных технологий. Сборник текстов и упражнений по английскому языку - описание и краткое содержание, автор Ирина Борисова, читайте бесплатно онлайн на сайте электронной библиотеки LibKing.Ru
Предназначено для учебных заведений, готовящих специалистов в области аудиовизуальных технологий. Цели пособия – формирование иноязычной профессиональной коммуникативной компетенции специалиста, расширение лексического запаса в сфере профессиональной терминологии. Структура пособия также позволяет использовать его для самостоятельной работы. Материалы сборника прошли успешную апробацию в центре аудиовизуальных технологий одного из колледжей г. Москвы.

English for AVT specialists. Английский для специалистов в сфере аудиовизуальных технологий. Сборник текстов и упражнений по английскому языку - читать онлайн бесплатно ознакомительный отрывок

English for AVT specialists. Английский для специалистов в сфере аудиовизуальных технологий. Сборник текстов и упражнений по английскому языку - читать книгу онлайн бесплатно (ознакомительный отрывок), автор Ирина Борисова
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– The Renaissance music

– Hector Berlioz. His life and works

– Richard Wagner and his influence on music

– Bell Laboratories. Discoveries and developments

– Walt Disney’s Fantasia

CHECK POINT

21. Complete the following statements basing on the information in the first part of Unit 1. You do not need more than three words, symbols or numbers for each gap.

1) Renaissance composers wrote their antiphonal music with the sound of the choir or organ incorporating side-to-side or front-to-rear sonic effects to be played in…

2) Hector Berlioz’s Symphonie Fantastique was performed with the horns placed at the back of the…

3) Richard Wagner’s works were so impressive and complicated that they needed large orchestras; the musicians stood in the foyer, under the stage, and even among the people in the…

4) In the 1930s, specialists at Bell Labs experimented with three-channel stereo or system…, as well as with other multichannel audio formats.

5) Fantasound was the first sound reproduction system, which stored three… (3.1) and a control track on the film itself.

6) The sound in Fantasound was playbacked through five channels: three front speakers and two…

7) This speaker configuration in Fantasound, sans subwoofer, became the prototype of the…

8) Besides, the same group of Disney engineers created multitrack recording, panning and…!

9) Further development of surround sound technologies in entertainment was curtailed by…

10) Multichannel audio was utilized by the… for identifying the source of the sound.

Text 2. Part 2. The 1950—1980s

PRE-READING

1. What do you know about the following things:

– the arrival of the television;

– gimmicks used to make film watching more entertaining;

– home «hi-fi» arrangements

2. Look at the statement: «In the 1950s, the rise of the television became a real threat to the cinema.» Why do you think it happened? Work in groups of three or four and discuss your ideas. Report them to the class.

3. What do you think these words and word combinations mean?

Dominant source, public entertainment, film studios, technological advance, 3D glasses, auditorium, limit, economic factors, professionals, frustration, numerous technical problems, vinyl medium, aesthetic problems, full-range front channels, minimum number of speakers.

4. Name some more words and phrases you know relating to the subject.

SUBJECT AND LANGUAGE STUDY

Reading

5. Skim the reading passage to complete the statements.

The text considers…

It describes…

Each paragraph tells us…

6. Look through the passage and spot the answers to these questions.

1) What technological advances did the film studios introduce to fight the television?

2) Why did the idea of the four-channel configuration Quad fail?

3) When did the system 5.1 appear?

By the early 1950s, the movie certainly remained the dominant source of public entertainment. Nevertheless, the rise of the television became a real threat to the cinema. In fact, the growing popularity of the television influenced meaningfully the profits of the film industry. The film studios fought back desperately introducing one technological advance after another. Though some of them were just gimmicks to attract viewers (things like 3D glasses), other ones, such as the wide-screen cinemascope, eventually developed into significant improvements. Another achievement worth mentioning was a four-channel stereo (three front speakers accompanied by a switchable «effects» speaker). Soon after that, 70 mm 6-track film was invented. It had five front channels (left, left/center, center, center/right, right) plus a dedicated effects channel placed in the auditorium. However, mastering these technologies was limited by certain economic factors.

Home audio systems were also evolving greatly. By the 1960s, home «hi-fi» arrangements were all the rage. Stereo sound replaced monaural as a standard. The stereo recordings of a ping – pong ball bouncing between speakers stimulated the rise of today’s consumer surround sound.

