Михаил Майзульс - Мышеловка святого Иосифа. Как средневековый образ говорит со зрителем

Da Costa Kaufmann, Roehrig Kaufmann 1991 — Da Costa Kaufmann Th ., Roehrig Kaufmann V The Sanctification of Nature: Observations on the Origins of Trompe l'oeil in Netherlandish Book Painting of the Fifteenth and Sixteenth Centuries//The J. Paul Getty Museum Journal, 1991, Vol. 19. P. 43–64.

Denoël 2007 — Denoël Ch . L'apparition des attributs individuels des saints dans l'art médiéval//Cahiers de civilisation médiévale, 2007, № 198. P. 149–160.

Deremble 2015 — Deremble C . Image dans la cathédrale//Baschet J., Dittmar P.-O. (eds.). Les images dans l'Occident médiéval. Turnhout: Brepols, 2015. P. 97–108.

Deshman 1997 — Deshman R . Another Look at the Disappearing Christ: Corporeal and Spiritual Vision in Early Medieval Images//The Art Bulletin, 1997, Vol. 79, № 3. P. 518–546.

Didi-Huberman 1994 — Didi-Huberman G . Georges Didi-Huberman, Ressemblance mythifiée et ressemblance oubliée chez Vasari: la légende du portrait sur "le vif'//Mélanges de l'École française de Rome. Italie et Méditerranée, 1994, T. 106, № 2. P. 383–432.

Didi-Huberman 2007 — Didi-Huberman G . Ex-Voto: Image, Organ, Time//L'Esprit Créateur, 2007, Vol. 47, № 3. P- 7–16.

Dijk 1999 — Dijk A, van . The Angelic Salutation in Early Byzantine and Medieval Annunciation Imagery//The Art Bulletin, 1999, Vol. 81, № 3. P. 420–436.

Dimock 1868 — Dimock J. F . (ed.). Giraldi Cambrensis Itinerarium Kambriae et Descriptio Kambriae (Giraldi Cambrensis opera. Vol. 6). London, 1868.

Dittmar 2013 — Dittmar P.-O . Lapsusfigurae. Notes sur l'erreur iconographique//Hériché-Pradeau S., Perez-Simon M. (éd.). Quand l'image relit le texte. Regards croisés sur les manuscrits médiévaux. Paris: Presses de la Sorbonne Nouvelle. P. 319–335.

Dixon 2005 — Dixon I. Bosch . New York; London: Phaidon Press, 2005.

Draycott, Graham 2017 — Draycott J., Graham E.-J. Bodies of Evidence: Ancient Anatomical Votives. Past, Present and Future. London; New York: Routledge, 2017.

Favreau 1989 — Favreau R . Fonctions des inscriptions au Moyen Âge//Cahiers de civilisation médiévale, 1989, № 127. P. 203–232.

Fay 1931 — Fay P. B . (éd.). Guillaume de Saint-Pathus, confesseur de la reine Marguerite, Les miracles de saint Louis. Paris: Champion, 1931.

Feldges-Henning 1972 — Feldges-Henning U . The Pictorial Program of the Sala della Pace: A New Interpretation//Journal of the Warburg and Courtauld Institutes, 1972, Vol. 35. P. 145–162.

Forstel 2008 — Förstel J. Etienne Chevalier, Jean Fouquet et Melun//Présence royale et aristocratique dans l'est parisien à la fin du Moyen Âge, 22 septembre 2007. Nogent-sur-Marne, 2008. P. 96–107.

Foscati 2009 — Foscati A . Antonio Abate fra santità e leggenda//L'Allevatore magazine, 2009, Vol. LXV, № 1. P. 20–33.

Franciscus de Retza 1470 — Franciscus de Retza . Defensorium inviolatae virginitatis Mariae. Nördlingen, 1470.

Franciscus de Retza 1487 — Franciscus de Retza . Defensorium inviolate perpetueque virginitatis castissime dei genitricis Mariae. Basel, 1487–1490.

Freedberg 1989 — Freedberg D . The Power of Images. Studies in the History and Theory of Response. Chicago; London: The University of Chicago Press, 1989.

Freeman 1957 — Freeman M. B. The Iconography of the Merode Altarpiece//Bulletin of the Metropolitan Museum of Art, 1957, Vol. 16. P. 130–139.

Fricke 2015 — Fricke B . Presence Through Absence: Thresholds and Mimesis in Painting. A Close Reading of a Flemish Painting of Saint Anthony//Representations, 2015, Vol. 130, № 1. P. 1–27.

