Михаил Майзульс - Мышеловка святого Иосифа. Как средневековый образ говорит со зрителем

Land 1996 — Land N . Giotto's Fly, Cimabue's Gesture, and a «Madonna and Child» by Carlo Crivelli//Notes in the History of Art, 1996, Vol. 15, № 4. P. 11–15.

Lane 1988 — Lane B. G . Sacred versus Profane in Early Netherlandish Painting//Simiolus: Netherlands Quarterly for the History of Art, 1988, Vol. 18, № 3. P. 106–115.

Larwood, Hotten 1898 — Larwood J., Hotten J. C . The History of Signboards from the Earliest Times. London: Chatto andWindus, 1898.

Leuwen, Jewitt 2001 — Leuwen Th., van, Jewitt C. (eds.). The Handbook of Visual Analysis. London: Sage, 2001.

Lewis 1986 — Lewis S . Tractatus adversus Judaeos in the Gulbenkian Apocalypse//The Art Bulletin, 1986, Vol. 68, № 4. P. 543–566.

Lindberg 1976 — Lindberg D. C . Theories of Vision from Al-Kindi to Kepler. Chicago; London: The University of Chicago Press, 1976.

Lipton 1999 — Lipton S . Images of Intolerance. The Representation of Jews and Judaism in the Bible moralisée. Berkeley: University of California Press, 1999.

Lipton 2014 — Lipton S . Dark Mirror: The Medieval Origins of Anti-Jewish Iconography. New York: Metropolitan Books, 2014.

Little 2006 — Little Ch. T. (ed.). Set in Stone: The Face in Medieval Sculpture. New York: The Metropolitan Museum of Art, 2006.

Maguire 1996 — Maguire H . The Icons of Their Bodies: Saints and Their Images in Byzantium. Princeton: Princeton University Press, 1996.

Mann 1888 — Mann M. F. (ed.). Der Bestiaire divin des Guillaume le Clerc. Heilbronn: Henninger, 1888.

Marrow 1986 — Marrow J. H . Symbol and Meaning in Northern European Art of the Late Middle Ages and the Early Renaissance//Netherlands Quarterly for the History of Art, 1986, Vol. 16, № 2/3. P. 150–169.

Marosi 2018 — Marosi E . The Illuminations of the Chronicle//Bak J., Veszpémi L. (eds.). Studies on the Illuminated Chronicle. Budapest: Central European University Press, 2018. P. 25–110.

Marrow 1996 — Marrow J. H . Art and Experience in Dutch Manuscript Illumination around 1400: Transcending the Boundaries//The Journal of the Walters Gallery, 1996, Vol. 54. P. 101–117.

Marrow 2007 — Marrow J. H . Illusionism and Paradox in the Art of Jan van Eyck and Rogier van der Weyden. Case Studies in the Shape of Meaning//Zöhl C, Hofmann M. (eds.). Von Kunst und Temperament. Festschrift für Eberhard König. Turnhout: Brepols, 2007. P. 157–175.

McGuire 2011 — McGuire В. P . A Companion to Bernard of Clairvaux. Leiden; Boston: Brill, 2011.

Mellinkoff 1970 — Mellinkoff R . The Horned Moses in Medieval Art and Thought. Berkeley; Los Angeles: University of California Press, 1970.

Merback 2012 — Merback M. B . Pilgrimage and Pogrom: Violence, Memory and Visual Culture at the Host-Miracles Shrines of Germany and Austria. Chicago; London: University of Chicago Press, 2012.

Merback 2014 — Merback M. B. Recognitions: Theme and Metatheme in Hans Burgkmair the Elder's Santa Croce in Geru-salemme of 1504//Art Bulletin, 2014, Vol. 96, № 3. P. 288–318.

Mérindol 2001 — Mérindol Chr., de . Le décor peint et armorié en France à l'époque médiévale: les châteaux et les résidences des comtes d'Artois. Bilan et perspectives//Vander Auwera J. (ed.). Liber amicorum Raphaël de Smedt (2, Artium historia). Lewen: Peeters, 2001. P. 1–19.

Mills 2005 — Mills R . Suspended Animation. Pain, Pleasure and Punishment in Medieval Culture. London: Reaktion Books, 2005.

Mittman 2006 — Mittman A. S. Maps and Monsters in Medieval England. New York: Routledge, 2006.

Molanus 1570 — Molanus J. Depicturis et imaginibus sacris, liber unus: tractans de vitandis circa eas abusibus, et de earun-dem significationibus. Louvain, 1570.