In the early 1970s many professionals felt a kind of frustration at the scanty abilities of two speakers leading to research into the consumer surround sound which resulted in an analog four – channel configuration called Quad. It was a progressive idea going ahead of its time. It failed, however, beset by numerous technical (inability of the vinyl medium to carry four discrete signals without strong crosstalk and compromises in frequency response), economic (there were a lot of competing, non-compatible formats) and even aesthetic problems (the public did not completely understand the psychoacoustics of the four-channel sound.)

However, by the late 1970s, the first digital audio sets made an appearance at the market. The film industry was pushing forward its positions, too. Dolby Laboratories started their work at a matrixing system «Dolby Stereo» where three front speakers and an array of rear speakers received information through four channels derived from two stereo channels that were printed optically onto film. Dolby professionals also made an introduction of a separate «boom» subwoofer channel, or so called the «LFE channel» (which stands for Low Frequency Effects). It effectively increased dynamic range (the difference between the softest sound and the loudest sound perceived) in cinematic installations.

By the mid – 1980s, the system 5.1 was supposed to be a standard for 70 mm cinematic releases. It was composed of three full-range front channels (left, center, right), two full-range rear channels, and a subwoofer. In the name «5.1» the». 1» stands for the LFE channel because it carries only approximately one – tenth of the frequency range of the other channels. Researchers considered this as being the minimum number of speakers needed to supply the listener with an enveloping, immersive sound perception, as well as providing a sufficient level of localization (the capability to receive a sound as coming from a definite point in space). The 5.1 is still the most common configuration used for surround sound today.

Essential glossary

profit – прибыль, выгода

advance – продвижение, достижение

gimmick – приём, трюк, уловка

viewer – зритель

improvement – улучшение, усовершенствование

achievement – достижение

switchable – переключаемый

dedicated channel – выделенный канал

be all the rage – достигать крайней степени, предела

monaural sound – монауральный, относящийся к одному уху, монофонический

consumer – потребитель

research – научное исследование

vinyl medium – виниловый носитель

crosstalk – перекрёстные помехи, диафония

frequency response – частотная характеристика

psychoacoustics – психоакустика

range – диапазон

installation – установка, инсталляция

compose –составлять, компоновать

approximately – примерно, приблизительно

immersive – многонаправленный, с одновременным воздействием на человека посредством нескольких каналов восприятия (зрение, слух, осязание, обоняние); иммерсивный, создающий эффект присутствия

sufficient – удовлетворительный

the most common – наиболее употребляемый

capability – способность

7. Scan the article and use the words in brackets to complete the statements.

1) By the early 1950s, the increasing popularity of the television became a… to the movies.

2) By the 1960s, home «hi-fi» schemes were all the rage. Stereo sound took the place of… as a standard.

3) In spite of being a progressive idea going ahead of its time, the usage of… failed, attacked by numerous technical, economic, and even aesthetic problems.

4) The 1970s featured intense development of both audio and…

5) By the mid – 1980s, …, which still remains the most widely used surround sound configuration, became a standard for 70 mm cinematic releases.

(5.1 system, real threat, video technologies, monaural, Quad )

8. Read the text in more detail and answer the questions.

1) What source of public entertainment threatened the cinema in the early 50s?

2) What did the film studios do in what seemed to be a losing battle with television? What technological advances were offered by audio engineers?

3) What sound system was accepted as a standard instead of the old one in the early 1960s?

4) What caused the first exploration into the consumer surround sound? What was its result?

5) When did the early digital audio devices appear at the marketplace?

6) What does «Dolby Stereo» consist of?

7) What does the». 1» stand for in the system 5.1?

9. Find the English equivalents for the following words and expressions in the text.

Основной источник в сфере развлечений; развитие (восхождение) телевидения; угроза кинематографу; прибыли в сфере киноиндустрии; одно техническое достижение за другим; уловки для привлечения зрителей; в конечном итоге преобразовались в значительные усовершенствования; достижение, которое стоит упомянуть; который располагался в зрительном зале; освоение этих технологий; скудные возможности систем с двумя динамиками; система объёмного звука для потребителя; идея, опережающая своё время; осаждённая многочисленными техническими, экономическими проблемами, и даже проблемами чувственного восприятия; конкурирующие, несовместимые форматы; набор задних колонок; динамический диапазон; кинематографические установки; приблизительно одна десятая частотного диапазона других каналов; определённая точка пространства.

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