Михаил Майзульс - Между Христом и Антихристом. «Поклонение волхвов» Иеронима Босха
- Название:Между Христом и Антихристом. «Поклонение волхвов» Иеронима Босха
- Автор:
- Жанр:
- Издательство:Альпина нон-фикшн
- Год:2021
- Город:Москва
- ISBN:978-5-00139-391-7
- Рейтинг:
- Избранное:Добавить в избранное
-
Отзывы:
-
Ваша оценка:
Михаил Майзульс - Между Христом и Антихристом. «Поклонение волхвов» Иеронима Босха краткое содержание
В нем множество иконографических «аномалий». Что за бородатый человек стоит в дверях хижины? Его красный плащ накинут на голое тело, на голове тюрбан, обвитый терниями, а лодыжка заключена в стеклянный сосуд, сквозь который виднеется кровоточащая рана. Почему на одеждах чернокожего волхва и его слуги написаны сирены и рыбы, пожирающие друг друга?
На Западе трех «королей», пришедших в Вифлеем, почитали как святых, а эти детали плохо вяжутся с праведностью. Чтобы расшифровать послание Босха, историк-медиевист Михаил Майзульс обращается к средневековой демонологии, антииудейской полемике, астрологическим теориям и апокалиптическим мифам о последних временах и Антихристе.
Между Христом и Антихристом. «Поклонение волхвов» Иеронима Босха - читать онлайн бесплатно ознакомительный отрывок
Интервал:
Закладка:
Nilgen 1967 — Nilgen U. The Epiphany and the Eucharist: On the Interpretation of Eucharistic Motifs in Mediaeval Epiphany Scenes // The Art Bulletin, 1967, Vol. 49, № 4. P. 311–316.
Panofsky 1966 — Panofsky E. Early Netherlandish Painting. Its Origin and Character. Vol. 1. Cambridge (Mass.): Harvard University Press, 1966.
Pastoureau 2019 — Pastoureau M. Bestiaires du Moyen Âge. Paris: Seuil, 2019.
Payan 2000 — Payan P. Ridicule? L'image ambiguë de saint Joseph à la fin du Moyen Âge // Médiévales, 2000, Vol. 39. P. 96–111.
Peter the Venerable 2013 — Peter the Venerable. Against the Inveterate Obduracy of the Jews / Translated by I. M. Resnick. Washington: The Catholic University of America Press, 2013.
Philip 1953 — Philip L. B. The Prado 'Epiphany' by Jerome Bosch // The Art Bulletin, 1953, Vol. 35. P. 267–293.
Pinson 1996a — Pinson Y. Connotations of Sin and Heresy in the Figure of the Black King in Some Northern Renaissance Adorations // Artibus et Historiae, 1996, Vol. 17, № 34. 159–175.
Pinson 1996b — Pinson Y. The Iconography of the Temple in Northern Renaissance Art // Assah. Studies in Art History. Series B2. Tel-Aviv: Tel-Aviv University, 1996. P. 147–174.
Pinson 2017 — Pinson Y. The Besieged War-Elephant: A Boschian Moralized Antiwar Discourse // Luttikhuizen H. (ed.). The Primacy of the Image in Northern European Art, 1400–1700: Essays in Honor of Larry Silver. Leiden; Boston: Brill, 2017. P. 39–51.
PL 1–217 — Patrologiae cursus completus. Series Latina / Ed. J.-P. Migne. Т. 1–217. Paris, 1844–1855.
Pokorny 2003 — Pokorny E. Bosch's Cripples and Drawings by His Imitators // Master Drawings, 2003, Vol. 41, № 3. P. 293–304.
Portmann 2019 — Portmann M. Jewish Writings and Holy Scripture in Christian Paintings in Spain during the Late Medieval Period // Ganz D., Schellewald B. (eds.). Clothing Sacred Scriptures: Book Art and Book Religion in Christian, Islamic, and Jewish Cultures. Berlinm Boston: De Gruyter, 2019. P. 159–170.
Praet 2016 — Praet D. The Divided Cloak as Redemptio Militiae : Biblical Stylization and Hagiographical Intertextuality in Sulpicius Severus' Vita Martini // Temmerman K., de; Demoen K. (eds.). Writing Biography in Greece and Rome: Narrative Technique and Fictionalization. Cambridge: Cambridge University Press, 2016. P. 133–159.
Ramey 2014 — Ramey L. T. Black Legacies. Race and the European Middle Ages. Gainesville; Tallahassee: University Press of Florida, 2014.
Reeves 1980 — Reeves M. The Originality and Influence of Joachim of Fiore // Traditio, 1980, Vol. 36. P. 269–316.
Resnick 2000 — Resnick I. M. Medieval Roots of the Myth of Jewish Male Menses // The Harvard Theological Review, 2000, Vol. 93, № 3. P. 241–263.
Resnick 2012 — Resnick I. M. Marks of Distinction: Christian Perceptions of Jews in the High Middle Ages. Washington: The Catholic University of America Press, 2012.