Molanus 1843 — Molanus J. De Historia SS. imaginum et picturarum et de Agnis Dei (Theologiae cursus completus/éd. P. et V. S. Migne, T. 27). Paris, 1843.

Montrose 1999 — Montrose L. A. Idols of the Queen: Policy, Gender, and Picturing of Elisabeth I//Representations, 1999, Vol. 68. P. 108–161.

Moore 2017 — Moore К. B . The Architecture of the Christian Holy Land: Reception from Late Antiquity through the Renaissance. New York: Cambridge University Press, 2017.

Morey 1993 — Morey J. H . Peter Comestor, Biblical Paraphrase, and the Medieval Popular Bible//Speculum, 1993, Vol. 68, № 1. P. 6-35.

Morgan 2003 — Morgan N . Gendered Devotions and Social Rituals: The Aspremont Psalter-"Hours" and the Image of the Patron in Late Thirteenth and Early Fourteenth-Century France//Melbourne Art Journal, 2003, Vol. 6. P. 5–24.

Morrison, Hedeman 2010 — Morrison E., Hedeman A. D. (eds.). Imagining the Past in France. History in Manuscript Painting, 1250–1500. Los Angeles: The J. Paul Getty Museum, 2010.

Nagel, Wood 2010 — Nagel A., Wood Chr. S. Anachronic Renaissance. New York: Zone Books, 2010.

Neale, Webb 1906 — Neale J. M., Webb B . (eds.). The Symbolism of Churches and Church Ornaments: A Translation of the First Book of the Rationale Divinorum Officiorum Written by William Durandus. London: Gibbings & Company, 1906.

Newbery, Bisacca, Kanter 1990 — Newbery T. J., Bisacca G., Kanter L. B . Italian Renaissance Frames. New York: The Metropolitan Museum of Art, 1990.

O'Hear, O'Hear 2015 — O'Hear N., O'Hear A . Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia. Oxford: Oxford University Press, 2015.

Olariu 2010 — Olariu D . Réflexions sur l'avènement du portrait avant le XVe siècle//Idem (dir.). Le Portrait individuel. Réflexions autour d'une forme de représentation, XIIIe–XVe siècles. Berne: Peter Lang, 2010. P. 83–101.

Olariu 2015 — Olariu D . Le portrait au Moyen Âge tardif//Baschet J., Dittmar P.-О. (éds.). Les images dans l'Occident médiéval. Turnhout: Brepols, 2015. P. 471–484.

Oosterwijk 2000 — Oosterwijk S . The Swaddling-Clothes of Christ: a Medieval Relic on Display//Medieval Life, 2000, Vol. 13. P. 25–30.

Orihel 2011 — Orihel M . "Treacherous Memories" of Regicide: The Calves-Head Club in the Age of Anne//The Historian, 2011, Vol. 73, № 3.

Ortega y Gasset 1990 — Ortega y Gasset J . Meditations on the Frame//Perspecta, 1990, Vol. 26. P. 185–190.

Paleotti 1594 — Paleotti G . De imaginibus sacris et profanis illusstriss. et reverendiss. libri quinque. Ingolstadt, 1594.

Panofsky 1934 — Panofsky E . Jan van Eyck's Arnolfini Portrait//The Burlington Magazine for Connoisseurs, 1934, Vol. 64, № 372. P. 117–119, 122–127.

Panofsky 1966 — Panofsky E . Early Netherlandish Painting. Its Origins and Character. Cambridge: Harvard University Press, 1966.

Panzanelli 2008 — Panzanelli R . (ed.). Ephemeral Bodies: Wax Sculpture and the Human Figure. Los Angeles: Getty Research Center, 2008.

Parshall 1999 — Parshall P . The Art of Memory and the Passion//The Art Bulletin, 1999, Vol. 81, № 3. P. 456–472.

Parshall, Schoch 2005 — Parshall P., Schoch R. and al. (eds.). Origins of the European Printmaking. Fifteenth-Century Woodcuts and Their Public. Washington; London: National Gallery of Art; Yale University Press, 2005.

Paré 1971 — Paré A . Des monstres et prodiges. Édition critique et commentée par J. Céard. Genève: Librairie Droz, 1971.

Payan 1997 — Payan P . Pour retrouver un père… La promotion du culte de saint Joseph au temps de Gerson//Cahiers de recherches médiévales, 1997, № 4. P. 15–29.