Friedman 1977 — Friedman J. B . L'iconographie de Vénus et de son miroir à la fin du Moyen Âge//Roy B. (dir.). L'Érotisme au Moyen Âge. Montreal: Aurore, 1977. P. 53–83.

Garnett, Rosser 2018 — Garnett J., Rosser G . The Ex Voto between Domestic and Public Space: From Personal Testimony to Collective Memory//Corry M., Faini M., Meneghin A. (eds.). Domestic Devotions in Early Modern Italy. Leiden: Brill, 2018. P. 45–62.

Gamier 1982, 2003 — Garnier F . Le Langage de l'Image au Moyen Âge. Vol. I: Signification et symbolique; Vol. II: Grammaire des gestes. Paris: Le Léopard d'Or, 1982; 2003.

Gerry 2009 — Gerry K. The Reappearance of the Disappearing Christ in an Early Thirteenth-Century Psalter from Oxford//Art & Nature. Studies in Medieval Art and Architecture. London: Courtauld Institute of Art, 2009. P. 116–129.

Gerson 1706 I, III — Joannes Gersonii Opera Omnia /Ed. Louis Ellies du Pin. Vol. 1; Vol. 3-Antwerp, 1706.

Gombrich 1999 — Gombrich E. The Uses of Images. Studies in the Social Function of Art and Visual Communication. London: Phaidon, 1999.

Grabes 2009 — Grabes H . The Mutable Glass: Mirror-imagery in Titles and Texts of the Middle Ages and English Renaissance. London; New York: Cambridge University Press, 2009.

Graziano 2016 — Graziano F . Miraculous Images and Votive Offerings in Mexico. Oxford: Oxford University Press, 2016.

Groebner 2004 — Groebner V. Defaced. The Visual Culture of Violence in the Late Middle Ages. New York: Zone Books, 2004.

Grzçda, Walczak 2017 — Grzçda M., Walczak M . Reconsidering the Origins of Portraiture//Journal of Art Historiography, 2017, № 17. P. 1–35.

Guenée 1986 — Guenée B . Les "Grandes Chroniques de France". Le roman aux roys, 1274–1518//Nora P. (dir.). Les lieux de mémoire. T. 2: La Nation. Paris: Gallimard, 1986. P. 189–214.

Guillouët 2013 — Guillouët J.-M . In the Masons' Yard: Insights from French Gothic Manuscript Painting//Gesta, 2013, Vol. 52, № 2. P. 181–196.

Haag 2018 — Haag S . (ed.). Bruegel: The Hand of the Master. Exhibition, Vienna, Kunsthistorisches Museum, October 2, 2018 to January 13, 2019. Vienna: KHM-Museumsverband, 2018.

Hablot 2018 — Hablot L. Revêtir l'armoirie. Les vêtements héraldiques au Moyen Âge, mythes et réalités//Espacio, Tiempo y Forma (Serie VII, Historia del Arte), 2018, Vol. 6. P. 55–87.

Hahn 1986 — Hahn C . «Joseph Will Perfect, Mary Enlighten and Jesus Save Thee»: The Holy Family as Marriage Model in the Mérode Triptych//The Art Bulletin, 1986, Vol. 68, № 1. P. 54–66.

Hall 1994 — Hall E . The Arnolfini Betrothal: Medieval Marriage and the Enigma of Van Eyck's Double Portrait. Berkeley: University of California Press, 1994.

Hand, Wolff 1986 — Hand J. O., Wolff M . Early Netherlandish Painting. The Collections of the National Gallery of Art. Systematic Catalogue. Washington: National Gallery of Art; Cambridge University Press, 1986.

Harbison 1984 — Harbison C . Realism and Symbolism in Early Flemish Painting//The Art Bulletin, 1984, Vol. 66, № 4. P. 588–602.

Harbison 1991 — Harbison C. Jan van Eyck. The Play of Realism. London: Reaktion Books, 1991.

Hayum 1989 — Hayum A . The Isenheim Altarpiece. God's Medicine and the Painter's Vision. Princeton: Princeton University Press, 1989.

Hindman 1997 — Hindman S. and al. The Robert Lehman Collection. Vol. 4: Illuminations. New York: The Metropolitan Museum of Art, Princeton University Press, 1997.

Holmes 2009 — Holmes M . Exvotos: Materiality, Memory, and Cult//Cole M., Zorach R. (eds.). The Idol in the Age of Art: Objects, Devotions and the Early Modern World. Aldershot: Ashgate, 2009. P. 165–188.