Resnick 2018 — Resnick I. M. The Jews's Badge // Champagne M.-T., Resnick I. M. (eds.). Jews and Muslims under the Fourth Lateran Council. Papers Commemorating the Octocentenary of the Fourth Lateran Council (1215). Turnhout: Brepols, 2018. P. 65–79.
Ridderbos, Buren, Veen 2005 — Ridderbos B., Buren A., van, Veen H., van. (eds.). Early Netherlandish Paintings: Rediscovery, Reception and Research. Amsterdam: Amsterdam University Press, 2005.
Roberts-Jones, Roberts-Jones 2011 — Roberts-Jones Ph., Roberts-Jones F. Pierre Bruegel l'Ancien. Paris: Flammarion, 2011.
Rubin 1991 — Rubin M. Corpus Christi: The Eucharist in Late Medieval Culture. Cambridge: Cambridge University Press, 1991.
Rubin 1999 — Rubin M. Gentile Tales: The Narrative Assault on Late Medieval Jews. New Haven: University of Pennsylvania Press, 1999.
Rubin 2004 — Rubin R. Timing a Sacred Space: The Diachronic Concept in Early Maps of Jerusalem // Horizons in Geography / Contemporary Israeli Geography, 2004, № 60 / 61. P. 323–330.
Rubin 2005 — Rubin M. Desecration of the Host: The Birth of an Accusation // Berman C. H. (ed.). Medieval Religion. New Approaches. New York; London: Routledge, 2005.
Sackville 2011 — Sackville L. J. Heresy and Heretics in the Thirteenth Century. The Textual Representations. Woodbridge: York Medieval Press, 2011.
Salvadore 2010 — Salvadore M. The Ethiopian Age of Exploration: Prester John's Discovery of Europe, 1306–1458 // Journal of World History, 2010, Vol. 21, № 4. P. 593–627.
Sansy 2007 — Sansy D. Signe distinctif et judéité dans l'image // Micrologus, 2007, Vol. 15. P. 87–105.
Schmitt 1990 — Schmitt J.-Cl. La raison des gestes dans Occident médiéval. Paris: Gallimard, 1990.
Schmitt 2016 — Schmitt J.-Cl. Les rythmes au Moyen Âge. Paris: Gallimard, 2016.
Schreckenberg 1996 — Schreckenberg H. The Jews in Christian Art, New York: Continuum, 1996.
Scribner 2001 — Scribner R. Religion and Culture in Germany (1400–1800). Leiden; Boston; Köln: Brill, 2001.
Seaby, Paterson 1970 — Seaby W. A., Paterson T. G. F. Ulster Beggars' Badges // Ulster Journal of Archaeology. Third Series, 1970, Vol. 33. P. 95–106.
Silver 2001 — Silver L. A. God in the Details: Bosch and Judgment (s) // The Art Bulletin, 2001, Vol. 83, № 4. P. 626–650.
Silver 2006 — Silver L. A. Hieronymus Bosch. New York: Abbeville Press Publishers, 2006.
Skemer 2006 — Skemer D. C. Binding Words: Textual Amulets in the Middle Ages. University Park: The Pennsylvania State University Press, 2006.
Smith 2016 — Smith Ch. C. Images of Islam, 1453–1600: Turks in Germany and Central Europe. London; New York: Routledge, 2016.
Spissu 2016 — Spissu M. V. Il nemico oltremarino come alterità integrata? Casi di ebrei e musulmani nei retabli di Sardegna (1492–1556) // Llopis B. F. et al. (eds.). Identidades cuestionadas. Coexistencia y conflictos interreligiosos en el Mediterráneo (ss. XIV–XVIII). València: Publicacions de la Universitat de València, 2016. P. 337–355.
Stacey 1998 — Stacey R. C. From Ritual Crucifixion to Host Desecration: Jews and the Body of Christ // Jewish History, 1998, Vol. 12, № 1. P. 11–28.
Stoichita 2014 — Stoichita V. I. L'image de l'Autre. Noirs, Juifs, Musulmans et «Gitans» dans l'art occidental des Temps modernes, 1453–1789. Paris: Éditions Hazan; Musée du Louvre, 2014.
Strickland 2003 — Strickland D. H. Saracens, Demons, and Jews: Making Monsters in Medieval Art. Princeton: Princeton University Press: Princeton, 2003.
Strickland 2007 — Strickland D. H. Picturing Antichrist and Others in the Prado Epiphany // Nichols T. (ed.). Others and Outcasts in Early Modern Europe: Picturing the Social Margins. Aldershot: Ashgate, 2007. P. 11–35.
Strickland 2011 — Strickland D. H. Antichrist and the Jews in Medieval Art and Protestant Propaganda // Studies in Iconography, 2011, Vol. 32. P. 1–50.
Strickland 2016 — Strickland D. H. The Epiphany of Hieronymus Bosch: Imagining Antichrist and Others from the Middle Ages to the Reformation. London: Harvey Miller, 2016.
Strickland 2019 — Strickland D. H. Monsters, Demons, and Jews in the Painting of Hieronymus Bosch // Idelson-Shein I., Wiese Chr. (eds.). Monsters and Monstrosity in Jewish History: From the Middle Ages to Modernity. London: Bloomsbury Press, 2019. P. 42–68.