Payan 2000 — Payan P . Ridicule? L'image ambiguë de saint Joseph à la fin du Moyen Âge//Médiévales, 2000, Vol. 39. P. 96–111.

Pennel 2018 — Pennel A . Miroir de la beauté et miroir des vices: luxure et transgression dans les représentations de l'oti-ositas féminine à la fin du Moyen Âge//Questes, 2018, Vol. 37. P. 69–86.

Petsalis-Diomidis 2016 — Petsalis-Diomidis A . Between the Body and the Divine: Healing Votives from Classical and Hellenistic Greece//Weinryb I. (ed.). Ex Voto: Votive Giving Across Cultures. New York: Bard Graduate Center, 2016. P. 49–75.

Pico della Mirandola 1555 — Pico della Mirandola G . Dialogo intitolato la Strega, overo de gli inganni de demoni, tr. T. Turi-ni. Pescia, 1555.

Pierce 2008 — Pierce H . Unseemly Pictures: Graphic Satire and Politics in Early Modern England. New Haven, 2008.

Pinson 1996 — Pinson Y . The Iconography of the Temple in Northern Renaissance Art//Assah. Studies in Art History. Seris B2. Tel Aviv: Tel Aviv University, 1996. P. 147–174.

PL 114, 168, 198 — Patrologiae cursus completus. Series Latina/Ed. J.-P. Migne. T. 114. Paris, 1852; T. 168. Paris, 1854; T. 198. Paris, 1855.

Plesch 2002 a — Plesch V . Not Only Against Jews: Antisemitic Iconography and its Functions at La Brigue//Studies in Iconography, 2002, Vol. 23. P. 137–181.

Plesch 2002 b — Plesch V . Memory on the Wall: Graffiti on Religious Wall Paintings//Journal of Medieval and Early Modern Studies, 2002, Vol. 32, № 1. P. 167–197.

Polleross 1991 — Polleross F . Between Typology and Psychology: The Role of the Identification Portrait in Updating Old Testament Representations//Artibus et Historiae, 1991, Vol. 12, № 24. P. 75–117.

Pomel 2003 — Pomel F. (dir.). Miroirs et jeux de miroirs dans la littérature médiévale. Rennes: Presses universitaires de Rennes, 2003.

Pon, Amatruda 2010 — Pon L., Amatruda J. F. Breast Cancer Between Faith and Medicine: the Peres Maldonado Ex-voto//Medical Humanities, 2010, Vol. 36, № 2. P. 112–114.

Poucet 2004 — Poucet J. L'Origine troyenne des peuples d'Occident au Moyen Âge et à la Renaissance. Un exemple de parenté imaginaire et d'idéologie politique//Les Études Classiques, 2004, Vol. 72. P. 75–107.

Powell 2012 — Powell A. K . Depositions: Scenes from the Late Medieval Church and the Modern Museum. New York: Zone Books, 2012.

Purdie 2000 — Purdie R . Dice-games and the Blasphemy of Prediction//Barrow S. A. (ed.). Medieval Futures: Attitude to the Future in the Middle Ages. Wood-bridge: NED, 2000.

Rahner 1971 — Rahner H. Greek Myths and Christian Mystery. New York: Biblio and Tannen, 1971.

Randall 1960 — Randall L . A Mediaeval Slander//The Art Bulletin, 1960, Vol. 42, № 1. P. 25–38.

Randall 1966 — Randall L . Images in the Margins of Gothic Manuscripts. Berkeley: University of California Press, 1966.

Raynaud 1986 — Raynaud Chr. Entre texte antique et image médiévale//Médiévales, 1986, № 10. P. 103–114.

Reau 1955 — Reau L. Iconographie de l'art chrétien. T. 1: Introduction générale. Paris: PUF, 1955.

Ridderbos, Buren, Veen 2005 — Ridderbos B., Buren A., van, Veen H., van . (eds.). Early Netherlandish Paintings. Rediscovery, Reception and Research. Amsterdam: Amsterdam University Press, 2005.

Ripa 1603 — Ripa C . Iconologia, overo Descrittione di diverse imagini cavate dall' antichità et di propria inventione. Roma, 160З.

Römer 2009 — Römer T. Lescornes de Moïse. Faire entrer la Bible dans l'histoire. Paris: Collège de France; Fayard, 2009.

Ross 2014 — Ross L. Language in the Visual Arts: The Interplay of Text and Imagery. Jefferson (N.C.): McFarland & Company Inc., 2014.