Holmes 2010 — Holmes M. «How a Woman with a Strong Devotion to the Virgin Mary Gave Birth to a Very Black Child»: Imagining ‘Blackness' in Renaissance Florence//Fremde in der Stadt. Ordnungen, Repräsentationen und Praktiken. 13–15. Jahrhundert/Hrsg, von P. Bell, D. Suckow, G. Wolf. Frankfurt am Main: Peter Lang, 2010. P. 333–351.

Holmes 2013 — Holmes M . The Miraculous Image in Renaissance Florence. New Haven: Yale University Press, 2013.

Hughes 2016 — Hughes J . Fractured Narratives: Writing the Biography of a Votive Offering//Weinryb I. (ed.). Ex Voto: Votive Giving Across Cultures. Chicago: University of Chicago Press. P. 23–48.

Hughes 2017 — Hughes J. Votive Body Parts in Greek and Roman Religion. New York: Cambridge University Press, 2017.

Hunt 2007 — Hunt I. Illuminating the Border of French and Flemish Manuscripts, 1270–1310. New York; London: Routledge, 2007.

Hyman 2003 — Hyman T. Sienese Painting. The Art of the City-Republic (1278–1477). New York: Thames and Hudson, 2003.

Ilsink 20161, II — Ilsink M. et al. Hieronymus Bosch. Painter and Draughtsman. Catalogue raisonné. T. 1–2. New Haven: Yale University Press, 2016.

Jacobs 2013 — Jacobs F. H. Votive Panels and Popular Piety in Early Modern Italy. New York: Cambridge University Press, 2013.

Jones 1989 — Jones M . Folklore Motifs in Late Medieval Art I: Proverbial Follies and Impossibilities//Folklore, 1989, Vol. 100, № 2. P. 201–217.

Joslin, Watson 2001 — Joslin M. C., Watson C. C. J. The Egerton Genesis. Toronto: University of Toronto Press, 2001.

Jung 2010 — Jung J. E . The Tactile and the Visionary: Notes on the Place of Sculpture in the Medieval Religious Imagination//Hourihane C. (ed.). Looking Beyond: Visions, Dreams, and Insights in Medieval Art and History. Princeton: Index of Christian Art, 2010. P. 203–240.

Kendrick 2011 — Kendrick K . Making Sense of Marginalized Images in Manuscripts and Religious Architecture//Rudolph C. (ed.). A Companion to Medieval Art: Romanesque and Gothic in Northern Europe. New York: John Wiley & Sons, 2011. P. 274–294.

Kiilerich 2001 — Kiilerich B . Savedoff, Frames, and Parergonality//The Journal of Aesthetics and Art Criticism, 2001, Vol. 59, № 3. P. 320–323.

Koerner 2004 a — Koemer J. L. Impossible Objects: Bosch's Realism//Res: Anthropology and Aesthetics, 2004, № 46. P. 73–97.

Koerner 2004 b — Koerner J. I . The Reformation of the Image. London: Reaktion Books, 2004.

Koldewey 1991 — Koldewey J. Pilgrim Badges Painted in Manuscripts: A North Netherlandish Example//Horst K., van der, Klamt J.-Chr. (eds.). Masters and Miniatures. Proceedings of the Congress on Medieval Manuscript Illumination in the Northern Netherlands (Utrecht, 10–13 December 1989). Doornspijk, 1991. P. 211–218.

Koldeweij 2016 — Koldeweij J. Jerusalem and Other Holy Places as Represented by Jheronimus Bosch//Verhoeven M., Bosman L, Asperen H., van (eds.). Monuments & Memory. Christian Cult Buildings and Constructions of the Past. Essays in Honour of Sible de Blaauw. Turnhout: Brepols, 2016. P. 287–295.

Kolh 2013 — Kolh J . Casting Renaissance Florence. The Bust of Giovanni de'Medici and Indexical Portraiture//Motture P., Jones E., Zikos D. (eds.). The Art of Renaissance Sculpture. Carvings, Casts and Collectors. London: Victoria and Albert Museum, 2013. P. 58–71.

Krinsky 1970 — Krinsky C. H . Representations of the Temple of Jerusalem before 1500//Journal of the Warburg and Courtauld Institutes, 1970, Vol. 33. P. 1–19.

Kwan 2012 — Kwan N . Woodcuts and Witches: Ulrich Molitor's De lamiis etpythonicismulieribus, 1489–1669//German History, 2012, Vol. 30, № 4. P. 493–527.

Lamy-Lassalle 1973 — Lamy-Lassalle C . Enseignes de pèlerinage à miroirs//Bulletin de la Société nationale des antiquaires de France, 1973. P. 45–47.