Timmermann 2001 — Timmerman A. The Avenging Crucifix: Some Observations on the Iconography of the Living Cross // Gesta, 2001, Vol. 40, № 2. P.141–160.
Timmermann 2014 — Timmermann A. A View of the Eucharist on the Eve of the Protestant Reformation // Wandel L. P. (ed.). A Companion to the Eucharist in the Reformation. Leiden; Boston: Brill, 2014. P. 365–398.
Timmermann 2017 — Timmermann A. Memory and Redemption. Public Monuments and the Making of Late Medieval Landscape. Turnhout: Brepols, 2017.
Tixier 2017 — Tixier F. Vous adorez un «Dieu de pain»! Enjeux et symboles de l'ostensoir au temps de la Réforme / Contre-Réforme // Annales de l'Est (Changer, restaurer, rénover. La Réforme au fil de l'histoire et de l'actualité), 2017. P. 91–112.
Trexler 1997 — Trexler R. The Journey of the Magi: Meanings in History of a Christian Story. Princeton: Princeton University Press, 1997.
Trowbridge 2009 — Trowbridge M. Jerusalem Transposed: A Fifteenth-Century Panel for the Bruges Market // Journal of Historians of Netherlandish Art, 2009, Vol. 1, № 1 (https://jhna.org / wp-content / uploads / 2017 / 08 / JHNA_1.1_Trowbridge.pdf)
Vincent 2001 — Vincent N. The Holy Blood: King Henry III and the Westminster Blood Relic. Cambridge: Cambridge University Press, 2001.
Voß 2012 — Voß R. Entangled Stories: The Red Jews in Premodern Yiddish and German Apocalyptic Lore // Association for Jewish Studies Review, 2012, Vol. 36, № 1. P. 1–41.
Wallis 2010 — Wallis F. (ed.). Medieval Medicine: A Reader. Toronto: University of Toronto Press, 2010.
Wamel 2016 — Wamel M., van. The Patron in the Picture. Bosch and his Donor Portraits // Timmermans J. et al. (eds.). Jheronimus Bosch: His Life and his Work. Proceedings 3 rdInternational 4 thJheronimus Bosch Conference, 14–16 April 2016. 's-Hertogenbosch: Jheronimus Bosch Art Center, 2016. P. 408–423.
Weltecke 2008 — Weltecke D. Beyond Religion: On the Lack of Belief During the Central and Late Middle Ages // Bock H., Feuchter J., Knecht M. (eds.). Religion and its Other: Secular and Sacral Concepts and Practices in Interaction. Frankfurt am Main: Campus, 2008. P. 101–114.
Wiedl 2010 — Wiedl B. Laughing at the Beast: The Judensau : Anti-Jewish Propaganda and Humor from the Middle Ages to the Early Modern Period // Classen A. (ed.). Laughter in the Middle Ages and Early Modern Times Epistemology of a Fundamental Human Behavior, its Meaning, and Consequences. Berlin; New York: Walter de Gruyter, 2010. P. 325–357.
Wirth 1988 — Wirth J. Le Jardin des délices de Jérôme Bosch // Bibliothèque d'Humanisme et Renaissance, 1988, T. 50, № 3. P. 545–585.
Wirth 1999 — Wirth J. L'Image à l'époque romane. Paris: Cerf, 1999.
Wirth 2011 — Wirth J. L'image à la fin du Moyen Âge. Paris: Cerf, 2011.
Wirth 2013 — Wirth J. L'image du corps au Moyen Âge. Florence: Sismel, 2013.
Wright 1995 — Wright R. M. Art and Antichrist in Medieval Europe. Manchester: Manchester University Press, 1995.
Yarmo 2015 — Yarmo L. The Yellow Turban: Unraveling Andrea Mantegna's Enigmatic Representation of the Jewish Woman // Graziani Secchieri L. (ed.). Vicino al focolare e oltre: Spazi pubblici e privati, fisici e virtuali della donna ebrea in Italia (secc. XV–XX). Firenze: Giuntina, 2015. P. 231–269.
Zafran 1979 — Zafran E. Saturn and the Jews // Journal of the Warburg and Courtauld Institutes, 1979, Vol. 42. P. 16–27.
Zika 1988 — Zika Ch. Hosts, Processions and Pilgrimages: Controlling the Sacred in Fifteenth-Century Germany // Past & Present, 1988, Vol. 118. P. 25–64.
Примечания
1
Madrid. Museo Nacional del Prado (№ P02048). См.: Ilsink 2016. № 9, P. 198–215; Ilsink, Koldeweij, Spronk 2018. См. также: Silver 2001. P. 636–641, Fig. 13, 14; Wamel 2016; Косякова 2019. С. 328–344. Точная хронология работ Босха — предмет давних споров, которые, увы, не всегда приводят к убедительным результатам. Я опираюсь на датировки, предложенные в последнем каталоге, выпущенном в 2016 г. международным проектом по реставрации и исследованию его наследия ( Bosch Research and Conservation Project Foundation ): Ilsink 2016.
Читать дальшеИнтервал:
Закладка: